DOCSLIB.ORG

With Matthew Barley & Stephen De Pledge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
With Matthew Barley & Stephen De Pledge 1 Chamber Music New Zealand Supported by with Matthew Barley & Stephen De Pledge 2 Chamber Music New Zealand “The Ébène foursome animated an entire universe.” – Bachtrack QUATUOR ÉBÈNE 25 & 26 October chambermusic.co.nz/ebene Tēnā koutou Viktoria Mullova is one of her generation’s most breath-taking violinists, whose versatile musical world stretches right across the genres, from classical to jazz and world music. We are to be treated to Viktoria Mullova’s exquisite violin playing within the intimacy of the piano trio, where she performs with her husband, cellist Matthew Barley and long-time collaborator, one of New Zealand’s favourite pianists, Stephen De Pledge. Their programme is drawn from the cornerstones of the repertoire - the impassioned masterpiece of Schubert’s Trio in E flat followed in the second half by the heartfelt and sensual sonorities in Ravel’s Trio in A Minor, I am sure this will be an evening to remember. The CMNZ commission of a new work by Salina Fisher ‘Mono no aware’ for cello and piano is generously supported by Prof. Jack C Richards and received its world premiere at the Melbourne Recital Centre ahead of the CMNZ tour. I’m thrilled that a brand-new New Zealand work has been internationally showcased in this way. I would like to thank the Turnovsky Endowment Trust, who are the generous supporters of the Wellington concert. Catherine Gibson Chief Executive Chamber Music New Zealand Please kindly remember to switch off all cellphones, pagers and watches. Taking photographs, or sound or video recordings during the concert is prohibited unless with the prior approval of Chamber Music New Zealand. Thank you. “Mullova maybe the most elegant, refined and sweetly expressive violinist on the planet.” – Chicago Tribune Cornerstones WELLINGTON, CHRISTCHURCH, AUCKLAND Franz Schubert Page 6 Piano Trio No. 2 in E flat Major, D. 929 -Interval- Salina Fisher Page 7 Mono no aware ( 物の哀れ) (CMNZ Commission)* Maurice Ravel Page 8 Piano Trio in A Minor * This commission is generously supported by Prof. Jack C. Richards. DURATION:100 minutes including an interval The artists reserve the right to make changes to the programme. The Auckland concert is being recorded for broadcast by RNZ Concert. 2 Chamber Music New Zealand Viktoria Mullova Violin Viktoria Mullova studied at the acclaimed worldwide and led Tim Central Music School of Moscow Ashley to write, “To hear Mullova play and the Moscow Conservatoire. Bach is, simply, one of the greatest Her extraordinary talent captured things you can experience…” in the international attention when she Guardian. Her recent disc of Bach won first prize at the 1980 Sibelius Concerti with the Accademia Bizantina Competition in Helsinki and the Gold and Ottavio Dantone has been highly Medal at the Tchaikovsky Competition praised and her recording of Bach’s in 1982 which was followed, in 1983, solo sonatas and partitas represents by her dramatic and much publicised a significant milestone in Viktoria’s defection to the West. She has since personal journey into this music. The appeared with most of the world’s recording received 5-star reviews greatest orchestras and conductors from all over the world and she has and at the major international festivals. embarked on an international several She is now known the world over as a season-long, series of solo Bach violinist of exceptional versatility and recitals. musical integrity. Her curiosity spans the breadth of musical development Her ventures into creative from Baroque and Classical right up contemporary music started in 2000 to the most contemporary influences with her album ‘Through the Looking from the world of fusion and Glass’ in which she played world, experimental music. jazz and pop music arranged for her by Matthew Barley. This exploration Her interest in the authentic continued with her second album ‘The approach has led to collaborations Peasant Girl’ which she has toured with period instrument bands such around the world with the Matthew as the Orchestra of the Age of Barley ensemble. This project shows a Enlightenment, Il Giardino Armonico, different side to Viktoria as she looks Venice Baroque and Orchestre to her peasant roots in the Ukraine Révolutionaire et Romantique. and explores the influence of gypsy Viktoria has a great affinity with Bach music on the classical and jazz genres and his work makes up a large part in the 20th Century. Her most recent of her recording catalogue. Her