Stories Built to Impress
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Years of Making,” This Anniversary Edition of Toolbox Celebrated Fabrication, Studio- Based Education and the Commitment of Our Studio Technicians
135 REASONs TO LOVE OCAD UNIVERSITY THE 2011/2012 ANNUAL REPORT OF YEARS THIS IS A BOOK OF OUR FAVOURITE THINGS. We think you’ll enjoy the way it tells a story and, in 135 ways, counts down to the present. No doubt you’ll notice too that, in looking back at 2011/2012, this anniversary edition of our Annual Report looks boldly forward. You can blame that, as we do, on our big imaginations. At OCAD University, imagining who we are and what we might become reflects the creative thinking we inspire in our students. For what we’ve learned, about established approaches, is that they should never be taken for granted. And that it’s always worth creating a new and better way. THE 2011 / 2012 ANNUAL REPORT 1 In touching three centuries, OCAD University has both held and made brighter the eternal flame of art and design. Our studios, classrooms, research labs, hallways, parks, library and common spaces bubble with the energetic imaginations of more than 4,000 students, from the “shiny people” — the apt term Jan Sage, our Director, Admissions & Recruitment, has given to our eager first-year students — to our well-honed professional fourth years and our clever, self-motivated graduate students. OCAD University has a lived set of values, respecting and advancing ethical practice, advocacy, diversity, accessibility, Aboriginal cultures, wellness, and global citizenship, and evincing creativity in entrepreneurship, innovation and sustainability. Our faculty and staff cross several generations, but all hold profound dedication to our students — committing their lives in many cases to their mentorship and our institution. -
Conserving the Modern in Canada Buildings, Ensembles, and Sites: 1945-2005
Conserving the Modern in Canada Buildings, ensembles, and sites: 1945-2005 Conference Proceedings Trent University, Peterborough, May 6-8, 2005 Editors: Susan Algie, Winnipeg Architecture Foundation James Ashby, Docomomo Canada-Ontario Library and Archives Canada Cataloguing in Publication Conserving the Modern in Canada (2005: Trent University) Conserving the Modern in Canada: buildings, ensembles, and sites, 1945-2005: conference proceedings, Trent University, Peterborough, May 6-8, 2005 / editors: Susan Algie and James Ashby. Papers presented at the Conserving the Modern in Canada conference held at Trent University, Peterborough, Ont., May 6-8, 2005. Includes bibliographical references. ISBN 978-0-9683100-5-2 1. Architecture--Conservation and restoration--Canada. 2. Historic sites--Conservation and restoration--Canada. 3. Architecture--Canada--20th century. 4. Historic preservation--Canada. I. Algie, Susan, 1951 II. Ashby, James, 1962 III. Winnipeg Architecture Foundation. NA109.C3C66 2007 363.6'90971 C2007-902448-3 Also available in French. / Aussi disponible en francais. Conserving the Modern in Canada Conference Proceedings Table of Contents 1.0 Foreword . 1 2.0 Acknowledgements . 3 3.0 Conference Programme . 9 4.0 Introduction Session Papers . 15 5.0 Documentation Session Papers . 29 6.0 Evaluation Session Papers . 53 7.0 Legacy of Ronald J. Thom Session Papers . 87 8.0 Stewardship Session Papers . 113 9.0 Conservation Session Papers . 173 10.0 Education Session Papers . 203 11.0 Tours . 239 i Conserving the Modern in Canada Conference Proceedings ii Conserving the Modern in Canada Conference Proceedings FOREWORD The “Conserving the Modern in Canada” conference, held at Trent University in Peterborough from May 6 to 8, 2005, was Canada’s first national conference on the subject of the built heritage of the 1950s, ‘60s, and ‘70s. -
Bibliography (Books & Exhibition Catalogues)
