Collezione "Ex Libris" Umberto Tarozzi" Sez. I - Composi Zione PAG
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Wild Worship of a Lost and Buried Past”: Enchanted Bofulletin the History of Archaeology Archaeologies and the Cult of Kata, 1908–1924
Wickstead, H 2017 “Wild Worship of a Lost and Buried Past”: Enchanted Bofulletin the History of Archaeology Archaeologies and the Cult of Kata, 1908–1924. Bulletin of the History of Archaeology, 27(1): 4, pp. 1–18, DOI: https://doi.org/10.5334/bha-596 RESEARCH PAPER “Wild Worship of a Lost and Buried Past”: Enchanted Archaeologies and the Cult of Kata, 1908–1924 Helen Wickstead Histories of archaeology traditionally traced the progress of the modern discipline as the triumph of secular disenchanted science over pre-modern, enchanted, world-views. In this article I complicate and qualify the themes of disenchantment and enchantment in archaeological histories, presenting an analysis of how both contributed to the development of scientific theory and method in the earliest decades of the twentieth century. I examine the interlinked biographies of a group who created a joke religion called “The Cult of Kata”. The self-described “Kataric Circle” included notable archaeologists Harold Peake, O.G.S. Crawford and Richard Lowe Thompson, alongside classicists, musicians, writers and performing artists. The cult highlights the connections between archaeology, theories of performance and the performing arts – in particular theatre, music, folk dance and song. “Wild worship” was linked to the consolidation of collectivities facilitating a wide variety of scientific and artistic projects whose objectives were all connected to dreams of a future utopia. The cult parodied archaeological ideas and methodologies, but also supported and expanded the development of field survey, mapping and the interpretation of archaeological distribution maps. The history of the Cult of Kata shows how taking account of the unorthodox and the interdisciplinary, the humorous and the recreational, is important within generously framed approaches to histories of the archaeological imagination. -
Registro Inventariale Biblioteca Comunale Di Arbus Elementi Trovati: 3225
Registro Inventariale Biblioteca Comunale di Arbus Elementi trovati: 3225 Inventario Collocazione Documento D.Ingresso 0/11392/0 M 791.437 2 ZER *007 : *Al servizio segreto di Sua Maestà / directed by Peter Hunt ; music by John Barry. - Milano : Twentieth Century 14/02/2018 Fox home entertainment [distributore], c2013. - 1 DVD (ca. 136 min.) : sonoro (Dolby digital 5.1, DTS), color 0/12005/0 R 030 QUI *1: Aeronautica, agricoltura, alimentazione / [di Georges Bastien ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill. ; 31 06/11/2019 cm 0/10156/0 R 813.6 ROD *[1] I * viaggi di Egg : in fuga da Mortaria / Geoff Rodkey ; [Traduzione di Stefania De Franco]. - Firenze ; Milano : Giunti 16/07/2014 junior, 2013. - 284 p. ; 23 cm 0/8798/0 R 813.6 ABD 10 cose che odio di me / Randa Abdel-Fattah ; traduzione di Alessandra Orcese. - Milano : Mondadori, 2009. - 356 p. ; 30/03/2011 21 cm 0/11786/0 R 823.914 PLA *10 cose da fare prima di compiere 16 anni / Caroline Plaisted ; traduzione di Francesca Manzoni. - Milano : Piemme, 22/02/2019 2016. - 161 p. ; 20 cm. 0/6397/0 G 853.9 DEL 10 + : il mio mondo in un numero / Alessandro Del Piero. - Milano : A. Mondadori, 2007. - 164 p. : ill. ; 22 cm 30/03/2007 0/12014/0 R 030 QUI *10: Metodi di allevamento, minerali e metalli, musica e danza, poste e telecomunicazioni, pubblicita, radio e televisione 13/11/2019 / [autori: Jean-Louis Barraud ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill.; 31 cm *100 esercizi di stretching per il tennis / [testi: Guillermo Seijas ; illustrazioni: Myriam Ferron]. -
Thesis Submission
Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953 Peter Roderick PhD Music Department of Music, University of York March 2010 Abstract The devastation enacted on the Italian nation by Mussolini’s ventennio and the Second World War had cultural as well as political effects. Combined with the fading careers of the leading generazione dell’ottanta composers (Alfredo Casella, Gian Francesco Malipiero and Ildebrando Pizzetti), it led to a historical moment of perceived crisis and artistic vulnerability within Italian contemporary music. Yet by 1953, dodecaphony had swept the artistic establishment, musical theatre was beginning a renaissance, Italian composers featured prominently at the Darmstadt Ferienkurse , Milan was a pioneering frontier for electronic composition, and contemporary music journals and concerts had become major