project, ‘Stradivarius in Rio’ is inspired interpretations of Bach have been by her love of Brazilian songs by Viktoria Mullova Trio 3 composers such as Antonio Carlos arrangements of Brazilian and Hebrew Jobim, Caetano Veloso and Claudio songs and works by Schumann and Nucci. A CD of the same name has Bach, and duo with Alasdair Beatson, been enthusiastically received and playing Beethoven recitals on gut she is now presenting the project in strings and fortepiano. concerts throughout Europe. As well as her own projects, she has also Mullova’s extensive discography for commissioned works from young Philips Classics and Onyx Classics composers such as Fraser Trainer, has attracted many prestigious Thomas Larcher and Dai Fujikura. awards. Her recording of the Vivaldi This rich musical diversity has been Concertos with Il Giardino Armonico celebrated in several high-profile and directed by Giovanni Antonini, residences, including London’s won the Diapason D’Or of the Year Southbank, Vienna’s Konzerthaus, award for 2005 and her recording the Auditorium du Louvre in Paris, featuring Beethoven’s Op.12, No.3 Musikfest Bremen, Barcelona and Kreutzer Sonatas with Kristian Symphony Orchestra and Helsinki Bezuidenhout received immense Music Festival. critical acclaim. Other discs have included the Schubert Octet with the This season, Viktoria performs Mullova Ensemble, ‘Recital’ with Katia Classical and Romantic repertoire Labèque, Bach Sonatas with Ottavio with several major orchestras and Dantone and ‘6 Solo Sonatas and conductors. Highlights include Partitas’ by JS Bach. September 2018 performances with the Melbourne saw the release of her new CD of the Symphony Orchestra and Auckland complete works for violin & orchestra Philharmonic; Orchestra National by Arvo Pärt with the Estonian de France and Baltimore Symphony National Symphony Orchestra and Orchestra and a tour with the Paavo Järvi for the Onyx label. Academy of Ancient Music playing Bach and Haydn concerti. Her chamber music projects include ‘Music we Love’; a duo with Misha Mullov-Abbado, double bass, featuring his original compositions, 4 Chamber Music New Zealand Matthew Barley Cello Cello playing is at the centre of Detlev Glanert, Dai Fujikura and Matthew Barley’s career, while many other prominent composers, his musical world has virtually no including with some of the finest geographical, social or stylistic Indian musicians in a new project with boundaries. the Philharmonia Orchestra. Matthew Barley is passionate about Matthew’s recordings have been improvisation, education, multi- released on Black Box, Signum genre music-making, electronics, and Classics and Onyx Classics – the latter pioneering community programmes. included a CD with Viktoria Mullova He is also a world-renowned cellist, on which Matthew was cellist, who has performed in over 50 arranger, composer and producer, countries, including concertos with The Peasant Girl, which has gained the BBC Philharmonic, Frankfurt Radio rave reviews worldwide, and is now Symphony, London Sinfonietta, Hong also available on DVD. Kong Sinfonietta, Royal Scottish National, Kremerata Baltica, Swedish In 2013 Matthew undertook a Chamber, Vienna Radio Symphony, 100-event UK tour celebrating Netherlands Radio Philharmonic, Benjamin Britten – the tour was Czech Philharmonic, Melbourne and accompanied by a CD release, New Zealand Symphonies and the ‘Around Britten’, described by Sinfini as Metropole Jazz Orchestra. “a defining statement in modern cello playing”. Matthew Barley’s collaborations include Matthias Goerne, the Labèque After the world premiere Sisters, Avi Avital, Manu Delago, Martin performances of a new double Fröst, Thomas Larcher, Amjad Ali Khan, concerto by Pascal Dusapin with Julian Joseph, Nitin Sawhney, and Viktoria Mullova and with Netherlands Jon Lord (Deep Purple), appearing in Radio, there are further performances venues ranging from Ronnie Scott’s with the London Philharmonic, and the WOMAD festivals to Vienna’s RAI Torino, Paris National, Seattle Konzerthaus and Zürich’s Tonhalle. Symphony and Leipzig Gewandhaus. Matthew’s new music group, Between Next season sees a tour with wind The Notes, has undertaken over 60 quintet Calefax, a recording of John creative projects with young musicians Tavener’s The Protecting Veil for and orchestral players around the Signum Classics, the premiere of world. Matthew’s arrangements of Brazilian jazz for cello and string orchestra in Matthew has given premieres by Helsinki, and tours to Australia and James MacMillan, Thomas Larcher, New Zealand. Viktoria Mullova Trio 5 Stephen De