DOCSLIB.ORG

Swr2 Programm Kw 47

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Swr2 Programm Kw 47 SWR2 PROGRAMM - Seite 1 - KW 47 / 19. - 25.11.2018 5.00 Nachrichten, Wetter gionen um sich, die vorher kein Montag, 19. November Gelbfieber kannten – mit bisher über 5.03 ARD-Nachtkonzert 600 Todesopfern. Gelbfieber wird von 0.05 ARD-Nachtkonzert William Herschel: Mücken übertragen, in den Urwäl- Johannes Brahms: Sinfonie Nr. 8 c-Moll dern meist auf Affen, die innerhalb „Waldesnacht“ op. 62 Nr. 3 London Mozart Players weniger Tage sterben. Jetzt finden Rundfunkchor Leipzig Leitung: Matthias Bamert sich tote Affen bereits in Stadtparks Leitung: Wolf-Dieter Hauschild Antonio Vivaldi: São Paulos und bei Rio de Janeiro. Das Franz Schmidt: Oboenkonzert D-Dur RV 453 bedeutet, dass das Fieber näher an Sinfonie Nr. 4 C-Dur Zefiro die Städte herankommt. Die Ursa- MDR Sinfonieorchester Oboe und Leitung: Alfredo Bernardini chen sind bisher unklar, und nur die Leitung: Fabio Luisi Wilhelm Albrecht Lütgen: Hälfte der Brasilianer ist geimpft. Felix Mendelssohn Bartholdy: Quartett Es-Dur op. 19 Streichquartett D-Dur op. 44 Nr. 1 Hornquartett des Rundfunk-Sinfonie- 8.58 SWR2 Programmtipps Leipziger Streichquartett Orchesters Leipzig Christoph Graupner: Howard Shore: 9.00 Nachrichten, Wetter „Ach Herr mich armer Sünder“ „A Lord of the rings Suite“ GWV 1152/46 James Galway (Flöte) 9.05 SWR2 Musikstunde Klaus Mertens (Bassbariton) London Symphony Orchestra Vielseitig unterwegs: musikalische Accademia Daniel Leitung: Klauspeter Seibel Multitalente (1) Leitung: Ahalev Ad-El Frédéric Chopin: Mit Nele Freudenberger Franz Liszt: Walzer Es-Dur op. 18 Ungarische Rhapsodie Nr. 1 f-Moll Eugène Mursky (Klavier) Talente sind manchmal ungerecht S 359 Nr. 1 Nicola Fiorenza: verteilt. Während die einen dies- Staatskapelle Weimar Violoncellokonzert A-Dur bezüglich eher im Trüben fischen, Leitung: Arthur Fagen Gaetano Nasillo (Violoncello) brillieren andere gleich auf mehreren Ensemble 415 Gebieten. Ein Phänomen, das vor 2.00 Nachrichten, Wetter Leitung: Chiara Banchini allem in der Musik immer wieder zu beobachten ist. Da gibt es die kom- 2.03 ARD-Nachtkonzert 6.00 SWR2 am Morgen ponierenden Virtuosen wie Franz Wolfgang Amadeus Mozart: darin bis 8.00 Uhr: Liszt oder die dirigierenden Kompo- Violinkonzert D-Dur KV 218 u. a. Pressestimmen, nisten wie Gustav Mahler. Und dann „Straßburger Konzert“ Kulturmedienschau und sind da noch die fachfremden Mu- Thomas Zehetmair (Violine) Kulturgespräch siker wie zum Beispiel Alexander Bo- Orchestra of the Eighteenth Century rodin, der nicht nur ein sehr fähiger Leitung: Frans Brüggen 6.00 SWR2 Aktuell Komponist, sondern auch ein bedeu- Antonij Arenskij: tender Chemiker und Mediziner war. Suite F-Dur op. 15 6.20 SWR2 Zeitwort Wie bringen solche Leute ihre Fähig- Daniel Blumenthal, 19.11.1949: Fürst Rainier besteigt den keiten unter einen Hut? Woher neh- Robert Groslot (Klavier) Thron von Monaco men Sie die Zeit? Wie setzen sie ihre Ludwig van Beethoven: Von Evi Seibert Prioritäten? Wir berichten über musi- Streichquartett a-Moll op. 132 kalische Multitalente. Wenn man sich Münchner Rundfunkorchester 6.30 Nachrichten nicht für eines entscheiden muss. Leitung: Ulf Schirmer Johann Sebastian Bach: 7.00 SWR2 Aktuell 10.00 Nachrichten, Wetter