Developments in Chinese Language and Script During the Twentieth and Twenty-First Centuries
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Background I. Names
Background I. Names 1. China It used to be thought that the name ‘China’ derived from the name of China’s early Qin dynasty (Chin or Ch’in in older transcriptions), whose rulers conquered all rivals and initiated the dynasty in 221 BC. But, as Wilkinson notes (Chinese History: A Manual: 753, and fn 7), the original pronunciation of the name ‘Qin’ was rather different, and would make it an unlikely source for the name China. Instead, China is thought to derive from a Persian root, and was, apparently, first used for porcelain, and only later applied to the country from which the finest examples of that material came. Another name, Cathay, now rather poetic in English, but surviving as the regular name for the country in languages such as Russian (Kitai), is said to derive from the name of the Khitan Tarters, who formed the Liao dynasty in north China in the 10th century. The Khitan dynasty was the first to make a capital on the site of Beijing. The Chinese now call their country Zhōngguó, often translated as ‘Middle Kingdom’. Originally, this name meant the central – or royal – state of the many that occupied the region prior to the unification of Qin. Other names were used before Zhōngguó became current. One of the earliest was Huá (or Huáxià, combining Huá with the name of the earliest dynasty, the Xià). Xià, in fact, combined with the Zhōng of Zhōngguó, appears in the modern official names of the country, as we see below. 2. Chinese places a) The People’s Republic of China (PRC) [Zhōnghuá Rénmín Gònghéguó] This is the political entity proclaimed by Máo Zédōng when he gave his speech (‘China has risen again’) at the Gate of Heavenly Peace [Tiān’ān Mén] in Beijing on October 1, 1949. -
Chinese Pinyin Aided IME, Input What You Have Not Keystroked Yet
Chinese Pinyin Aided IME, Input What You Have Not Keystroked Yet Yafang Huang1;2, Hai Zhao1;2;∗, 1Department of Computer Science and Engineering, Shanghai Jiao Tong University, Shanghai, 200240, China 2Key Laboratory of Shanghai Education Commission for Intelligent Interaction and Cognitive Engineering, Shanghai Jiao Tong University, Shanghai, 200240, China [email protected], [email protected] ∗ Abstract between pinyin syllables and Chinese characters. (Huang et al., 2018; Yang et al., 2012; Jia and Chinese pinyin input method engine (IME) Zhao, 2014; Chen et al., 2015) regarded the P2C as converts pinyin into character so that Chinese a translation between two languages and solved it characters can be conveniently inputted into computer through common keyboard. IMEs in statistical or neural machine translation frame- work relying on its core component, pinyin- work. The fundamental difference between (Chen to-character conversion (P2C). Usually Chi- et al., 2015) work and ours is that our work is a nese IMEs simply predict a list of character fully end-to-end neural IME model with extra at- sequences for user choice only according to tention enhancement, while the former still works user pinyin input at each turn. However, Chi- on traditional IME only with converted neural net- nese inputting is a multi-turn online procedure, work language model enhancement. (Zhang et al., which can be supposed to be exploited for fur- 2017) introduced an online algorithm to construct ther user experience promoting. This paper thus for the first time introduces a sequence- appropriate dictionary for P2C. All the above men- to-sequence model with gated-attention mech- tioned work, however, still rely on a complete in- anism for the core task in IMEs. -
Sinitic Language and Script in East Asia: Past and Present
SINO-PLATONIC PAPERS Number 264 December, 2016 Sinitic Language and Script in East Asia: Past and Present edited by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
A Comparative Analysis of the Simplification of Chinese Characters in Japan and China
CONTRASTING APPROACHES TO CHINESE CHARACTER REFORM: A COMPARATIVE ANALYSIS OF THE SIMPLIFICATION OF CHINESE CHARACTERS IN JAPAN AND CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2012 By Kei Imafuku Thesis Committee: Alexander Vovin, Chairperson Robert Huey Dina Rudolph Yoshimi ACKNOWLEDGEMENTS I would like to express deep gratitude to Alexander Vovin, Robert Huey, and Dina R. Yoshimi for their Japanese and Chinese expertise and kind encouragement throughout the writing of this thesis. Their guidance, as well as the support of the Center for Japanese Studies, School of Pacific and Asian Studies, and the East-West Center, has been invaluable. i ABSTRACT Due to the complexity and number of Chinese characters used in Chinese and Japanese, some characters were the target of simplification reforms. However, Japanese and Chinese simplifications