DOCSLIB.ORG

John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture Fraser, Linda; McMordie, Michael; Simmins, Geoffrey University of Calgary Press Fraser, L., McMordie, M. & Simmins, G. "John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture". Art in Profile Series, No. 12. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49906 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com JOHN C. PARKIN, ARCHIVES AND PHOTOGRAPHY: REFLECTIONS ON THE PRACTICE AND PRESENTATION OF MODERN ARCHITECTURE by Linda Fraser, Michael McMordie and Geoffrey Simmins ISBN 978-1-55238-639-2 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. For more information, see details of the Creative Commons licence at: http://creativecommons.org/licenses/by-nc-nd/3.0/ UNDER THE CREATIVE UNDER THE CREATIVE COMMONS LICENCE YOU COMMONS LICENCE YOU MAY: MAY NOT: • read and store this document • gain financially from the work in any way; free of charge; • sell the work or seek monies in relation to the distribution • distribute it for personal use of the work; free of charge; • use the work in any commercial activity of any kind; • print sections of the work for • profit a third party indirectly via use or distribution of the work; personal use; • distribute in or through a commercial body (with the exception • read or perform parts of the of academic usage within educational institutions such as work in a context where no schools and universities); financial transactions take • reproduce, distribute, or store the cover image outside of its place. function as a cover of this work; • alter or build on the work outside of normal academic scholarship. Acknowledgement: We acknowledge the wording around open access used by Australian publisher, re.press, and thank them for giving us permission to adapt their wording to our policy http://www.re-press.org Selected Bibliography “20 of Canada’s Top Interior/Architectural Photographers.” “Architectural Photography.” In Encyclopedia of Practical Canadian Interiors 21, no. 4 (1984): 88–93. Photography, vol. 1. New York: Eastman Kodak Abrams, Janet. “Available for Viewing.” In Martin Caiger- Company and American Photographic Book Publishing, Smith and David Chandler, Site Work: Architecture in 1977. Photography Since Early Modernism, 77–81. Arteaga-Johnson, Giselle. “Narrating Modern Space: The Interior Acland, James H. “Project Preview.” Canadian Architect 13 (Dec. View.” in L.A. Obscura: The Architectural Photography of 1968): 33–60. Julius Shulman. Los Angeles: Fisher Gallery, University Adams, Ansel. “Architectural Photography.” In The Encyclopedia of of Southern California, 1998, 26–33. Photography, vol. 2. New York: Greystone Press, 1974. Arthur, Eric. Toronto: No Mean City (3rd ed.). Toronto: University The American Architectural Photographer: Profiles of the Top of Toronto Press, 1986. Talent in Architectural Photography. Rockport, MA and “Assurance Offices in Toronto, Canada.”Architectural Design 32 Natick, MA: Rockport Publishers, and Resource World (Feb. 1962): 75–77. Publications, 1994. “Architect’s Own Home, Toronto.” Architectural Design 29 (Nov. Anon. “Complete Professional Service for Diverse Industries: 1959): 435–36. John B. Parkin Associates, Architects and Engineers.” Bender, Richard, and Earl Flansburgh, Moshe Safdie, John C. Architectural Record (December 1959): 117–22. Parkin, Louis Sauer, Charles Blessing, Paul Prieburg, Anon. Techniques of Successful Practice. New York: Architectural and Ian McHarg. “The Nineteenth Annual P/A Design Record, [n.d., ca. 1965]. Awards.” Progressive Architecture 53 (Jan. 1972): whole “Architectural Photography.” In International Center of issue. Photography (ICP): Encyclopedia of Photography, 1st ed. Blau, Judith R. Architects and Firms/A Sociological Perspective on New York: Pound Press, Crown Publishers, and the Architectural Practice. Cambridge, MA: MIT Press, International Center of Photography, 1984. 