LEE KELLY 1932 Born, Mccall, Idaho. 1959 BFA, Pacific Northwest
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Northwest Matriarchs of Modernism
Northwest Matriarchs of Modernism 12 Proto-feminists from Oregon and Washington Mary Henry Pansynclastic Riddle 1966, 48 x 61.5 Courtesy of the Artist and Bryan Ohno Gallery Cover photo: Hilda Morris in her studio 1964 Photo: Hiro Moriyasu Northwest Matriarchs of Modernism Organized by The Art Gym, Marylhurst University 12 Proto-feminists from Oregon and Washington with support from the Regional Arts and Culture Council, the Lamb Foundation, members and friends. The Art Gym, Marylhurst University, Marylhurst, Oregon Kathleen Gemberling Adkison September 26 – November 20, 2004 Doris Chase Museum of Northwest Art, La Conner, Washington January 15 – April 3, 2005 Sally Haley Mary Henry Maude Kerns LaVerne Krause Hilda Morris Eunice Parsons Viola Patterson Ruth Penington Amanda Snyder Margaret Tomkins Eunice Parsons Mourning Flower 1969, collage, 26 x 13.5 Collection of the Artist Photo: Robert DiFranco Northwest Matriarchs of Modernism: Twelve Proto-feminists from Oregon and Washington Copyright 2004 Marylhurst University Post Offi ce Box 261 17600 Pacifi c Highway Marylhurst, Oregon 97036 503.636.8141 www.marylhurst.edu Artworks copyrighted to the artists. Essays copyrighted to writers Lois Allan and Matthew Kangas. 2 All rights reserved. ISBN 0-914435-44-2 Design: Fancypants Design Preface Northwest Matriarchs of Modernism: Twelve presented work created prior to 1970. Most of our Proto-feminists from Oregon and Washington exhibitions either present art created specifi cally grew out of a conversation with author and for The Art Gym, or are mid-career or retrospective critic Lois Allan. As women, we share a strong surveys of artists in the thick of their careers. -
Laura Ross-Paul
FROELICK GALLERY Laura Ross-Paul Born 1950 Portland, Oregon Education 1978 B.S. Arts—Portland State University, Portland, Oregon 1976 M.F.A. Painting—Portland State University, Portland, Oregon 1974 B.F.A. Painting—Fort Wright College, Spokane, Washington 1972-74 Oregon State University, Corvallis, OR 1968-70 Oregon State University, Corvallis, OR Solo Exhibitions 2015 Waterfalls, Froelick Gallery, Portland, OR 2014 Urban Forest, Froelick Gallery, Portland, OR 2012 Connect, Froelick Gallery, Portland, OR History Lessons, Helzer Gallery, Portland Community College, Portland, OR 2010 Seasons, Froelick Gallery, Portland, OR 2009 Still Lives, Joanne Artman, Laguna Beach, CA 2008 Northwestopia, Froelick Gallery, Portland, OR Patterns of Light, Pacini Lubel Gallery, Seattle, WA 2007 Laura Ross-Paul: The Allusive Self, curated by Jessica Hunter Larsen, Coburn Gallery, Colorado College, Colorado Springs, CO (catalogue) 2006 Naked, Froelick Gallery, Portland, OR (catalogue) 2005 Pattern and Illusion, Froelick Gallery, Portland, OR 2004 Connect, Pacini Lubel Gallery, Seattle, WA 2003 Juggling, Jenkins-Johnson Gallery, San Francisco, CA 2002 Simple Geometry, Froelick Gallery, Portland, OR 2000 Markers, Froelick Gallery, Portland, OR (catalogue) 1999 Dances and Exorcisms, Froelick Gallery, Portland, OR Realism Into Abstraction, Jenkins Johnson Gallery, San Francisco, CA 1997 Defying Gravity, Froelick Adelhart Gallery, Portland, OR (brochure) 1996 The Emotion of Light, Grover/Thurston Gallery, Seattle, WA History Lessons, Froelick Adelhart Gallery, -
Henk Pander Memory and Modern Life
