April 2017 Introduction

The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process.

The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site.

These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice.

Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes.

Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196

Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C. Boiling Municipal Building, Boston, 2015 MARYJO ANDERSON Nehalem, OR mjandersonsculpture.com

I am interested in spatial relationships, materials and human interactions within public spaces. I am interested in producing work that has energy, meaning, metaphor and multiple layers of understanding. The collaborative lends itself to work that has sincerity and integrity. I believe art should not mimic architecture but enhance architecture, that public art need not please everyone but rather respect the diversity of a community.

Although primarily a stone sculptor, I have spent many years working with other art forms and materials such as bronze, cast iron and temporal installations. I believe in making art that provides access and insight into the human experience - artwork that elicits personal emotion while at the same time speaks to a public audience.

Since 2003 I have been exploring the role of smaller more intimate presentations of art in the public arena, a result of my continuing research of niches in public spaces in Italy.

I have experience working with landscape architects, architects and committees on designs for urban space

Top to bottom: To Scale the Scales of Justice, 2010, Salem, OR; Eyrie, 2013; La Grazia, 2011 M.J. ANDERSON – SCULPTOR PO BOX 400, NEHALEM,OR 97131 Tel 503-801-1928 Email: [email protected] WEBSITE: www.mjandersonsculpture.com

BORN Portland, Oregon 1953 EDUCATION Portland State University, B.A. with Honors 1977

SELECTED COMMISSIONS 2015 Jeff & Lara Sanderson, Private Residence 2010-2011 Noosa Botanic Gardens Stone Sculpture Bequest, Queensland, Australia 2009-2010 Justice Center, Oregon Arts Commission Percent for Art, Salem, OR 2006 Wellspring Medical Center, Silverton Hospital, Woodburn, OR 2004-2005 Church of the Resurrection, Solon, Ohio “Witness: Women of the Resurrection” 2005 Invited Artist, International Sculpture Symposium, Maroochy Regional Bushland Botanic Garden, Queensland, Australia Sept23 - Oct 9 2000 Seattle University School of Law, Sculpture Commission for the Law Library 1998/1999 Regional Children’s Center, Outdoor Sculpture Elements, RACC, Troutdale OR 1994 Commission of Altar Panels, St. James Cathedral, Seattle, WA 1994 Consultant to St. James Cathedral & Bumgardner Architects for a marble immersion baptismal font, font restoration and flooring, Seattle, WA AWARDS 2011 Career Opportunity Grant from the Oregon Arts Commission and The Ford Family Foundation Jordan Schnitzer Printmaking Residency, Sitka Center for Art & Ecology 2007 All Oregon Art Annual, Oregon State Fair, Second Award Professional 2006 Individual Artist Fellowship Award from the Oregon Arts Commission 2003 Two month Fellowship Award in Civita di Bagnoregio, Italy through NIAUSI --- the Northwest Institute of Architecture & Urban Studies in Italy 1993 Pollock-Krasner Foundation Grant & “Money for Women” Barbara Deming Memorial Fund

SELECTED SOLO EXHIBITIONS 2015 Elizabeth Leach Gallery, Acqua Pietricata, Portland, OR 2013 Davidson Galleries, Ancient Atmosphere, Seattle, WA 2012 Rowboat Gallery, Recent work, Pacific City, OR 2011 Ut Sculptura Poesi, Torano, Italy 2012 Figurative, Davis and Cline Gallery, Ashland, OR 2009 Davidson Galleries, The Probability of Resemblance, Seattle, WA Summer 2009 2007, 2005 Davidson Galleries, Seeking Equilibrium & Recent Sculpture Seattle, WA 2005, 2003 Alysia Duckler Gallery, Geology of Gender, Duet Between Figure & Form Portland, OR 2003 Northwest Museum of Art, Five Part Invention, La Conner, WA The Art Gym, Marylhurst University, The Skin of the Stone, Marylhurst, OR 2002 Froelick Adelhart Gallery, Passion & Penance, Portland, OR