1987. 137 Bourke, R. David, and Gordon Adamson, Guy Desbarats, T. V. Cheadle, Laura Elizabeth. “The Archival Appraisal of Murray, Randall Iredale, Macy DuBois, Isadore Coop, Architectural Records,” University of British Columbia, John C. Parkin, Raymond Affleck, A.J. Diamond, and 1998. Unpublished master of Archival Studies thesis. W. N. Greer. “The Sixties: A Decade of Innovation?” Cleveland, Robert C. Architectural Photography of Houses. New Canadian Architect 16, no. 7 (July 1971): 47–51, 57. York: F. W. Dodge, 1953. Buchanan, Terry. Photographing Historic Buildings. London: Her Colomina, Beatriz. “Le Corbusier and Photography.” Assemblage 4 Majesty’s Stationery Office, 1983. (1987): 7–23. Building Images: Seventy Years of Photography at Hedrich Blessing. “Complete Professional Service for Diverse Industries: John San Francisco: Chronicle Books, 2000. B. Parkin Associates, Architects and Engineers.” Burns, Carol. Review of Bauhaus in America, by Judith Pearlman. Architectural Record (Dec. 1959): 117–22. Journal of the Society of Architectural Historians 55, no. 2 Cook, E. T., and Alexander Wedderbur, eds. The Works of John (Jun. 1996): 182–85. Ruskin. London: George Allen, 1903. Busch, Akiko. The Photography of Architecture: Twelve Views. New Cook, Terry. “Building and Archives: Appraisal Theory for York: Van Nostrand, 1987. Architectural Records.” American Archivist 59 (Spring Butler, Anthony. “The end of post-war consensus: Reflections on 1996): 136–43. the scholarly use of political rhetoric.” Political Quarterly Cook, Terry, and Joan M. Schwartz. “Archives, Records, and 64, no. 4 (October 1993): 435, 446 [first published Power: From Postmodern Theory to (Archival) online: 24 Aug. 2005]. Performance.” Archival Science 2 (2002): 171–85. Byers, Mary, and Margaret McBurney (Photographs by Hugh Coutu, Jean. “Vehicles of nationalism: Defining Canada in the Robertson). The Governor’s Road: Early Buildings and 1930s.” Journal of Canadian Studies 37, no. 1 (2002): Families from Mississauga to London. Toronto: University 180–203. of Toronto Press, 1982. Dean, Jeff.Architectural Photography: Techniques for Architects, Byers, Mary, Jan Kennedy, Margaret McBurney, and the Junior Preservationists, Historians, Photographers, and Urban League of Toronto (Photographs by Hugh Robertson). Planners. Nashville: American Association for State and Rural Roots: Pre-Confederation Buildings of the York Local History, 1981. Region of Ontario. Toronto: University of Toronto Press, De Mare, Eric. Architectural Photography. London and Sydney: 1976. B. T. Batsford, 1975. Caiger-Smith, Martin, and David Chandler. Site Work: ———. Photography and Architecture. New York: Frederick A. Architecture in Photography Since Early Modernism. Praeger, 1961. London: Photographer’s Gallery, 1991The Canadian Drexler, Arthur. “Ezra Stoller: Max Protetch Gallery, New York.” Architect Yearbook Award (1973): whole issue. Architectural Design 51, no. 1/2 (1981): 2–3. Charney, Melvin, Jonathan King, and Roderick Robbie. “Systems Diamond, A. J., and Fran P. Hosken. “Universities [in Canada].” for Schools.” Canadian Architect 12 (Mar. 1967): 29–32. Architecture Canada 43 (Oct. 1966): 43–62. 138 JOHN C. PARKIN, ARCHIVES, AND PHOTOGRAPHY Eggers, Ron. “Julius Shulman: Designer of Architectural Fowler, Glenn. “Award-Winning Pictures Demonstrate Photographs.” The Rangefinder (Sept. 1980): 55–58. Importance of Photography to Architects.” New York “The Eleven Best Buildings Since the War.”Canadian Architect Times, 25 December 1960, R8. (Oct. 1959): 52–80. [Ortho Pharmaceuticals, OAA Freedman, Adele. “Introduction: West Coast Modernism and Headquarters, and Don Mills Shopping Centre in this Points East.” In Rhodri Windsor-Liscombe, The New group.] Spirit: Modern Architecture in Vancouver, 1938–1963, Elwall, Robert. Building with Light: The International History of 10–21.