Henk Pander Memory and Modern Life Roger Hull Hallie Ford Museum of Art Willamette University Salem, Oregon Distributed by University of Washington Press Seattle and London 3 This book was published in conjunction with an exhibition Photographer credits arranged by the Hallie Ford Museum of Art at Willamette University, Salem, Oregon, entitled Henk Pander: Memory Bridgeman Art Library, Figures 7, 29, 48; David Brown, and Modern Life. The dates for the exhibition were January Figures 83–84; Eric Edwards, Figure 47; Paul Foster, 29-March 27, 2011. Figure 67; Foto Engel, Haarlem, Figure 1; Aaron Johanson, Figures 44, 88, 91–92; Marne Lucas, p. 6; Marcia Lynch, Figure 14; Frank Miller, Figure 61; Museum of Fine Arts, Budapest, Figure 69; NessPace Designed by Phil Kovacevich Studio, Portland, front cover, frontispiece, Figures 5, 10, 12, 24, 49, 50–51, 57–58, 60, 66, 68, 70–74, 79–80, 89–90, Editorial review by Sigrid Asmus 93–97, 101–107, page 121; Dana E. Olsen (Oregonian), Figure 56; Delores Pander, Figures 46, 86; Hendrica Printed and bound in Canada Pander, Figure 2; Henk Pander, Figures 3–4, 11, 13, 16–17, 19–23, 25, 27–28, 32–34, 36–38, 40–41, 45, 59, 62–63, 65, 75–78, 81–82, 85, 87, 99–100, page 126; Yasha Front cover, and Figure 97 (p. 102): Henk Pander, The Pander, Figures 18, 26; Mary Randlett, Figures 39, 42; Burning of the New Carissa (2000); oil on linen, 63 x 81 Renée Smithuis, Figure 8; Minor White (printed by Al inches. Hallie Ford Museum of Art, Willamette University, Monner), Figure 43; Sjef Wildschut, Figures 52–54, 64, Salem, Oregon, Maribeth Collins Art Acquisition Fund, and back cover. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square. -
Portland Public
Norman Taylor Michihiro Kosuge Patti Warashina Kvinneakt John Buck Continuation City Reflections 1975 bronze Lodge Grass Lee Kelly Fernanda D’Agostino (5 artworks) 2009 bronze 2000 bronze Untitled fountain TRANSIT MALL Murals, fountains, abstract Urban Hydrology 2009 granite 1977 and representational works — many created by local artists A GUIDE TO (12 artworks) stainless steel 2009 carved granite — grace downtown Portland’s Transit Mall (Southwest Fifth and Sixth avenues). Many pieces from the original collection, Tom Hardy Bruce West installed in the 1970s, were resited in 2009 along the new MAX Running Horses Untitled PORTLAND 1986 bronze 1977 light rail and car lanes. At that time, 14 new works were added. SW 6th Ave stainless steel SW Broadway PUBLIC MAX light Artwork Artworks with 20 rail stop multiple pieces N SW College St 18 SW Hall St SW 5th Ave Melvin Schuler ART 19 Thor SW Harrison St 1977 copper on redwood Daniel Duford The Legend of SW Montgomery St Mel Katz the Green Man SW Mill St Daddy Long of Portland Legs James Lee (10 artworks along Malia Jensen 2006 painted Hansen Robert Hanson 5th and 6th) 2009 SW Market St 21 Pile aluminum Talos No. 2 Untitled bronze, cast concrete, SW Clay St 2009 bronze 1977 bronze Bruce Conkle (7 artworks) porcelain enamel Burls Will Be Burls 2009 etched on steel 26 (3 artworks) bronze 2009 bronze, SW Columbia St 22 cast concrete SW Jefferson St 25 SW Madison St 27 23 SW Main St Anne Storrs and 28 almon St Kim Stafford 24 SW S 32 Begin Again Corner 2009 etched granite SW Taylor St 29 33 30 SW -
Curator and Critic Tours Connective Conversations
