Ramayana Shadow Play Script This Script Was Written and Performed By
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Fairs and Festivals, (20 Nalgonda)
PRG. 179.20 (N) 750 NALGONDA CENSUS OF INDIA 1961 VOLUME II ANDHRA PRADESH PART VII-B (20) • ."" ( 20. Nalgonda District) A. CHANDRA SEKHAR OF THE INDIAN ADMINISTRATIVE SERVICE Superintendent of Census Operations, Andhra Pradesh Price: Rs. 5.25 P. or 12 Sh. 4d. or $ 1.89 c. 1961 CENSUS PUBLICATIONS, ANDHRA PRADESH ( All the Census Publications of this State bear Vol. No. II ) PART I-A General Report PART I-B Report on Vital Statistics PART I-C Subsidiary Tables PART II-A General Population Tables PART II-B (i) Economic Tables [B-1 to B-IV] PART II-B (ii) Economic Tables [B-V to B-IX] PART ll-C Cultural and Migration Tables PART III Household Economic Tables PART IV-A Report on Housing and Establishments (with Subsidiary Tables) PART IV-B Housing and Establishment Tables PART V-A Special Tables for Scheduled Castes and Scheduled Tribes PART V-B Ethnographic Notes on Scheduled Castes and Scheduled Tribes PART VI Village Survey Monographs (46) PART VII-A (1) I I Handicrafts Survey Reports (Selected Crafts) PART VIT-A (2) J PART VII-B (1 to 20) Fairs and Festivals (Separate Book for each District) PART VIII-A Administration Report-Enumeration I I (Not Jor sale) PART VIII-B Administra tion Report-Tabulation J PART IX State Atlas PART X Special Report on Hyderabad City District Census Handbooks (Separate Volume Jor each District) :2 SlJ..... (l) I ,......; () » ~ <: ~ ~ -.(l) "'<! ~ 0 tl'l >-+:I ~ ~ K'! I") ~ :::.... a.. (JQ . -..: . _ ~ ~ ~ . (JQ ~ ~I") ;:::; v.,~ SlJ .,CI:l to -. ::r t-- C ~ ::s ~ !J.9 . -
Kaveri – 2019 Annual Day Script Bala Kanda: Rama
Kaveri – 2019 Annual Day Script Bala Kanda: Rama marries Sita by breaking the bow of Shiva Janaka: I welcome you all to Mithila! As you see in front of you, is the bow of Shiva. Whoever is able to break this bow of Shiva shall wed my daughter Sita. Prince 1: Bows to the crowd and tries to lift the bow and is unsuccessful Prince 2: Bows to the crowd and tries to lift the bow and is unsuccessful Rama 1: Bows, prays to the bow, lifts it, strings it and pulls the string back and bends and breaks it Janaka: By breaking Shiva’s bow, Rama has won the challenge and Sita will be married to Rama the prince of Ayodhya. Ayodhya Kanda: Narrator: Rama, Sita, Lakshmana, Shatrugna, Bharata are all married in Mithila and return to Ayodhya and lived happily for a number of years. Ayodhya rejoiced and flourished under King Dasaratha and the good natured sons of the King. King Dasaratha felt it was time to crown Rama as the future King of Ayodhya. Dasaratha: Rama my dear son, I have decided that you will now become the Yuvaraja of Ayodhya and I would like to advice you on how to rule the kingdom. Rama 2: I will do what you wish O father! Let me get your blessings and mother Kausalya’s blessings. (Rama bows to Dasaratha and goes to Kausalya) Kausalya: Rama, I bless you to rule this kingdom just like your father. Narrator: In the mean time, Manthara, Kaikeyi’s maid hatches out an evil plan. -
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu. -
9 Ever Remember the Name of Rama
103 9 Ever Remember The Name Of Rama HOUSANDS of years have passed since the Tadvent of Treta Yuga, yet even now everyone, right from children to elderly people, remember the name of Rama. The glory of Rama’s name is such that it has not diminished even a bit with the passage of time. This truth should be recognised by all. Rama is the name given to a form, but the name of Rama is not limited to a form. Atma is Rama, and its true name is Atmarama. Therefore, wherever and whenever you remember the name of Rama, Rama is there with you, in you, around you. The Name Of Rama Is Eternal Embodiments of Love! Rama is one, whether you identify him with the 104 SATHYA SAI SPEAKS, Volume 40 atma or with the form installed in your heart. Every year comes the festival of Sri Rama Navami. But we have not so far understood its true significance. You identify Rama with a form. But Rama is not limited to any particular form. It is the name that is latent in your heart. Many changes and variations keep occurring in the world, but the name of Rama is immutable, eternal, unsullied and everlasting. Rama was not an ordinary individual. He was verily God who incarnated on earth for the welfare of mankind. People call God by many names like Rama, Krishna, Easwara and Mahadeva. They are all the names of one God. You should recognise the glory of this name. Sage Vasishta said, “Ramo vigrahavan Dharma” (Rama is the personification of Dharma). -