cultural loci. What happened to effect these monumental stylistic and historical transitions? In addressing this question, this thesis provides a series of studies on music and the politics of musical culture in this ten-year period. It charts Italy’s musical journey from the cultural destruction of the post-war period to its role in the early fifties within the meteoric international rise of the avant-garde artist as institutionally and governmentally-endorsed superman. Integrating stylistic and aesthetic analysis within a historicist framework, its chapters deal with topics such as the collective memory of fascism, internationalism, anti- fascist reaction, the appropriation of serialist aesthetics, the nature of Italian modernism in the ‘aftermath’, the Italian realist/formalist debates, the contradictory politics of musical ‘commitment’, and the growth of a ‘new-music’ culture. In demonstrating how the conflict of the Second World War and its diverse aftermath precipitated a pluralistic and increasingly avant-garde musical society in Italy, this study offers new insights into the transition between pre- and post-war modernist aesthetics and brings musicological focus onto an important but little-studied era. -
Laurea Honoris Causa, Il Dottor Muti Al San Carlo: D
Elio Matteo Palumbo BIBLIOAUDIOVIDEOEFFEMERIDOTECA PRIVATA Altri 11 volumi tematici introduttivi e di primo approfondimento più un supplemento di giornale sull’Alimentazione, dopo i 137 pubblicati fino al 20 maggio 2015. (v. pdf in “La mia biblioaudiovideoeffemeridoteca” e “Cultura e Società”) 25 giugno 2016 --------------------- https://eliomatteopalumbo.files.wordpress.com/2015/05/elio-matteo-palumbo- biblioaudiovideoeffemeridoteca-tutti-i-volumi-tematici-allestiti-20-maggio-2015.pdf https://eliomatteopalumbo.wordpress.com/la-mia-biblioaudiovideoeffemeridoteca/ https://eliomatteopalumbo.wordpress.com/areetematiche/cultura-e-societa/ https://eliomatteopalumbo.wordpress.com/ ALCUNE CASE EDITRICI Fondatori, Storia { doc. AA.VV. PERSONAGGI dell’ EDITORIA e del GIORNALISMO ◆1°◆ ADELPHI: Roberto (detto Bobi) Bazlen, Luciano Foà, Roberto Olivetti, Roberto Calasso * - Franco ANGELI { Ada Gigli Marchetti - Nino ARAGNO { Paolo Mauri, Bruno Quaranta - Armando ARMANDO - BALDINI&CASTOLDI: Ettore Baldini e Antenore Castoldi; soci Alceste Borella e Gian Pietro Lucini - BOLLATI BORINGHIERI: Giulio Bollati e Paolo Boringhieri { Marco Dotti, Luciana Sica - BOMPIANI: Valentino Bompiani { Natalia Aspesi, Enrico Bonerandi, Carlo Carena, Maria Corti *, Paolo Cremonese, Cesare De Michelis, Umberto Eco *, Laura Lilli, Daniela Pasti, Enrico Regazzoni, Stefano Salis - BULZONI: Mario Bulzoni ➔ v. Riviste Ariel, Biblioteca teatrale, Quaderni Ist. Studi Pirandelliani - CAPPELLI: Licinio Cappelli { Paolo Cremonese, Elena Venturi Nenzioni - Armando CURCIO { Emanuela -
Luoghi Del Tempo E Della Memoria Danilo Manera: a Est Con
Opere di Arthur Schnitzler Testi di Cesare Cases, Giorgio Cusatelli, Marina Ghedini e Mario Lavagetto G.L. Beccaria, R. Ceserani; Luoghi del tempo e della memoria Danilo Manera: A est con Hrabal e Makanin Storie di esilio e di emigrazione Marco Revelli: La Fiat di Romiti Accademia di Belle Arti di Brera Comune di Milano, Settore Cultura in collaborazione con il Gruppo GFT Sala Napoleonica, Palazzo di Brera, Milano 20 maggio-10 luglio 1988 Catalogo Electa RECENSORE AUTORE TITOLO Il Libro del Mese 4 Giorgio Cusatelli Arthur Schnitzler Opere 5 Cesare Cases Verso la libertà L'Autore risponde 8 Su degnità e dintorni, di Giuseppe Savoca 32 Ancora Heidegger, di Victor Farias Intervento 6 Il sosia, di Mario Lavagetto 8 Qualche lezioncina di troppo, di Pier Vincenzo Mengaldo 9 Capitano Bellodi, a rapporto, di Giuseppe Maghenzani Tutto, ma non l'assoluto, di Umberto Piersanti 32 Attenti ai trucchi, di Diego Marconi 10 Libri di Testo 12 La Fabbrica del Libro 12 Anna Baggiani Alessandra Macinghi Strozzi Tempo di affetti e di mercanti 13 Sergio Pent Francesca Sanvitale La realtà è un dono 14 R. Ceserani, G. L. Beccaria Rosetta Loy Le strade di polvere Lorenzo Mondo I padri delle colline Daniela Danieli Mario Lunetta Guerriero Cheyenne 15 Ginevra Bompiani Paolo Capriolo La grande Eulalia 16 La Traduzione 18 Danilo Manera Bohumil Hrabal Una solitudine troppo rumorosa Vladimir Makanin Un posto al sole 19 Andrea Ciacchi Jorge De Sena La Gran Canaria e altri racconti 21 Il Salvagente 23 Arnaldo Testi L.V. Mannucci (a cura di) Gli Stati Uniti nell'era di Jackson Federico Romero M.A. -
Style in the Music of Arthur Sullivan: an Investigation
