Chapter 5 the Technology of Immortality, the Soul, and Human Identity
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PADDISON Drawing the Movies.Indd
Who helped Cameron Crowe to visualize how he’d shoot the scenes for his latest movie ‘Elizabethtown’? Neil Paddison speaks to Alex Hillkurtz, the storyboard artist behind Crowe’s latest fi lm. ITH TEN YEARS experience a pile of storyboards in your hand, as a storyboard artist, work- you’re really prepared. Wing on movies as diverse as Almost Famous, Vanilla Sky and Lost How do you start work on a new in Space, Alex Hillkurtz is the ideal per- project? son to answer questions about what must be one of the most enviable jobs Usually I’ll meet with the director for in the fi lm industry. two or three hours at a time and we’ll go through one scene like this one [the Having just completed work on Eliza- bethtown, which will be released in Because when ‘Usually I’ll meet with the director for Australia this October, Hillkurtz took you’re working time out in January this year to talk on a fi lm there two or three hours at a time and we’ll about his work as a storyboard artist. are hundreds of go through one scene like this one different people So, what attracted you to the job? involved. Every- [the Vanilla Sky car crash]’ body needs to be ISSUE 39 I’ve been a fan of movies forever, and making the same movie; otherwise it’ll Vanilla Sky car crash, see pictures on SCREEN EDU I’ve always drawn, so when I learnt be just mass chaos. And fi lm produc- right]. -
Elizabethtown
Cineforum G. Verdi 31°anno 15° film 25 - 26 – 27 – 28 gennaio 2006 [email protected] Clare Colburn, un angelo biondo Elizabethtown interpretato da una splendida Kristen Dunst che con il suo carattere stralunato e ottimista, lo farà riflettere CAST TECNICO ARTISTICO sul vero senso della vita. Clear che ha fatto del viaggio un lavoro, possiede Regia: Cameron Crowe una dote speciale: riesce a risolvere Sceneggiatura: Cameron Crowe tutti i problemi degli altri. Fotografia: John Toll L’incontro tra i due protagonisti, inizia Scenografia: Clay Griffith per caso, anzi per errore. Drew dopo Montaggio: David Moritz aver parlato per tutta la notte con giornalista di “Rolling Stones” una Costumi: Nancy Steiner Clear, riuscirà a ritrovare uno spiraglio delle più famose riviste di musica) Musica: Nancy Wilson di luce nella sua vita: una nuova alba. che dichiara in una intervista: “scrivo Prodotto da: Tom Cruise, Paula Anche in questa sequenza il regista i miei film pensando ai brani Wagner, Donald Lee sottolinea con un sapiente uso della musicali che con loro si sposeranno (Usa, 2005) Fotografia gli umori degli interpreti; meglio”; da ricordare oltre a “Moon Durata: 111' interessante l’utilizzo della tecnologia river” già colonna sonora di Distribuzione cinematografica: UIP (telefono cellulare) nello sviluppo della “Colazione da Tiffany” di Billy trama narrativa. Wilder, tutta la parte finale del film PERSONAGGI E INTERPRETI Ma è il viaggio, il tema principale con brani storici o inediti di Tom dell’ultima fatica di Cameron Crowe Petty, Elton John, Ryan Adams fino Drew Baylor: Olrando Bloom regista e sceneggiatore (produce Tom a Helen Stellar una band Claire: Kirsten Dunst Cruise) di un film autobiografico, il sconosciuta scoperta di recente da Hollie Baylor: Susan Sarandon padre infatti nel 1989 si era recato nel Crowe. -
Eternity and Immortality in Spinoza's Ethics
Midwest Studies in Philosophy, XXVI (2002) Eternity and Immortality in Spinoza’s Ethics STEVEN NADLER I Descartes famously prided himself on the felicitous consequences of his philoso- phy for religion. In particular, he believed that by so separating the mind from the corruptible body, his radical substance dualism offered the best possible defense of and explanation for the immortality of the soul. “Our natural knowledge tells us that the mind is distinct from the body, and that it is a substance...And this entitles us to conclude that the mind, insofar as it can be known by natural phi- losophy, is immortal.”1 Though he cannot with certainty rule out the possibility that God has miraculously endowed the soul with “such a nature that its duration will come to an end simultaneously with the end of the body,” nonetheless, because the soul (unlike the human body, which is merely a collection of material parts) is a substance in its own right, and is not subject to the kind of decomposition to which the body is subject, it is by its nature immortal. When the body dies, the soul—which was only temporarily united with it—is to enjoy a separate existence. By contrast, Spinoza’s views on the immortality of the soul—like his views on many issues—are, at least in the eyes of most readers, notoriously difficult to fathom. One prominent scholar, in what seems to be a cry of frustration after having wrestled with the relevant propositions in Part Five of Ethics,claims that this part of the work is an “unmitigated and seemingly unmotivated disaster.. -