Pledge Piano New Zealand pianist Stephen De Tokyo, Cologne, Paris, London and Pledge performs internationally as Edinburgh, as well as throughout New a soloist and chamber musician. Zealand. His extensive discography Following studies in Auckland, London includes works by Bliss, Barber, and Paris he made his debuts in the Messiaen, Shostakovich and Brahms, Wigmore Hall, Queen Elizabeth Hall and premiere recordings of Arvo Pärt, and Barbican Hall in London. He Henryk Górecki, Ned Rorem and the has given concerto performances first piano concerto of Lyell Cresswell. with the BBC Scottish Symphony, In addition to his performing schedule Bournemouth Symphony, New Stephen De Pledge teaches piano London and Philharmonia Orchestras, at the School of Music, University of amongst others. Solo performances Auckland. in recent seasons have taken him to Salina Fisher Composer Salina Fisher (b.1993) is a New Zealand Fulbright, Creative New Zealand composer particularly interested in and The Arts Foundation, and is the the musical traditions of New Zealand youngest ever winner of the SOUNZ and Japan. Since recently graduating Contemporary Award (2016, 2017).
Load more

Recommended publications
  • Download Booklet
    AROUND BRITTEN AROUND BRITTEN As a tribute to a great Russian musician and MATTHEW BARLEY patriot I based this suite on Russian themes: To celebrate the centenary of the greatest English the first three tunes were taken from Tchaikovsky’s Third Suite for Cello, Op 87 (1971) Benjamin Britten (1913–1976) composer of the twentieth century I wanted to volumes of folk-song arrangements; the fourth, focus on, and expand from, a very specific part the ‘Kontakion’ (Hymn for the departed), from 1 I Introduzione: Lento [2.10] 8 VIII Moto perpetuo: Presto [0.57] 2 II Marcia: Allegro [1.49] 9 IX Passacaglia: Lento solenne [4.25] of his music for cello: the last minute of his the English Hymnal.” 3 III Canto: Con moto [1.19] 0 Mournful Song [0.33] Third Suite for Cello. This ending is Britten’s 4 IV Barcarola: Lento [1.33] q Autumn [0.19] rendition of the Kontakion – the Hymn for the Based on these four melodies the suite is a set 5 V Dialogo: Allegretto [1.42] w Street Song [0.26] Dead from the Russian Orthodox Church, and is of variations with the themes only heard in their 6 VI Fuga: Andante espressivo [2.55] e Depart in peace, with the Saints [2.42] peaceful, mysterious and profound. At the time complete versions at the end of the journey. 7 VII Recitativo: Fantastico [1.07] (Kontakion) of composing Britten had five years to live One or more of them are present in every one of r Greensleeves (1941) Trad, arr.
    [Show full text]
  • BIOGRAPHIES Violin Faculty Justin Chou Is a Performer, Teacher And
    MASTER PLAYERS FESTIVAL: BIOGRAPHIES Violin faculty Justin Chou is a performer, teacher and concert producer. He has assisted and performed in productions such as the Master Players Concert Series, IVSO 60th anniversary, Asian Invasion recital series combining classical music and comedy, the 2012 TEDxUD event that streamed live across the Internet and personal projects like Violins4ward, which recently produced a concert titled “No Violence, Just Violins” to promote violence awareness and harmonious productivity. Chou’s current project, Verdant, is a spring classical series based in Wilmington, Delaware, that presents innovative concerts by growing music into daily life, combining classical performance with unlikely life passions. As an orchestral musician, he spent three years as concertmaster of the Illinois Valley Symphony, with duties that included solo performances with the orchestra. Chou also has performed in various orchestras in principal positions, including an international tour to Colombia with the University of Delaware Symphony Orchestra, and in the state of Wisconsin, with the University of Wisconsin Symphony Orchestra, the Lake Geneva Symphony Orchestra and the Beloit-Janesville Symphony. Chou received his master of music degree from UD under Prof. Xiang Gao, with a full assistantship, and his undergraduate degree from the University of Wisconsin, with Profs. Felicia Moye and Vartan Manoogian, where he received the esteemed Ivan Galamian Award. Chou also has received honorable mention in competitions like the Milwaukee Young Artist and Youth Symphony Orchestras competitions. Xiang Gao, MPF founding artistic director Recognized as one of the world's most successful performing artists of his generation from the People's Republic of China, Xiang Gao has solo performed for many world leaders and with more than 100 orchestras worldwide.
