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Colaris Digital Textile Printing
ZIMMER AUSTRIA | DIGITAL PRINTING SYSTEMS COLARIS DIGITAL TEXTILE PRINTING HOME TEXTILES APPAREL DECORATION AUTOMOTIVE FLAGS & BANNERS www.zimmer-austria.com 2020.01.15 page 1 CONTENT 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES 3 2. INK CLASSES 2.1. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 4 2.2. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 5 3. PRINT TECHNOLOGY 3.1. PROCESSING DIAGRAM 6 3.2. PROCESS EQUIPMENT 7 4. REACTIVE PRINTING 4.1. GENERAL INFORMATION 8 4.2. EXAMPLE: TERRY TOWEL PRINT PRODUCTION 9 5. ACID PRINTING 5.1. GENERAL INFORMATION 10 5.2. EXAMPLE: UPHOLSTERY PRINT LINE 11 6. DISPERSE / SUBLIMATION PRINTING 6.1. GENERAL INFORMATION 12 6.2. EXAMPLE: PES BLANKET PRINT LINE 13 7. VAT INDANTHRENE® PRINTING 7.1. GENERAL INFORMATION 14 7.2. APPLICATION DIVERSITY 15 8. PIGMENT PRINTING 8.1. GENERAL INFORMATION 16 8.2. APPLICATION DIVERSITY 17 9. CATIONIC PRINTING 9.1. GENERAL INFORMATION 18 10. COLARIS - CHARACTERISTICS AND FEATURES 10.1. COLARIS MODELS 19 11. COLARIS FEATURES AND COMPONENTS 11.1. INTEGRATED MACHINE COMPONENTS 20 11.2. INTEGRATED MACHINE COMPONENTS 21 12. PROCESS EQUIPMENT 12.1. INLINE COMPONENTS 22 12.2. OFFLINE COMPONENTS 23 13. PRINT HEAD 13.1. TECHNOLOGY 24 13.2. RECONDITION CENTER 25 14. ZIMMER TECHNOLOGY & APPLICATION CENTER 14.1. GENERAL INFORMATION 26 14.2. EQUIPMENT & FACILITIES 27 www.zimmer-austria.com 2020.01.15 page 2 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES Vertical Duplex blanket printer from 1951 First commercial rotary screen printer 1958 The broad digital competence of ZIMMER AUSTRIA is based on an innovation introduced more than 4 decades ago. -
Table of Contents
Investigation into the Application of Polymer Finishes on Textiles by Inkjet Printing A dissertation submitted to the University of Manchester for the degree of Master of Science by Research in the Faculty of Engineering and Physical Sciences 2011 Md. Nazmul Karim School of Materials TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... 2 LIST OF TABLES ........................................................................................................................ 5 LIST OF FIGURES ...................................................................................................................... 6 ABSTRACT……………. ................................................................................................................. 8 DECLARATION AND COPYRIGHT .............................................................................................. 9 THE AUTHOR…………… .............................................................................................................10 ACKNOWLEDGEMENTS ...........................................................................................................11 ABBREVIATIONS .....................................................................................................................12 THESIS OVERVIEW ..................................................................................................................14 CHAPTER 1 LITERATURE REVIEW........................................................................................15 -
Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 De Agosto De 2020
INFORME IF DE FERIA 2020 Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 de agosto de 2020 Oficina Económica y Comercial de la Embajada de España en Shanghái INFORME IF DE FERIA 31 de agosto de 2020 Shanghái Este estudio ha sido realizado por Vicente López-Trompo, Daniel Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Shanghái http://china.oficinascomerciales.es Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 114-20-024-0 IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 Índice 1. Perfil de la feria 4 2. Ficha técnica 5 2.1. Descripción y evolución de la feria 6 2.1.1. Expositores 6 2.1.2. Productos presentados 8 3. Tendencias y novedades presentadas 9 3.1. Participación española 10 4. Recomendaciones 11 5. Anexos 12 5.1. Expositores de Intertextile 12 5.1.1. Empresas internacionales 12 5.1.2. China, Hong Kong y Taiwán 13 3 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 1. Perfil de la feria Intertextile Shanghai Home Textiles es una feria dedicada a la exhibición de telas y accesorios dentro del sector textil, especializada en materiales para el uso en hogar (cortinas, tapizados, ropa de cama, etc.). Las ferias de INTERTEXTILE comenzaron en 1995 celebrando ediciones de primavera y de otoño desde entonces. CARTEL DE LA FERIA INTERTEXTILE SHANGHAI HOME TEXTILES 2020 Fuente: Intertextile 4 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 2. -
Digital Textile Printing Opportunities for Sign Companies