Konzert C-Dur BWV 1055 10.05 SWR2 Treffpunkt Klassik Alison Balsom (Trompete) 7.07 SWR2 Tagesgespräch Musik. Meinung. Perspektiven. Colm Carey (Orgel) Mit Christiane Peterlein Franz Krommer: 7.30 Nachrichten Oktett F-Dur op. 57 Wir sprechen mit Künstlern, wir be- Bläserensemble Sabine Meyer 7.57 Wort zum Tag richten über Konzerte und Festivals im Sendegebiet, kommentieren ak- 4.00 Nachrichten, Wetter 8.00 SWR2 Aktuell tuelle Entwicklungen im Musikleben, stellen Neues vom Musikmarkt vor, 4.03 ARD-Nachtkonzert 8.10 SWR2 Journal am Morgen spüren Trends in den digitalen Me- Georg Muffat: Das Magazin für Kultur und dien auf und hören vor allem viel „Impatientia“ Gesellschaft Musik. Salzburg Barock Frederick Delius: 8.29 SWR2 Programmtipps 11.57 SWR2 Kulturservice „Sea Drift“ Bryn Terfel (Bariton) 8.30 SWR2 Wissen 12.00 SWR2 Aktuell mit Nachrichten Waynflete Singers Gefahr aus dem Regenwald anschließend: Southern Voices Gelbfieber-Epidemie in Brasilien SWR2 Programmtipps Mitglieder des Bournemouth Von Gudrun Fischer Symphony Chorus 12.30 Kurznachrichten Bournemouth Symphony Orchestra Seit die Gelbfieberimpfung vor über Leitung: Richard Hickox 80 Jahren auf den Markt kam, rettete 12.33 SWR2 Journal am Mittag Josef Myslivecek: sie Hunderttausenden Menschen das Das Magazin für Kultur und Violinkonzert E-Dur EvaM 9a:E1 Leben und steht auf der Liste der Gesellschaft Leila Schayegh (Violine) sogenannten unentbehrlichen Medi- Collegium 1704 kamente der WHO. Der größte Nutzer 13.00 Nachrichten, Wetter Leitung: Václav Luks ist derzeit Brasilien. Denn seit zwei Jahren greift dort das Virus in Re- SWR2 PROGRAMM - Seite 2 - KW 47 / 19. - 25.11.2018 17.05 SWR2 Forum 22.00 Nachrichten, Wetter (Montag, 19. November) 17.50 SWR2 Jazz vor Sechs 22.03 SWR2 Essay 13.05 SWR2 Mittagskonzert Warten (2/3) oder: Die Kunst des Franz Schubert: 18.00 SWR2 Aktuell mit Nachrichten Wartens Ouvertüre im italienischen Stil „Spoken Essay“ von Reiner Niehoff SWR Rundfunkorchester 18.30 SWR2 Aktuell – Wirtschaft und Sven Rücker Kaiserslautern Leitung: Frank Strobel 18.40 SWR2 Kultur aktuell Warten, sagt Roland Barthes, ist im Emilie Mayer: Grunde das Warten auf die Geliebte. Klavierquartett Es-Dur 19.00 Nachrichten, Wetter Tatsächlich hat sich die Kunst gerade Mariani Klavierquartett am liebenden Warten abgearbeitet: Wolfgang Amadeus Mozart: 19.05 SWR2 Tandem Proust, Schnitzler, Schönberg, Beckett. Sinfonia concertante Es-Dur KV 297b Was Menschen bewegt Die Kunst misst aus, was an Erregung SWR Sinfonieorchester Baden-Baden Gespräch und Musik den scheinbar so ruhigen Vorgang und Freiburg des Wartens durchzieht, seine innere Leitung: Ivor Bolton 19.55 SWR2 Lesenswert Kritik Erfahrung. Unruhe, Angst, Panik, Gaëtano Donizetti: (Wiederholung von 15.55 Uhr) Schock regieren, wo das Warten sich Amore e morte zieht oder der Geliebte ausbleibt. Wer Cecilia Bartoli (Sopran) 20.00 Nachrichten, Wetter wartet, ist nicht mehr bei sich selbst, James Levine (Klavier) aber er ist auch nicht anderswo. Aber Ermanno Wolf-Ferrari: 20.03 SWR2 Abendkonzert wo ist er? Und welche Kunst kann Divertimento D-Dur op. 20 Saisoneröffnung dem beikommen? Münchner Rundfunkorchester Freiburger Barockorchester (Teil 3, Montag, 26. November, Leitung: Ulf Schirmer Sandrine Piau (Sopran) 22.03 Uhr) Domenico Scarlatti: Sebastian Wienand (Cembalo) Suite aus Sonaten von Scarlatti G-Dur Freiburger Barockorchester 23.00 Nachrichten, Wetter Claire Huangci (Klavier) Violine und Leitung: Plamena Nikitassova 23.03 SWR2 JetztMusik 14.58 SWR2 Programmtipps Jean-Féry Rebel: Vinyl. Von Experimenten mit „Les caractères de la danse“ Schallplatten und Plattentellern 15.00 Nachrichten, Wetter Jean-Philippe Rameau: Von Friederike Kenneweg Pièce de Clavecin en concert 15.05 SWR2 Leben „Tristes apprets“ aus „Castor Im Jahre 1877 stellte Thomas Alva Fünf Jahre Proteste auf dem Maidan e Pollux“ Edison das erste Mal seine Sprech- Zeitzeugen erinnern sich und ziehen Louis-Nicolas Clérambault: maschine der Öffentlichkeit vor. Bilanz „La Muse de l’ Opéra ou les Seither haben die Maschinen zur Von Eva Gutensohn Caractères lyriques“ akustisch-mechanischen Schallwie- André-Cardinal Destouche / dergabe die Menschen fasziniert und Am 21. November 2013 begannen die Michel-Richard de Lalande: zu klanglichen Experimenten ange- Proteste in der Ostukraine. Vor allem „Les Eléments“ regt. Anfang der 1990er-Jahre sah es junge Menschen wollten eine rasche Michel-Richard de Lalande: so aus, als sei mit dem Siegeszug der Annäherung an die EU, andere wie- „Grand Pièce en G ré sol“ aus CD und der Digitalisierung der Musik- derum fühlten sich ihrem Bruderstaat „Suite de Symphonies pur les produktion das Ende der Schallplatte Russland näher. Die monatelangen Soupers du Roi“ gekommen. Doch in den Nischen und Demonstrationen verliefen am Ende Michel Pignolet de Montclair: Laboren der experimentellen Musik- blutig und forderten viele Todesopfer. „La Morte di Lucretia“ szene überdauerte sie die Krise – ja, Einige der damaligen Aktivistinnen (Konzert vom 6. Oktober im es gibt sogar einen neuen Vinyl- und Aktivisten leben heute in Berlin. Konzerthaus Freiburg) Boom. Sammler, Liebhaber und So zum Beispiel Katja Pavlova; sie und Künstler, die mit den Besonderheiten ukrainische Bekannte erzählen, wie Das Freiburger Barockorchester eröff- von Schallplatten und Turntables sie die Zeit damals wahrgenommen net die Spielzeit 2018/2019 mit ei- arbeiten, lassen sich noch immer von haben und wie sich der Blick auf ihr nem rein französischen Programm. dem charakteristischen Knistern und Heimatland und Europa seit 2013 „À la francaise“ entführt die Hörer Knacken inspirieren, das zu hören ist, verändert hat. nach Versailles, nach Paris, an den wenn sich die Nadel auf den Platten- Hof und die Opernbühne: Dort gab es teller senkt. 15.30 SWR2 Fortsetzung folgt Tanz, Tanz und noch einmal Tanz. Das Die Witwe der Brüder van Gogh Ballett „Les Caractères de la danse“ (8/12) von Jean-Féry Rebel ist ein Rund- Dienstag, 20. November Roman von Camilo Sánchez umschlag an prominenten Tänzen Gelesen von Doris Wolters von der Courante bis zur Musette und 0.00 Nachrichten, Wetter war außerordentlich populär bei Bäl- 15.55 SWR2 Lesenswert Kritik len und an der Opéra. Auch Des- 0.05 ARD-Nachtkonzert touches und de Lalandes Ballett „Les Charles Koechlin: 16.00 Nachrichten, Wetter Eléments“ war ein solcher Hit und „The Seven Stars’ Symphony“ op. 132
Load more

Recommended publications
  • Download Booklet
