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MARIA REBECCA BALLESTRA Cambiando Changing Prospettive Perspectives

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MARIA REBECCA BALLESTRA Cambiando Changing Prospettive Perspectives MARIA REBECCA BALLESTRA cambiando changing prospettive perspectives A CURA DI / EDITED BY Paola Valenti AdAC maria rebecca ballestra Archivio d’Arte Contemporanea changing perspectives / cambianDO Università degli Studi di Genova prOspettive a cura di / edited by paola valenti testi di / texts by alberto Diaspro, patrice garnier, Daniela legotta, adrien pasternak, alessandra piatti, anna viola sborgi, paola valenti introduzione di/ Foreword by leo lecci, Franco sborgi apparati / references Daniela legotta, alessandra piatti progetto grafico / graphic design elena menichini crediti fotografici / photographic credits maria rebecca ballestra changing cambiando Galerie l’editore è a disposizione per i compensi dovuti agli aventi Alberta Pane Paris diritto con i quali non è stato possibile comunicare. / the perspectives prospettive publisher has made every effort to contact all copyright holders. if proper acknowledgment has not been made, we ask copyright holders to contact De Ferrari editore, genoa traduzioni / translations per i testi di / essays by alberto Diaspro, Daniela legotta, alessandra piatti, anna viola sborgi, paola valenti MARIA REBECCA BALLESTRA (italiano/inglese; italian/english): christina cawthra, Università ca’Foscari, venezia per i testi di/essays by patrice garnier, adrien pasternak (Francese/inglese; French/english): Diana rabanser per i testi di/essays by patrice garnier, adrien pasternak (Francese/italiano; French/italian): alberta pane A CURA DI / EDITED BY Paola Valenti Un particolare ringraziamento a / a special thanks to andrea allavena, roberta allesina, rossana borroni, sabrina burlando, anna careggi, emma careggi, barbara colasanto con massimo e viola nucci, rosetta consiglio, ivo Degl’innocenti, Dario Fortunato, leo lecci, martina massarente, sergio massarente, silvia merlino, John moore, maria camilla De palma, alberta pane, michelangelo penso, elsa proudhon, gianni renosi, marco ricca, barbara ruffoni, Franco sborgi, paolo scacchetti, Francesca serrati, beatrice (susi) traverso, roberto vidali. coordinamento editoriale: sabrina burlando realizzazione editoriale © De Ferrari comunicazione s.r.l. via riboli, 20 - 16145 genova tel. 010 3621713 - Fax 010 3626830 [email protected] sommario / contents introduzione introduction Franco sborgi, leo lecci guardare il mondo cambiando prospettive Observing the world, changing perspectives paola valenti intervista con maria rebecca ballestra (preceduta da una breve introduzione) Interview with Maria Rebecca Ballestra (preceded by a short introduction) adrien pasternak bis repetita non placent patrice garnier paradiso perduto e mutazioni genetiche: il post-human garden di maria rebecca Ballestra Paradise lost and genetic engineering. Maria Rebecca Ballestra’s Post-Human Garden anna viola sborgi “il futuro è ora!” “The Future is now!” alberto Diaspro percOrsi tra le Opere / tOUrs thrOUgh the artWOrKs tra anima e corpo Between body and soul alessandra piatti tra presente e futuro Between present and future Daniela legotta apparati / reFerences biografia Biography indice ragionato delle opere Annotated index of the artworks bibliografia Bibliography intrODUziOne introduzione / Foreword Franco sborgi - leo lecci L’AdAC - Archivio d’Arte Contemporanea del- The AdAC – Archive of Contemporary Art l’Università degli Studi di Genova (parte del of the University of Genoa (part of the De- Dipartimento di Italianistica, Romanistica, Arti partment of Italian Studies, Roman philo- e Spettacolo della Facoltà di Lettere) è lieto di logy, and Performing Arts of the Faculty of promuovere la pubblicazione di Changing Per- Letters) is pleased to promote the publica- spectives / Cambiando prospettive, la prima mo- tion Changing Perspectives / Cambiando Pro- nografia dedicata all’opera di una giovane ar- spettive, the first monograph dedicated to tista ligure, Maria Rebecca Ballestra. the work of a young artist from Liguria, Ma- Uno degli impegni che l’Archivio affianca a ria Rebecca Ballestra. quello della catalogazione e conservazione In addition to the Archive's work of catalo- di materiale documentario relativo all’opera guing and preserving documentary material di artisti italiani e stranieri e all’attività espo- on the work of Italian and foreign artists, sitiva di gallerie pubbliche e private a partire and exhibitions in public and private galle- dall’ultimo dopoguerra ad oggi (oltre 50.000 ries from after the Second World War to to- esemplari tra cataloghi, libri, dépliant, inviti, day (over 50,000 items including catalogues, fotografie, audiovisivi, documenti autografi) books, brochures, invitations, photographs, è anche quello della promozione di studi