Load more

Recommended publications
  • Conserving the Modern in Canada Buildings, Ensembles, and Sites: 1945-2005
    Conserving the Modern in Canada Buildings, ensembles, and sites: 1945-2005 Conference Proceedings Trent University, Peterborough, May 6-8, 2005 Editors: Susan Algie, Winnipeg Architecture Foundation James Ashby, Docomomo Canada-Ontario Library and Archives Canada Cataloguing in Publication Conserving the Modern in Canada (2005: Trent University) Conserving the Modern in Canada: buildings, ensembles, and sites, 1945-2005: conference proceedings, Trent University, Peterborough, May 6-8, 2005 / editors: Susan Algie and James Ashby. Papers presented at the Conserving the Modern in Canada conference held at Trent University, Peterborough, Ont., May 6-8, 2005. Includes bibliographical references. ISBN 978-0-9683100-5-2 1. Architecture--Conservation and restoration--Canada. 2. Historic sites--Conservation and restoration--Canada. 3. Architecture--Canada--20th century. 4. Historic preservation--Canada. I. Algie, Susan, 1951 II. Ashby, James, 1962 III. Winnipeg Architecture Foundation. NA109.C3C66 2007 363.6'90971 C2007-902448-3 Also available in French. / Aussi disponible en francais. Conserving the Modern in Canada Conference Proceedings Table of Contents 1.0 Foreword . 1 2.0 Acknowledgements . 3 3.0 Conference Programme . 9 4.0 Introduction Session Papers . 15 5.0 Documentation Session Papers . 29 6.0 Evaluation Session Papers . 53 7.0 Legacy of Ronald J. Thom Session Papers . 87 8.0 Stewardship Session Papers . 113 9.0 Conservation Session Papers . 173 10.0 Education Session Papers . 203 11.0 Tours . 239 i Conserving the Modern in Canada Conference Proceedings ii Conserving the Modern in Canada Conference Proceedings FOREWORD The “Conserving the Modern in Canada” conference, held at Trent University in Peterborough from May 6 to 8, 2005, was Canada’s first national conference on the subject of the built heritage of the 1950s, ‘60s, and ‘70s.
    [Show full text]
  • STAFF REPORT ACTION REQUIRED Intention to Designate Under Part IV
    STAFF REPORT ACTION REQUIRED Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act – 693 Bathurst Street Date: January 22, 2014 Toronto Preservation Board To: Toronto and East York Community Council From: Acting Manager, Urban Design, City Planning Division Wards: Ward 20 – Trinity-Spadina Reference P:\2014\Cluster B\PLN\HPS\TEYCC\February 25 2014\teHPS04 Number: SUMMARY This report recommends that City Council state its intention to designate the property at 693 Bathurst Street (convenience address: 725 Bathurst Street) under Part IV, Section 29 of the Ontario Heritage Act for its cultural heritage value. The property at 693 Bathurst Street was listed on the City of Toronto Inventory of Heritage Properties in 2005. In October 2013 an application was made to the Toronto and East York Committee of Adjustment to construct a temporary dome on the playing field at Central Technical School. The Toronto and East York Community Council at its meeting of October 17, 2013 adopted TE27.68 (Heritage Designation Report – Central Technical School), directing the Acting Director, Urban Design to prepare a staff report that evaluates and makes recommendations regarding the potential designation of Central Technical School under Part IV, Section 29 of the Ontario Heritage Act. The Community Council further directed that "the report should contemplate the entire school site as a cultural heritage landscape and the iconic view corridors from Bathurst Street to the original main entrance of the school building." Following research and evaluation, staff have determined that the property at 693 Bathurst Street (with the convenience address of 725 Bathurst) meets Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation under Part IV, Section 29 of the Ontario Heritage Act.