Therapeutic Targeting of Replicative Immortality
Seminars in Cancer Biology 35 (2015) S104–S128 Contents lists available at ScienceDirect Seminars in Cancer Biology jo urnal homepage: www.elsevier.com/locate/semcancer Review Therapeutic targeting of replicative immortality a,∗ b c d e Paul Yaswen , Karen L. MacKenzie , W. Nicol Keith , Patricia Hentosh , Francis Rodier , f g h i c Jiyue Zhu , Gary L. Firestone , Ander Matheu , Amancio Carnero , Alan Bilsland , j k,1 k,1 l,1 Tabetha Sundin , Kanya Honoki , Hiromasa Fujii , Alexandros G. Georgakilas , m,1 n,o,1 p,1 q,1 Amedeo Amedei , Amr Amin , Bill Helferich , Chandra S. Boosani , r,1 s,1 t,1 u,1 Gunjan Guha , Maria Rosa Ciriolo , Sophie Chen , Sulma I. Mohammed , v,1 r,1 w,1 m,1 Asfar S. Azmi , Dipita Bhakta , Dorota Halicka , Elena Niccolai , s,1 n,o,1 x,1 p,1 Katia Aquilano , S. Salman Ashraf , Somaira Nowsheen , Xujuan Yang a Life Sciences Division, Lawrence Berkeley National Lab, Berkeley, CA, United States b Children’s Cancer Institute Australia, Kensington, New South Wales, Australia c University of Glasgow, Glasgow, United Kingdom d Old Dominion University, Norfolk, VA, United States e Universit´e de Montr´eal, Montr´eal, QC, Canada f Washington State University College of Pharmacy, Pullman, WA, United States g University of California Berkeley, Berkeley, CA, United States h Biodonostia Institute, Gipuzkoa, Spain i Instituto de Biomedicina de Sevilla, HUVR, Consejo Superior de Investigaciones Cientificas, Universdad de Sevilla, Seville, Spain j Sentara Healthcare, Norfolk, VA, United States k Nara Medical University, Kashihara, -
Immortality of the Soul (Plat Ōn) and Bodily Resurrection (Paul) — Any Rapprochement?
IMMORTALITY OF THE SOUL (PLAT ŌN) AND BODILY RESURRECTION (PAUL) — ANY RAPPROCHEMENT? ChrYs C. Caragounis [email protected] ABSTRACT It is a usual assumption among NeW Testament scholars that in his discussion of the resurrec - tion of the dead, Paul holds to the JeWish VieW of the resurrection of the bodY, not to the Hellenic (Platonic) VieW of the immortalitY of the soul. As this question impinges on the question of anthropologY, it is further stated that according to the Hellenic VieW man has a bodY — Which, moreoVer is conceiVed as a tomb of the soul (Orphics) — Whereas accor - ding to the JeWish VieW man is a bodY. A careful inVestigation of the Hellenic and OT-JeWish eVidence shoWs that it is a metho - dological miss to confuse VieWs in Hom ēros and the Orphics With later VieWs in Sokrates and Plat ōn. MoreoVer there neVer Was a “JeWish VieW” of the resurrection. There Were fiVe/siX VieWs. The resurrection of the bodY Was a minoritY VieW. The Pauline teXts shoW that Paul speaks of the resurrection of the dead but neVer of the resurrection of the bodY as Well as that man has a bodY. It is thus intriguing to compare Paul’s VieW of resurrection With Plat ōn’s VieW of the immortalitY of the soul and see hoW far apart theY are from one another. KEY WORDS : First Corinthians, Resurrection (of the bodY), ImmortalitY of the soul. 3 2 1 5 - 1. INTRODUCTION 3 2 . P P , Ernest Best prefaces his discussion of 1 Th 5:23 in his commentarY With 6 1 0 the remark that “To the Greek for Whom the bodY Was the tomb or prison of the 2 ; 1 7 immortal soul its ultimate fate Was unimportant” . -
What Is Necromedia? Marcel O’Gorman
Document generated on 09/24/2021 2:22 p.m. Intermédialités Histoire et théorie des arts, des lettres et des techniques Intermediality History and Theory of the Arts, Literature and Technologies What is Necromedia? Marcel O’Gorman Naître Article abstract Number 1, Spring 2003 This paper explores the collusion of death and technology by investigating: the military's early adoption of new technologies for the purpose of human URI: https://id.erudit.org/iderudit/1005450ar destruction; superstition and ghost industries invoked by the mainstreaming of DOI: https://doi.org/10.7202/1005450ar new technologies; the use of technology to push us into a posthuman era that heralds and celebrates the end of liberal humanism; technology's promise of See table of contents immortality, which causes us to forget our finitude. The exploration is framed by various media scenes extracted from two recent Hollywood movies, Vanilla Sky (Crowe, 2001) and American Beauty (Mendes, 1999). The paper is not about these movies, but rather, it draws on them as case studies, information Publisher(s) narratives about the incorporation of technology in American culture. By Centre de recherche sur l'intermédialité defining this new area of study and coining a new term, the author hopes to provoke interest in Necromedia Theory as an antidote to the uncritical incorporation of new technologies into everyday life, and to the relentless ISSN development of technology for technology's sake. 1920-3136 (digital) Explore this journal Cite this article O’Gorman, M. (2003). What is Necromedia? Intermédialités / Intermediality, (1), 155–164. https://doi.org/10.7202/1005450ar Tous droits réservés © Revue Intermédialités, 2003 This document is protected by copyright law. -