    [Show full text]
  • Women Pioneers of American Music Program
    Mimi Stillman, Artistic Director Women Pioneers of American Music The Americas Project Top l to r: Marion Bauer, Amy Beach, Ruth Crawford Seeger / Bottom l to r: Jennifer Higdon, Andrea Clearfield Sunday, January 24, 2016 at 3:00pm Field Concert Hall Curtis Institute of Music 1726 Locust Street, Philadelphia Charles Abramovic Mimi Stillman Nathan Vickery Sarah Shafer We are grateful to the William Penn Foundation and the Musical Fund Society of Philadelphia for their support of The Americas Project. ProgramProgram:: WoWoWomenWo men Pioneers of American Music Dolce Suono Ensemble: Sarah Shafer, soprano – Mimi Stillman, flute Nathan Vickery, cello – Charles Abramovic, piano Prelude and Fugue, Op. 43, for Flute and Piano Marion Bauer (1882-1955) Stillman, Abramovic Prelude for Piano in B Minor, Op. 15, No. 5 Marion Bauer Abramovic Two Pieces for Flute, Cello, and Piano, Op. 90 Amy Beach (1867-1944) Pastorale Caprice Stillman, Vickery, Abramovic Songs Jennifer Higdon (1962) Morning opens Breaking Threaded To Home Falling Deeper Shafer, Abramovic Spirit Island: Variations on a Dream for Flute, Cello, and Piano Andrea Clearfield (1960) I – II Stillman, Vickery, Abramovic INTERMISSION Prelude for Piano #6 Ruth Crawford Seeger (1901-1953) Study in Mixed Accents Abramovic Animal Folk Songs for Children Ruth Crawford Seeger Little Bird – Frog He Went A-Courtin' – My Horses Ain't Hungry – I Bought Me a Cat Shafer, Abramovic Romance for Violin and Piano, Op. 23 (arr. Stillman) Amy Beach June, from Four Songs, Op. 53, No. 3, for Voice, Violin, and
    [Show full text]
  • TURNER SIMS Southampton
    TURNER SIMS Southampton AUTUMN SEASON 2011 GREAT MUSIC LIVE www.turnersims.co.uk Box Office 023 8059 5151 SUPPORT US Put the arts on your agenda Turner Sims offers a dynamic programme of corporate partnership opportunities that can benefit your organisation. l Generate greater brand awareness Concert and education partners l Target new customers and supporters l Invest in your community l Get involved in exciting new projects l Take advantage of excellent PR opportunities l Set your next product launch or company event in a unique, creative setting Find out how a partnership with Turner Sims can help to fulfil your corporate objectives. Contact Kevin Appleby, Concert Hall Manager, on 023 8059 2223 or email [email protected] Turner Sims Southampton is provided by TURNER SIMS Friends University of Southampton. We gratefully acknowledge the support of the following organisations: Core Support Turner Sims is proud to be a member of the following organisations: SOUTHAMPTON CITY COUNCIL 2 Box Office 023 8059 5151 to TurnerWELCOME Sims, Southampton Kevin Appleby Concert Hall Manager A year of notable firsts begins this Autumn at Turner Sims. Across this season and into 2012 you will find BECOME A performance premieres, appearances by musical pioneers, and debuts from many artists new to FRIEND OF Turner Sims, both established names and rising stars. TURNER SIMS Ironically the most notable first of the Autumn is also a last: the British premiere of a work which Benjamin Britten wrote in 1927 at the age of Join our group of 14 features in the final concert of our Bridge Quartets series with the enthusiastic supporters Maggini Quartet.