    [Show full text]
  • The Lakehead University Campus As a Microcosm of Recent Canadian Architectural Practice
    The Lakehead University Campus as a Microcosm of Recent Canadian Architectural Practice L:~KEHE~~ I TECHI' l C !~L ~~ ~~ ~:·c TITUT& 71e buildings on the campus of Lakehead University in Thunder Bay, Ontario, are Figure 2. The Lakehead Technical Institute, Cumberland 1 ~ medley of colours, textures, materials, and rooflines, some crowded together in Street, Port Arthur, Ontario, 1947·57.1Lakehead the central campus area, others scattered over the vast grounds1 (figure 1) . Disparagers University Archives, Chancellor Norman M. Paterson tend to blame the architects for this melange, while the architects point their fingers Library) at the client. But between the commissioning of a building and the completion of the structure, numerous compromising decisions can be made in the contemporary practice of architecture. At Lakehead University, the siting, materials, colours, and specifications of buildings are determined by the client, the Campus Development Committee. The university also has a policy of inviting architects to design its buildings; both local firms and architects of national importance have contributed to the campus at Lakehead University, thus ensuring a visual diversity. b y P a t r c a Vervoort 224 SSAC BULLETIN SEAC 99 Figure 1. The central campus Lakehead University, Thunder Bay, Ontario, from the library. (P. Vervoort, 1997) "The Lakehead University physical plant now con­ sists of 54 buildings and 140 hectares of property including 40 hectares of landscaped and main­ tained grounds." Lakehead University, 199 7-1998 Calendar (Thunder Bay, Ont.: Office of the Regis­ trar, Lakehead University, 1997), 9. 2 With thanks to Fred Cane of the Ontario Ministry of The purpose of this paper is to explain how Lakehead University's campus came Culture and Communications for his comment to be characterized by its variegated assembly of buildings.
    [Show full text]
  • RAIC Vol 43 No 01 Access.Pdf (10.22Mb)
    News about Const ruction Jo int Sealants In 1958, only Tremco knew how good its MONO ®was. LASTO · MER IC · 1-Part Acrylic Terpolymer Sealant ~ NOW EVERYONE KNOWS- For over eight years, archi· will seemingly resemble the performance characteristics of tects an d contractors have relied on MONO to weather-proof MONO. But none can hope to provide the reliabi li ty of MONO. construction joints on thousands of buildings of every type the Why not? Experimental acrylic formulations will require time world over. This wide acceptance and proved performance consuming research and extensive field applicati ons on many provide proof that the powerful adhesion of MONO offers job sites. It cou ld be costly for you to become a testing ground maximum security against sea lant fa ilure: no leaking joints; for acrylics without proved perfo rmance. no building owner comp laints; no cost ly callbacks. RELY ON THE LEADER- At today's price of const ruction, COMPETITORS AGREE- After eight years, other sea lant don't risk sealant fa ilures. Re ly on the proven leader, MONO . manufacturers have recognized the superiority of MONO, the For MONO glazing and caulking recommendations, con­ original l-part acrylic terpolymer sea lant. They are now pre­ tact your local Tremco Field Advisor, or see SWEET's Archi ­ paring to introduce acrylic based sea lants of their own which tectural Fi le 3c/ Tr, or write us. THE TREMCO MANUFACTURING CO. (CANADA) LTD. Toronto 17, Ontario January 1966 /janvier 1966 Journal of the Royal Architectural 484 Volume 43 No 1 Institute of Canada JOURNAL Subscription/abonnement $7.00 Journal de l'lnstitut Royal d'Architecture Foreign /etranger $8.00 du Canada ~~~(go~~~~© 160 Eglinton Avenue East.