frequently differed, resulting in the existence of multiple forms of the same character being used in different places. This study investigates the differences between the Japanese and Chinese simplifications and the effects of the simplification techniques implemented by each side. The more conservative Japanese simplifications were achieved by instating simpler historical character variants while the more radical Chinese simplifications were achieved primarily through the use of whole cursive script forms and phonetic simplification techniques. These techniques, however, have been criticized for their detrimental effects on character recognition, semantic and phonetic clarity, and consistency – issues less present with the Japanese approach. By comparing the Japanese and Chinese simplification techniques, this study seeks to determine the characteristics of more effective, less controversial Chinese character simplifications. -
Language Contact in Nanning: Nanning Pinghua and Nanning Cantonese
20140303 draft of : de Sousa, Hilário. 2015a. Language contact in Nanning: Nanning Pinghua and Nanning Cantonese. In Chappell, Hilary (ed.), Diversity in Sinitic languages, 157–189. Oxford: Oxford University Press. Do not quote or cite this draft. LANGUAGE CONTACT IN NANNING — FROM THE POINT OF VIEW OF NANNING PINGHUA AND NANNING CANTONESE1 Hilário de Sousa Radboud Universiteit Nijmegen, École des hautes études en sciences sociales — ERC SINOTYPE project 1 Various topics discussed in this paper formed the body of talks given at the following conferences: Syntax of the World’s Languages IV, Dynamique du Langage, CNRS & Université Lumière Lyon 2, 2010; Humanities of the Lesser-Known — New Directions in the Descriptions, Documentation, and Typology of Endangered Languages and Musics, Lunds Universitet, 2010; 第五屆漢語方言語法國際研討會 [The Fifth International Conference on the Grammar of Chinese Dialects], 上海大学 Shanghai University, 2010; Southeast Asian Linguistics Society Conference 21, Kasetsart University, 2011; and Workshop on Ecology, Population Movements, and Language Diversity, Université Lumière Lyon 2, 2011. I would like to thank the conference organizers, and all who attended my talks and provided me with valuable comments. I would also like to thank all of my Nanning Pinghua informants, my main informant 梁世華 lɛŋ11 ɬi55wa11/ Liáng Shìhuá in particular, for teaching me their language(s). I have learnt a great deal from all the linguists that I met in Guangxi, 林亦 Lín Yì and 覃鳳餘 Qín Fèngyú of Guangxi University in particular. My colleagues have given me much comments and support; I would like to thank all of them, our director, Prof. Hilary Chappell, in particular. Errors are my own. -
The Beijing Olympics
2/2008 2/20082/2008 Call for Papers 2/2008 Call forChina Papers aktuell – Journal of Current Chinese Affairs is an inter- nationally refereed academic journal published by the GIGA Institute ChinaCall aktuellof for Asian – Papers JournalStudies, ofHamburg. Current TheChinese quarterly Affairs journal is focusesan inter- on current 2/2008 nationally developmentsrefereed academic in Greater journal China. published It has by a thecirculation GIGA Institute of 1,200 copies, China aktuell – Journal of Current Chinese Affairs is an inter- 2/2008 2/2008 of Asiannationally Studies,making refereed Hamburg.it one academicof the The world’s quarterly journal most publishedjournal widely focuses bydistributed the on GIGA current periodicals Institute on developmentsof AsianAsian Studies,in affairs,Greater Hamburg. andChina. reaches ItThe has quarterly a acirculation broad journal readershipof focuses1,200 copies, onin currentacademia, 2/2008 makingdevelopments it administrationone of the in world’sGreater and business mostChina. widely It circles.has distributed a circulation Articles periodicals shouldof 1,200 be oncopies, written in Asianmaking affairs,German it oneand or of Englishreaches the world’s and a submitted broadmost widelyreadership exclusively distributed into thisacademia, periodicals publication. on administrationAsian affairs, and businessand reaches circles. a Articlesbroad shouldreadership be writtenin academia, in German orChina English aktuell and issubmitted devoted exclusivelyto the transfer to this of scholarlypublication. -
Crisis and Governance: Sars and the Resilience of the Chinese Body Politic
