DOCSLIB.ORG

April 2017 Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C. Boiling Municipal Building, Boston, 2015 MARYJO ANDERSON Nehalem, OR mjandersonsculpture.com [email protected] I am interested in spatial relationships, materials and human interactions within public spaces. I am interested in producing work that has energy, meaning, metaphor and multiple layers of understanding. The collaborative lends itself to work that has sincerity and integrity. I believe art should not mimic architecture but enhance architecture, that public art need not please everyone but rather respect the diversity of a community. Although primarily a stone sculptor, I have spent many years working with other art forms and materials such as bronze, cast iron and temporal installations. I believe in making art that provides access and insight into the human experience - artwork that elicits personal emotion while at the same time speaks to a public audience. Since 2003 I have been exploring the role of smaller more intimate presentations of art in the public arena, a result of my continuing research of niches in public spaces in Italy. I have experience working with landscape architects, architects and committees on designs for urban space Top to bottom: To Scale the Scales of Justice, 2010, Salem, OR; Eyrie, 2013; La Grazia, 2011 M.J. ANDERSON – SCULPTOR PO BOX 400, NEHALEM,OR 97131 Tel 503-801-1928 Email: [email protected] WEBSITE: www.mjandersonsculpture.com BORN Portland, Oregon 1953 EDUCATION Portland State University, B.A. with Honors 1977 SELECTED COMMISSIONS 2015 Jeff & Lara Sanderson, Private Residence 2010-2011 Noosa Botanic Gardens Stone Sculpture Bequest, Queensland, Australia 2009-2010 Justice Center, Oregon Arts Commission Percent for Art, Salem, OR 2006 Wellspring Medical Center, Silverton Hospital, Woodburn, OR 2004-2005 Church of the Resurrection, Solon, Ohio “Witness: Women of the Resurrection” 2005 Invited Artist, International Sculpture Symposium, Maroochy Regional Bushland Botanic Garden, Queensland, Australia Sept23 - Oct 9 2000 Seattle University School of Law, Sculpture Commission for the Law Library 1998/1999 Regional Children’s Center, Outdoor Sculpture Elements, RACC, Troutdale OR 1994 Commission of Altar Panels, St. James Cathedral, Seattle, WA 1994 Consultant to St. James Cathedral & Bumgardner Architects for a marble immersion baptismal font, font restoration and flooring, Seattle, WA AWARDS 2011 Career Opportunity Grant from the Oregon Arts Commission and The Ford Family Foundation Jordan Schnitzer Printmaking Residency, Sitka Center for Art & Ecology 2007 All Oregon Art Annual, Oregon State Fair, Second Award Professional 2006 Individual Artist Fellowship Award from the Oregon Arts Commission 2003 Two month Fellowship Award in Civita di Bagnoregio, Italy through NIAUSI --- the Northwest Institute of Architecture & Urban Studies in Italy 1993 Pollock-Krasner Foundation Grant & “Money for Women” Barbara Deming Memorial Fund SELECTED SOLO EXHIBITIONS 2015 Elizabeth Leach Gallery, Acqua Pietricata, Portland, OR 2013 Davidson Galleries, Ancient Atmosphere, Seattle, WA 2012 Rowboat Gallery, Recent work, Pacific City, OR 2011 Ut Sculptura Poesi, Torano, Italy 2012 Figurative, Davis and Cline Gallery, Ashland, OR 2009 Davidson Galleries, The Probability of Resemblance, Seattle, WA Summer 2009 2007, 2005 Davidson Galleries, Seeking Equilibrium & Recent Sculpture Seattle, WA 2005, 2003 Alysia Duckler Gallery, Geology of Gender, Duet Between Figure & Form Portland, OR 2003 Northwest Museum of Art, Five Part Invention, La Conner, WA The Art Gym, Marylhurst University, The Skin of the Stone, Marylhurst, OR 2002 Froelick Adelhart Gallery, Passion & Penance, Portland, OR SELECTED GROUP EXHIBITIONS 2013-2017 McMinnville Oregon, Art Downtown, Outdoor Sculpture. 2014-2016 Arts Downtown, outdoor sculpture exhibit, Lake Oswego, Oregon (& 2005, 2001) 2016, 2012 Clackamas Community College Sculpture Invitational, Oregon City, OR 2012 Stone Sculpture, Lane Community College, Eugene, OR 2011 Velocity, Museum of Northwest Art, Summer Group Exhibition Il Linguaggio della Materia, Carrara Marble Week, Carrara, Italy Life Still Life, show with painter John VanDreal, Cannon Gallery of Art, Western Oregon University, Monmouth, Or 2004 Survey in Stone, Portland Community College, ( Sylvan campus), Portland, OR 2000 Millennium show, Olga Dollar Gallery, San Francisco, CA 1999 Frauensicht:Mannsbilder, Babenhausen, Darmstaadt, Germany TEACHING 2016 Northwest Stone Sculptors Summer Symposium, Suttle Lake, OR 2015,2012,2005 Northwest Stone Sculptors Summer Symposium, Camp Brotherhood, WA 2003-2005 Marylhurst University, Art Faculty, Sculpture and 3-D Design 1999 -2010 Summer Sculpture Workshops, Sitka Center for Art & Ecology, Oregon Coast 1998, 1999 Haystack Summer Session, Portland State University, Cannon Beach, OR 1995-1996 Oregon Stone Sculptors Symposium, Silver Falls, OR SELECTED COLLECTIONS: -Portland Art Museum -Veterans Administration Women’s Clinic, Portland, OR -Hallie Ford Museum, Salem, OR -Clackamas Community College, Oregon City, OR -Noosa Botanic Gardens, QLD. Australia -Maroochydore Bushland Botanic Gardens, QLD. Australia -Town of La Conner, Washington -Museum of Northwest Art, La Conner, WA -Emanuel Hospital, Portland, OR -Providence Hospital, Portland, OR -Nordstrom Administration Headquarters, Seattle, WA - Caesar’s Palace, La Vegas, NV JILL ANHOLT Vancouver, BC jillanholt.ca [email protected] Throughout my 18 years of practice, I have created more than 30 works in public spaces ranging from smaller scale functional works with modest budgets to large-scale highly integrated civic works with budgets of $1.5-$3.2M in cities throughout Canada and the US. My installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. My work also explores the way that the body relates to and inhabits space and how human perception is transformed by position and movement. Understanding and working with context and multiple scales of engagement are my strengths. And, synthesizing the many complex layers of a site into a conceptual framework further embodies meaning for the work. My art installations try to engage people who encounter them not only as spectators, but often also as participants in the work in some way. Environmental sustainability plays a generative role in the conceptual development, form and material expression of my art installations. For every project I undertake, I begin with an intimate reading of the site, and then expand my observations to ever-widening arcs of investigation that include explorations of historical, geographical, cultural, and environmental layers. The concept, form, materiality and experiential qualities of my work emerge from these very site-specific beginnings. Top to bottom: Clearing, 2015, Aberdeen, WA; Lost Stream Found, 2013, North Vancouver, BC; Line of Work, 2009, Vancouver, BC Jill Anholt Curriculum Vitae Jill Anholt is a visual artist based in Vancouver, B.C. who has been creating site specific works in the public realm since 1998. Anholt’s practice ranges from complex integrated works in parks, pedestrian walkways and transit stations to small scale installations in buildings and public plazas across North America. Her installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. Environmental sustainability plays a generative role in the conceptual development, form and material expression of many of her works. In addition to her art practice, Jill is an instructor at Emily Carr University of Art and Design in Vancouver. Public Art Commissions Refined [in progress] $420,000 Charged Line [2014] $185,000 South False Creek, Vancouver BC South Calgary Emergency Response Station, Calgary AB A large sculptural work of white concrete,
Recommended publications
  • Social Media and Popular Places: the Case of Chicago Kheir Al-Kodmany†