    [Show full text]
  • Download Download
    26 Volume 14 | Number 1 THE ARCHITECTURE COMPETITION AS CONTACT ZONE: TOWARDS A HISTORIOGRAPHY OF CROSS-CULTURAL EXCHANGES SPRING / SUMMER 2020 Introduction Architecture as Exchange: Framing the Architecture Competition as Contact Zone Jorge Mejía Hernández and Cathelijne Nuijsink, editors Histoire Croisée: A Relational Process-Based Approach Bénédicte Zimmermann Portuguese Architecture in Transit(ion): The 1967 International Competition for Amsterdam Town Hall Bruno Gil, Susana Lobo, José Ribau Esteves Competition Juries as Intercultural Spaces: Between Evaluation, Experience, and Judgement Carmela Cucuzzella This is Not a Nest: Transcultural Metaphors and the Paradoxical Politics of International Competitions Jean-Pierre Chupin The Architecture Competition: A Beauty Contest or a Learning Opportunity? The French Case in the Light of European Experiences Véronique Biau, Bendicht Weber, Jodelle Zetlaoui-Léger Review Articles by Torsten Lange, Federico Ortiz, Hamish Lonergan Interview with Sarah Williams Goldhagen Contents Introduction 1 Architecture as Exchange: Framing the Architecture Competition as Contact Zone Jorge Mejía Hernández and Cathelijne Nuijsink 7 Histoire Croisée: A Relational Process-Based Approach Bénédicte Zimmermann 15 Portuguese Architecture in Transit(ion): The 1967 International Competition for Amsterdam Town Hall Bruno Gil, Susana Lobo, José Ribau Esteves 39 Competition Juries as Intercultural Spaces: Between Evaluation, Experience, and Judgement Carmela Cucuzzella 63 This is Not a Nest: Transcultural Metaphors and
    [Show full text]
  • 693 Bathurst Street
    STAFF REPORT ACTION REQUIRED Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act – 693 Bathurst Street Date: January 22, 2014 Toronto Preservation Board To: Toronto and East York Community Council From: Acting Manager, Urban Design, City Planning Division Wards: Ward 20 – Trinity-Spadina Reference P:\2014\Cluster B\PLN\HPS\TEYCC\February 25 2014\teHPS04 Number: SUMMARY This report recommends that City Council state its intention to designate the property at 693 Bathurst Street (convenience address: 725 Bathurst Street) under Part IV, Section 29 of the Ontario Heritage Act for its cultural heritage value. The property at 693 Bathurst Street was listed on the City of Toronto Inventory of Heritage Properties in 2005. In October 2013 an application was made to the Toronto and East York Committee of Adjustment to construct a temporary dome on the playing field at Central Technical School. The Toronto and East York Community Council at its meeting of October 17, 2013 adopted TE27.68 (Heritage Designation Report – Central Technical School), directing the Acting Director, Urban Design to prepare a staff report that evaluates and makes recommendations regarding the potential designation of Central Technical School under Part IV, Section 29 of the Ontario Heritage Act. The Community Council further directed that "the report should contemplate the entire school site as a cultural heritage landscape and the iconic view corridors from Bathurst Street to the original main entrance of the school building." Following research and evaluation, staff have determined that the property at 693 Bathurst Street (with the convenience address of 725 Bathurst) meets Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation under Part IV, Section 29 of the Ontario Heritage Act.
    [Show full text]
  • John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture Fraser, Linda; McMordie, Michael; Simmins, Geoffrey University of Calgary Press Fraser, L., McMordie, M. & Simmins, G. "John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture". Art in Profile Series, No. 12. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49906 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com JOHN C. PARKIN, ARCHIVES AND PHOTOGRAPHY: REFLECTIONS ON THE PRACTICE AND PRESENTATION OF MODERN ARCHITECTURE by Linda Fraser, Michael McMordie and Geoffrey Simmins ISBN 978-1-55238-639-2 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]
  • The Centennial Projects: Building the New
    1 The Centennial Projects: Building the New Marco Polo and Colin Ripley Opening Act: Kraanerg On the evening of June 2, 1969, a crowd of Ottawa dignitaries, including Prime Minister Pierre Trudeau (1919–2000) and Governor General Roland Michener (1900–1991), arrived at the brand new National Arts Centre, one of the last of the Centennial Projects com- missioned by the government to celebrate the one-hundredth anniversary of Canadian Confederation. A festive atmosphere settled over the gala for the official opening of the building, coming almost two years after the actual 1967 Centennial. Sitting in stark contrast to nearby buildings, the message of the National Arts Centre—with its brutalist exteriors, its orientation away from the fabric of the city, and its hexagonal plan—was clear, if not entirely comfortable for Ottawa residents: Canada and Canadian culture would be about the future, about new forms and new ideas. The performance that awaited the sold-out audience in Southam Hall, the largest stage in the facility, pushed the boundaries of newness further still. The main work on the pro- gram was a full-length ballet, Kraanerg, commissioned for the opening and choreographed by National Ballet director Roland Petit (1924–2011). Written by the avant-garde composer (and architect) Iannis Xenakis (1922–2001), Kraanerg was, as historian Jim Harley puts it, an aggressively modern, highly abstract “dialogue” on the “ideological disorders” facing 19 1 opposite Karen Bowes, Vanessa Harwood, Veronica Tennant, Garry Semeniuk, Timothy Spain, and artists of the ballet Kraanerg. Stage design by Victor Vasarely, 1969. 2 right Festival Theatre, Stratford, Ontario.