CRISIS AND GOVERNANCE: SARS AND THE RESILIENCE OF THE CHINESE BODY POLITIC Patricia M. Thornton How crisis-prone is the reform-era Chinese state? Recent scholarly contributions yield no shortage of dire predictions, ranging from the regime’s imminent collapse 1 to the steady deterioration of the state’s extractive capacities due to persistent bureaucratic corruption and inefficiency.2 Lurking behind the “glitzy skylines of Shanghai, Beijing and other coastal cities”, Minxin Pei finds “a hidden crisis of governance” provoked by a range of pathologies, including élite cynicism and mass disenchantment due to deteriorating government performance.3 Bruce Gilley recently described a political system on the cusp of impending breakdown following the élite consolidation of power that began in 1994, the latest iteration of four such cycles that have unfolded since 1949. Gilley predicts that, driven by the inherently volatile “logic of concentrated power” and barring democratic breakthrough, the current leadership will probably rely on Party purges and increased social repression to maintain control, setting off periodic waves of crisis and consolidation into the foreseeable future.4 1 Jack A. Goldstone, “The Coming Chinese Collapse”, Foreign Policy, No. 99 (June 1995), pp 35-52; Gordon Chang, The Coming Collapse of China (New York: Random House. 2001). 2 Wang Shaoguang and Hu Angang, The Chinese Economy in Crisis: State Capacity and Tax Reform (Armonk: M. E. Sharpe, 2001). 3 Minxin Pei, “China’s Governance Crisis: More than Musical Chairs”, Foreign Affairs, Vol. 81, No. 5 (September–October 2002), pp. 96-109; on China’s “governance crisis”, see also Shaoguang Wang, “The Problem of State Weakness”, Journal of Democracy, Vol. -
Learning Chinese
Learning Chinese Chinese is the native language of over a billion speakers, more Language Family people than any other language. It is spoken in China, Singapore, Sino-Tibetan Malaysia, and in many overseas Chinese communities. Dialect 4UBOEBSE.BOEBSJOJTCBTFEPO/PSUIFSO Writing Systems: Chinese dialects. Standard Mandarin is Simplified, Traditional, and Pinyin the language of business, education, and the media in all regions of China, and is tSimplified Chinese (e.g. 汉语) characters are widely used in the People’s widely understood in almost every corner Republic of China. They are based on and share most of their characters of the Chinese-speaking world. with traditional Chinese characters. t Traditional Chinese (e.g. 漢語) characters are in widespread use in Your Learning Options Taiwan, Hong Kong, Macau, and in many overseas Chinese communities. t3PTFUUB4UPOFPGGFSTZPVUIFDIPJDFPG Knowledge of traditional characters will also allow you to recognize many Simplified or Traditional characters characters in classical Chinese texts. for your course. Simplified Traditional tPinyin (e.g. hàn yǔ) is a method of writing Chinese using the Roman alphabet. Pinyin is a transliteration of characters into the Roman script and is used for teaching the language phonetically and for typing Chinese. t3PTFUUB4UPOFBMTPBMMPXTZPVUPMFBSOUP speak and understand spoken Chinese Language Tips without learning Chinese characters. t$IJOFTFJTXSJUUFOXJUIOPTQBDFTCFUXFFOXPSET If this is your objective, you can study your course in the pinyin script. t&BDIDIBSBDUFSJO$IJOFTFDPSSFTQPOETUPBTJOHMFTZMMBCMF tThe meaning of a Chinese syllable depends on the tone with which it is spoken. Chinese has four tones: t3PTFUUB4UPOFHJWFTZPVUIFBCJMJUZUP mā má mǎ mà view pinyin along with the characters. steady high 2 high rising 3 low falling-rising 4 falling You can use this feature as a t"UPOFNBZDIBOHFTMJHIUMZEFQFOEJOHPOUIFUPOFTPGJUTOFJHICPSJOH pronunciation guide for the characters you encounter in the course. -
Language Specific Peculiarities Document for Cantonese As
Language Specific Peculiarities Document for Cantonese as Spoken in the Guangdong and Guangxi Provinces of China 1. Dialects The name "Cantonese" is used either for all of the language varieties spoken in specific regions in the Guangdong and Guangxi Provinces of China and Hong Kong (i.e., the Yue dialects of Chinese), or as one particular variety referred to as the "Guangfu group" (Bauer & Benedict 1997). In instances where Cantonese is described as 'Cantonese "proper"' (i.e. used in the narrower sense), it refers to a variety of Cantonese that is spoken in the capital cities Guangzhou and Nanning, as well as in Hong Kong and Macau. This database includes Cantonese as spoken in the Guangdong and Guangxi Provinces of China only (i.e. not in Hong Kong); five dialect groups have been defined for Cantonese (see the following table)1. Three general principles have been used in defining these dialect groupings: (i) phonological variation, (ii) geographical variation, and (iii) lexical variation. With relation to phonological variation, although Cantonese is spoken in all of the regions listed in the table, there are differences in pronunciation. Differences in geographic locations also correlate with variations in lexical choice. Cultural differences are also correlated with linguistic differences, particularly in lexical choices. Area Cities (examples) Central Guangzhou, Conghua, Fogang (Shijiao), Guangdong Longmen, Zengcheng, Huaxian Group Northern Shaoguan, Qijiang, Lian Xian, Liannan, Guangdong Yangshan, Yingde, Taiping Group Northern -