    Social Media and Popular Places: the Case of Chicago Kheir Al-Kodmany†

    International Journal of High-Rise Buildings International Journal of June 2019, Vol 8, No 2, 125-136 High-Rise Buildings https://doi.org/10.21022/IJHRB.2019.8.2.125 www.ctbuh-korea.org/ijhrb/index.php Social Media and Popular Places: The Case of Chicago Kheir Al-Kodmany† Department of Urban Planning and Policy, University of Illinois at Chicago, USA Abstract This paper offers new ways to learn about popular places in the city. Using locational data from Social Media platforms platforms, including Twitter, Facebook, and Instagram, along with participatory field visits and combining insights from architecture and urban design literature, this study reveals popular socio-spatial clusters in the City of Chicago. Locational data of photographs were visualized by using Geographic Information Systems and helped in producing heat maps that showed the spatial distribution of posted photographs. Geo-intensity of photographs illustrated areas that are most popularly visited in the city. The study’s results indicate that the city’s skyscrapers along open spaces are major elements of image formation. Findings also elucidate that Social Media plays an important role in promoting places; and thereby, sustaining a greater interest and stream of visitors. Consequently, planners should tap into public’s digital engagement in city places to improve tourism and economy. Keywords: Social media, Iconic socio-spatial clusters, Popular places, Skyscrapers 1. Introduction 1.1. Sustainability: A Theoretical Framework The concept of sustainability continues to be of para- mount importance to our cities (Godschalk & Rouse, 2015). Planners, architects, economists, environmentalists, and politicians continue to use the term in their conver- sations and writings.
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library