513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY MICHAEL SNOW SELECTED BIBLIOGRAPHY (BOOKS & EXHIBITION CATALOGUES) 2020 King, James. Early Snow: Michael Snow 1947–1962. Figure 1 Publishing, 2020. 2019 White, Kenneth. Michael Snow. MIT Press, 2019. Weibel, Peter. Enzyklopädie der Medien: Band 3. Hatje Cantz, 2019: pp. 136, 154, 596, illustrated. 2018 Farber, Manny, and Helen Molesworth. One Day at a Time: Manny Farber and Termite Art. (exhibition catalogue). Museum of Contemporary Art, 2018: p. 45, illustrated. 2017 Sheehan, Tanya. Grove Art Guide to Photography. 2017: p. 202, illustrated. 2016 Crimp, Douglas. Before Pictures. 2016: p. 105, illustrated. Les editions du caïd. Biennale de L’Image Possible (exhibition catalogue). Centre Culturel de Liège, 2016: p. 101, illustrated. 2015 Magalhaes, Miguel. Pliure (Prologue. La part du feu) (exhibition catalogue). Foundation Calouste Gulbenkian, Paris, 2015: 74-75, illustrated. Trantow, Katrin Bucher, Reinhard Braun, Dirck Möllmann, Katia Hümer, and Peter Pakesch. Landscape (HyperAmerika. Landscape - Image - Reality ) Kunsthaus Graz. Köln: König, Walther, 2015: pp. 252-253, illustrated. Jenkins, Bruce. Michael Snow: Sequences = Seqüències = Secuencias (exhibition catalogue). Barcelona: Ajuntament de Barcelona, 2015. Museum of Modern Art (New York, N.Y.), Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. Photography at MoMA. 2015: p. 82, illustrated. WWW.JACKSHAINMAN.COM [email protected] MichaEl Snow: SElected BibliograPhy PagE 2 2014 Rosenberg, Karen. Multiple Exposures, Looking Both Ways: Michael Snow’s Photographs and other works in Philidelphia. The New York Times, 2014. Langford, Martha. Michael Snow: Life & Work. Toronto: The Art Canada Institute, 2014. -
IB I G Ro U P C Om P a N Y B a C K G Ro U N D
IBI Group Company Backgrounder DEFINING THE CITIES OF TOMORROW IBI Group At IBI, we apply human-centred design SERVICES ARCHITECTURAL CONTROLS and technology to create the resilient, ARCHITECTURE DESIGN TECHNOLOGY connected, smart cities of tomorrow. BRIDGE ENGINEERING BROWNFIELD DEVELOPMENT We are a globally integrated design and technology CIVIL ENGINEERING firm. We plan, design, build, and sustain the cities DATA ANALYTICS of tomorrow alongside local communities across six DEVELOPMENT ENGINEERING ECONOMIC / FINANCIAL ANALYSIS continents. With 60+ offices across Canada, the U.S., ELECTRICAL ENGINEERING the UK, the Middle East, India, and Latin America, and ENGINEERING more than 2,500 employees, we believe communities ENVIRONMENTAL ASSESSMENT GEOMATICS / LAND SURVEYING must be designed with intelligent systems, sustainable HIGHWAY AND ROAD DESIGN buildings, efficient infrastructure, and a human touch. INTERIORS LAND USE PLANNING IBI Group is the largest Canadian architecture firm, LANDSCAPE ARCHITECTURE MASTER PLANNING the sixth largest architecture firm in the world, 1 MECHANICAL ENGINEERING and in the top 50 engineering firms in the U.S.2 MUNICIPAL SERVICES Headquartered in Toronto, our experts collaborate OPERATIONS AND MAINTENANCE PLANNING & URBAN DESIGN on architecture, engineering, planning, systems, and PROJECT / PROGRAMME technology. From high-rises to hospitals, and transit MANAGEMENT systems to schools, we’re shaping the way people live, PUBLIC OUTREACH RESEARCH AND DEVELOPMENT move, learn, and heal in the cities of tomorrow. SOFTWARE DEVELOPMENT SPATIAL INTELLIGENCE In a sector that is undergoing vast changes due to STRATEGIC PLANNING technology, we are uniquely positioned in the industry STRUCTURAL ENGINEERING SUSTAINABILITY & as experts in integrating technology with the built ENVIRONMENTAL MANAGEMENT environment. Technology has been in our DNA since SYSTEMS the founding of IBI Group in 1974, and our technology SYSTEMS ENGINEERING TRAFFIC ENGINEERING products and services offering is growing rapidly. -
L' Infortune Critique Du Pavillon Du Québec