SELECTED GROUP EXHIBITIONS 2013-2017 McMinnville Oregon, Art Downtown, Outdoor Sculpture. 2014-2016 Arts Downtown, outdoor sculpture exhibit, Lake Oswego, Oregon (& 2005, 2001) 2016, 2012 Clackamas Community College Sculpture Invitational, Oregon City, OR 2012 Stone Sculpture, Lane Community College, Eugene, OR 2011 Velocity, Museum of Northwest Art, Summer Group Exhibition Il Linguaggio della Materia, Carrara Marble Week, Carrara, Italy Life Still Life, show with painter John VanDreal, Cannon Gallery of Art, Western Oregon University, Monmouth, Or 2004 Survey in Stone, Portland Community College, ( Sylvan campus), Portland, OR 2000 Millennium show, Olga Dollar Gallery, San Francisco, CA 1999 Frauensicht:Mannsbilder, Babenhausen, Darmstaadt, Germany

TEACHING 2016 Northwest Stone Sculptors Summer Symposium, Suttle Lake, OR 2015,2012,2005 Northwest Stone Sculptors Summer Symposium, Camp Brotherhood, WA 2003-2005 Marylhurst University, Art Faculty, Sculpture and 3-D Design 1999 -2010 Summer Sculpture Workshops, Sitka Center for Art & Ecology, Oregon Coast 1998, 1999 Haystack Summer Session, Portland State University, Cannon Beach, OR 1995-1996 Oregon Stone Sculptors Symposium, Silver Falls, OR

SELECTED COLLECTIONS: -Portland Art Museum -Veterans Administration Women’s Clinic, Portland, OR -Hallie Ford Museum, Salem, OR -Clackamas Community College, Oregon City, OR -Noosa Botanic Gardens, QLD. Australia -Maroochydore Bushland Botanic Gardens, QLD. Australia -Town of La Conner, Washington -Museum of Northwest Art, La Conner, WA -Emanuel Hospital, Portland, OR -Providence Hospital, Portland, OR -Nordstrom Administration Headquarters, Seattle, WA - Caesar’s Palace, La Vegas, NV JILL ANHOLT Vancouver, BC jillanholt.ca

Throughout my 18 years of practice, I have created more than 30 works in public spaces ranging from smaller scale functional works with modest budgets to large-scale highly integrated civic works with budgets of $1.5-$3.2M in cities throughout Canada and the US.

My installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. My work also explores the way that the body relates to and inhabits space and how human perception is transformed by position and movement.

Understanding and working with context and multiple scales of engagement are my strengths. And, synthesizing the many complex layers of a site into a conceptual framework further embodies meaning for the work. My art installations try to engage people who encounter them not only as spectators, but often also as participants in the work in some way. Environmental sustainability plays a generative role in the conceptual development, form and material expression of my art installations.

For every project I undertake, I begin with an intimate reading of the site, and then expand my observations to ever-widening arcs of investigation that include explorations of historical, geographical, cultural, and environmental layers. The concept, form, materiality and experiential qualities of my work emerge from these very site-specific beginnings.

Top to bottom: Clearing, 2015, Aberdeen, WA; Lost Stream Found, 2013, North Vancouver, BC; Line of Work, 2009, Vancouver, BC Jill Anholt Curriculum Vitae

Jill Anholt is a visual artist based in Vancouver, B.C. who has been creating site specific works in the public realm since 1998. Anholt’s practice ranges from complex integrated works in parks, pedestrian walkways and transit stations to small scale installations in buildings and public plazas across North America. Her installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. Environmental sustainability plays a generative role in the conceptual development, form and material expression of many of her works. In addition to her art practice, Jill is an instructor at Emily Carr University of Art and Design in Vancouver.