    General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library

    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
  • Dorothy Joiner Lovick P

    Dorothy Joiner Lovick P

    Dorothy Joiner Lovick P. Corn Professor of Art History LaGrange College LaGrange, Georgia 30240 (706) 880-8329 E-mail: [email protected] ```````````````````````````````````````````````````````````````````````````` Employment as an Educator 2001-present Lovick P. Corn Professor of Art History, LaGrange College 1971-2001 State University of West Georgia 1997-2001 Coordinator of International Programs, State University of West Georgia 1989-1997 Chair, Department of Foreign Languages 1988-1989 Acting Chair, Department of Foreign Languages 1987-2001 Professor of French and Art History 1980-1987 Associate Professor of French and Art History 1973-1980 Assistant Professor of French 1971-1973 Instructor of French 1982-1985 DeKalb College; part-time instructor of English composition and world literature 1971-1979 DeKalb College; part-time instructor of French, English composition, and world literature 1966-1967 St. Tammany Parish School Board, Covington, Louisiana; high school teacher of French and English 1965-1966 LaPorte, Texas, Independent School District; fifth- grade teacher in experimental bilingual program involving instruction of all subjects in both French and English Teaching Assignments Courses Taught Museum Seminar: New York City Museum Seminar: London Museum Seminar: Bayeux, Paris, and London Museum Seminar: Prague, Vienna, and Paris Museum Seminar: Mexico Museum Seminar: Washington, D.C., and Philadelphia Museum Seminar: Chicago Museum Seminar: Greece Museum Seminar: London Museum Seminar: Italy: Rome, Florence, Siena, Ravenna,
  • National Endowment for the Arts Annual Report 1996

    National Endowment for the Arts Annual Report 1996

    TO THE CONGRESS OF THE UNITED STATES: It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support­ ing our museums and theaters, our dance companies and symphony orches­ tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou­ sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in New York City, a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free­ dom. And let us keep that lamp brightly burning now and for all time.
  • The Economic Impact of Parks and Recreation Chicago, Illinois July 30 - 31, 2015

    The Economic Impact of Parks and Recreation Chicago, Illinois July 30 - 31, 2015

    The Economic Impact of Parks and Recreation Chicago, Illinois July 30 - 31, 2015 www.nrpa.org/Innovation-Labs Welcome and Introductions Mike Kelly Superintendent and CEO Chicago Park District Kevin O’Hara NRPA Vice President of Urban and Government Affairs www.nrpa.org/Innovation-labs Economic Impact of Parks The Chicago Story Antonio Benecchi Principal, Civic Consulting Alliance Chad Coffman President, Global Economics Group www.nrpa.org/Innovation-labs Impact of the Chicago Park District on Chicago’s Economy NRPA Innovation Lab 30 July 2015 The charge: is there a way to measure the impact of the Park Districts assets? . One of the largest municipal park managers in the country . Financed through taxes and proceeds from licenses, rents etc. Controls over 600 assets, including Parks, beaches, harbors . 11 museums are located on CPD properties . The largest events in the City are hosted by CPD parks 5 Approach summary Relative improvement on Revenues generated by value of properties in parks' events and special assets proximity . Hotel stays, event attendance, . Best indicator of value museum visits, etc. by regarding benefits tourists capture additional associated with Parks' benefit . Proxy for other qualitative . Direct spending by locals factors such as quality of life indicates economic . Higher value of properties in significance driven by the parks' proximity can be parks considered net present . Revenues generated are value of benefit estimated on a yearly basis Property values: tangible benefit for Chicago residents Hypothesis: . Positive benefit of parks should be reflected by value of properties in their proximity . It incorporates other non- tangible aspects like quality of life, etc.
  • Two Events – One Application!

    Two Events – One Application!

