Leading Technology for Digital Textile Printing
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Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Jayoma Digital
+91-8048372252 Jayoma Digital https://www.indiamart.com/jayoma-digital/ Offering digital printing services on fabric cotton, viscose, silk, hosiery, bed sheet and pillow cover. Digital Printing On cotton BedSheets Kurtis Scarves and all type Of cotton Viscous Quality About Us We Jayoma Digital introduces ourselves as Textile Digital Printers, using latest digital printing technology to provide a short runs and production scale projects. We were the pioneer in the digital printing technology as we are the first one in Gujarat region to installed a digital textile printer (Size: 74” width) which can print in high resolution with significantly high production capacity. Currently, we have a total 2 digital printing machines which can print 200 mtrs. a day Digitally printing presents no limitations on color and through our specialist software we are able to color match from monitor to printed fabric, a large selection of which we hold in year round stock. Fabrics used range from the sheerest of silks to heavy cottons and include chiffon Georgette, poplin, canvas, cotton lawn, fine wool, lycra and also other stretch materials. Jayoma Digital is recognized for its work in pioneering the industries to using digital print technology. With it, came a new world where the use of color had no limitations, minimum orders were a thing of the past and there was no limit of repeat sizes. Jayoma Digital is also care of Designing we have our own designing studio to create and modification of design has proven to be invaluable in the digital revolution. To ensure the correct chemistry is used on each fabric our machines are set up on all available dyestuffs reactive, disperse, sublimation with different fabrics requiring different methods.. -
Colaris Digital Textile Printing
ZIMMER AUSTRIA | DIGITAL PRINTING SYSTEMS COLARIS DIGITAL TEXTILE PRINTING HOME TEXTILES APPAREL DECORATION AUTOMOTIVE FLAGS & BANNERS www.zimmer-austria.com 2020.01.15 page 1 CONTENT 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES 3 2. INK CLASSES 2.1. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 4 2.2. TYPES | PRODUCTS | PROCESS | REQUIREMENTS 5 3. PRINT TECHNOLOGY 3.1. PROCESSING DIAGRAM 6 3.2. PROCESS EQUIPMENT 7 4. REACTIVE PRINTING 4.1. GENERAL INFORMATION 8 4.2. EXAMPLE: TERRY TOWEL PRINT PRODUCTION 9 5. ACID PRINTING 5.1. GENERAL INFORMATION 10 5.2. EXAMPLE: UPHOLSTERY PRINT LINE 11 6. DISPERSE / SUBLIMATION PRINTING 6.1. GENERAL INFORMATION 12 6.2. EXAMPLE: PES BLANKET PRINT LINE 13 7. VAT INDANTHRENE® PRINTING 7.1. GENERAL INFORMATION 14 7.2. APPLICATION DIVERSITY 15 8. PIGMENT PRINTING 8.1. GENERAL INFORMATION 16 8.2. APPLICATION DIVERSITY 17 9. CATIONIC PRINTING 9.1. GENERAL INFORMATION 18 10. COLARIS - CHARACTERISTICS AND FEATURES 10.1. COLARIS MODELS 19 11. COLARIS FEATURES AND COMPONENTS 11.1. INTEGRATED MACHINE COMPONENTS 20 11.2. INTEGRATED MACHINE COMPONENTS 21 12. PROCESS EQUIPMENT 12.1. INLINE COMPONENTS 22 12.2. OFFLINE COMPONENTS 23 13. PRINT HEAD 13.1. TECHNOLOGY 24 13.2. RECONDITION CENTER 25 14. ZIMMER TECHNOLOGY & APPLICATION CENTER 14.1. GENERAL INFORMATION 26 14.2. EQUIPMENT & FACILITIES 27 www.zimmer-austria.com 2020.01.15 page 2 1. INNOVATION IS IN OUR DNA 1.1. HISTORIC MILESTONES Vertical Duplex blanket printer from 1951 First commercial rotary screen printer 1958 The broad digital competence of ZIMMER AUSTRIA is based on an innovation introduced more than 4 decades ago. -
Only DTG Digital Offers the Largest Range of Printing Areas for Finished Garments Or Fashion Panels the RIGHT MACHINE for YOUR APPLICATION
INKJET TEXTILE PRINTERS www.dtgdigital.com Only DTG Digital offers the largest range of printing areas for finished garments or fashion panels THE RIGHT MACHINE FOR YOUR APPLICATION BED SIZE - ACCOMMODATES MULTIPLE PLATEN CONFIGURATIONS MAKING CUSTOMERS successful for over a decade Designed to suit most common cut material sizes in fashion products. DTG Digital has made it its mission to help companies with the Heavy duty production to finished most diverse range of textile printing equipment become more garments for greater production profitable. through-put. How do we accomplish this? With innovative inkjet engineering solutions systematically designed to meet the needs of our customers. There are more than 8,000 machines installed around the world, which is testimony to our expertise and our customer’s confidence in us. As the largest manufacturer of textile printing equipment in our category we also have a global network of M2 subsidiaries, distribution and service support centres