    AROUND BRITTEN AROUND BRITTEN As a tribute to a great Russian musician and MATTHEW BARLEY patriot I based this suite on Russian themes: To celebrate the centenary of the greatest English the first three tunes were taken from Tchaikovsky’s Third Suite for Cello, Op 87 (1971) Benjamin Britten (1913–1976) composer of the twentieth century I wanted to volumes of folk-song arrangements; the fourth, focus on, and expand from, a very specific part the ‘Kontakion’ (Hymn for the departed), from 1 I Introduzione: Lento [2.10] 8 VIII Moto perpetuo: Presto [0.57] 2 II Marcia: Allegro [1.49] 9 IX Passacaglia: Lento solenne [4.25] of his music for cello: the last minute of his the English Hymnal.” 3 III Canto: Con moto [1.19] 0 Mournful Song [0.33] Third Suite for Cello. This ending is Britten’s 4 IV Barcarola: Lento [1.33] q Autumn [0.19] rendition of the Kontakion – the Hymn for the Based on these four melodies the suite is a set 5 V Dialogo: Allegretto [1.42] w Street Song [0.26] Dead from the Russian Orthodox Church, and is of variations with the themes only heard in their 6 VI Fuga: Andante espressivo [2.55] e Depart in peace, with the Saints [2.42] peaceful, mysterious and profound. At the time complete versions at the end of the journey. 7 VII Recitativo: Fantastico [1.07] (Kontakion) of composing Britten had five years to live One or more of them are present in every one of r Greensleeves (1941) Trad, arr.
    [Show full text]
  • Jon Lord June 9 1941 – July 16 2012
    Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar.
    [Show full text]
  • St Valentine's Day 2018
    ST VALENTINE’S DAY 2018 Mansion House With Special Guest HUGH LAURIE CMF Team Dr Clare Taylor Managing Director Tabitha McGrath Artist Manager Philip Barrett Executive Assistant Trustees Sir Mark Boleat Sir Roger Gifford Sir Nicholas Kenyon Sir Andrew Parmley Advisory Board Guy Harvey Partner, Shepherd and Wedderburn Wim Hautekiet Managing Director, JP Morgan Alastair King Chairman, Naisbitt King Asset Management Kathryn McDowell CBE Managing Director, London Symphony Orchestra Lizzie Ridding Board Member, City Music Foundation Ian Ritchie Artistic Director and Music Curator, Setubal Music Festival Seb Scotney Editor, London Jazz News Philip Spencer Development Consultant Adrian Waddingham CBE Partner, Barnett Waddingham St Valentine’s Day 2018 2 WELCOME Welcome to the Mansion House and to a celebration of all that is good about life! Not least the wonderful music we are going to hear in the splendour of the greatest surviving Georgian town palace in London. The City Music Foundation – CMF – is just five years old and it was created in this house. Its mission is to turn talent into success by giving training in the “business of music” to soloists and ensembles at the start of their professional careers, as well as promoting them extensively in a modern and professional manner. Several - the Gildas Quartet, Michael Foyle, and Giacomo Smith with the Kansas Smitty’s, are playing for us this evening. This year CMF hopes to move into a more permanent home in the City at St Bartholomew the Less, within the boundaries of St Bartholomew’s Hospital – and within the City of London’s ‘Culture Mile’. This anticipates the relocation of the Museum of London to its new site in Smithfield and the creation of a new Centre for Music on the south side of the Barbican – all exciting developments in the heart of the Capital.