    TWO EVENTS – ONE APPLICATION! This year the Art Mart and Fine Art Exhibit are combined into one application. No more standing in different lines to drop off your entries if you participate in both! ART is located at Schooley Mill Barn, on the southern end of the village. This location provides plenty of space to display works and will be hung as it was last year with the Fine Art Exhibit in the upper part of the bank barn and Art Mart in the “L”. We are proud of the quality of the art that is offered at the Waterford Fair and expect the Schooley Mill Barn Exhibit to be a big hit with the Fair’s approximately 18,000 visitors! GENERAL INFORMATION Art Mart and Fine Art criteria differ. Please read the requirements carefully. ART MART: The Art Mart is not juried, but the application form must be complete. You must also do at least one volunteer shift if you participate in the Art Mart. There is no limit on the number of entries that may be submitted. Sales prices up to $450 will be accepted. The most popular price point with our fair-goers is less than $100, but do not let that hold you back from submitting your more expensive pieces. If you have participated in the Art Mart in the past you were assigned an “Artist Consignor’s Number” We will no longer be using numbers. All art will be tracked by the Artist’s last name. Accepted Media: Oil, acrylic, watercolor, pastels, charcoals, block print, pen and ink, pencil drawings, or collage.
  • Wasson Way Trail Design a Place-Based Approach to Building World-Class Infrastructure

    Wasson Way Trail Design a Place-Based Approach to Building World-Class Infrastructure

    WASSON WAY TRAIL DESIGN A PLACE-BASED APPROACH TO BUILDING WORLD-CLASS INFRASTRUCTURE PREPARED FOR THE CITY OF CINCINNATI & THE WASSON WAY ORGANIZATION Darren Meyer • Overall Project Lead & Point of Responsibility Building Community Through • Lead Designer: Character, Experience & Function Vibrant Public Space • Public Engagement & Public Process Lead Clete Benken • MKSK Team Leader • Project Manager & Client Point of Contact • Team Supervisor & Project Quality Control Joe Nickol • MKSK Urban Design • Urban Development Strategies International Forerunner in Michael King • Public Engagement & Public Processes People-First Transportation Planning • Transportation Design Steven Smith • Burgess & Niple Project Manager • Civil & Transportation Engineering Unparalleled Experience in • Technical & Regulatory Engineering Lead Engineering Complex Infrastructure Steven Anslinger • Transportation Lead • Bridge Engineering INTRODUCTIONS SAFETY EFFICIENCY MOBILITY SINGLE USE A TO B COMMUNITY EVENTS DINING & SOCIAL LIFE 18 HR VIBRANCY & AMBIENCE NEIGHBORHOOD SHOPPING ART & PLACEMAKING MADISONVILLE MADISON ROAD D A MIAMI ROAD O 71 R ERIE AVENUE Y A K W AN ARK MONTGOMERY ROAD B P COLUMBIA PLAINVILLE ROAD RY RED TO TOWNSHIP VIC OAKLEY SQUARE NORWOOD XAVIER UNIVERSITY INDIAN HILL MURRAY PATH OAKLEY COLUMBIA TOWNSHIP ROOKWOOD COMMONS & HYDE PARK GOLF AND COUNTRY CLUB EVANSTON DANA AVE PAVILION BUSINESS HYDE PARK DISTRICT PLAZA MARIEMONT WASSON ROAD MARBURG AVENUE SQUARE WITHROW HIGH SCHOOL DOGWOOD EVANSTON EAST HYDE FAIRFAX PARK WALNUT HILLS MARIEMONT PARK
  • Social Media and Popular Places: the Case of Chicago

    Social Media and Popular Places: the Case of Chicago

    CTBUH Research Paper ctbuh.org/papers Title: Social Media and Popular Places: The Case of Chicago Author: Kheir Al-Kodmany, University of Illinois at Chicago Subjects: Keyword: Social Media Publication Date: 2019 Original Publication: International Journal of High-Rise Buildings Volume 8 Number 2 Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / Kheir Al-Kodmany International Journal of High-Rise Buildings International Journal of June 2019, Vol 8, No 2, 125-136 High-Rise Buildings https://doi.org/10.21022/IJHRB.2019.8.2.125 www.ctbuh-korea.org/ijhrb/index.php Social Media and Popular Places: The Case of Chicago Kheir Al-Kodmany† Department of Urban Planning and Policy, University of Illinois at Chicago, USA Abstract This paper offers new ways to learn about popular places in the city. Using locational data from Social Media platforms platforms, including Twitter, Facebook, and Instagram, along with participatory field visits and combining insights from architecture and urban design literature, this study reveals popular socio-spatial clusters in the City of Chicago. Locational data of photographs were visualized by using Geographic Information Systems and helped in producing heat maps that showed the spatial distribution of posted photographs. Geo-intensity of photographs illustrated areas that are most popularly visited in the city. The study’s results indicate that the city’s skyscrapers along open spaces are major elements of image formation. Findings also elucidate that Social Media plays an important role in promoting places; and thereby, sustaining a greater interest and stream of visitors.
  • Rails to Real Estate Development Patterns Along