Public Art Commissions

Refined [in progress] $420,000 Charged Line [2014] $185,000 South False Creek, Vancouver BC South Calgary Emergency Response Station, Calgary AB A large sculptural work of white concrete, tumbled recycled glass and LED A series of five sculptures transform the animation of flowing water into that of lighting integrated into a new public plaza adjacent to a historic salt processing light; illuminating a public walkway along the southern edge of a new fire hall. building, capture and question the raw and the refined. Moose Jaw Trail [2013] $180,000 Coordinated Movement [in progress] $405,000 Patricia Row Park and Mark Thompson Park, Saskatoon SK Hurdman Station, Ottawa ON A series of sculptural works embedded in a public park interpret the story of an Work explores the inherent relationship between bird migration and human existing but previously unnoticed historic settler’s trail. (In collaboration with commuting, distilling the transformation of the individual to that of the Susan Mavor.) collective, and exploring the choreography of dynamic movement systems. Lost Stream Found [2013] $130,000 Immerse [in progress] $280,000 Northlands Terrace, North Vancouver BC S.200th Link, Seattle WA A towering, sinuous form composed of locally-sourced cedar celebrates the Immerse explores and celebrates the emphatic process of falling rain; revealing resurfacing of a hidden stream’s journey. and amplifying patterns and fluctuations in form as well as capturing its coincident materiality and immateriality. TransitStory [2012] $213,000 Centre Street LRT Station, Calgary AB Marking [2015] $1,200,000 A steel and light sculptural installation changes appearance and transparency Fort Calgary, Calgary AB with viewer movement. Present and absent, seen and unseen, the work seeks A series of carved wood members punctuated with traces of light draw upon to capture the fleeting trace of human presence within civic infrastructure. the southern prairie landscape and the people who inhabit it to echo the original 1875 Fort. Capturing the View [2012] $185,000 Three Harbour Green, Vancouver BC Clearing [2015] $132,000 Three sculptural towers reach upwards and outwards towards Vancouver’s Grays Harbor College, Aberdeen WA most desired views: the mountains, the park and the water while reflecting Inspired by the forest of old growth trees that once existed where the new movements of passersby. building is now located, artwork proposes a “clearing” of one of the majestic trees, leaving in place the memory of light and colour filtering through above. Light Showers [2011] $1,500,000 Sherbourne Park, Toronto ON Uplift[2015] $1,400,000 Iconically scaled sculptural forms celebrate the collection and purification of a Lansdowne Park , Ottawa ON new community’s rainwater, transforming infrastructure into art. A 12m tall water sculpture composed of stone and stainless steel draws inspiration from local geology fused with contemporary technology. Fluid Movement [2011] $80,000 Western Oregon University Health and Wellness Center, Monmouth OR Unfold [2015] $135,000 Dynamic sculptures evoke the movement of a swimmer, referencing the MET Condominiums, Burnaby BC building and landscape’s relationship to both water and health. Verdantly painted and folded, stainless steel sculptures emerge from the water and imbue the essence and growth of Lucky Bamboo. Projecting Drop [2010] $174,000 Pacific Plaza, Tacoma WA Peeled Pavement [2015] $400,000 An undulating mosaic tile and lighting installation reveals the historic and Mill Street , Toronto ON contemporary connections to water in the site. A series of folded sidewalk installations in bronze and back-lit cast glass form integrated seating elements while exposing the site’s past and future. Falling into Formation [2010] $97,500 Surrey RCMP Building, Surrey BC Moving Surfaces [2014] $1,800,000 A crescendo of dichroic glass fins transform from chaos into order to create an Lansdowne Park, Ottawa ON ephemeral composition of light and colour within a new RCMP building. Inspired by the park’s history and culture that is inextricably linked to moving water, the work is composed of a series of steel shapes that bend and fold in a manner reminiscent of the flow of water itself. Public Art Commissions Cont. Awards / Honours

Line of Work [2009] $1,000,000 CSLA Award of Excellence [2016] Vancouver Convention Centre, Vancouver BC Lansdowne Park (incl. Moving Surfaces and Uplift), in collab. with PFS Studio. A memorial for workers in BC reflects the energy, diversity and growth of the CODAawards Merit Award / Landscape Division [2015] Moving Surfaces province’s workforce. Created from laminated cedar with engraved text and stainless steel, the work folds out dynamically from a green roof plane to CISC BC Steel Design Awards for Outstanding Steel Structure/ interact spatially with viewers along a public pathway. Architectural Division [2015] Moving Surfaces, in collaboration with Fast & Epp, City of Ottawa, and Solid Rock Steel Fabricating. SkyRiver [2009] $169,000 Flo Development, Richmond BC Lieutenant Governor of Saskatchewan Heritage Architecture Glass and metal installation in a public plaza situates the viewer within an Excellence Award [2014] Moose Jaw Trail Public Art and Interpretation Project undulating stream of colour and light. City of Saskatoon: Heritage Space Award [2014] Moose Jaw Trail Public Art Urban Forest [2007] $50,000 and Interpretation Project Vine Street Plaza, Vancouver BC American Society of Landscape Architects (ASLA) Professional Seating and in-ground lighting elements for a public plaza explore the natural Awards: Honour Award [2013] Sherbourne Common (incl. Lightshowers), in and man-made layers of the city. collaboration with PFS Studio. Moving Pictures [2003] $35,000 Toronto Urban Design Awards: Award of Merit [2013] Sherbourne Vancouver International Film Festival Centre, Vancouver BC Common (incl. Lightshowers), in collaboration with PFS Studio. A sculpture for the Vancouver Film Centre that captures a “real-time” recording ASLA Conference: Boston of Vancouver’s street life. [2013] Presentor: Compelling Storytelling: Integrating Art Information and Landscape, Jill Anholt with Susan Mavor. Scopes of Site [2002] $85,000 Edmonton Urban Design Awards [2013] Invited Jury Member Aspac Developments, Vancouver BC A series of sculptures in a public garden reflect and juxtapose elements from RAIC National Urban Design Award/Special Jury Award: the past and present of the site. Sustainable Development [2012] Sherbourne Common (incl. Lightshowers), in collaboration with PFS Studio. Carving Turn [2001] $50,000 Whistler Creekside Development, Whistler BC CSLA National Honour Award for Design [2012] A dynamic sculpture and awards podium that captures the sense of risk and Sherbourne Common (incl. Lightshowers), in collaboration with PFS Studio. precariousness of ski racing. Banff Artist in Residence [2012] The Banff Centre, Banff AB LocusMotion [2001] $60,000 Design Exchange Gold for Landscape Architecture [2011] Sherbourne