Untouched Questions
|| Om Namah Sadgurudevay || Untouched Questions Compiled and Interpreted by: Blessed Disciple of Most Revered Sri Paramhans Ji Maharaj Swami Adgadanand Ji Shri Paramhans Ashram Shakteshgarh, Chunar-Mirzapur, U.P. Publisher: Shri Paramhans Swami Adgadanand Ji Ashram Trust 5, New Apollo Estate, Mogra Lane, Opp. Nagardas Road Andheri (East), Mumbai – 400069 India Most Respectfully Dedicated At The Holy Feet Of Most Revered Swami Sri Paramanand Ji Yogiraj Matchless Grandsire Of The Era GURU VANDANA (SALUTATIONS TO THE GURU) || Om Shree Sadguru Dev Bhagwan Ki Jai || Jai Sadgurudevam, Paramaanandam, amar shariraam avikari I Nirguna nirmulam, dhaari sthulam, kattan shulam bhavbhaari II Surat nij soham, kalimal khoham, janman mohan chhavibhaari I Amraapur vaasi, sab sukh raashi, sadaa ekraas nirvikaari II Anubhav gambira, mati ke dhira, alakh fakira avtaari I Yogi advaishta, trikaal drashta, keval pad anandkaari II Chitrakuthi aayo, advait lakhaayo, anusuia asan maari I Shree Paramhans Swami, antaryaami, hain badnaami sansaari II Hansan hitkaari, jag pagudhaari, garva prahaari, upkaari I Sat- panth chalaayo, bharam mitaayo, rup lakhaayo kartaari II Yeh shishya hai tero, karat nihoro, mo par hero prandhaari I Jai Sadguru.....bhari II Index S.No. Subject Page No. 1. The History of Lord Shri Ram 1 2. Desertion of Sita 6 3. Varna (Caste) 17 4. Shambook 36 5. Worship of Goddess Saraswati 49 6. Why God Has No Beards? 58 7. Vishwakarma Pooja 62 8. Idol Worship - Valid or Invalid 79 9. Dhyan 92 10. Hath, Chakra-Bhedan and Yog 114 11. Analysis of Dravid & Arya in the Light of Ram-Katha 142 12. The Historical Value of Mahabharata 161 13. -
Ramayana Youth
Akram Youth December 2020 English Dada Bhagwan Parivar Ramayana for Youth Part - 3 Table of Contents 04 Vibhishana Like a Lotus in the Water 06 Angada’s Strong Determination 08 Gnani With Youth - Kaikeyi and Manthara 10 Q & A - To Keep Your Promise, Even at the Cost of Your Life 14 Cause and Effect - Lord Rama and King Sugariva 16 A Glimpse of One of Dadashri's Books 18 The Traits of the Main Characters of Ramayana 23 #Poem December 2020 Editor - Dimple Mehta Subscription Year: 8. Issue: 8 Yearly Subscription Cont. Issue: 92 Printer & Published by Dimple Mehta on behalf of India :200 Rupees Mahavideh Foundation USA: 15 Dollars Simandhar City, Adalaj - 382421. UK: 12 Pounds Contact: Taluka & Dist - Gandhinagar 5 Years Subscription Gnani Ni Chhayama (GNC), India : 800 Rupees Trimandir Sankul, Owned by : Mahavideh Foundation Simandhar City, Adalaj - 382421. USA: 60 Dollars Simandhar City, Taluka & Dist - Gandhinagar UK: 50 Pounds Ahmedabad Kalol Highway, In India, D.D. / M.O. should be drawn Adalaj, Dist. Gandhinagar, Published at : Mahavideh Foundation in favour of "Mahavideh Foundation" Gujarat-382421 Simandhar City, Adalaj - 382421. Taluka & Dist - Gndhinagar payable at Ahmedabad. Phone: (079) 39830100 Printed at : Amba Offset © 2020, Dada Bhagwan Foundation. email: [email protected] B-99, GIDC, Sector-25, All Rights Reserved website: youth.dadabhagwan.org Gandhinagar – 382025. Gujarat. store.dadabhagwan.org/akram-youth Total 24 Pages with Cover page 2 Akram Youth Friends, you may not know that the ‘Epic Ramayana’ is composed of 24,000 verses in the Sanskrit lan- guage and is considered as one of the largest ancient epic scriptures in the world. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Ramleela in Trinidad, 2006–2008