CURATOR AND CRITIC TOURS CONNECTIVE CONVERSATIONS: INSIDE OREGON ART 2011–2014 THE FORD FAMILY FOUNDATION AND UNIVERSITY OF OREGON 2 3 The Ford Family Foundation’s Visual Arts program honors the interests in the visual arts by Mrs. Hallie Ford, a co-founder of The Foundation. The principal goals are to help enhance the quality of artistic endeavor and body of work by Oregon’s most promising visual artists and to improve Oregon’s visual arts ecology by making strategic investments in Oregon visual arts institutions. The program was launched in 2010, and in 2014 it was extended through TABLE OF CONTENTS 2019. The Foundation supports a range of program components, among them Connective Conversations as part of the Curator and Critic Tours and Lectures Series during which it partners with regionally-based institutions to invite professionals from outside the Northwest to conduct one-on-one studio visits and to join in community conversations. The Ford Family Foundation has collaborated with the University of Oregon School of Architecture and Allied Arts to conduct the Connec- o6 o7 o8 tive Conversations | Inside Oregon Art Series since its launch in 2011. THE FORD FAMILY INTRODUCTION IN THE STUDIO Kate Wagle, Director, George Baker, Curator Critic The Curator and Critic Tours and Lectures Series is the seventh and final FOUNDATION element of The Ford Family Foundation’s Visual Arts Program’s investment in VISUAL ARTS PROGRAM UO School of Architecture Professor of Art History Oregon visual arts institutions. Anne C Kubisch, President, and Allied Arts in Portland University of California This publication is made possible by The Ford Family Foundation and the University of Oregon. -
Trimet MAX Green Line Public Art Guide
TriMet MAX GREEN LINE PUBLIC ART GUIDE TriMet MAX Green Line 1 I-205 MAX Stations Christine Bourdette Public Art 6th 5th Cairns, 2008 Podcast available at trimet.org Don Merkt 28 Driver’s Seat, 1994 2 Gateway Portland Transit Mall Glisan Daniel Duford 27 5 The Green Man of Portland, MAX station 4th 2009 Bruce Conkle # New work Burls Will Be Burls, 2009 Broadway Everett Muliple-part work 3 John Killmaster Davis # Original collection Untitled, 1977 Anne Storrs 1 SE Main St Tall and Fallen, 2009 Lee Kelly 26 Couch # On loan Untitled Fountain, 1977 4 Ivan Morrison Burnside Untitled, 1977 25 Carolyn Law 2 SE Division St Ash 5 Sky to Earth, 2009 John Buck Mark R. Smith Lodge Grass, 2000 Pine Reading the Street, 2008 Valerie Otani 3 SE Powell Blvd James Lee Hansen 24 Talos No. 2, 1977 Oak Money Tree, 2009 Stark 6 23 Suzanne Lee 4 SE Holgate Blvd Bruce West 22 Mark Calderon Shared Vision, 2009 Mel Katz Untitled, 1977 Washington Floribunda, 1998 Daddy Long Legs, 2006 7 Alder Don Wilson M Interlocking Forms, 1977 21 Morrison Brian Borrello 5 Lents Town Center/ Malia Jensen 8 Lents Hybrids, 2009 SE Foster Rd Norman Taylor 20 Pile, 2009 Yamhill Kvinneakt, 1975 Cris Bruch Whistlestop for an Taylor Organ Teacher, 2009 Melvin Schuler 19 Brian Borrello 6 SE Flavel St Salmon Johnson Creek Watershed, 2009 Thor, 1977 9 Kathleen McCullough James Lee Hansen 18 Main Cat in Repose, 1977 Winter Rider No. 2, 2003 10 Georgia Gerber Madison J Animals in Pools, 1986 11 17 Jefferson Pete Beeman 7 SE Fuller Rd Patti Warashina Rick Bartow Waving Post, 2009 City Reflections, 2009 Columbia The Responsibility of Raising a Child, 2004 Clay 12 Tom Hardy 16 Chris Gander Running Horses, 1986 Market Puzzle Tower I, 2007 Mill Montgomery 15 13 Robert Maki Richard C. -
Portland Community College Art Program Review