e audiovisuals, signed documents), the Ar- mostre dedicati alla giovane ricerca artistica chive also promotes studies and exhibitions contemporanea. dedicated to young contemporary artistic Le fotografie, le installazioni, le perfor- research. mance, i video e i progetti relazionali di Re- Rebecca Ballestra’s photographs, installa- becca Ballestra affrontano da punti di vista tions, performances, videos and inter-rela- insoliti alcune fra le più le più urgenti pro- tional projects tackle some of the most ur- blematiche del nostro tempo, da quelle con- gent issues today from highly unusual nesse alla globalizzazione e alle conseguenti perspectives, ranging from the problems re- trasformazioni in campo politico, econo- lated to globalisation and the consequent mico, sociale, culturale e ambientale a quelle changes in the political, economic, social, legate alla necessità di definire una nuova cultural and environmental field, to those etica nei campi della ricerca scientifica e tec- linked to the need to define a new ethics in nologica. Le sue opere si rivelano così, anche the fields of scientific and technological re- 9 intrODUziOne intrODUziOne in ambito didattico, un mezzo particolar- search. Also from an educational point of namentali di Sanremo (CRA-FSO) - offre ul- chnology (IIT) and the Research Unit for mente efficace per leggere la complessa re- view, her works thus prove to be a particu- teriore conferma della pluralità di interessi Floriculture and Decorative Species in San- altà contemporanea attraverso il filtro del- larly effective means to help understand the che le opere di Rebecca Ballestra sono capaci remo (CRA-FSO) – is further evidence of l’arte: per questo motivo Rebecca Ballestra complex contemporary situation via the fil- di generare. Ciò si riflette anche nella inter- the multiple interests that Rebecca Balle- è stata più volte invitata ad incontrare gli ter of art: it is for this reason that Rebecca disciplinarietà dei contributi raccolti nel pre- stra’s work is able to awaken. This is also studenti dei corsi di Storia dell’Arte Con- Ballestra has been repeatedly invited to sente volume, che spaziano dalla scienza alla reflected in the interdisciplinarity of the es- temporanea della nostra Facoltà. meet the students on the History of Con- produzione cinematografica e televisiva dei says in this publication, ranging from science L’idea di dedicare al lavoro di Rebecca Balle- temporary Art courses in our Faculty. nostri giorni. to film and television production today. stra uno studio approfondito, che possa ac- The idea of dedicating a detailed study to Auspichiamo di poter sostenere in futuro altri We sincerely hope we will be able to support compagnare l’artista nella sua sempre più in- Rebecca Ballestra’s work, one that may ac- progetti simili a Changing Perspectives / Cam- projects like Changing Perspectives / Cam- tensa e promettente carriera internazionale, company the artist on her increasingly in- biando prospettive e che altri giovani artisti biando Prospettive in the future, and that è stata di Paola Valenti, da diversi anni colla- tense and promising international career possano seguire il difficoltoso ma, nondi- other young artists may follow the arduous boratrice di AdAC e professore a contratto came from Paola Valenti, who has been wor- meno, gratificante cammino intrapreso da but nevertheless gratifying path that Maria presso la Facoltà di Lettere e Filosofia del- king together with the AdAC for several ye- Maria Rebecca Ballestra. Rebecca Ballestra has taken. l’Università di Genova; al suo fianco, nel la- ars now and is a professor at the Faculty of voro curatoriale, due giovani studiose an- Letters and Philosophy at Genoa University. Franco Sborgi Franco Sborgi Direttore DIRAS DIRAS Director ch’esse attive presso l’Archivio: Alessandra She was assisted in her work as curator by (Dipartimento Italianistica, Romanistica, (Department of Italian studies, Piatti, dottoranda in Arti, Spettacolo e Tec- two young scholars who also work with the Arti e Spettacolo) Roman philology, Performing Arts) nologie Multimediali, e Daniela Legotta, lau- Archive: Alessandra Piatta, a research doc- Università degli Studi di Genova Genoa University reanda magistrale in Storia dell’Arte Con- torate student in the Performing Arts and temporanea. Multimedia Technology and Daniela Le- Leo Lecci Leo Lecci Al comune impegno di queste studiose si gotta, finishing her second degree in the Responsabile scientifico AdAC Scientific head of AdAC deve anche l’ideazione e l’organizzazione del History of Contemporary Art. (Archivio d’Arte Contemporanea) (Contemporary Art Archive) Università degli Studi di Genova Genoa University ciclo di mostre, installazioni e incontri che, Thanks also go to these scholars for their sotto il medesimo titolo del volume – Chan- commitment in the creation
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