Trinity College Trinity College Digital Repository Faculty Scholarship Spring 2010 Performing in the Lap and at the Feet of God: Ramleela in Trinidad, 2006–2008 Milla C. Riggio Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/facpub Part of the Theatre and Performance Studies Commons Performing in the Lap and at the Feet of God Ramleela in Trinidad, 2006–2008 Milla Cozart Riggio The performance was like a dialect, a branch of its original language, an abridgement of it, but not a distortion or even a reduction of its epic scale. Here in Trinidad I had discovered that one of the greatest epics of the world was seasonally performed, not with that desperate resignation of preserving a culture, but with an openness of belief that was as steady as the wind bending the cane lances of the Caroni plain. —Derek Walcott, Nobel Prize Lecture (1992) As a child living in Wagoner, Oklahoma, I was enlisted by my Baptist evangelist father both to play the piano for his monthly hymn singing fests and to “teach” Wednesday night Bible classes. “What,” I asked my father, “shall I tell these people? I don’t know anything about the Bible.” “Oh,” he responded, “neither do they. Just make it up, but always assure them that—as our good hymn says—they are all ‘sitting in the lap of God.’ That’s what they want to know.” So week after week, while I unwittingly practiced for my future vocation, some dozen or so Baptist parishioners were asked by a nine-year-old girl to sit together “in the lap of God.” Having no idea what that meant, I conjured up an image of a gray-bearded, department store Santa/God with all of us piling at once into his opulent lap. -
Tataka Vadh Narrator/Singer: Akash R
Godavari Annual Day 2017-2018 Tataka vadh Narrator/singer: Akash R (any Indian dress) Vishwamitra: Rohan (dress up as a guru with some wooden beads to resemble rudraksha, kamandalu) Ram: Nithin (simple dress as he was in the forest with Vishwamitra, bow and arrows) Lakshman: Siddharth (simple dress as he was in the forest with Vishwamitra, bow and arrows) Tataka: Saishree (Any black dress, black big bindi, some weapons made of cardboard, she can have the same dress for Shabari’s story, can change the bindi) Narrator: Guru Vishwamitra asks king Dasharatha to send Rama and Lakshmana with him to the forest. He wanted them to protect the holy ashramas of the rishis there who were constantly being tortured by the rakshasas. While walking along the river Sarayu look what happens… Vishwamitra: Look at these flowers and trees. Isn’t it beautiful here? Lakshman: Yes gurudev. Nature is wonderful!! Vishwamitra: Kids, close to this place lives a rakshasi,Tataka. She does everything she could to disturb the yagnas and destroy everything in the ashramas. Tataka: (loudly) Ha ha ha. Look who’s here. What will these kids do to me? Oh I’m so scared… You can’t win over me kids, go away! Ram: Tataka, let’s not have false hopes. We should at least try to prove ourselves! Come on. They start fighting fiercely. Narrator: Rama and Lakshmana win the fight. Vishwamitra gives Rama many astaras including the Brahmastra. Sings Ghoratatakaghataka Ram ॥ 9॥ Marichadinipataka Ram ॥ 10॥ Ram Ram Jaya Rajaram Ram Ram Jaya Sitaram (2 times) . -
Rama's Return to Ayodhya: from the Ramayana
PICTURING THE STORY: NARRATIVE ARTS AND THE STORIES THEY TELL Rama's Return to Ayodhya: from the Ramayana At the end of the epic poem the Ramayana, the hero- brothers Rama and Lakshmana, along with Rama’s wife Sita, returned in triumph to their home- city of Ayodhya. They were accompanied by the armies of the Monkey King and Bear King, who helped them defeat the evil Ravana, demon-king of Lanka. The victorious party is joined by Vibhishan, the new King of Lanka, who joined Rama’s cause against his own brother Ravana. When Rama, longing to Indian Rama, Sita and Lakshmana Return to Ayodhya, ca. 1850-1900 return home after his long Rajasthan, Rajput School adventures, laments, Opaque watercolor, ink, silver and gold paint on paper, 11 1/4 in. x 17 15/16 in. Gift of Helen H. Reiff in memory of Robert F. Reiff, 83.55 "Far is Ayodhya: long, alas, Then Rama entered the glorious car “A joy beyond all joys the best the dreary road and hard to pass." that shone like Day's resplendent star. will fill my overflowing breast, "One day," Vibhishan cried, "one day There in his lap he held his dame if surrounded by you, O noble band, shall bear thee over that length of way. veiling her eyes in modest shame. I seek again my native land.” Is not the wondrous car Pushpaka mine, Beside him Lakshmana took his stand, made by the god Brahma’s own hands whose mighty bow still armed his hand. Swift through the air, as Rama chose, divine? the wondrous car from earth arose.