Open Research Online The Open University’s repository of research publications and other research outputs Style in the Music of Arthur Sullivan: An Investigation Thesis How to cite: Strachan, Martyn Paul Lambert (2018). Style in the Music of Arthur Sullivan: An Investigation. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000e13e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk STYLE IN THE MUSIC OF ARTHUR SULLIVAN: AN INVESTIGATION BY Martyn Paul Lambert Strachan MA (Music, St Andrews University, 1983) ALCM (Piano, 1979) Submitted 30th September 2017 for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences Open University 1 Abstract ABSTRACT Style in the Music of Arthur Sullivan: An Investigation Martyn Strachan This thesis examines Sullivan’s output of music in all genres and assesses the place of musical style within them. Of interest is the case of the comic operas where the composer uses parody and allusion to create a persuasive counterpart to the libretto. The thesis attempts to place Sullivan in the context of his time, the conditions under which he worked and to give due weight to the fact that economic necessity often required him to meet the demands of the market. -
The Best the House Could Afford: Critical Reaction to Rossini's Il
National Library Bibliothèque nationaie 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, nie Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lïbrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fonne de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celle-ci ne doivent être imprimés reproduced without the author' s ou autrement reproduits sans son permission. autorisation. 'The best the house could afford': Critical Reaction to Rossini's i7 6aYbiet-e di Siviglia at the King's Theae, 18 18-1 83 0 Megan M. Paterson Facuity of Music Submitted in partiai Wlrnent of the requirements for the degree of Master of Arts Faculty of Graduate Studies The Universiv of Western Ontario London, Ontario October, 1999 O Megan M. Paterson 1999 ABSTRACT As one of the most popular fonns of entertainment in London in the early nineteenth century, ItaIian opera drew enthusiasric crowds to the King's Theatre and elicited much critical response fiom the press. -
The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A
THE CIMBASSO AND TUBA IN THE OPERATIC WORKS OF GIUSEPPE VERDI: A PEDAGOGICAL AND AESTHETIC COMPARISON Alexander Costantino Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2010 APPROVED: Donald Little, Major Professor Nicholas Williams, Committee Member Brian Bowman, Committee Member Terri Sundberg. Chair of the Division of Instrumental Studies Graham Phipps, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Costantino, Alexander. The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison. Doctor of Musical Arts (Performance), August 2010, 59 pp., 8 illustrations, bibliography, 22 titles. In recent years, the use of the cimbasso has gained popularity in Giuseppe Verdi opera performances throughout the world. In the past, the tuba or the bass trombone was used regularly instead of the cimbasso because less regard was given to what Verdi may have intended. Today, one expects more attention to historical precedent, which is evident in many contemporary Verdi opera performances. However, the tuba continues to be used commonly in performances of Verdi opera productions throughout the United States. The use of the tuba in the U.S. is due to a lack of awareness and a limited availability of the cimbasso. This paper demonstrates the pedagogical and aesthetic differences between the use of the tuba and the modern cimbasso when performing the works of Giuseppe Verdi operas. Copyright 2010 by Alexander Costantino ii TABLE OF CONTENTS Page LIST OF FIGURES ........................................................................................................ -
The Modernisation of Wind Playing in London Orchestras, 1909–1939: A
The modernisation of wind playing in London orchestras, 1909–1939: A study of playing style in early orchestral recordings Emily Claire Worthington PhD University of York Department of Music April 2013 2 3 Abstract This is a study of performing styles among wind players in London orchestras during the period 1909–1939. Existing scholarship relating to orchestral performance in London in the early twentieth century perpetuates the notion that playing standards were, at best, unreliable until the establishment of contracted orchestras in the 1930s. In addition, existing studies of wind playing in orchestral recordings pre-1930 suggest that a plain style prevailed, with little use of vibrato or tonal flexibility, until the French woodwind schools began to influence British practices in the