    [Show full text]
  • With Matthew Barley & Stephen De Pledge
    1 Chamber Music New Zealand Supported by with Matthew Barley & Stephen De Pledge 2 Chamber Music New Zealand “The Ébène foursome animated an entire universe.” – Bachtrack QUATUOR ÉBÈNE 25 & 26 October chambermusic.co.nz/ebene Tēnā koutou Viktoria Mullova is one of her generation’s most breath-taking violinists, whose versatile musical world stretches right across the genres, from classical to jazz and world music. We are to be treated to Viktoria Mullova’s exquisite violin playing within the intimacy of the piano trio, where she performs with her husband, cellist Matthew Barley and long-time collaborator, one of New Zealand’s favourite pianists, Stephen De Pledge. Their programme is drawn from the cornerstones of the repertoire - the impassioned masterpiece of Schubert’s Trio in E flat followed in the second half by the heartfelt and sensual sonorities in Ravel’s Trio in A Minor, I am sure this will be an evening to remember. The CMNZ commission of a new work by Salina Fisher ‘Mono no aware’ for cello and piano is generously supported by Prof. Jack C Richards and received its world premiere at the Melbourne Recital Centre ahead of the CMNZ tour. I’m thrilled that a brand-new New Zealand work has been internationally showcased in this way. I would like to thank the Turnovsky Endowment Trust, who are the generous supporters of the Wellington concert. Catherine Gibson Chief Executive Chamber Music New Zealand Please kindly remember to switch off all cellphones, pagers and watches. Taking photographs, or sound or video recordings during the concert is prohibited unless with the prior approval of Chamber Music New Zealand.
    [Show full text]
  • Ascending Centenary
    Programme notesBristol Beacon & Bristol Ensemble present THE LARK ASCENDING CENTENARY Programme notes Bristol Beacon and Bristol Ensemble Present The Lark Ascending Centenary Concert Tuesday 15 December 2020 at 7.30pm Filmed at Shirehampton Public Hall Programme Jennifer Pike violin Roger Huckle violin Simon Kodurand violin Helen Reid piano Marcus Farnsworth baritone David Ogden conductor Bristol Ensemble Members of Exultate Singers Dr Jonathan James compère Vaughan Williams Fantasia on Christmas Carols Vaughan Williams The Lark Ascending (arr. for violin and piano) J S Bach Concerto for Two Violins in D minor BWV 1043 Parry Choral song “Jerusalem” Programme notes Fantasia on Christmas Carols Ralph Vaughan Williams This single-movement work for baritone, chorus and orchestra consists of a selection of English folk carols collected in southern England by Vaughan Williams and his friend Cecil Sharp to whom the work is dedicated. From Herefordshire ‘There is a fountain’ and The Truth sent from above; from Somerset Come all you worthy gentlemen and from Sussex On Christmas night all Christians sing. These carols are interposed with brief orchestral quotations from other carols, such as The First Nowell. The piece was first performed on 12 September 1912 at the Three Choirs Festival in Hereford Cathedral, conducted by the composer. The Lark Ascending Ralph Vaughan Williams In the composition of this iconic, 100-year-old work, Ralph From its opening bars, this composition has a magical Vaughan Williams sought an escape from the onset and quality to it. The orchestra plays a soft and peaceful effects of war. His knowledge of violin technique, a love of introduction, then quietly sustains a chord.
    [Show full text]
  • DILLUNS, 1 D'abril DEL 2019 Audició D'obres Senceres O Fragmentades Del Nostre Repertori Més Clàssic
    PROGRAMACIÓ DE CATALUNYA MÚSICA DILLUNS, 1 D'ABRIL DEL 2019 Audició d'obres senceres o fragmentades del nostre repertori més clàssic. 07:00 BUTLLETÍ DE NOTÍCIES BRITTEN, BENJAMIN: "Simfonia simple", op. 4. Orquestra de Cambra Anglesa. Titulars a la nostra mida. Posem l'accent a la informació cultural. Dir.: Benjamin Britten. (17m) 07:03 TOTS ELS MATINS DEL MÓN RAVEL, MAURICE: Quartet de corda en Fa. Quatuor Enesco. ...són camins sense retorn. Un paradís de músiques per començar el (31m) dia de la millor manera. Presentat per Joan Vives i Ester Pinart. PÄRT, ARVO: "Spiegel im Spiegel" (Mirall al mirall) per a violí i piano. Vadim Gluzman, violí. Angela Yoffe, piano. 08:00 BUTLLETÍ DE NOTÍCIES (8m) Titulars a la nostra mida. Posem l'accent a la informació cultural. FAURÉ, GABRIEL: Rèquiem en re m, op. 48. Arleen Augér, soprano. Benjamin Luxon, baríton. Cor de la Catedral de Winchester. 09:00 BUTLLETÍ I AGENDA Orquestra de Cambra Anglesa. Dir.: Philip Ledger. (33m) Titulars a la nostra mida. Informació cultural i agenda de Catalunya Música. BLANCAFORT, MANUEL: "Cinc nocturns" per a piano. Miquel Villalba, piano. (23m) 11:00 BUTLLETÍ DE NOTÍCIES Titulars a la nostra mida. Posem l'accent a la informació cultural. 16:00 AGENDA Informació cultural i agenda de Catalunya Música. 11:03 ELS CONCERTS Concerts d'intercanvi provinents de la Unió Europea de Radiodifusió 16:03 ELS CONCERTS UER-EBU. Presentació d’Olga Cardús. Una selecció dels millors concerts de la nostra fonoteca. Presentació TEMPORADA DE L’ORQUESTRA FILHARMÒNICA DE RÀDIO d’Olga Cardús. FRANÇA, 2018-2019 Gabriel Fauré: Suite orquestral de ''Pelléas et Mélisande'', op.