    [Show full text]
  • Jon Lord June 9 1941 – July 16 2012
    Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar.
    [Show full text]
  • St Valentine's Day 2018
    ST VALENTINE’S DAY 2018 Mansion House With Special Guest HUGH LAURIE CMF Team Dr Clare Taylor Managing Director Tabitha McGrath Artist Manager Philip Barrett Executive Assistant Trustees Sir Mark Boleat Sir Roger Gifford Sir Nicholas Kenyon Sir Andrew Parmley Advisory Board Guy Harvey Partner, Shepherd and Wedderburn Wim Hautekiet Managing Director, JP Morgan Alastair King Chairman, Naisbitt King Asset Management Kathryn McDowell CBE Managing Director, London Symphony Orchestra Lizzie Ridding Board Member, City Music Foundation Ian Ritchie Artistic Director and Music Curator, Setubal Music Festival Seb Scotney Editor, London Jazz News Philip Spencer Development Consultant Adrian Waddingham CBE Partner, Barnett Waddingham St Valentine’s Day 2018 2 WELCOME Welcome to the Mansion House and to a celebration of all that is good about life! Not least the wonderful music we are going to hear in the splendour of the greatest surviving Georgian town palace in London. The City Music Foundation – CMF – is just five years old and it was created in this house. Its mission is to turn talent into success by giving training in the “business of music” to soloists and ensembles at the start of their professional careers, as well as promoting them extensively in a modern and professional manner. Several - the Gildas Quartet, Michael Foyle, and Giacomo Smith with the Kansas Smitty’s, are playing for us this evening. This year CMF hopes to move into a more permanent home in the City at St Bartholomew the Less, within the boundaries of St Bartholomew’s Hospital – and within the City of London’s ‘Culture Mile’. This anticipates the relocation of the Museum of London to its new site in Smithfield and the creation of a new Centre for Music on the south side of the Barbican – all exciting developments in the heart of the Capital.
    [Show full text]
  • 559188 Bk Harbison US
    559752 bk Higdon US_559752 bk Higdon US 23/04/2013 19:33 Page 4 Serafin String Quartet AMERICAN CLASSICS Hailed by The Strad Magazine (2010) for “playing with style and sophistication” and the American Record Guide (2011) for “combining true rhythmic precision, beautiful intonation, and beautiful articulation with an excellent sense of balance and deeply satisfying musical phrasing,” the Serafin String Quartet made its début to a sell-out crowd at New York City’s Weill Recital Hall at Carnegie Hall in 2004. Since its début, the Quartet JENNIFER HIGDON has been applauded by audiences around the nation, including sell-out crowds at repeat performances in New York City’s Weill Recital Hall and recent performances at St John’s, Smith Square in London, Philadelphia’s Annenberg Center for the Arts and the Delaware Sky Quartet Chamber Music Festival. The Quartet’s 2010 début CD, on the Centaur label, received critical acclaim and is now widely available internationally. It features an American Tapestry of works by American composers and composers influenced by American Amazing Grace • Viola Sonata • Dark Wood • String Trio sounds. Quartet in Residence for the University of Delaware, the Serafin String Quartet regularly reaches young musicians through a variety of performances and instructional Serafin String Quartet activities on the University of Delaware campus and beyond. Charles Abramovic, Piano • Eric Stomberg, Bassoon Charles Abramovic Photo: Conrad Erb Photography Photo: Joseph Labolito Charles Abramovic has won critical acclaim for his international performances as a soloist, chamber musician, and collaborator with leading instrumentalists and singers. He has appeared as soloist with the Baltimore Symphony, the Pittsburgh Symphony, the Colorado Philharmonic, the Florida Philharmonic, and the Nebraska Chamber Orchestra.