THEMATIC DOSSIER | DOSSIER THÉMATIQUE L’ INFORTUNE CRITIQUE DU PAVIllON DU QUÉBEC Alessandra Mariani est étudiante au doctorat > ALEssANDRA MARIANI en histoire de l’art à l’Université du Québec à Montréal. Sa recherche porte sur l’adaptation des discours poststructuralistes en sol américain et leur transfert au sein des champs artistique et architectural, notamment dans la pratique es vues aériennes d’époque du site de de l’agence interdisciplinaire new-yorkaise Diller Ll’Expo 67 renvoient une concaténation Scofidio + Renfro. Son intérêt pour les pratiques de pavillons aux formes allègres. Seul le pavillon du Québec, stoïque, sombre et artistiques et culturelles l’a amenée à cofonder bien campé dans sa lagune, se différencie et diriger, depuis 2006, la revue Muséologies de cette mêlée. Sa structure de pyramide | Les cahiers d’études supérieures, qui diffuse tronquée, manifestement moderne, aux et promeut la jeune recherche interdisciplinaire surfaces planes, lisses et transparentes, (arts, sciences sociales et humaines) axée maintes fois commentée dans l’ensemble sur la pluralité des fonctions et des enjeux de de sa fortune critique, évoque aussi un l’environnement muséal contemporain. archétype, une forme symbolique : celle du temple par antonomase ou du monu- ment (tel que formulé dans la culture précolombienne, par exemple, ou encore dans l’architecture funéraire de l’Égypte ancienne). Dans ces univers, la verticalité dégradée établit le contact avec le monde du visible et de l’invisible, le ciel et la terre. Cette forme symbolique fait aussi allusion au développement et à l’établissement pro- gressif d’une culture et, incidemment, de sa distinction . Sur le site de l’Expo, le pavillon reflétait sur ses façades planes et vitrées l’environnement immédiat, le ciel et l’eau, créant son propre rapport au monde. -
STAFF REPORT ACTION REQUIRED Intention to Designate Under Part IV
STAFF REPORT ACTION REQUIRED Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act – 693 Bathurst Street Date: January 22, 2014 Toronto Preservation Board To: Toronto and East York Community Council From: Acting Manager, Urban Design, City Planning Division Wards: Ward 20 – Trinity-Spadina Reference P:\2014\Cluster B\PLN\HPS\TEYCC\February 25 2014\teHPS04 Number: SUMMARY This report recommends that City Council state its intention to designate the property at 693 Bathurst Street (convenience address: 725 Bathurst Street) under Part IV, Section 29 of the Ontario Heritage Act for its cultural heritage value. The property at 693 Bathurst Street was listed on the City of Toronto Inventory of Heritage Properties in 2005. In October 2013 an application was made to the Toronto and East York Committee of Adjustment to construct a temporary dome on the playing field at Central Technical School. The Toronto and East York Community Council at its meeting of October 17, 2013 adopted TE27.68 (Heritage Designation Report – Central Technical School), directing the Acting Director, Urban Design to prepare a staff report that evaluates and makes recommendations regarding the potential designation of Central Technical School under Part IV, Section 29 of the Ontario Heritage Act. The Community Council further directed that "the report should contemplate the entire school site as a cultural heritage landscape and the iconic view corridors from Bathurst Street to the original main entrance of the school building." Following research and evaluation, staff have determined that the property at 693 Bathurst Street (with the convenience address of 725 Bathurst) meets Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation under Part IV, Section 29 of the Ontario Heritage Act. -
The Lakehead University Campus As a Microcosm of Recent Canadian Architectural Practice
The Lakehead University Campus as a Microcosm of Recent Canadian Architectural Practice L:~KEHE~~ I TECHI' l C !~L ~~ ~~ ~:·c TITUT& 71e buildings on the campus of Lakehead University in Thunder Bay, Ontario, are Figure 2. The Lakehead Technical Institute, Cumberland 1 ~ medley of colours, textures, materials, and rooflines, some crowded together in Street, Port Arthur, Ontario, 1947·57.1Lakehead the central campus area, others scattered over the vast grounds1 (figure 1) . Disparagers University Archives, Chancellor Norman M. Paterson tend to blame the architects for this melange, while the architects point their fingers Library) at the client. But between the commissioning of a building and the completion of the structure, numerous compromising decisions can be made in the contemporary practice of architecture. At Lakehead University, the siting, materials, colours, and specifications of buildings are determined by the client, the Campus Development Committee. The university also has a policy of