The Bolshevil{S and the Chinese Revolution 1919-1927 Chinese Worlds
The Bolshevil{s and the Chinese Revolution 1919-1927 Chinese Worlds Chinese Worlds publishes high-quality scholarship, research monographs, and source collections on Chinese history and society from 1900 into the next century. "Worlds" signals the ethnic, cultural, and political multiformity and regional diversity of China, the cycles of unity and division through which China's modern history has passed, and recent research trends toward regional studies and local issues. It also signals that Chineseness is not contained within territorial borders overseas Chinese communities in all countries and regions are also "Chinese worlds". The editors see them as part of a political, economic, social, and cultural continuum that spans the Chinese mainland, Taiwan, Hong Kong, Macau, South East Asia, and the world. The focus of Chinese Worlds is on modern politics and society and history. It includes both history in its broader sweep and specialist monographs on Chinese politics, anthropology, political economy, sociology, education, and the social science aspects of culture and religions. The Literary Field of New Fourth Artny Twentieth-Century China Communist Resistance along the Edited by Michel Hockx Yangtze and the Huai, 1938-1941 Gregor Benton Chinese Business in Malaysia Accumulation, Ascendance, A Road is Made Accommodation Communism in Shanghai 1920-1927 Edmund Terence Gomez Steve Smith Internal and International Migration The Bolsheviks and the Chinese Chinese Perspectives Revolution 1919-1927 Edited by Frank N Pieke and Hein Mallee -
At the End of the Stream: Copy in 14Th to 17Th Century China
Renaissance 3/2018 - 1 Dan Xu At the End of the Stream: Copy in 14th to 17th Century China There were no single words in Chinese equivalent to By the 14th century the three formats became the form the English word copy. By contrast, there were four preferred by artists, and remained unchallenged until distinctive types of copy: Mo (摹 ), the exact copy, was the early 1900s, when the European tradition of easel produced according to the original piece or the sketch painting came to provide an alternative.[1] The album of the original piece; Lin (临 ) denotes the imitation of was the last major painting format to develop. It ar- an original, with a certain level of resemblance; Fang rived along with the evolution of leaf-books. The album (仿 ) means the artistic copy of a certain style, vaguely was first used to preserve small paintings, later being connected with the original; and the last one, Zao (造 ), adopted by artists as a new format for original work refers to purely inventive works assigned to a certain and also as teaching resource or notebook for the master’s name. artist himself. Pictorial art in China frst emerged as patterns on In the process of the material change, it’s note- ritual vessels, then was transmitted to wall paintings worthy that Mo, the faithful copy, was involved in three and interior screens; later it was realised on horizontal slightly different ways: 1. to transmit an image from hand scrolls, vertical hanging scrolls and albums. manuscript/powder version to final work; 2. -
They Came in Ships: Imperialism, Migration and Asian Diasporas in the 19Th Century
CENTRE FOR RESEARCH ON LATIN AMERICA AND THE CARIBBEAN THEY CAME IN SHIPS: IMPERIALISM, MIGRATION AND ASIAN DIASPORAS IN THE 19TH CENTURY The Seventh Jagan Lecture Presented at York University on October 20, 2007 By Walton Look Lai (Retired Lecturer in the History Department of the University of the West Indies in Trinidad) CERLAC Colloquia Paper November 2007 THE JAGAN LECTURES SERIES The Jagan Lectures commemorate the life and vision of the late Dr. Cheddi Jagan, Caribbean thinker, politician, and political visionary. The series of annual lectures is founded upon the idea that the many and varied dimensions of Chedii Jagan’s belief in the possibility of a New Global Human Order should be publicly acknowledged as part of his permanent legacy to the world. CERLAC COLLOQUIA PAPER The CERLAC Colloquia Paper Series includes versions of papers prepared by CERLAC associates or resulting from CERLAC projects and colloquia that may be slated for publication elsewhere. All responsibility for views and analysis lies with the author (s). Authors welcome feedback and comments. Reproduction: All rights reserved to the author (s). Reproduction in whole or in part of this work is allowed for research and education purposes as long as no fee is charged beyond shipping, handling and reproduction costs. Reproduction for commercial purposes is not allowed. Ordering Information: Papers can be ordered from CERLAC. Cost per single paper is $8.00 to cover shipping and handling. For orders of 10 papers or more a discount is available. Send cheque or money order