    [Show full text]
  • ALSO AVAILABLE on Signumclassics
    171booklet 7/8/09 12:35 Page 1 ALSO AVAILABLE on signumclassics Scenes of Spirits Electric Counterpoint The Graham Ashton Brass Ensemble Powerplant SIGCD099 SIGCD143 The Graham Ashton Brass Ensemble boldly explores new repertoire Powerplant encompasses the work of some of the most dynamic for brass from different cultures around the globe, with an incredible young British artists, bringing together the virtuoso percussionist line up of composers and instrumentalists from different disciplines Joby Burgess and live sound engineer Matthew Fairclough. and musical spheres. A melting pot of Indian ragas, Japanese Gagaku, Argentinian tangos and ancient Celtic tradition, via The repertoire centres on Steve Reich’s Electric Counterpoint, a American improvised and classical music, gives rise to a release of piece originally written for guitarist Pat Metheny, alongside works sparkling originality, where daring instrumentations are perfectly by techno pioneers Kraftwerk and original compositions by Burgess matched with sublime performances from this true ‘world’ ensemble. and Fairclough. “A really worth-while extension of the brass ensemble repertoire … “… a glinting, chiming soundworld that seems perfectly judged for Recommended unreservedly.” Musical Pointers Reich’s intricate canonical writing.” The Guardian Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 171booklet 7/8/09 12:35 Page 3 Dance of the Three Dance of the Three then blues and swing, and then something very Legged Elephants modern and avant-garde. These myriad tones, Legged Elephants textures, feels, grooves and emotions hold Dazzling yet intimate, this set of tracks is the work together in a fabulous aural tapestry, at times of two brilliant and internationally renowned freely improvised and at other times more musicians who are also close friends, and their arranged or composed, as is the jazz tradition.
    [Show full text]
  • El Virtuosismo Joaquín Gaztambide Joaquín Achúcarro Segunda De
    REVISTA DE MÚSICA Año XXVII - Nº 279 - Noviembre 2012 - 7 € Año XXVII - Nº 279 -Noviembre 2012 DOSIER El virtuosismo ENTREVISTA Joaquín Achúcarro ACTUALIDAD Joaquín Gaztambide reFERENCIAS Segunda de Brahms 30/10/12 NICOLAS HODGES, piano Obras de J. S. Bach, W. Rihm y H. Birtwistle 04/12/12 LLUÍS CLARET, violonchelo Integral de las Suites para violonchelo solo I Obras de J. S. Bach, J. Guinjoan y J. Navarro 19/12/12 LLUÍS CLARET, violonchelo Integral de las Suites para violonchelo solo II Obras de J. S. Bach, T. Garrido y M. Ribera 19/02/13 ISABELLE FAUST, violín Obras de J. S. Bach, H. Lachenmann y G. Kurtág 08/03/13 ANDREA BACCHETTI, piano Obras de J. S. Bach y L. Berio Centro 18/04/13 PIERRE HANTAÏ, clave Nacional Obras de J. S. Bach y D. Scarlatti 27/05/13 ELISABETH LEONSKAJA, piano de Difusión Obras de J. S. Bach, A. Schnittke y D. Shostakóvich 25/06/13 MICHAEL NYMAN, piano y órgano Obras de J.S. Bach y M. Nyman Musical MODERN BACH AUDITORIO NACIONAL DE MÚSICA Sala DE CÁMARA | 19:30h Ciclo FRONTERAS 20/11/12 UTE LEMPER, voz | CUARTETO VOGLER 01/03/13 FRETWORK | RICHARD BOOTHBY, director 24/04/13 NEOPERCUSIÓN | MARKUS STOCKHAUSEN, trompetas y electrónica 26/06/13 CUARTETO KRONOS CICLO A 30/11/12 CUARTETO DE TOKIO 17/12/12 BERTRAND CHAMAYOU, piano 10/01/13 CUARTETO BRODSKY 29/01/13 DANIEL HOPE, violín | SEBASTIAN KNAUER, piano 22/02/13 JÖRG WIDMANN, clarinete | CLAUDIO BOHORQUEZ, violonchelo | KATJA SKANAVI, piano 13/03/13 BCN216 | IÑAKI ALBERDI, acordeón y dirección 24/05/13 CUARTETO KOPELMAN | ELISABETH LEONSKAJA, piano SERIES 20/21 SERIES 20/21 www.cndm.mcu.es © Pilar Perea Entradas Público General Jóvenes Último Minuto (< 26 años) Fronteras, Bach M.