inviting architects to design its buildings; both local firms and architects of national importance have contributed to the campus at Lakehead University, thus ensuring a visual diversity. b y P a t r c a Vervoort 224 SSAC BULLETIN SEAC 99 Figure 1. The central campus Lakehead University, Thunder Bay, Ontario, from the library. (P. Vervoort, 1997) "The Lakehead University physical plant now con sists of 54 buildings and 140 hectares of property including 40 hectares of landscaped and main tained grounds." Lakehead University, 199 7-1998 Calendar (Thunder Bay, Ont.: Office of the Regis trar, Lakehead University, 1997), 9. 2 With thanks to Fred Cane of the Ontario Ministry of The purpose of this paper is to explain how Lakehead University's campus came Culture and Communications for his comment to be characterized by its variegated assembly of buildings. -
RAIC Vol 43 No 01 Access.Pdf (10.22Mb)
News about Const ruction Jo int Sealants In 1958, only Tremco knew how good its MONO ®was. LASTO · MER IC · 1-Part Acrylic Terpolymer Sealant ~ NOW EVERYONE KNOWS- For over eight years, archi· will seemingly resemble the performance characteristics of tects an d contractors have relied on MONO to weather-proof MONO. But none can hope to provide the reliabi li ty of MONO. construction joints on thousands of buildings of every type the Why not? Experimental acrylic formulations will require time world over. This wide acceptance and proved performance consuming research and extensive field applicati ons on many provide proof that the powerful adhesion of MONO offers job sites. It cou ld be costly for you to become a testing ground maximum security against sea lant fa ilure: no leaking joints; for acrylics without proved perfo rmance. no building owner comp laints; no cost ly callbacks. RELY ON THE LEADER- At today's price of const ruction, COMPETITORS AGREE- After eight years, other sea lant don't risk sealant fa ilures. Re ly on the proven leader, MONO . manufacturers have recognized the superiority of MONO, the For MONO glazing and caulking recommendations, con original l-part acrylic terpolymer sea lant. They are now pre tact your local Tremco Field Advisor, or see SWEET's Archi paring to introduce acrylic based sea lants of their own which tectural Fi le 3c/ Tr, or write us. THE TREMCO MANUFACTURING CO. (CANADA) LTD. Toronto 17, Ontario January 1966 /janvier 1966 Journal of the Royal Architectural 484 Volume 43 No 1 Institute of Canada JOURNAL Subscription/abonnement $7.00 Journal de l'lnstitut Royal d'Architecture Foreign /etranger $8.00 du Canada ~~~(go~~~~© 160 Eglinton Avenue East. -
John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture Fraser, Linda; McMordie, Michael; Simmins, Geoffrey University of Calgary Press Fraser, L., McMordie, M. & Simmins, G. "John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture". Art in Profile Series, No. 12. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49906 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com JOHN C. PARKIN, ARCHIVES AND PHOTOGRAPHY: REFLECTIONS ON THE PRACTICE AND PRESENTATION OF MODERN ARCHITECTURE by Linda Fraser, Michael McMordie and Geoffrey Simmins ISBN 978-1-55238-639-2 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Download Download
26 Volume 14 | Number 1 THE ARCHITECTURE COMPETITION AS CONTACT ZONE: TOWARDS A HISTORIOGRAPHY OF CROSS-CULTURAL EXCHANGES SPRING / SUMMER 2020 Introduction Architecture as Exchange: Framing the Architecture Competition as Contact Zone Jorge Mejía Hernández and Cathelijne Nuijsink, editors Histoire Croisée: A Relational Process-Based Approach Bénédicte Zimmermann Portuguese Architecture in Transit(ion): The 1967 International Competition for Amsterdam Town Hall Bruno Gil, Susana Lobo, José Ribau Esteves Competition Juries as Intercultural Spaces: Between Evaluation, Experience, and Judgement Carmela Cucuzzella This is Not a Nest: Transcultural Metaphors and the Paradoxical Politics of International Competitions Jean-Pierre Chupin The Architecture Competition: A Beauty Contest or a Learning Opportunity? The French Case in the Light of European Experiences Véronique Biau, Bendicht Weber, Jodelle