    [Show full text]
  • New Zealand Works for Contrabassoon
    Hayley Elizabeth Roud 300220780 NZSM596 Supervisor- Professor Donald Maurice Master of Musical Arts Exegesis 10 December 2010 New Zealand Works for Contrabassoon Contents 1 Introduction 3 2.1 History of the contrabassoon in the international context 3 Development of the instrument 3 Contrabassoonists 9 2.2 History of the contrabassoon in the New Zealand context 10 3 Selected New Zealand repertoire 16 Composers: 3.1 Bryony Jagger 16 3.2 Michael Norris 20 3.3 Chris Adams 26 3.4 Tristan Carter 31 3.5 Natalie Matias 35 4 Summary 38 Appendix A 39 Appendix B 45 Appendix C 47 Appendix D 54 Glossary 55 Bibliography 68 Hayley Roud, 300220780, New Zealand Works for Contrabassoon, 2010 3 Introduction The contrabassoon is seldom thought of as a solo instrument. Throughout the long history of contra- register double-reed instruments the assumed role has been to provide a foundation for the wind chord, along the same line as the double bass does for the strings. Due to the scale of these instruments - close to six metres in acoustic length, to reach the subcontra B flat’’, an octave below the bassoon’s lowest note, B flat’ - they have always been difficult and expensive to build, difficult to play, and often unsatisfactory in evenness of scale and dynamic range, and thus instruments and performers are relatively rare. Given this bleak outlook it is unusual to find a number of works written for solo contrabassoon by New Zealand composers. This exegesis considers the development of contra-register double-reed instruments both internationally and within New Zealand, and studies five works by New Zealand composers for solo contrabassoon, illuminating what it was that led them to compose for an instrument that has been described as the 'step-child' or 'Cinderella' of both the wind chord and instrument makers.
    [Show full text]
  • APO Annual Report 2017
    AUCKLAND PHILHARMONIA ORCHESTRA 2017 ANNUAL REPORT AUCKLAND PHILHARMONIA ORCHESTRA Auckland Philharmonia Orchestra is New Zealand’s full-time professional Metropolitan CONTENTS orchestra, serving Auckland’s communities with a comprehensive programme of concerts and education and outreach activities. Chairman’s Report 1 In more than 70 self-presented performances annually, the Chief Executive’s Report 2 APO presents a full season of symphonic work showcasing Premieres in 2017 4 many of the world’s finest classical musicians. Renowned for its innovation, passion and versatility, the APO collaborates with New Zealand Artists Performing some of New Zealand’s most inventive contemporary artists. with the APO in 2017 4 Artistic and Performance Highlights 6 The APO is proud to support both New Zealand Opera and the Royal New Zealand Ballet in their Auckland performances. It Marketing and Sales 7 also works in partnership with Auckland Arts Festival, the New APO Connecting 8 Zealand International Film Festival, the Michael Hill International Violin Competition and Auckland War Memorial Museum, among Business Partnerships other organisations. and Development 10 Through its numerous APO Connecting (education, outreach APO Musicians, Management, and community) initiatives the APO offers opportunities to Board and Support Organisations 11 more than 27,000 young people and adults nationwide to Financial Overview 12 engage with and participate in music activities ranging from hip-hop and rock to contemporary and classical. APO Financial Statements 13 APO Funders, Donors More than 250,000 people worldwide experience the orchestra and Supporters 41 live each year with many thousands more reached through recordings, broadcasts and other media. APO Sponsors 45 COVER IMAGE: Steven Logan, Principal Timpanist and Eric Renick, Principal Percussionist (Photo: Adrian Malloch) CHAIRMAN’S REPORT It is my pleasure to report on 2017 on behalf of the Auckland Philharmonia Orchestra Board, a year of exciting new opportunities for the orchestra.