Digital Textile Printing Opportunities for Sign Companies This survey remains the property of the International Sign Association. None of the information contained within can be republished without permission from ISA. PREPARED BY: InfoTrends ISA Whitepaper Digital Textile Printing Opportunities for Sign Companies TABLE OF CONTENTS Introduction ......................................................................................................................................2 Key Highlights ..................................................................................................................................2 Recommendations ...........................................................................................................................2 Soft Signage Applications ...............................................................................................................3 The 2014 Textile Industry ................................................................................................................4 Market Growth in Wide Format Digital Printing ...............................................................................5 Technological Shifts ....................................................................................................................5 Application Trends .......................................................................................................................7 Vendors of Graphic Textile and Decorative Solutions .....................................................................7 -
ABSTRACT MING WANG. Replication of Screen Printing Fabric Via Ink-Jet Textile Printing
ABSTRACT MING WANG. Replication of Screen Printing Fabric via Ink-jet Textile Printing. (Under the direction of Committee Chair Dr. Lisa Parrillo-Chapman). In textile industry, screen printing is a traditional printing technology that has been used for years. In the past few years, ink-jet digital printing has rapidly increased each year in the textile industry. Ink-jet digital printing is fast, flexible, relatively inexpensive for sample printing and can be applied quickly in response to consumer demand. For these reasons, replicating the relatively slow and inflexible screen printing process by using ink-jet digital printing is gaining interest in the fashion, apparel, and textile industry. The aim of this research is to replicate a screen-printed sample provided by a textile corporation via ink-jet digital printing, and from this case, to analyze the potential of ink-jet digital printing to replace traditional screen printing. Two stages involving three main objectives was established to achieve this target: In stage one, first, an optimal workflow was explored for replicating a screen-printed fabric using ink-jet textile digital printing, and second. In stage two, a visual assessment instrument and protocol was established to evaluate the acceptance of the replicated ink-jet printed fabric. Then, a visual assessment by 12 expert participants was conducted to determine if the digitally printed sample was a suitable substitute for screen printed sample, and to explore the potential for digital ink-jet printing to replace traditional screen printing. The instrument used in this pilot test was created and then presented to participants. Data gathered from the visual assessment was then analyzed and compared by using SPSS statistics software. -
Printing Techniques
PRINTING TECHNIQUES A COMPARISON OF COTTON PRINTING TECHNIQUES Modern textile printing incorporates a wide variety of colorants and technologies to produce a diverse array of printed textile products at various stages in the product development process. Today, rotary screen printing accounts for the majority of cotton printed clothing; however, newer printing technologies such as digital printing and cool transfer printing are attracting attention because of their reduced environmental footprint, and seemingly limitless color and design capabilities. COOL TRANSFER PRINTING DIGITAL PRINTING ROTARY SCREEN PRINTING A process that transfers a print design from paper A process that applies small drops of color through A continuous method of printing in which a to fabric. A special coated paper is printed with the print heads onto a fabric. There is virtually no limit perforated cylindrical screen is used to apply color. desired pattern which is then transferred to the to the number of colors or size of the request. Color is forced from the interior of the screen onto fabric under ambient conditions. the fabric. Cool Transfer Print Digital Print Rotary Screen Print FABRICAST™ SK-1871-14CT FABRICAST™ DK-2810-2A FABRICAST™ SK-1923-4P (Puff) COMPARING PRINTING TYPES = Rotary = Cool Transfer = Digital SPEED PHOTO REALISTIC PRINT PATTERN ESTIMATED WATER, ENERGY, QUALITY FLEXIBILITY COST CHEMICAL INPUTS FAST HIGH HIGH HIGH MOST SLOW LOW LOW LOW LEAST PRINTING TECHNIQUES COOL TRANSFER PRINTING Market interest in transfer printing on cotton fabrics has been strong for many years; however, standard heat transfer printing was achievable only for polyester and nylon fabrics, and the transfer prints available for cotton offered poor hand and were limited in terms of inks available. -
High Performance Merino Jacket
