New Zealand Works for Contrabassoon
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Band Instruments – Reliable Brands to Buy (2020 Update List Created by Bradley Mariska and Crowdsourced by BDG) …
Band Instruments – Reliable Brands to Buy (2020 update list created by Bradley Mariska and crowdsourced by BDG) … Just like any product, there are good musical instruments and others that might not be worth the investment. If you are in the market for a new or used instrument, please consult this list (and look, you have LOTS of options!). Please email a band director if you find an instrument that is not on this list, as there may be other good instruments out there. With new instruments, you usually get what you pay for. With used instruments, you can sometimes find a name brand instrument as cheap as the ‘generic’ equivalent. But unlike the grocery store, ‘generic’ musical instruments very seldom measure up to the name brand equivalent. This is for many reasons: 1) Instruments made by companies listed below have a history of producing quality instruments. Generally speaking, they are designed and built by expert craftsmen. 2) Instruments from these companies use quality materials. The instruments are more reliable, have a longer lifespan, and parts are easily repaired and replaced if a problem develops. 3) Because they are crafted by experts and designed with quality materials, students can produce a quality sound more easily. 4) Repair technicians keep parts in stock for these instruments. These companies use standardized parts and materials that a repair technician can fix. Low-quality instruments use parts that aren’t compatible - don’t buy an instrument that cannot be repaired! It’s a waste of money. 5) Just because an instrument is shiny, it doesn’t mean it will work well. -
Buffet Versus Heckel: Dviejų Fagoto Sistemų Sąveikos Ir Konfrontacijos
LIETUVOS MUZIKOS IR TEATRO AKADEMIJA MUZIKOS FAKULTETAS PUČIAMŲJŲ IR MUŠAMŲJŲ INSTRUMENTŲ KATEDRA Žilvinas Smalys BUFFET VERSUS HECKEL: DVIEJŲ FAGOTO SISTEMŲ SĄVEIKOS IR KONFRONTACIJOS MENO DOKTORANTŪROS PROJEKTO TIRIAMOJI DALIS VILNIUS 2015 1 Meno doktorantūros projekto tiriamoji dalis parengta eksternu Tiriamojo darbo konsultantas: doc. dr. Judita Žukienė (Lietuvos muzikos ir teatro akademija, humanitariniai mokslai, menotyra 03H, muzikologija H320) 2 Turinys ĮVADAS ................................................................................................................................... 4 1. FAGOTO ATSIRADIMAS IR EVOLIUCIJA IKI XX AMŽIAUS ............................... 9 1.1. Fagoto atsiradimo prielaidos ir versijos. Dulciano epocha .................................. 9 1.2. Barokinis ir klasikinis fagotai ............................................................................... 21 1.3. Bandymai reformuoti fagotą XIX a. – eksperimentai ir tendencijos .................... 24 1.4. Heckel sistemos susiformavimas ........................................................................... 34 1.5. Buffet sistemos susiformavimas ........................................................................... 42 2. MODERNIOS BUFFET IR HECKEL SISTEMOS. FAGOTO EVOLIUCIJOS PERSPEKTYVOS ................................................................................................................ 54 2.1. Buffet ir Heckel sistemų fagotų charakteristika ir jų skirtumai ....................... 54 2.1.1. Konstrukciniai skirtumai .............................................................................. -
Second Bassoon: Specialist, Support, Teamwork Dick Hanemaayer Amsterdam, Holland (!E Following Article first Appeared in the Dutch Magazine “De Fagot”
THE DOUBLE REED 103 Second Bassoon: Specialist, Support, Teamwork Dick Hanemaayer Amsterdam, Holland (!e following article first appeared in the Dutch magazine “De Fagot”. It is reprinted here with permission in an English translation by James Aylward. Ed.) t used to be that orchestras, when they appointed a new second bassoon, would not take the best player, but a lesser one on instruction from the !rst bassoonist: the prima donna. "e !rst bassoonist would then blame the second for everything that went wrong. It was also not uncommon that the !rst bassoonist, when Ihe made a mistake, to shake an accusatory !nger at his colleague in clear view of the conductor. Nowadays it is clear that the second bassoon is not someone who is not good enough to play !rst, but a specialist in his own right. Jos de Lange and Ronald Karten, respectively second and !rst bassoonist from the Royal Concertgebouw Orchestra explain.) BASS VOICE Jos de Lange: What makes the second bassoon more interesting over the other woodwinds is that the bassoon is the bass. In the orchestra there are usually four voices: soprano, alto, tenor and bass. All the high winds are either soprano or alto, almost never tenor. !e "rst bassoon is o#en the tenor or the alto, and the second is the bass. !e bassoons are the tenor and bass of the woodwinds. !e second bassoon is the only bass and performs an important and rewarding function. One of the tasks of the second bassoon is to control the pitch, in other words to decide how high a chord is to be played. -