Brentwood Skytrain Station, Vancouver BC Common (incl. Lightshowers), in collaboration with PFS Studio. A dynamic suspended dichroic glass sculpture in a new skytrain station responds to train and pedestrian movement. AIBC Conference: Presenter [2011] Making Connections: Art and Architecture

WaterMark [2000] $40,000 Subtle Technologies Conference, Toronto [2010] Presentor: Art & Sustainability First Street Plaza, North Vancouver BC An integrated water sculpture in a public park affected by rainfall run-off and Select Bibliography direct viewer interaction. The Globe and Mail: Alex Bozikovic, August 17, 2013, “The Future of Parks” Public Art Planning / Master Plans Forecast Public Art Review: June 2012 “Light Showers” CBC “Nature of Things, David Suzuki: Future City“ Sherbourne Common Review. Art Plan for the Lake 2 Bay Pedestrian Connection [2015] Aired Thursday Febrary 16 2012 Seattle WA (with Walker Macy Landscape Architects) Sitelines Magazine: Landscape Architecture in British Columbia, February 2012: Art and Culture Master Plan for Downtown Redmond [2014] Public Art and Design Collaboration by Jill Anholt, pp 16,17. Redmond WA (with PFS Studio) Toronto Star: Christopher Hume, August 5, 2011: “Sherbourne Common is Art Plan for Bernard Avenue Revitalization [2011] Anything But” Kelowna BC (with Space to Place Landscape Architects) Globe and Mail: Lisa Rochon, July 29, 2011: “Sherbourne Common: Clean, Public Art Consultant for River Street Underpass Project [2010] Green, Brainy and Blue” Toronto ON (with Brad Golden) Garten + Landschaft, August 2011: Zwei neue Parks an der Toronto Waterfront, Art Plan for New Pittsburgh Penguins Arena [2008] pp 18-22. Pittsburgh PA (with Todd Bressi) Tacoma Daily Index: “Tacoma’s Ripple Effect”, November 5, 2010 Art Plan for Calgary Transportation [2008] Sculpture Magazine: “Line of Work by Jill Anholt”, June 2010 Calgary AB (with VIA Partnership and Todd Bressi) Interiors: D3 The Next Design Generation. “Public Artist Jill Anholt: Line of Work” Public Art Strategy for the West Don Lands [2008] pp. 158 - 161, April 2010 Toronto ON Kevin Griffin, “A Graceful Tribute in Steel to B.C. Workers,” Vancouver Sun. September 25, 2009. GABE BABCOCK Corvallis, OR gabebabock.com

My work sheds light on the tension between humans and nature by creating work that has both a presence and coexists with a specific environment. Using natural materials, my work is easily visible but subtle in order to improve but also respect the natural quality of the site.

My work is broken down to the simplest elements, to reduce impact as well as be appreciated by a diverse group of people.

I am competent with all materials and capable of overcoming obstacles. At this point in my career I am looking for more experience in working with committees, architects and engineers, taking on larger budgets and projects. Nature’s process is nothing short of phenomenal and is often taken for granted. My expectations are high; to use site-specific art as a form of education to preserve the quality of natural spaces.