ISSUE 68 SEPTEMBER 2016 PROFIT FROM WOOL INNOVATION www.wool.com HIGH PERFORMANCE MERINO JACKET 24 32 34 SUPERFINE MERINO CANID PEST BREECH FLYSTRIKE HELPS SKIN HEALTH EJECTORS FOR BAITING PREVENTION R&D 24 SUPERFINE MERINO 34 BREECH FLYSTRIKE EXECUTIVE EDITOR HELPS SKIN HEALTH PREVENTION R&D Richard Smith E [email protected] CONTRIBUTING WRITER OFF ON Lisa Griplas -FARM -FARM E [email protected] 4 International Woolmark Prize 28 Case study: Jeremy Lefroy, WA Australian Wool Innovation Limited A L6, 68 Harrington St, The Rocks, 6 Britain: Agi & Sam 30 Smart farming with drones Sydney NSW 2000 GPO Box 4177, Sydney NSW 2001 7 China: Comme Moi 31 Lifetime Ewe Management P 02 8295 3100 E [email protected] W wool.com AWI Helpline 1800 070 099 8 USA: Jason Wu visits Australia 32 Canid Pest Ejectors SUBSCRIPTION 9 Australia: Brigid McLaughlin 33 New guide to baiting Beyond the Bale is available free. To subscribe contact AWI 10 China licensees champion wool 34 Breech flystrike R&D Technical Update P 02 8295 3100 E [email protected] 11 China media tour to Australia 35 Breech modification alternatives Beyond the Bale is published by Australian Wool Innovation Ltd (AWI), a company Breeding for breech strike resistance funded by Australian woolgrowers and the 12 The Wool Lab hits 5-year high 36 Australian Government. AWI’s goal is to help increase the demand for wool by actively 13 Suitsupply media tour to Biella 37 Pain relief product update selling Merino wool and its attributes through investments in marketing, innovation and 14 Education highlights 38 Early season flystrike prevention R&D – from farm to fashion and interiors. -
Digital Art Fabric Prints: Procedure, Process and Progress (Paper and Artwork)
GA2015 – XVIII Generative Art Conference Tripti Singh Digital Art Fabric Prints: Procedure, Process and Progress (Paper and Artwork) Abstract: Digital tools merging boundaries of different mediums as endeavoured artists exploring new areas. Digital fabric printing has motivated artists to create prints by combining images acquired by photograph, scanned images, computer graphics and microscopic imaginary etc to name few, with traditional media such as hand drawing, weaving, hand printed patterns, printing making techniques and so on. It open whole new world of possibilities for artists to search, research and combine old and contemporary mediums for their unique art prints. As artistic medium digital art fabrics have aesthetic values which have impact and influence on not only on a personality but also interiors of a living or work space. In this way it can be wear, as fashion statement and also a interior decoration. Digital art fabric prints gives opportunity to print almost everything on any fabric with long lasting prints quality. Single edition and limited editions are possible for Topic: Digital Art maintaining scarcity and uniqueness of an art form. Fabric Prints: Procedure, Process These fabric prints fulfil today’s need, as they are eco friendly in nature and they and Progress produce less wastage compared to traditional fabric printing techniques. These prints can be used to make unique and customised curtains, quilts, clothes, bags, furniture, dolls, pillows, framed artwork, costumes, banners and much, much more. Authors: This paper will explore the procedure,process, and progress techniques of digital art fabric printing in depth with suitable pictorial examples. Dr. Tripti Singh Faculty, IIT Mandi, HP, 175001, India Teaching Fellow, Indian Institute of Technology, Mandi, HP, India. -
How Digital Textile Printing Works
HOW DIGITAL TEXTILE PRINTING WORKS How Digital Textile Printing Works. To better understand how digital printing works on fabric, and to help you define your needs and possible solution requirements, we have defined the 5 basic parts to the process. 1. Fabric Fabric comes in many different properties such as natural fibers, 100% synthetic, blends of synthetic and natural fibers and in either 2 or 4 way stretch or non-stretch. Each fabric can be digitally printed and you have choices of ink that allow you to print on these fabrics. Many of our customers print natural fiber, non-coated fabrics with our P50i Pigment ink for soft furnishing and fashion applications because of how easy it is to fix after printing. However, some customers use our p40i dye sublimation inks for their synthetic fabrics because of the desired color gamut and how the finished product will be used. (Example: flags and banners, sportswear or soft signage) Knowing your fabric helps define the printing solution. 2. Ink The biggest question to address when it comes to digital textile printing is what ink to use, and the answer is determined by the desired fabric and use of the fabric. See the chart below for a general description of what ink is used on different types of fabrics and the necessary finishing steps for each ink. • Pigment ink – Natural and Synthetic fibers: Currently the ink we manufacture the most for soft furnishings, interior decoration and fashion clothing is p50i pigment ink. This ink is a true pigment ink in that there is a pigment colored particle suspended within a binder system in the ink. -
Deliverable Report 6.4 Technical Publication