at our 604 x 420mm disposal. This guarantees local availability, whether it’s pre-sales application tests, on-site installation or service requests. This M4 network also allows us to implement large international customer 860 x 604mm projects quickly and economically. [extendable to 2m] M6 MSERIES INDUSTRIAL 1100 x 980mm The DTG M-Series range of Direct to Garment Inkjet printers delivers the industries most advanced print platform engineered specifically for textile applications. The service is unbelievable - Greater resolutions and ink drop technologies are delivered I have owned a few machines now through an entirely new firmware – print a completely new range and never experienced such good of products with scalable platens from 2-12 shirts, print all over service, and not only good service jeans, hoodies or clothing panels from one printer series! It’s but a genuine desire to help with problems and grow our business entirely flexible, engineered for production, and will grow with you. -
July 1909 : Bulletin of the United States Bureau of Labor, No. 83
DEPARTMENT OP COMMERCE AND LABOR BULLETIN OF THE BUREAU OF LABOR NO. 8 3 -JULY, 1909 ISSUED EVERY OTHER MONTH WASHINGTON GOVERNMENT PRINTING * OFFICE 1909 Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis Digitized for FRASER http://fraser.stlouisfed.org/ Federal Reserve Bank of St. Louis CONTENTS. Page. Women’s trade union movement in Great Britain, by Katherine Graves Busbey, A. B.: History of the movement........ ........................................ .............................. 1-5 Obstacles to organization of women................................................................. 5-10 Occupations temporary..................... ...................................................... 6 Low wages and low standard of living.................................................... 6,7 Class distinctions........................................................................................ 8,9 Liability to victimization and apathy...................................................... 9,10 Attitude of male trade unionists to organization of wom en ........................ 11-18 Growth of organization among women workers............................................ 18-22 Results of organization of women workers......................................................22-32 Aid secured through legal proceedings....................................................22,23 Recent legislation.........................................................................................23-25 Crusade against living-in and truck -
Education Teacher’S Kit
Industrial Heritage - The Textile Industry Education Teacher’s Kit Background There is archaeological evidence of textile production in Britain from the late-prehistoric period onwards. For many thousands of years wool was the staple textile product of Britain. The dominance of wool in the British textile industry changed rapidly during the eighteenth century with the development of mechanised silk production and then mechanised cotton production. By the mid-nineteenth century all four major branches of the textile industry (cotton, wool, flax, hemp and jute and silk) had been mechanised and the British landscape was dominated by over 10,000 mill buildings with their distinctive chimneys. Overseas competition led to a decline in the textile industry in the mid-twentieth century. Today woollen production is once again the dominant part of the sector together with artificial and man-made fibres, although output is much reduced from historic levels. Innovation Thomas Lombe’s silk mill, built in 1721, is regarded as the first factory-based textile mill in Britain. However, it was not until the handloom was developed following the introduction of John Kay’s flying shuttle in 1733 that other branches of the textile industry (notably cotton and wool) became increasingly mechanised. In the second half of the eighteenth century, a succession of major innovations including James Hargreaves’s spinning jenny (1764), Richard Arkwright’s water frame (1769), his carding engine (1775), and Samuel Crompton’s mule (1779), revolutionised the preparation and spinning of cotton and wool and led to the establishment of textile factories where several machines were housed under one roof. -
Table of Contents