    [Show full text]
  • Radio 3 Listings for 25 – 31 January 2020 Page
    Radio 3 Listings for 25 – 31 January 2020 Page 1 of 13 SATURDAY 25 JANUARY 2020 Mateo Flecha (c.1481-1553) Scherzo No 4 in E major Op 54 "Ande, pues" from the Ensalada "La Bomba" SAT 01:00 Through the Night (m000dj4c) La Capella Reial de Catalunya Chopin's four scherzi, much loved and oft recorded by the Richard Egarr in Minnesota world's greatest pianists, are a feat of technique, lyricism and 05:39 AM musical story-telling. Each is a mini drama and they were The harpsichordist and conductor joins Saint Paul Chamber Aaron Copland (1900-1990) written for concert performance rather than the salon. The Orchestra as Early Music Specialist and Artistic Partner with a Las Agachadas scherzi also span Chopin's own compositional journey. Whilst concert of music by Purcell, Locke, Avison and Handel. John Swedish Radio Choir, Tõnu Kaljuste (conductor) the first scherzo is defiant and assertive, demonstrating the Shea presents. youthful energy of the composer, the fourth, written towards 05:43 AM the end of his life, is more elusive. Together with the ballades, 01:01 AM Ludwig van Beethoven (1770-1827) Chopin's four scherzi stand supreme amongst his entire output Henry Purcell (1659-1695) Sonata quasi una fantasia for piano (Op.27 No.2) in C sharp for solo piano. Excerpts from The Fairy Queen minor, 'Moonlight' Saint Paul Chamber Orchestra, Richard Egarr (conductor) Khatia Buniatishvili (piano) 10.15am New Releases 01:26 AM 05:57 AM Swing: a Benny Goodman Story – music by Prima, Copland, Matthew Locke (c.1622-1677) Franz Schubert (1797-1828) Fischer, Bernstein etc.
    [Show full text]
  • 19 November 2010 Page 1 of 11
    Radio 3 Listings for 13 – 19 November 2010 Page 1 of 11 SATURDAY 13 NOVEMBER 2010 Kuula, Toivo (1883-1918) c/w POULENC: Gloria Satukuva 3 (A Fairytale vision) Royal Concertgebouw Orchestra / Mariss Jansons (conductor) SAT 01:00 Through the Night (b00vfb2f) Liisa Pohjola (piano) RCO LIVE RCO0003 (Hybrid SACD) Jonathan Swain presents a series of performances of Beethoven by former New Generation Artists 5:37 AM 10.20am New Releases Purcell, Henry (1659-1695) 1:01 AM 'See, see, even Night herself is here' (Z.62/11) - from The Fairy VIVALDI: Ottone in Villa Beethoven, Ludwig van (1770-1827) Queen, Act II Scene 3 Maria Maura Martorana (Cleonilla), Tuva Semmingsen Sonata for piano no. 5 (Op.10'1) in C minor; Nancy Argenta (soprano), CBC Vancouver Orchestra, Monica (Ottone), Florin Cezar Ouatu (Caio Silio), Luca Dordolo Cédric Tiberghien (piano) Huggett (guest conductor) (Decio), Marina Bartoli (Tullia) / L’Arte dell’Arco / Federico Guglielmo (conductor) 1:20 AM 5:43 AM Brilliant Classics 94105 (2 CDs, budget price) Beethoven, Ludwig van (1770-1827) Falla, Manuel de (1876-1946) (arr. Gregor Piatigorsky) Trio for violin, cello and piano (Op.11) in B flat major Ritual Fire Dance - from El Amor brujo VIVALDI: Ottone in Villa Trio Ondine Jan-Erik Gustafsson (cello), Heini Kärkkäinen (piano) Sonia Prina (Ottone), Julia Lezhneva (Caio Silio), Veronica Cangemi (Cleonilla), Roberta Invernizzi (Tullia), Topi Lehtipuu 1:39 AM 5:47 AM (Decio) / Il Giardino Armonico / Giovanni Antonini (director) Beethoven, Ludwig van (1770-1827) Suk, Josef (1874-1935)
    [Show full text]
  • Full (700 Word)