    Rails to Real Estate Development Patterns Along

    Rails to Real Estate Development Patterns along Three New Transit Lines March 2011 About This Study Rails to Real Estate was prepared by the Center for Transit-Oriented Development (CTOD). The CTOD is the only national nonprofit effort dedicated to providing best practices, research and tools to support market- based development in pedestrian-friendly communities near public transportation. We are a partnership of two national nonprofit organizations – Reconnecting America and the Center for Neighborhood Technology – and a research and consulting firm, Strategic Economics. Together, we work at the intersection of transportation planning, regional planning, climate change and sustainability, affordability, economic development, real estate and investment. Our goal is to help create neighborhoods where young and old, rich and poor, can live comfortably and prosper, with affordable and healthy lifestyle choices and ample and easy access to opportunity for all. Report Authors This report was prepared by Nadine Fogarty and Mason Austin, staff of Strategic Economics and CTOD. Additional support and assistance was provided by Eli Popuch, Dena Belzer, Jeff Wood, Abigail Thorne-Lyman, Allison Nemirow and Melissa Higbee. Acknowledgements The Center for Transit-Oriented Development would like to thank the Federal Transit Administration. The authors are also grateful to several persons who assisted with data collection and participated in interviews, including: Bill Sirois, Denver Regional Transit District; Catherine Cox-Blair, Reconnecting America; Caryn Wenzara, City of Denver; Frank Cannon, Continuum Partners, LLC; Gideon Berger, Urban Land Institute/Rose Center; Karen Good, City of Denver; Kent Main, City of Charlotte; Loretta Daniel, City of Aurora; Mark Fabel, McGough; Mark Garner, City of Minneapolis; Michael Lander, Lander Group; Norm Bjornnes, Oaks Properties LLC; Paul Mogush, City of Minneapolis; Peter Q.
  • LEE KELLY 1932 Born, Mccall, Idaho. 1959 BFA, Pacific Northwest

    LEE KELLY 1932 Born, Mccall, Idaho. 1959 BFA, Pacific Northwest

    LEE KELLY 1932 Born, McCall, Idaho. 1959 BFA, Pacific Northwest College of Art Selected Exhibitions 2019 If Trees Could Walk, Elizabeth Leach Gallery, Portland, OR 2018 Six Decades, Elizabeth Leach Gallery, Portland, OR 2017 Winter Garden at Muktinath, Elizabeth Leach Gallery, Portland, OR Lee Kelly: Sculpture and Print, Bend Art Center, Bend, OR 2016 Eunice Parsons at 100, group exhibition, 12 x 16 Gallery, Portland, OR 2015 Observatory at Jaipur, Elizabeth Leach Gallery, Portland, OR 2014 Pavilion, Elizabeth Leach Gallery, Portland, OR 2012 Atacama, Elizabeth Leach Gallery, Portland, OR PNCA Juried Alumni Exhibition, Feldman Gallery, Portland, OR 2011 Maquettes, Elizabeth Leach Gallery, Portland, OR The Shape of the Problem, Elizabeth Leach Gallery, Portland, OR 2010 Chrome, Elizabeth Leach Gallery, Portland, OR Linda Hodges Gallery, Seattle, WA Retrospective Exhibition, Portland Art Museum, Portland, OR Goddess Revisited, Elizabeth Leach Gallery, Portland, OR 2009 Reflections of Khajuraho. Elizabeth Leach Gallery, Portland, OR 2008 Doubtful Sound, Elizabeth Leach Gallery, Portland, OR 2007 Kyoto 8, Elizabeth Leach Gallery, Portland, OR Lee Kelly: Civic Sculpture, B-Street Gallery, Portland, OR 2006 Incidents of Travel, Elizabeth Leach Gallery, Portland, OR 2005 2D From 3D, Elizabeth Leach Gallery, Portland, OR pARTners: Considerations Rather Than Constraints, Kirkland Arts Center, Kirkland, WA 25 Years of Drawing in The Art Gym, Art Gym Marylhurst University, Portland, OR Icarus Revisited: Recent Sculpture, Elizabeth Leach Gallery, Portland, OR 2004 23+ on 9th, Elizabeth Leach Gallery, Portland, OR 2002 Paintings and Sculptures from the Revolution 1958-1964, Savage Gallery, Portland, OR 1998 Memory 99 Outdoor Sculpture, Leland Iron Works and Elizabeth Leach Gallery, Portland, OR Recent Wall Sculptures, Oregon State University, Corvallis, OR Ships of Renewal and Other New Work, Elizabeth Leach Gallery, Portland, OR 1997 New Work, Elizabeth Leach Gallery, Portland, OR 1995 Career retrospective, Marylhurst College, Marylhurst, OR.
  • Arte Urbana Street Art