Portland Community College Art Program Review March 2018 1 Table of Contents Click Section Title to Jump to that Section 1. Introduction and Overview 3 2. Outcomes and Assessment 8 3. Other Instructional Issues 11 4. Needs of Students and the Community 18 5. Faculty 27 6. Facilities, Instructional and Student Support 33 7. (no section for LDC programs) 8. Recommendations 41 Appendix Appendix 1: Art Beat Appendix 2: Core Outcomes Mapping Matrix Appendix 3: Enrollment Numbers Appendix 4: PCC Campus Art Galleries Appendix 5: Portland Women in the Arts Lecture Series Appendix 6: Guide for an Aide to a Low/No-Vision Student Appendix 7: Faculty Participation in Diversity, Equity, and Inclusion Appendix 8: Faculty Activities and Accomplishments 2 1. PROGRAM/DISCIPLINE OVERVIEW: A. Goals and Objectives: The primary goal of the PCC Art Program is to provide a quality education in the visual arts to the college’s diverse student body. To achieve this goal, the program offers foundation-level concentrations in two distinct disciplines: studio art and art history. Both disciplines offer a wide range of courses that foster critical thinking, problem solving, and creativity by engaging with the visual record of human history from the prehistoric era to the contemporary world. The program brings diverse skills and sensibilities together to help facilitate an understanding of our world, both past and present, while seeking to engage with global cultures. For students planning to continue their arts education, the PCC program provides a solid base upon which to transfer to a four-year institution. For others, art courses are a key component of their general education, fulfilling needed transfer credits and electives. -
MANUEL IZQUIERDO Myth, Nature, and Renewal
MANUEL IZQUIERDO Myth, Nature, and Renewal ROGER HULL HALLIE FORD MUSEUM OF ART Willamette University Salem, Oregon distributed by university of washington press seattle and london This book was published in connection with an exhibition arranged by the Hallie Ford Museum of Art at Willamette University entitled Manuel Izquierdo: Myth, Nature, and Renewal. The dates for the exhibition were January 19 to March 24, 2013, with companion exhibitions entitled Manuel Izquierdo: Maquettes and Small Sculptures and Manuel Izquierdo: Works on Paper, presented from November 17, 2012, to February 10, 2013. Designed by Phil Kovacevich Editorial review by Sigrid Asmus Printed and bound in Canada CONTENTS Front cover and Fig. 2, page 15: Manuel Izquierdo. Cleopatra. 1982. Welded sheet bronze. 23 x 16 x 30 inches. Hallie Ford Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna and Vay Rhoades. 2008.023.020 Frontispiece: Manuel Izquierdo in his studio, 1967. Photograph by Alfred A. Monner, courtesy of the Manuel Izquierdo Trust. Back cover and Fig. 93, page 96. Manuel Izquierdo. Center Ring. 1982. Woodcut. 30 x 22 inches. Hallie Ford PREFACE Museum of Art, Willamette University, Salem, Oregon. The Bill Rhoades Collection, a gift in memory of Murna 7 and Vay Rhoades. 2012.003.013 Photo credits: Arbona Fotografo, Figure 4; Bridgeman Art Library, Figure 74; Karen Engstrom, page 132; Paul Foster, Figures 22, 24, 27, 50, 54, 79, 81, 82; Richard Gehrke, Figure 62; Carl Gohs, Figure 68; Aaron Johanson, ACKNOWLEDGMENTS Figures 20, 21, 23, 35, 37, 38, 41, 45, 46, 47, 59, 60, 67, 73, 75, 76, 80, 83, 86, 95, 97, 99, 100, 101, 102, 108, and page 119; Manson Kennedy, page 6; Felipe Llerandi, Figure 11; Jim Lommasson, Figure 78; Kevin Longueil, Figure 103; 9 Frank Miller, front cover and Figures 2, 3, 7, 26, 36, 39, 40, 43, 44, 58, 61, 63, 64, 65, 66, 69, 70, 71, 72, 84, 92, 96, 107; Alfred A. -