late 1930s. Three London orchestras are considered through a combination of archival research and recording analysis. A case study of the New Symphony Orchestra (1905–1930) challenges the notion that pre-1930 London orchestras were ill-disciplined and lacking in corporate identity. The NSO’s recordings document a hyper-expressive performance style founded on the use of temporal flexibility, which bears relation to styles observed among pianists, singers and string players of the period. Attention then turns to London’s first ‘permanent’ orchestras, the BBC Symphony Orchestra and London Philharmonic Orchestra. Documentary evidence shows that the two ensembles were established to fulfill two very different ideals of orchestral performance and musical aesthetic. Comparison of the orchestras’ recordings is used to establish how this led to the emergence of two contrasting styles of playing in their wind sections, both of which nonetheless represented a move away from the style of the NSO. -
Fra Il Corpo E La Lingua Vladimir Nabokov: Una Casa Di Parole Per Fuggire Da Yalta
9,07, Maggio 2000 Anno XVIi - N. 5 Lire 9.500 €4.90 Fra il corpo e la lingua Vladimir Nabokov: una casa di parole per fuggire da Yalta di Guido Carboni Dossier n. 4: Il documento immateriale La ricerca storica ai tempi del Web Abbattista, Amani, Vior monte, Minuti, Ortoleva, Ricolfi, Ridi, Zorzi • PREMIO ITALO CALVINO Il romanzo vincitore e il nuovo bando PAOLA nuovo premio Lo stupro di Nanchino: storia di uno sterminio dimenticato • GIORGIO PESTELLI La musica dell'800 russo • CARLO AUGUSTO VIANO Jonas che non capisce la scienza STRO DELLA STELLA POLARE Il fantasma di Hokusai sui prati d'estate • NON POSSIAMO NON DIRCI ASHKENAZITI MQuattro storie d'immigrazione di Winfrid Sebald • DEDICATO A PIERRE MENARD Lumorismo terminale di Roberto Bolano • SEGNALI: FO Dario fu Francesco: il Giubileo e il Premio Nobel, di Piergiorgio Giacché • MINIMA CIVILIA: la razionalità delle scelte elettorali • Giuseppe Verdi, un italiano vero • Pensieri scettici sulla rifor- ma universitaria, di Lorenzo Renzi • DA TRADURRE • MARTIN EDEN • EFFETTO FILM • LE SCHEDE • ) fCHDÀIiGRI { L. EiNAUDI ! 1 BIBLIOTECA | fcUyi. Abbiamo chiesto ai mem- delle curiosità e delle quella di donna, / lei che sempre / Racconti arabi antichi, a cura di Virgi- passioni. La lista che nia Vacca, Il leone verde. Riedizione bri del nostro comitato di sulle rovine ricostruisce". di un testo pubblicato nel 1958 e or- redazione e ad alcuni no- scorrerete contiene tito- WILLIAM TREVOR, Morte d'estate, mai introvabile che raccoglie alcune stri collaboratori abi- • li che forse ritorneranno Guanda. "Albert guarda, e vede novelle del patrimonio arabo classico. tuali di scegliere tra i recensiti e citati, e altri di sbucare una figura che si scrolla di dosso il buio". -
Boston Symphony Orchestra Concert Programs, Season 74, 1954-1955, Subscription
SYMPHONY HALL, BOSTON Telephone, Commonwealth 6-1492 SEVENTY-FOURTH SEASON, 1954-1955 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1954, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine . Treasurer Talcott M. Banks, Jr. C. D. Jackson John Nicholas Brown Michael T. Kelleher Theodore P. Ferris Palfrey Perkins Alvan T. Fuller Charles H. Stockton Francis W. Hatch Edward A. Taft Harold D. Hodgkinson Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Thomas D. Perry, Jr., Manager G. W. Rector Assistant Brosnahan, j J. J. Assistant Treasurer S. N. Shirk \ Managers Rosario Mazzeo, Personnel Manager [357] THE LIVING TRUST How It Benefits You, Your Family, Your Estate Unsettled conditions . new inventions . political changes . interest rates and taxes, today make the complicated field of in- vestments more and more a province for specialists. Because of this, more and more men and women, with capital to invest and estates to manage, are turning to the Living Trust. WHAT IT IS The Living Trust is a Trust which you establish to go into effect during your lifetime, as part of your overall estate plan, and for the purpose of receiving professional management for a specified portion of your property. It can be arranged for the benefit of yourself, members of your family, or other individuals or charities —and can be large or small. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletioiL Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing firom left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313,'761-4700 600/521-0600 Order Number 9401210 Reclaiming a music for England: Nationalist concept and controversy in English musical thought and criticism, 1880-1920. (Volumes I and II) Ball, William Scott, Ph.D.