Investigation into the Application of Polymer Finishes on Textiles by Inkjet Printing A dissertation submitted to the University of Manchester for the degree of Master of Science by Research in the Faculty of Engineering and Physical Sciences 2011 Md. Nazmul Karim School of Materials TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... 2 LIST OF TABLES ........................................................................................................................ 5 LIST OF FIGURES ...................................................................................................................... 6 ABSTRACT……………. ................................................................................................................. 8 DECLARATION AND COPYRIGHT .............................................................................................. 9 THE AUTHOR…………… .............................................................................................................10 ACKNOWLEDGEMENTS ...........................................................................................................11 ABBREVIATIONS .....................................................................................................................12 THESIS OVERVIEW ..................................................................................................................14 CHAPTER 1 LITERATURE REVIEW........................................................................................15 -
Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 De Agosto De 2020
INFORME IF DE FERIA 2020 Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 de agosto de 2020 Oficina Económica y Comercial de la Embajada de España en Shanghái INFORME IF DE FERIA 31 de agosto de 2020 Shanghái Este estudio ha sido realizado por Vicente López-Trompo, Daniel Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Shanghái http://china.oficinascomerciales.es Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 114-20-024-0 IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 Índice 1. Perfil de la feria 4 2. Ficha técnica 5 2.1. Descripción y evolución de la feria 6 2.1.1. Expositores 6 2.1.2. Productos presentados 8 3. Tendencias y novedades presentadas 9 3.1. Participación española 10 4. Recomendaciones 11 5. Anexos 12 5.1. Expositores de Intertextile 12 5.1.1. Empresas internacionales 12 5.1.2. China, Hong Kong y Taiwán 13 3 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 1. Perfil de la feria Intertextile Shanghai Home Textiles es una feria dedicada a la exhibición de telas y accesorios dentro del sector textil, especializada en materiales para el uso en hogar (cortinas, tapizados, ropa de cama, etc.). Las ferias de INTERTEXTILE comenzaron en 1995 celebrando ediciones de primavera y de otoño desde entonces. CARTEL DE LA FERIA INTERTEXTILE SHANGHAI HOME TEXTILES 2020 Fuente: Intertextile 4 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 2. -
Toile De Jouy Museum
Toile de Jouy Museum Press Release The Museum’s Collections The Museographic Itinerary A Specialised Archive Collection A Short History Toile de Jouy in keeping with the style of today “Toile de Jouy”, a term with a double meaning Printing Techniques Wood block Copper plate Copper roller Practical information Château de l’Eglantine 54, rue Charles de Gaulle - 78350 Jouy-en-Josas - France Téléphone: + 33 1 39 56 48 64 • Fax: + 33 1 39 56 17 98 The Museum’s Collections The Toile de Jouy Museum, created in 1977, and dedicated to the activity of the Jouy factory and textile printing, was trasferred to a XIXth century château in 1991, to which a contemporary building was added. More than 30 000 original toile de Jouy designs exist. They are of two kinds: polychrome floral designs (les Indiennes) and monochrome scenes with figures. A fair place should be restored to the floral designs. To the collective memory, “toile de Jouy” evokes the monochrome scenes with figures. These toiles were mainly used for furnishing and decor ation, and therefore preserved in attics. Forgotten for many years, then rediscovered, they reappeared in their original colours, as if they had just been printed. The polychrome designs, mostly of floral inspiration, were, on the contrary, used predominantly for clothing (as well as fur nishing). Caracos, petticoats, scar ves, waistcoats, ne cker chiefs o ften e nde d up as r ags. Acc or ding to known de sign ar chives and prints, 30 000 motifs were created for block printing (wood block) as compared with 650 for copper. -
Digital Textile Printing Opportunities for Sign Companies