The Makropulos Case: Reflections on the Tedium of Immortality
The Makropulos case: reflections on the tedium of immortality Author: Bernard Williams Source: Problems of the Self, Cambridge: Cambridge University Press, 1973. This essay started life as a lecture in a series ‘on the immortality of the soul or kindred spiritual subject’.1 My kindred spiritual subject is, one might say, the mortality of the soul. Those among previous lecturers who were philosophers tended, I think, to discuss the question whether we are immortal; that is not my subject, but rather what a good thing it is that we are not. Immortality, or a state without death, would be meaningless, I shall suggest; so, in a sense, death gives the meaning to life. That does not mean that we should not fear death (whatever force that injunction might be taken to have, anyway). Indeed, there are several very different ways in which it could be true at once that death gave the meaning to life and that death was, other things being equal, something to be feared. Some existentialists, for instance, seem to have said that death was what gave meaning to life, if anything did, just because it was the fear of death that gave meaning to life; I shall not follow them. I shall rather pursue the idea that from facts about human desire and happiness and what a human life is, it follows both that immortality would be, where conceivable at all, intolerable, and that (other things being equal) death is reasonably regarded as an evil. Considering whether death can reasonably be regarded as an evil is in fact as near as I shall get to considering whether it should be feared: they are not quite the same question. -
Visualizing Levinas:Existence and Existents Through Mulholland Drive
VISUALIZING LEVINAS: EXISTENCE AND EXISTENTS THROUGH MULHOLLAND DRIVE, MEMENTO, AND VANILLA SKY Holly Lynn Baumgartner A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2005 Committee: Ellen Berry, Advisor Kris Blair Don Callen Edward Danziger Graduate Faculty Representative Erin Labbie ii © 2005 Holly Lynn Baumgartner All Rights Reserved iii ABSTRACT Ellen Berry, Advisor This dissertation engages in an intentional analysis of philosopher Emmanuel Levinas’s book Existence and Existents through the reading of three films: Memento (2001), Vanilla Sky (2001), and Mulholland Drive, (2001). The “modes” and other events of being that Levinas associates with the process of consciousness in Existence and Existents, such as fatigue, light, hypostasis, position, sleep, and time, are examined here. Additionally, the most contested spaces in the films, described as a “Waking Dream,” is set into play with Levinas’s work/ The magnification of certain points of entry into Levinas’s philosophy opened up new pathways for thinking about method itself. Philosophically, this dissertation considers the question of how we become subjects, existents who have taken up Existence, and how that process might be revealed in film/ Additionally, the importance of Existence and Existents both on its own merit and to Levinas’s body of work as a whole, especially to his ethical project is underscored. A second set of entry points are explored in the conclusion of this dissertation, in particular how film functions in relation to philosophy, specifically that of Levinas. What kind of critical stance toward film would be an ethical one? Does the very materiality of film, its fracturing of narrative, time, and space, provide an embodied formulation of some of the basic tenets of Levinas’s thinking? Does it create its own philosophy through its format? And finally, analyzing the results of the project yielded far more complicated and unsettling questions than they answered. -
Chuck Klosterman on Film and Television
Chuck Klosterman on Film and Television A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2478-6 Portions of this work originally appeared in Esquire and on SPIN.com. Contents From Sex, Drugs, and Cocoa Puffs This Is Emo What Happens When People Stop Being Polite Being Zack Morris Sulking with Lisa Loeb on the Ice Planet Hoth The Awe-Inspiring Beauty of Tom Cruise’s Shattered, Troll-like Face How to Disappear Completely and Never Be Found From Chuck Klosterman IV Crazy Things Seem Normal, Normal Things Seem Crazy Don’t Look Back in Anger Robots Chaos 4, 8, 15, 16, 23, 42 Television From Eating the Dinosaur “Ha ha,” he said. -
“Is Cryonics an Ethical Means of Life Extension?” Rebekah Cron University of Exeter 2014