    Matthew Barley www.matthewbarley.com “… his virtuoso control at all dynamic levels just has to be heard to be believed…” International Record Review “I wish more people would think about music the way Matthew Barley does” The Times (London) "Stunning cello - words cannot do justice to the strength and effect of his playing" Capital Times (New Zealand) "This was brilliant playing, fully in baroque style, announcing to all that here was a cellist to reckon with." Dominion Post (New Zealand) “One of the most talented cellists I’ve ever heard” Leonard Bernstein Matthew Barley is internationally known as cellist, improviser, arranger, music animateur, and Artistic Director of Between The Notes. His musical world is focused on projects that connect people in different ways, blurring the boundaries that never really existed between genres and people. As a soloist and chamber musician he has performed in over 50 countries, including appearances with the BBC Scottish (Volkov) and Philharmonic, Frankfurt Radio Symphony (Gabel), Swedish Chamber (Dausgaard) Melbourne Symphony (Tortelier), New Zealand Symphony (Tan Dun), Hong Kong Sinfonietta, Netherland Radio Symphony (Stenz), Czech Philharmonic, Vienna Radio Symphony, Kremerata Baltica, Royal Liverpool Philharmonic and Royal Scottish National (Alsop). With Viktoria Mullova he recently premiered and toured At Swim-Two-Birds, a double concerto by Pascal Dusapin, with the Nederlands Radio, RAI Torino, Seattle Symphony, London Philharmonic, Paris National and Leipzig Gewandhaus (Slobodeniouk). He has performed at festivals in Lucerne, Schleswig-Holstein, Bonn-Beethovenfest, Hong Kong, Lanaudiere, Abu Dhabi, Krakow, City of London and in recent seasons has performed at some of the world's great concert halls: London's Wigmore Hall, Royal Albert Hall, Amsterdam’s Concertgebouw, Kumho Hall in Korea, Pablo Casals Hall in Tokyo, The Rudolfinium In Prague, and the Teatro Colon in Buenos Aires.
    [Show full text]
  • Download the 2017 Festival Programme Here
    1 Rachel Reese THE MAYOR Colleen Marshall THE CHAIR Welcome to Nelson Welcome to Festival 2017 It is a pleasure to welcome you to one of New Planning for Festival 2017 has been challenged Congratulations to our Artistic Directors Gillian Zealand’s major musical events, the Adam by the unavailability of the Nelson School of Ansell and Helene Pohl for their inspirational Chamber Music Festival. Music but we are delighted to be showcasing selection of artists and repertoire and to our Nelson’s recently refurbished Theatre Royal. We Manager Bob Bickerton for bringing these Every two years, we are privileged to host this have taken steps to enhance the acoustic and aspirations to our concert platforms. Thanks to world-class event, which draws chamber music we know our audiences will enjoy the hospitable my colleagues on the Board of Trustees, to other lovers from all over the world. Of course, we also features it provides. staff members and all our volunteers and friends welcome the brilliant performers themselves for who make essential and valued contributions to this distinguished festival. Our Festival would not be possible without this celebration of chamber music. our committed principal sponsor, the Adam Along with enjoying the festival, I encourage you Foundation and our major funding body, the Best wishes as together we celebrate this to take the time to experience our spectacular Nelson City Council. Thank you to Creative New wonderful feast of chamber music. region. Whether it be exploring our pristine Zealand and the Rat- a- Foundation who continue to natural environment or indulging in the city’s support us.
    [Show full text]