    [Show full text]
  • Ur Composers
    UR COMPOSERS Douglas Lilburn described as “the of Takaka. It then travelled via Seoul, academic Dr. Suzanne Court and are elder statesman of New Zealand Beijing and Tokyo to end up in published by Pro Arte Publications in a music” and the “grandfather of New Wellington. I was lucky enough to have collection of guitar works by New Zealand music”, died peacefully at his been the piece’s travelling companion Zealand composers called Guitar home in Wellington on 6th June 2001. for most of the way. This particular Aotearoa. Douglas Lilburn composed his journey has been integral to my Seventeen Pieces for Guitar between personal musical development as it “MATARIKI” SUITE FOR GUITAR 1962 and 1970 for local guitarist taught me all sorts of valuable lessons (2005) Ronald Burt. They are amongst the relating to music. If a musical problem World Premiere last of his works for acoustic was too difficult to solve I would leave Introduction instruments and can be heard as it for a while, sometimes over a period Tapuanuku providing a transition to his works in of months, before a solution was Tapuarangi the electronic medium. He also drew found. Sometimes this answer took Waiti Michael Hogan (b. 1971) inspiration from earlier works: No. 2 is hours of hard graft, but mostly it would Waita based on the penultimate song in his unravel of it’s own accord. In these Waipunarangi cycle Sings Harry to words by NZ poet months of not working on Homage I Ururangi Denis Glover: feel that I grew musically, obtaining MICHAEL HOGAN (b.
    [Show full text]
  • Friday 14 February 2020 12:00 Music Through the Night 6:00 Daybreak
    Spanish Songs - Alison Balsom (tpt), G450 - Kazuhito Yamashita (gtr), Phil/Daniel Harding (Virgin 5 45480) Gothenburg SO/Edward Gardner Tokyo String Quartet (RCA RD 60421) (EMI 3 53255) CHOPIN: Ballade No 1 in G minor R SMITH: Air Castles - Ryan Smith HILL: String Quartet No 3 in A minor, Op 23 - Krystian Zimerman (pno) (DG (accordian), Robyn Jaquiery (pno) Carnival - Dominion Quartet (Naxos 423 090) 8.570491) PUCCINI: Oh, saro la piu bella! - Tu, VIVALDI: Violin Concerto in G RV310 Friday 14 February 2020 BACH: Keyboard Concerto in G tu, amore? Tu?, from Manon Lescaut - Adrian Chandler (vln/dir), La Wq43/5 - Trevor Pinnock - Kiri Te Kanawa (sop), José Carreras, Serenissima (Avie AV 2106) 12:00 Music Through the (hpschd/dir), English Concert (CRD Orchestra del Teatro Comunale di Night 3311) Bologna/Richard Cheetham (Decca 7.00 ZIPOLI arr Hunt: Elevazione - SZYMANOWSKI: Nocturne & 475 459) Gordon Hunt (ob/dir), Niklass Tarantella Op 28 - Tasmin Little (vln), KOEHNE: Way Out West - Diana HAYDN: Cello Concerto No 2 in D Veltman (cello), Norrköping SO (BIS Piers Lane (pno) (Chandos CHAN Doherty (ob), Sinfonia HobVIIb/2 (3) - Gautier Capuçon CD 5017) 10940) Australis/Mark Summerbell (ABC 980 (cello), Mahler CO/Daniel Harding LISZT transcr Grainger: Hungarian RACHMANINOV: Prelude No 4 in E 046) (Virgin 5 45560) Fantasy S123 - Ivan Hovorun (pno), Minor, Op 32 - Colin Horsley (pno) DUSSEK: Sinfonia in A - Helsinki Royal Northern College of Music (Atoll ACD 442) Baroque Orch/Aapo Häkkinen RACHMANINOV: Symphony No 2 in Wind Orch/Clark Rundell (Chandos
    [Show full text]
  • LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography
    LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography DEUTSCHE GRAMMOPHON SALONEN: Piano Concerto; Helix; Dichotomie (Yefim Bronfman, piano) STRAVINSKY: The Rite of Spring; MUSSORGSKY: Night on Bald Mountain (original version); BARTÓK: The Miraculous Mandarin Suite NONESUCH ADAMS: Naive and Sentimental Music ONDINE SAARIAHO: Du cristal ... à la fumée (Petri Alanko, alto flute; Anssi Karttunen, cello) PHILIPS CLASSICS BARTÓK: Violin Concerto No. 2; STRAVINSKY: Violin Concerto (Viktoria Mullova, violin) SONY CLASSICAL BACH: Transcriptions for Orchestra (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos Nos. 1, 2, and 3 (Yefim Bronfman, piano) BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain HINDEMITH: Mathis der Maler Symphony; Symphonic Metamorphosis on Themes by Carl Maria von Weber; Four Temperaments (Emanuel Ax, piano) LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos.
    [Show full text]