TEX-SHIELD GA 315497 PROJECT DELIVERABLE REPORT Grant Agreement no: 315497 TEX-SHIELD Environmental friendly and Durable Oil and Water Repellence Finish on Technical Textiles Collaborative Projects SME-2012-2 Type: Deliverable D6.4 Technical Publication Issuing partner TWI Participating partners NWTEXNet, UP-TEX, UNITEX, TECHTERA, PANAZ, Eva Commerce, DECCA, SamprasNANO, CTF2000, TWI, INSA- LYON, UCG Document name and revision D6.4 Author Colin Graves Deliverable due date November 2015 Actual submission date January 2016 Project coordinator NWTEXNET Tel +44 795 833 8969 Fax E-mail [email protected] Project website address http://www.texshield-project.eu/ Project co-funded by the European Commission within the Seventh Framework Programme (2008-2012) Dissemination Level PU Public x PP Restricted to other programme participants (including the Commission Services) RE Restricted to a group specified by the consortium (including the Commission Services) CO Confidential, only for members of the consortium (including the Commission Services) D6.4 Copyright © TEX-SHIELD Project Consortium 2016 TEX-SHIELD GA 315497 Contents 1.0 Introduction .............................................................................................................................................. 1 2.0 Document Scope ..................................................................................................................................... 1 3.0 Dissemination Activities .......................................................................................................................... -
Digital Textile Printing Introduction Digital Textile Printing Equipment Is Available Since More Than 20 Years
Digital Textile Printing Introduction Digital textile printing equipment is available since more than 20 years. Today it is the fastest growing segment within textile machinery. Gherzi conducted a global study to identify the main reasons for investments into digital textile printing. The growth still is not driven by direct cost advantages (against traditional textile printing technologies), but by several indirect parameters underlining the advantages of digital textile printing such as a) speed to market b) design flexibility and c) new business models. Further increase of market penetration will also lower direct printing costs and therefore continuously increase the share of digital within textile printing (today ca. 3% volume vise). Digital textile printing equipment Digital textile printing equipment can be segmented into 3 different types of machines: Picture 1: Digital textile printing machine types Type 1 - plotter type machines: based on digital printing equipment originally designed for graphical application. In the field of textiles, they are used for sampling, for transfer print, for soft signage and small lots of any kind of printed fabric products. Production speed is limited, applied inks could be dye based inks (reactive, acid, disperse) but also pigment based inks. Type 2 - scanner type machines: equipped with a printing blanket. It is the most important machine type for textile applications so far, used for sampling, small to medium production lots mainly for apparel and hometex products (widths are available up to 320cm) and also soft signage. Within industrially printed textiles, it is the most spread machine type. Digital textile printing - 1 - Type 3 - single pass type machines: This is the latest type of textile printing equipment which allows (for the first time) production speeds in the range of traditional rotary screen printing equipment. -
Impact of Printing Techniques on the Properties Behaviour of Seamed Textile Fabrics
International Journal of General Engineering and Technology (IJGET) ISSN(P): 2278-9928; ISSN(E): 2278-9936 Vol. 7, Issue 2, Feb - Mar 2018; 1 - 16 © IASET IMPACT OF PRINTING TECHNIQUES ON THE PROPERTIES BEHAVIOUR OF SEAMED TEXTILE FABRICS Manal A. Seif 1 & Shaimaa M. Ahmed2 1Associate Professor, Department of Apparel Design & Technology, Faculty of Applied Arts, Helwan University, Cairo, Egypt 2Lecturer, Department of Apparel Design & Technology, Faculty of Applied Arts, Helwan University, Cairo, Egypt ABSTRACT Surface design is the coloring, patterning, structuring, and transformation of fabric, fiber, and other materials. Printing is a common technique used to create colored patterns on fabric. Many designs or finishes are applied to fabric surface by methods such as dyeing or printing. These methods generally hold the use of chemical finish, mechanical finish, or both. Most of these finishes create a change in the texture of the surface and hand of the fabric and in sequence the behaviour of fabric properties. The scope in this research is to determine the impact of different printing techniques on changing the textile properties behavior by seamed and non-seamed fabrics. Three printing methods were applied, the traditional methods batik printing and tie-dying printing and the third method is the digital printing. Chosen fabrics were sewn with two different stitch types in three levels of stitch lengths. The properties investigated were tensile strength and elongation, seam pucker, bending stiffness, dimensional stability and colour fastness. Results were statically analyzed and discussed. They confirmed the tight effect of the different printing methods on changing the properties under the study.