    [Show full text]
  • Stories Built to Impress
    OAA Perspectives The Journal of the Ontario Association of Architects Volume 20, Number 1 Spring 2012 $5.00 Stories Built to impress. Built to last. Hanson Brick is Canada’s largest manufacturer of commercial and residential Revolutionary clay brick with the style, selection and quality discerning designers demand. Our products are renowned for their striking style, enduring nature and modest environmental footprint. Let us inspire you to create beautiful, sustainable communities that will leave an Window Technology impressive legacy. Call or visit us online today. V-weld Technology Machine welded, leaving no space for leaks Apex Alloy High performance for low & mid-rise projects Exceeds the Code 2012 Ontario Building Code www.allweatherwindows.com 800 263 6229 Southwestern Ontario / Hamilton-Niagara hansonbrick.com t Ted Newman t Tom Dagenais [email protected] [email protected] All Canadian made for all Canadian weather. London (519) 680-1600 563622_Hanson.indd 1 1/28/12 9:44:47 AM 566274_RiteWay.indd 1 20/01/12 3:25 PM Revolutionary Window Technology V-weld Technology Machine welded, leaving no space for leaks Apex Alloy High performance for low & mid-rise projects Exceeds the Code 2012 Ontario Building Code www.allweatherwindows.com Southwestern Ontario / Hamilton-Niagara t Ted Newman t Tom Dagenais [email protected] [email protected] All Canadian made for all Canadian weather. London (519) 680-1600 566274_RiteWay.indd 1 20/01/12 3:25 PM Stories EDITORIAL IN THIS ISSUE ARCHITECTS HAVE GREAT STORIES TO TELL and, with little PRESIDENT’S MESSAGE encouragement, are only too happy to tell them. Jobsite stories, offi ce stories, 07 President Sheena Sharp internship stories, stories from the very trenches of architectural practice are refl ects on the power of shared, as often as not, around a lunch table, a conference table or a coffee stories in architectural table in a hotel bar.
    [Show full text]
  • TRUE NORDIC Exhibition Catalogue
    T rue N ordic George Baird is Emeritus Professor and former Dean of the John H. Daniels Faculty of Architecture, Landscape, and Design How Scandinavia Influenced Design in Canada Praised for its material sensitivity, regarded both as modern at the University of Toronto. As an architecture student there, and humble, progressive but quiet, Nordic and Scandinavian he visited Finland in the summer of 1959. design has had an enduring influence on the development True of Canadian design sensibility. Emphasizing durability and Rachel Gotlieb is Adjunct Curator at the Gardiner Museum truth to materials, this aesthetic communicated an integrity where she was formerly Chief Curator, and Interim Executive that resonated culturally with Canadians as projecting an Director. She served as the founding Curator of the Design appealing humanistic form of Modernism. Exchange. She is currently a lecturer of Industrial Design History at Sheridan College. Richly illustrated, True Nordic: How Scandinavia Influenced Design in Canada presents a comprehensive look at the Mark Kingwell is a Professor of Philosophy at the University Nordic significance of more than nine decades of Scandinavian of Toronto. He is the author of many books and articles about and Nordic design on Canadian craft, design, and industrial politics and art, most recently the essay collections Unruly How Scandinavia production since 1920. Alongside essays by curators and Voices (2012) and Measure Yourself Against the Earth (2015). scholars, this publication offers a broad historical survey of Canadian-made ceramics, furniture, textiles, and metalware Michael J. Prokopow is a historian, curator and critic. His Influenced Design inspired by the aesthetics of Denmark, Norway, Sweden, specializations include material culture, design history, and and Finland.