Finale Transposition Chart, by Makemusic User Forum Member Motet (6/5/2016) Trans
Finale Transposition Chart, by MakeMusic user forum member Motet (6/5/2016) Trans. Sounding Written Inter- Key Usage (Some Common Western Instruments) val Alter C Up 2 octaves Down 2 octaves -14 0 Glockenspiel D¯ Up min. 9th Down min. 9th -8 5 D¯ Piccolo C* Up octave Down octave -7 0 Piccolo, Celesta, Xylophone, Handbells B¯ Up min. 7th Down min. 7th -6 2 B¯ Piccolo Trumpet, Soprillo Sax A Up maj. 6th Down maj. 6th -5 -3 A Piccolo Trumpet A¯ Up min. 6th Down min. 6th -5 4 A¯ Clarinet F Up perf. 4th Down perf. 4th -3 1 F Trumpet E Up maj. 3rd Down maj. 3rd -2 -4 E Trumpet E¯* Up min. 3rd Down min. 3rd -2 3 E¯ Clarinet, E¯ Flute, E¯ Trumpet, Soprano Cornet, Sopranino Sax D Up maj. 2nd Down maj. 2nd -1 -2 D Clarinet, D Trumpet D¯ Up min. 2nd Down min. 2nd -1 5 D¯ Flute C Unison Unison 0 0 Concert pitch, Horn in C alto B Down min. 2nd Up min. 2nd 1 -5 Horn in B (natural) alto, B Trumpet B¯* Down maj. 2nd Up maj. 2nd 1 2 B¯ Clarinet, B¯ Trumpet, Soprano Sax, Horn in B¯ alto, Flugelhorn A* Down min. 3rd Up min. 3rd 2 -3 A Clarinet, Horn in A, Oboe d’Amore A¯ Down maj. 3rd Up maj. 3rd 2 4 Horn in A¯ G* Down perf. 4th Up perf. 4th 3 -1 Horn in G, Alto Flute G¯ Down aug. 4th Up aug. 4th 3 6 Horn in G¯ F# Down dim. -
2014 SSS Program.Indd
Star-Spangled Spectacular! Benaroya Hall Thursday July 3, 2014 7:30 PM Larry Gookin, Conductor seattlewindsymphony.org Program The Star-Spangled Banner ................... Orchestrated by John Philip Sousa Harmonized by Walter Damrosch / Arranged by Keith Brion America The Beautiful........................... Samuel Augustus Ward / Arranged by Carmen Dragon ~Welcome~ Liberty Bell March ................................ Orchestrated by John Philip Sousa Arranged by Keith Brion Seattle Wind Symphony is especially proud to present our second STAR SPANGLED SPECTACULAR musical salute Thoughts of Love .................................. Arthur Pryor to our nation. Our music for this “extravaganza” has been selected to put a song on your lips, tears in your eyes Matthew Grey, Trombone Soloist and a warm feeling of patriotism in your heart. We want to extend a special welcome and thanks to the Honor Oh Shenandoah ................................... Arranged by Frank Ticheli Guard from Joint Base Lewis McChord for presenting the colors to start our concert. We also want to thank the management of Benaroya Hall for their excellent leadership in our presentation today. We are very appreciative of Through The Air .................................... August Damm the participation of vocal soloist Sheila Houlahan and our narrator Dave Beck for sharing their talents, and for our Sara Jolivet, Piccolo Soloist instrumental soloists Michel Jolivet, Sara Jolivet, and Matt Grey. Thank You! Marching Through Georgia ................... John Philip Sousa Arranged by Keith Brion With today’s concert, Seattle Wind Symphony will have completed our third season. We recognize that most Rolling Thunder .................................... Henry Fillmore people have never heard high quality symphonic wind music, so we would like to invite you to our regular season performances. The 2014-2015 season dates are posted on our web site: www.seattlewindsymphony.org. -
Dayton C. Miller Flute Collection
Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright -
WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al. -
A Selective Lineage of Mexican Bassoonists
A SELECTIVE LINEAGE OF MEXICAN BASSOONISTS Jorge A. Cruz Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Kathleen Reynolds, Major Professor Eugene Corporon, Committee Member Kimberly Cole Luevano, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of College of Music Victor Prybutok, Dean of the Toulouse Graduate School Cruz, Jorge A. A Selective Lineage of Mexican Bassoonists. Doctor of Musical Arts (Performance), August 2017, 68 pp., 5 tables, 5 figures, references, 25 titles. Spanish settlers brought the precursor to the bassoon, el bajón, to Mexico in the late sixteenth century. Documentation of the bassoon was intermittently from the sixteenth century on, the current playing traditions were not established until the second half of the twentieth century. Bassoon education in Mexico flourished in the 1970’s because several bassoonists became expatriates, and chose to live and work in Mexico for the entirety of their careers. Two major pedagogues, Lazar Stoychev and Jerzy Lemiszka paved the way for the current Mexican bassoon community. This dissertation presents a selective lineage of bassoonists who have held positions in major Mexican orchestras and universities since the mid-twentieth century. The purpose of this study is to recognize the contributions these players and teachers have given to the bassoon world. In recent years, Mexican bassoonists have commissioned hundreds of works for the bassoon and this significant achievement has placed the Mexican bassoon community in an upward trajectory. To place these players in proper historical context, a brief history of classical music institutions in Mexico since the sixteenth century is given. -
APO Annual Report 2017