Digital Textile Printing Opportunities for Sign Companies This survey remains the property of the International Sign Association. None of the information contained within can be republished without permission from ISA. PREPARED BY: InfoTrends ISA Whitepaper Digital Textile Printing Opportunities for Sign Companies TABLE OF CONTENTS Introduction ......................................................................................................................................2 Key Highlights ..................................................................................................................................2 Recommendations ...........................................................................................................................2 Soft Signage Applications ...............................................................................................................3 The 2014 Textile Industry ................................................................................................................4 Market Growth in Wide Format Digital Printing ...............................................................................5 Technological Shifts ....................................................................................................................5 Application Trends .......................................................................................................................7 Vendors of Graphic Textile and Decorative Solutions .....................................................................7 -
ABSTRACT MING WANG. Replication of Screen Printing Fabric Via Ink-Jet Textile Printing
ABSTRACT MING WANG. Replication of Screen Printing Fabric via Ink-jet Textile Printing. (Under the direction of Committee Chair Dr. Lisa Parrillo-Chapman). In textile industry, screen printing is a traditional printing technology that has been used for years. In the past few years, ink-jet digital printing has rapidly increased each year in the textile industry. Ink-jet digital printing is fast, flexible, relatively inexpensive for sample printing and can be applied quickly in response to consumer demand. For these reasons, replicating the relatively slow and inflexible screen printing process by using ink-jet digital printing is gaining interest in the fashion, apparel, and textile industry. The aim of this research is to replicate a screen-printed sample provided by a textile corporation via ink-jet digital printing, and from this case, to analyze the potential of ink-jet digital printing to replace traditional screen printing. Two stages involving three main objectives was established to achieve this target: In stage one, first, an optimal workflow was explored for replicating a screen-printed fabric using ink-jet textile digital printing, and second. In stage two, a visual assessment instrument and protocol was established to evaluate the acceptance of the replicated ink-jet printed fabric. Then, a visual assessment by 12 expert participants was conducted to determine if the digitally printed sample was a suitable substitute for screen printed sample, and to explore the potential for digital ink-jet printing to replace traditional screen printing. The instrument used in this pilot test was created and then presented to participants. Data gathered from the visual assessment was then analyzed and compared by using SPSS statistics software. -
Printing Techniques
PRINTING TECHNIQUES A COMPARISON OF COTTON PRINTING TECHNIQUES Modern textile printing incorporates a wide variety of colorants and technologies to produce a diverse array of printed textile products at various stages in the product development process. Today, rotary screen printing accounts for the majority of cotton printed clothing; however, newer printing technologies such as digital printing and cool transfer printing are attracting attention because of their reduced environmental footprint, and seemingly limitless color and design capabilities. COOL TRANSFER PRINTING DIGITAL PRINTING ROTARY SCREEN PRINTING A process that transfers a print design from paper A process that applies small drops of color through A continuous method of printing in which a to fabric. A special coated paper is printed with the print heads onto a fabric. There is virtually no limit perforated cylindrical screen is used to apply color. desired pattern which is then transferred to the to the number of colors or size of the request. Color is forced from the interior of the screen onto fabric under ambient conditions. the fabric. Cool Transfer Print Digital Print Rotary Screen Print FABRICAST™ SK-1871-14CT FABRICAST™ DK-2810-2A FABRICAST™ SK-1923-4P (Puff) COMPARING PRINTING TYPES = Rotary = Cool Transfer = Digital SPEED PHOTO REALISTIC PRINT PATTERN ESTIMATED WATER, ENERGY, QUALITY FLEXIBILITY COST CHEMICAL INPUTS FAST HIGH HIGH HIGH MOST SLOW LOW LOW LOW LEAST PRINTING TECHNIQUES COOL TRANSFER PRINTING Market interest in transfer printing on cotton fabrics has been strong for many years; however, standard heat transfer printing was achievable only for polyester and nylon fabrics, and the transfer prints available for cotton offered poor hand and were limited in terms of inks available.