    [Show full text]
  • NOTES on ADVISERS and CONTRIBUTORS ABERCROMBIE, Stanley
    NOTES ON ADVISERS AND CONTRIBUTORS ABERCROMBIE, Stanley. Contributor. Architect Richard S. Weinstein. CETTO, Max. Adviser, contributor and entrant: in private practice, New York. Former Editor of see his own entry. Essay: Juan O'Gorman. Interiors, and Senior Editor of Architecture Plus, BATTLE, T. Q. Contributor. Chairman of Towco New York. Contributor to the Wall Street Journal, Gratte Ltd. (U.K.). Author of The Chimney Book, CHAMBERS, D. D. C. Contributor. Associate Progressive Architecture, Art/orum, Journal ofthe So­ 1977. Regular contributor to The Architects' Jour­ Professor of English, University of Toronto. Author ciety ofArchitectural Historians, Design, Architecture nal. Essay: Chamberlin Powell and Bon. of Lost Cities (in preparation). Essays: A. J. Dia­ mond; Ron Thorn. + Urbanism, and other periodicals. Essays: Alvar BAYLEY, Stephen. Contributor. Lecturer in Art Aalto; Ulrich Franzen. History and Theory, University of Kent, Canter­ CHAMPIGNEULLE, Bernard. Contributor. Ar­ ACHLEITNER, Friedrich. Contributor. Professor bury. Formerly, Lecturer in Art History, The Open chitectural critic, Paris. Author of Auguste Perret, of the History of Building Construction, Akademie University (U.K.). Author of In Good Shape: Design 1959. Essay: Michel Roux-Spitz. der Bildenden Kiinste, Vienna. Architectural Critic, in Industrial Products 1900-1960, 1979; The Albert Memorial (in preparation). Essays: Theo Crosby; CHANG, Ching-Yu. Contributor. Associate Profes­ Die Presse, Vienna, 1962-72. Author of Hosn Rosn sor and Coordinator of Architectural Design Stud­ Baa (with H. C. Artmann and Gerhard Riihm), Howell, Killick, Partridge and Amis; C. S. Mardall; J. H. van den Broek. ies, Nova Scotia Technical College, Halifax. Chief 1959; Lois Welzenbacher (with Ottokar Uhl), 1968; Editor, Stylos Architecture (formerly Process: Archi­ Prosa, Konstellationen, Montagen, Dialektgedichte, BAZAROV, Konstantin.
    [Show full text]
  • Emptiness and Landscape: National Identity in Canada's Centennial Projects
    ESSAI I ESSAY EMPTINESS AND LANDSCAPE: NATIONAL IDENTITY IN CANADA'S CENTENNIAL PROJECTS COLIN RIPLEY IS a assistant professor of >COLIN RIPLEY 1 architectural des1gn. histoJ'y, and them'y 1n the Department of Architectural Sc1ence at Ryerson Un1vers1ty, as well as principal of Colin Ripley rchitecture, of course, has long­ Architects. a crJtJcal architectural pract1ce based A perhaps always-had an intimate 1n Toronto. In both of these arenas, Colin's work connection with the notion of identity. focuses on the use of sound in architecture: on Indeed, one could claim that an expression of identity, whether cultural, national, issues of sexual 1dent1ty Within aJ'Chitecture: and se xual, or other, is one of the primary on the study of Canad1an Modern Architecture. qualities distinguishing architecture from mere building. It should be equally obvious that this relationship between architecture and identity can be exploited or made use of for political purposes. Examples of that politicization, in which the relationship is inverted and architecture used not to simply express an autochthonous identity, but rather to impose and maintain a pre­ constructed identity, are easy enough to find, from the ancient world (one might think, for example, of the form of Roman colonial towns) to the postmodern world (for example, the embodiment of a politics of t ransparency in the Grands Projets in Paris in the 1990's). In Canada, the Centennial Projects, a group of Federal Government programs which amounted to a gigantic building campaign leading up to the Centennial of Confedera­ tion in 1967, can be understood to fall with­ in that tradition.
    [Show full text]