AUCKLAND PHILHARMONIA ORCHESTRA 2017 ANNUAL REPORT AUCKLAND PHILHARMONIA ORCHESTRA Auckland Philharmonia Orchestra is New Zealand’s full-time professional Metropolitan CONTENTS orchestra, serving Auckland’s communities with a comprehensive programme of concerts and education and outreach activities. Chairman’s Report 1 In more than 70 self-presented performances annually, the Chief Executive’s Report 2 APO presents a full season of symphonic work showcasing Premieres in 2017 4 many of the world’s finest classical musicians. Renowned for its innovation, passion and versatility, the APO collaborates with New Zealand Artists Performing some of New Zealand’s most inventive contemporary artists. with the APO in 2017 4 Artistic and Performance Highlights 6 The APO is proud to support both New Zealand Opera and the Royal New Zealand Ballet in their Auckland performances. It Marketing and Sales 7 also works in partnership with Auckland Arts Festival, the New APO Connecting 8 Zealand International Film Festival, the Michael Hill International Violin Competition and Auckland War Memorial Museum, among Business Partnerships other organisations. and Development 10 Through its numerous APO Connecting (education, outreach APO Musicians, Management, and community) initiatives the APO offers opportunities to Board and Support Organisations 11 more than 27,000 young people and adults nationwide to Financial Overview 12 engage with and participate in music activities ranging from hip-hop and rock to contemporary and classical. APO Financial Statements 13 APO Funders, Donors More than 250,000 people worldwide experience the orchestra and Supporters 41 live each year with many thousands more reached through recordings, broadcasts and other media. APO Sponsors 45 COVER IMAGE: Steven Logan, Principal Timpanist and Eric Renick, Principal Percussionist (Photo: Adrian Malloch) CHAIRMAN’S REPORT It is my pleasure to report on 2017 on behalf of the Auckland Philharmonia Orchestra Board, a year of exciting new opportunities for the orchestra. -
Ur Composers
UR COMPOSERS Douglas Lilburn described as “the of Takaka. It then travelled via Seoul, academic Dr. Suzanne Court and are elder statesman of New Zealand Beijing and Tokyo to end up in published by Pro Arte Publications in a music” and the “grandfather of New Wellington. I was lucky enough to have collection of guitar works by New Zealand music”, died peacefully at his been the piece’s travelling companion Zealand composers called Guitar home in Wellington on 6th June 2001. for most of the way. This particular Aotearoa. Douglas Lilburn composed his journey has been integral to my Seventeen Pieces for Guitar between personal musical development as it “MATARIKI” SUITE FOR GUITAR 1962 and 1970 for local guitarist taught me all sorts of valuable lessons (2005) Ronald Burt. They are amongst the relating to music. If a musical problem World Premiere last of his works for acoustic was too difficult to solve I would leave Introduction instruments and can be heard as it for a while, sometimes over a period Tapuanuku providing a transition to his works in of months, before a solution was Tapuarangi the electronic medium. He also drew found. Sometimes this answer took Waiti Michael Hogan (b. 1971) inspiration from earlier works: No. 2 is hours of hard graft, but mostly it would Waita based on the penultimate song in his unravel of it’s own accord. In these Waipunarangi cycle Sings Harry to words by NZ poet months of not working on Homage I Ururangi Denis Glover: feel that I grew musically, obtaining MICHAEL HOGAN (b. -
Woodwind Family
Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute. -
Chamber & Ensemble Music
Chamber & Ensemble Music New Releases 2000–2011 Contents I. WORKS BY COMPOSER – Alphabetical List ���������������������������������������������������������� p.3 A. New compositions and arrangements �������������������������������������������������������������������� 3 B. Additions to the catalogue ��������������������������������������������������������������������������������������� 25 II. WORKS BY GENRE ��������������������������������������������������������������������������������������������������� 30 1. Solo instrumental (also with accompaniment) ������������������������������������������������������� 30 1.1. Violin ��������������������������������������������������������������������������������������������������������������������������� 30 1.2. Viola ���������������������������������������������������������������������������������������������������������������������������� 31 1.3. Cello ��������������������������������������������������������������������������������������������������������������������������� 31 1.4. Double bass ��������������������������������������������������������������������������������������������������������������� 32 1.5. Flute ��������������������������������������������������������������������������������������������������������������������������� 33 1.6. Oboe ��������������������������������������������������������������������������������������������������������������������������� 33 1.7. Clarinet/Bass clarinet �������������������������������������������������������������������������������������������������