1 “Is Cryonics an Ethical Means of Life Extension?” Rebekah Cron University of Exeter 2014 2 “We all know we must die. But that, say the immortalists, is no longer true… Science has progressed so far that we are morally bound to seek solutions, just as we would be morally bound to prevent a real tsunami if we knew how” - Bryan Appleyard 1 “The moral argument for cryonics is that it's wrong to discontinue care of an unconscious person when they can still be rescued. This is why people who fall unconscious are taken to hospital by ambulance, why they will be maintained for weeks in intensive care if necessary, and why they will still be cared for even if they don't fully awaken after that. It is a moral imperative to care for unconscious people as long as there remains reasonable hope for recovery.” - ALCOR 2 “How many cryonicists does it take to screw in a light bulb? …None – they just sit in the dark and wait for the technology to improve” 3 - Sterling Blake 1 Appleyard 2008. Page 22-23 2 Alcor.org: ‘Frequently Asked Questions’ 2014 3 Blake 1996. Page 72 3 Introduction Biologists have known for some time that certain organisms can survive for sustained time periods in what is essentially a death"like state. The North American Wood Frog, for example, shuts down its entire body system in winter; its heart stops beating and its whole body is frozen, until summer returns; at which point it thaws and ‘comes back to life’ 4. -
Charts Andrew Ba Tran
More charts Andrew Ba Tran Contents gghighlight . .1 ggrepel . .5 ridgeplot . .7 heatmap . .9 Mr. Rogers . 12 Time is a flat circle . 13 This is from the fourth chapter of learn.r-journalism.com. We’re going to go over some examples of visualizations created with packages that people have created to build on top of ggplot2. People love improving and building upon things. The latest version of ggplot2 was released recently and more than 300 people contributed– either by adding pieces from their add-on packages or by suggesting fixes. gghighlight The gghighlight package is a relatively new addition. In the previous section, I showed a way to surface important data while keeping the background data for context. This package simplifies it. Learn more on their site. We’ll use historical monthly average temperature data from the National Centers for Environmental Informa- tion. This is the image they have on their site illustrating their data: 1 We can do better. Start with importing and transforming the data below: # If you don't have readr installed yet, uncomment and run the line below # install.packages("readr") library(readr) temps <- read_csv("data/110-tavg-all-5-1895-2018.csv", skip=4) head(temps) ## # A tibble: 6 x 3 ## Date Value Anomaly ## <int> <dbl> <dbl> ## 1 189501 26.7 -3.43 ## 2 189502 26.6 -7.22 ## 3 189503 40.0 -1.53 ## 4 189504 52.9 1.85 ## 5 189505 59.9 -0.26 ## 6 189506 67.8 -0.69 # If you don't have readr installed yet, uncomment and run the line below # install.packages("lubridate") # If you don't have lubridate installed -
A Symbolic Analysis of Ritualistic Crime: the Forensics of Sacrifice 1
RBSE 8(24): 524-621, Dez2009 ISSN 1676-8965 ARTIGO A Symbolic Analysis of Ritualistic Crime: The Forensics of Sacrifice 1 Dawn Perlmutter Resumo: O assassinato ritual inclui uma grande variedade de atos sagrados e temporais cometidos por grupos e por indivíduos e é atribuído o mais frequentemente aos praticantes de ideologias ocultas tais como o Satanismo, o Palo Mayombe, a Santeria e outras tradições mágicas, ou aos assassinos em série e aos sadistas sexuais que assassinam ritualmente as suas vítimas. Devido a muitas controvérsias legais, práticas e éticas o estudo da violência religiosa contemporânea está em sua infância. Não houve nenhum estudo empírico sério dos crimes ou das classificações ritualísticas que distingam adequadamente entre os homicídios rituais cometidos para sagrado versus motivações temporais. Este artigo é o resultado de minha pesquisa na fenomenologia da adoração da imagem, de rituais contemporâneos do sangue, e da violência sagrada. Reflete meu esforço contínuo para proteger as liberdades religiosas de membros de religiões alternativas ao ajudar profissionais da lei de lei na investigação de crimes ritualísticos. Unitermos: Sacrifício; Violência Ritual; Análise Simbólica. Abstract : Ritual murder includes a wide variety of both sacred and secular acts committed by groups and individuals and is most often attributed to practitioners of occult ideologies such as Satanism, Palo Mayombe, Santeria, and other magical traditions, or to serial killers and sexual sadists who ritually murder their victims. Due to many legal, practical, and ethical controversies the study of contemporary religious violence is in its infancy. There have been no serious empirical studies of ritualistic crimes or classifications that adequately distinguish between ritual homicides committed for sacred versus secular motivations.