I am personable, and a peace keeper, always positive and always up for new challenges. I developed these skills from working with clients one on one, because inevitably they need to be happy with the piece. But at the same time, it is my piece so I help them find the common ground.

Top to bottom: Celilo, 2015, Hood River, OR; Flowers in the Sky, 2015, Port Angeles, WA; Lower Klamath Wildlife Refuge Aerie, 2015, Tule Lake, CA Gabe Babcock Resume Contact - 7335 SW Deerhaven Rd Corvallis, OR. 97333 541-760-4885 www.gabebabcock.com [email protected]

Education - Oregon College of Arts and Craft/Pacific Northwest College of Arts and Craft - Masters of Fine Arts. Admitted but declined. University of Oregon. B.S. in Fine Arts

Public Artist Roster - Regional Arts and Culture Council (RACC) – 2015-2018 Spaceworks – Tacoma, WA. 2016-2017

Outdoor Public Work - 2016 The Ruth Bancroft Garden – Walnut Creek, CA Piedmont Community Center - Oakland, CA 2015 Clackamas County Public Services Building - Oregon City, OR BIG Art Walk - Hood River, OR City Hall Sculpture Garden - Milwaukee, OR Autumn Lights Festival - City of Oakland, CA Art-Outside Exhibition - Port Angeles, WA Estacada Public Art Poles – Interview Finalist Art Contemplates Industry – Clackamas County Arts Council Westlake Middle School - Oakland, CA 2014 Autumn Lights Festival - City of Oakland, CA The Oregon Gardens Colusa Zen Garden - Colusa, CA 2013 Corvallis Arts Center Da Vinci Days – Corvallis, OR Corvallis Arts Center Solo Exhibition – Corvallis, OR

Gabe Babcock Resume

Private Commissions & Solo Exhibitions - 2016 Browzwear Interior Design + Installation – Corvallis, OR Flight of Love Wedding Arbor – Oakland, CA Slate Tokonoma - Colusa, CA Serendipitous Stones - Portland, OR 2015 Ring of Vows Wedding Arbor – Covallis, OR Ikebana Vase - McCall, ID Lower Klamath Wildlife Refuge Aerie - Klamath Falls, OR 2014 National Juried Exhibition - Marin Museum of Contemporary Arts The Oakland Redwoods - Berkeley, CA Farming Vessel - Alpine, OR Glass House - Corvallis, OR 2013 Madrone Men - Philomath, OR Hanging Rock Fence - Corvallis, OR A Piece of the Whole - Philomath, OR Remove Yourself From the Negative Environment - Oakland, CA

Publications: - River of No Return – PBS Nature Documentary, Camera Man LandEscape RON BARON Brooklyn, NY ronbaron.net

Over the past 20 years I have created 25+ site-specific public artworks and have worked in various capacities as a lead artist, collaborating with committees, architects, locals and art consultants for a wide variety of locations ranging from wall-reliefs to plazas.

My creative process begins with a great deal of research to gain a broad understanding of the site, city and the desires of the local community. Key to an artwork’s success is creating an artwork that complements the scale and style of the architecture, landscape and the function of the space.

Each of my projects is created through a close working relationship with community groups, public art consultants, architects and design professionals.

The following core principals are my manifesto for creating art: • Establish a sense of place • Holistically integrate the work into the site, architecture and community • Reflect the function of the building • Create gathering spaces where individuals can congregate around art and ideas • Create work that is engaging, playful and strives to be examined and explored and accessible to a diverse population

Top to bottom: Lost and Found: An Excavation Project, 2005, NYC MTA; You Are Here, 2012, Providence Park, Portland, OR: Baggage Claim, 2008, Indianapolis International Airport R ON B ARON