Zetlaoui-Léger Review Articles by Torsten Lange, Federico Ortiz, Hamish Lonergan Interview with Sarah Williams Goldhagen Contents Introduction 1 Architecture as Exchange: Framing the Architecture Competition as Contact Zone Jorge Mejía Hernández and Cathelijne Nuijsink 7 Histoire Croisée: A Relational Process-Based Approach Bénédicte Zimmermann 15 Portuguese Architecture in Transit(ion): The 1967 International Competition for Amsterdam Town Hall Bruno Gil, Susana Lobo, José Ribau Esteves 39 Competition Juries as Intercultural Spaces: Between Evaluation, Experience, and Judgement Carmela Cucuzzella 63 This is Not a Nest: Transcultural Metaphors and -
RAIC Vol38 No11 Access.Pdf (10.68Mb)
ROYAL CHITECTURAL INSTITUTE OFCAN ~ JOU AL Les medailles MASSEY Medals NOVEMBER 1961 ROYAL ARCHITECTURAL INSTITUTE OF CANADA INSTITUT ROYAL D' ARCHITECTURE DU CANADA SERIAL 435, VOLUME 38. MASSEY NUMBER 11, NOVEMBER, 1961 MEDALS1961 ROYAL ARCHITECTURAL Editorial 41 INSTITUTE 1961 Massey Medals for Architecture The Gold Medal and the Nineteen OF CANADA Silver Medal Awards 48 The Report of the Jury 45 JOURNAL Rapport du Jury 46 The Gold Medal Winner MANAGING EDITOR, WALTER B. BOWKER 48 A ~ SISTANT EDITOR, LEONARD WEBSTER Winners of the Silver Medals EDITORIAL ADVISER, ERIC R. ARTHUR (F) 52 REGIONAL ASSISTANT EDITORS MARITIMES, LESTER J. PAGE, Halifax QUEBEC, PAUL 0 . TREPANIER, Granby Pilkington Travelling Scholarship in PRAIRIE PROVINCES, HENRY D . KALEN, Winnipeg WE - T CoAST, CHARLES A. TIERS, Vancouver Architecture A ward, 1961 ADVERTISING MANAGER, J . F . SULLIVAN ADVERTISING REPRESENTATIVE, LLOYD SAWYER The Winning Design by Bruno B. Freschi JOURNAL COMMITIEE 72 EARLE C. MoRGAN (F), Chairman, F. BRUCE BROWN (F), R . A. DICK, FORSEY PAGE (F), D . E. KERTLAND (F), R. SCHOFIELD MORRIS (F), The Stainless Steel Design A ward GERARD VENNE (F) , Toronto; Quebec. Committee Competition for a EDITORIAL BOARD Branch Bank and its Furnishings Chairman, R . A. DICK, Toronto Vice Chairman, L. A. OXLEY, Toronto The Winning Designs 75 H. D. R. BucK, Toronto HowARD D. CHAPMAN, Toronto PETER COLLINS, Montreal Canadian Building Digest No. 23 83 HuGH ELLIS, Hamilton Air Leakage in Buildings H. A. DuNN, Edmonton By A . G . Wilson ROB ERT C. FAIRFIELD, Toronto The November Insert from the Division HENRY FL!ESS, Toronto of Building R esearch NRC, Ottawa D. -
Jack Shainman Gallery
513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY MICHAEL SNOW SELECTED BIBLIOGRAPHY (BOOKS & EXHIBITION CATALOGUES) 2019 Weibel, Peter. Enzyklopädie der Medien: Band 3. Hatje Cantz, 2019: pp. 136, 154, 596, illustrated. 2018 Farber, Manny, and Helen Molesworth. One Day at a Time: Manny Farber and Termite Art. (exhibition catalogue). Museum of Contemporary Art, 2018: p. 45, illustrated. 2017 Sheehan, Tanya. Grove Art Guide to Photography. 2017: p. 202, illustrated. 2016 Crimp, Douglas. Before Pictures. 2016: p. 105, illustrated. Les editions du caïd. Biennale de L’Image Possible (exhibition catalogue). Centre Culturel de Liège, 2016: p. 101, illustrated. 2015 Magalhaes, Miguel. Pliure (Prologue. La part du feu) (exhibition catalogue). Foundation Calouste Gulbenkian, Paris, 2015: 74-75, illustrated. Trantow, Katrin Bucher, Reinhard Braun, Dirck Möllmann, Katia Hümer, and Peter Pakesch. Landscape (HyperAmerika. Landscape - Image - Reality ) Kunsthaus Graz. Köln: König, Walther, 2015: pp. 252-253, illustrated. Jenkins, Bruce. Michael Snow: Sequences = Seqüències = Secuencias (exhibition catalogue). Barcelona: Ajuntament de Barcelona, 2015. Museum of Modern Art (New York, N.Y.), Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister. Photography at MoMA. 2015: p. 82, illustrated. 2014 Rosenberg, Karen. Multiple Exposures, Looking Both Ways: Michael Snow’s Photographs and other works in Philidelphia. The New York Times, 2014. WWW.JACKSHAINMAN.COM [email protected] Michael Snow: Selected Bibliography Page 2 Langford, Martha. Michael Snow: Life & Work. Toronto: The Art Canada Institute, 2014. Green, Tyler. The Modern Art Notes Podcast: Michael Snow. Blouin ArtInfo, Modern Art Notes, 2014. Updike, David, ed. Michael Snow: Photo-Centric (exhibition catalogue).