Capitol Art Collection: Three Decades Later Meagan Atiyeh
ART OF THE TIME oregon’s state capitol art collection oregon’s state capitol art collection I Oregon State Capitol 900 Court Street NE Salem, Oregon 97301 http://www.leg.state.or.us/capinfo/ Oregon Arts Commission 775 Summer Street NE Salem, Oregon 97301 www.oregonartscommission.org The Ford Family Foundation has provided funding to print additional copies of this publication for distribution to Oregon libraries, universities, curators and arts institutions. The Foundation’s new Art Acquisitions Program, a component of its Visual Arts Program, supported the purchase of James Lavadour’s Flag 2 for the State Capitol Collection. Copyright © 2011, Oregon Arts Commission All rights reserved II art of the time ART OF THE TIME oregon’s state capitol art collection This catalog is published on the occasion of the reinstallation of the Oregon State Capitol Art Collection, January 2011. The reinstallation project was made possible by Oregon’s Percent for Art in Public Places program, ors 276.080, and facilitated by the Oregon Arts Commission. The Capitol Art Collection is owned by the Oregon State Capitol on behalf of the State of Oregon, and publicly accessible to all. Contents 3 Foreward Christine D’Arcy 5 The Capitol Art Collection: Three Decades Later Meagan Atiyeh 19 A Collection of Photographs Jennifer Stoots and Lawrence Fong 23 Plates 70 Floorplan oregon’s state capitol art collection 1 figure 1. Louis Bunce (1907–1983). Midway #5. 1975. Oil on canvas. One of the paintings conserved during the reinstallation. Cleaned and re-stretched, Midway #5 is now displayed prominently in the Capitol’s State Street Entrance. -
Portland Public
Norman Taylor Michihiro Kosuge Patti Warashina Kvinneakt John Buck Continuation City Reflections 1975 bronze Lodge Grass Lee Kelly Fernanda D’Agostino (5 artworks) 2009 bronze 2000 bronze Untitled fountain Transi T Mall Murals, fountains, abstract Urban Hydrology 2009 granite 1977 and representational works — many created by local artists (12 artworks) stainless steel a Guide To 2009 carved granite — grace downtown Portland’s Transit Mall (Southwest Fifth and Sixth avenues). Many pieces from the original collection, Tom Hardy Bruce West installed in the 1970s, were resited in 2009 along the new MAX Running Horses Untitled 1986 bronze 1977 light rail and car lanes. At that time, 14 new works were added. PorTland SW 6th Ave stainless steel SW Broadway MAX light Artwork Artworks with Public 16 rail stop multiple pieces n SW College St 14 SW Hall St SW 5th Ave Melvin Schuler Thor 15 1977 arT SW Harrison St copper on redwood Daniel Duford The Legend of SW Montgomery St Mel Katz the Green Man SW Mill St Daddy Long of Portland Legs James Lee (10 artworks along Malia Jensen 2006 painted Hansen Robert Hanson 5th and 6th) 2009 SW Market St 17 Pile aluminum Talos No. 2 Untitled bronze, cast concrete, SW Clay St 2009 bronze 1977 bronze Bruce Conkle (7 artworks) porcelain enamel Burls Will Be Burls 2009 etched on steel (3 artworks) bronze 23 2009 bronze, SW Columbia St 18 cast concrete SW Jefferson St 22 SW Madison St 24 21 19 SW Main St Anne Storrs and 25 Kim Stafford 20 SW Salmon St Begin Again Corner 29 2009 etched granite SW Taylor St 26 30 27 -
April 2017 Introduction
April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C.