    Arte Urbana Street Art

    ROTEIRO TEMÁTICO / THEMATIC TOUR: Arte Urbana Street Art Este folheto faz parte da série Roteiros Temáticos. Vivencie e explore São Paulo em roteiros autoguiados que oferecem ou- tras 8 perspectivas da cidade: Roteiro Afro, Arquitetura pelo centro histórico, O Café e a História da Cidade, Cidade Criativa, Ecorrural, Futebol, Independência do Brasil e Mirantes. This brochure is part of the Thematic Tours series. Live and explore Sao Paulo through auto guided tours that provide 8 other perspectives of the city: Afro-Brazilian Tour, Architecture in Downtown, Coffee and the History of São Paulo City, Creative Concepção / Project: São Paulo Turismo City, Eco Rural, Football, Brazilian Independence and Vistas. Projeto Gráfico / Graphic Project: Rômulo Castilho Diagramação / Graphic Design: Max Print, Rene Perol www.cidadedesaopaulo.com Fotos /Photography: Binho Ribeiro, Caio Pimenta, Keko Pascuzzi, Priscilla Vilariño, Tinho Supervisão / Supervision: Fernanda Ascar, Paulo Amorim Conteúdo / Text Editing: Adriana Omuro, Luciana Conceição São Paulo Turismo S/A www.cidadedesaopaulo.com Av. Olavo Fontoura, 1209 www.spturis.com Parque Anhembi, São Paulo (SP), www.anhembi.com.br CEP 02012-021, Tel.: +5511 2226-0400 www.autodromointerlagos.com [email protected] www.visitesaopaulo.com O objetivo da São Paulo Turismo é promover a cidade de São Paulo de forma independente sem nenhum vínculo com os estabelecimentos mencionados. Algumas informações estão sujeitas a mudanças sem aviso prévio. / The goal of São Paulo Turismo is to promote the city of São Paulo in an independent way, and with no link to the establishments mentioned in this brochure. All the information in this brochure is subject to change without prior notice.
  • Self-Guided Tour

    Self-Guided Tour

    EXPLORE PSU AT YOUR PACE 1 2 About PSU Portland State is the most diverse public university in Oregon, 27,670 PSU STUDENTS welcoming more than 27,000 students from all 50 states and 90 • 35% diverse ethnic and racial backgrounds counties. Our diversity brings strength to our campus, forming • 6% international classrooms that are rich in new ideas and a student life offering 200 student groups and clubs, 15 NCAA Division I sports teams, 10 cultural and resource centers and 9 on-campus residence hall 24: AVERAGE CLASS SIZE communities that promote student success. • 18:1 student to faculty ratio Since the 1950s, PSU has been part of Portland’s urban landscape, creating a learning environment that extends into the city. Located downtown, students can walk to internship sites, bike along 530+ BUSINESS AND the Willamette River, and catch the city streetcar lines for free COMMUNITY PARTNERS with a PSU ID. Whether you’re on your way to an internship at Intel, Mercy Corps, Adidas, or Portland’s Housing Coalition, or • 100% of students complete an internship or community-based project escaping for an afternoon among the stacks at the world’s largest independent bookstore, you’ll find plenty of things to do right near campus. 1,284 TREES ON CAMPUS Portland, Oregon provides an endless supply of creative inspiration • 350 miles of bikeways in Portland and beautiful landscapes. Students can savor a world of flavors at • 50-acre campus downtown food trucks, wander through the Portland Art Museum, • 9 on-campus residence halls and catch a game of ultimate frisbee at nearby Waterfront Park.