582 D RIGGS A VENUE, B ROOKLYN, NY, 11211 718- 415- 9649, [email protected] Website: RonBaron.net

Commissions 2103 “Stratigraphy”, Bascom Library and Community Center, San Jose, CA -Bronze and granite sculptures at entryway -Commissioned by the San Jose Council for the Arts, CA, $285,000 2012 “North to the Future”, Ted Stevens International Airport, Anchorage, AL -An installation of bronze sculptures -Commissioned by the Airport and Alaska Council for the Arts, $250,000 “You are Here”, PGE Park, Portland, Oregon -Commissioned by Regional Arts Council Portland, OR $100,000 2011 “Station House”, Cleveland Transit Authority, Cleveland, Ohio -An installation of bronze and granite sculptures for the Puritas Station -Commissioned by the Greater Cleveland Transit Authority, $50,000 2010 “Bounce Pass”, Orlando Magic Recreation Center, Orlando, Florida -Three suspended sculptures for the interior lobby -Commissioned by the Orlando Magic Basketball team, $50,000 2009 “American Tourister”, Damen Brown Station, Chicago Transit Authority, Illinois - An installation of bronze sculptures for the Damen Brown Train Station -Commissioned by the Chicago Transit Authority, $115,000 “Bell Hop”, Cooper Hotels, Ft. Meyers, Florida -Sculpture for the lobby of a new hotel. $30,000 2008 “Baggage Claim”, Indianapolis Airport, Indianapolis, IN, -An installation of bronze sculptures for the new airport -Commissioned by the Indianapolis International Airport, $150,000 2005 “Lost and Found: an Excavation Project” Long Island Rail Road, MTA, New York, NY -An installation of bronze sculptures for the train station plaza, Hempstead, NY -Commissioned by the Long Island Railroad and the MTA, $200,000 “Dear Mother”, Stedeliik Museum ‘s Hertogenbosch, Netherlands -Vertical sculpture for permanent collection -Commissioned by the Stedeliik Museum , $25,000 2004 “O”, University of Oregon, Autzen Football Stadium, Eugene, Oregon -2 suspended sculptures composed of thousands of trophy tops -Commissioned by the Univ. Oregon, Eugene, $100,000 2000 “Tower of Time: Mirror of Brooklyn”, Brooklyn Public Library, -Site-specific sculpture for lobby of Main Branch -Commissioned by the Brooklyn Public Library, $20,000 1999 ”Birds”, Public Art Fund, New York, NY -Outdoor site-specific installation, $20,000 -Commissioned by The Greenwall Foundation and the Public Art Fund ”Full Court Press”, ESPN: The Zone, New York, NY, $30,000 1997 "Built with Pride", solo show, Anna Kustera Gallery, New York, NY 1996 "Spiritual", Este Lauder Inc., NYC, NY, Ronald Lauder -Sculpture commissioned for lobby of company headquarters, $20,000 1995 "Daddy-Magnetism", solo show, Chassie Post Gallery, New York, NY* "Receiver", Configura 2: Dialogue of Cultures, Erfurt, Germany -Installation of a monumental sculpture in the central plaza -Commissioned by Configura 2, and the city of Erfurt

Commissions - continued

1994 "Gates of Knowledge", Intermediate School #2, Brooklyn, NY: -Eight bronze sculptures incorporated into the fence and gate, $150,000 -Commissioned by the Board of Education, Percent for Art Program, NYC 1993 "My Time Is Now", Lehman College Gymnasium, Bronx, NY: -A vertical bronze sculpture installed at the entrance to the new gymnasium -Commissioned by Lehman College, Dormitory Authority of New York, $100,000

Honors and Awards

2015 Pollock-Krasner, Grant Yaddo Artist Colony, Saratoga Springs, NY, Louise Bourgeois Endowed residency 2014 Gottlieb Foundation, Grant 2007,08 Yaddo Artist Colony, Saratoga Springs, NY, summer residency 2005 Socrates Sculpture Park, Long Island City, NY, Grant Yaddo Artist Colony, Saratoga Springs, NY, summer residency 2001 Pollock-Krasner Foundation: Grant 2000 Yaddo Artist Colony, Saratoga Springs, NY, George Rickey Endowed Residency 1999,'96,'95 Yaddo Artist Colony, Saratoga Springs, NY, summer residency 1998 Public Art Fund, “Art in the Public Realm” Greenwall Foundation Fellowship 1997 New York Foundation for the Arts: Artist Fellowship, Sculpture Grant Tiffany Foundation Award, nominee 1997 Socrates Sculpture Park, Long Island City, NY, outdoor installation, grant 1993 Yaddo Artist Colony, Saratoga Springs, NY: -The Milton and Sally Avery Fellowship Marie Walsh Sharpe Foundation: Studio Program, New York, NY 1992 National Endowment for the Arts: Mid Atlantic, Artist Fellowship 1991 Monet Residency, Lila Wallace - Reader's Digest, Grant, 6 month stipend -Artist-in-residence at the Claude Monet Foundation and Museum, France LYNN BASA Chicago, IL lynnbasa.com

While I have a number of public art commissions under my belt, I would like to transition to work that is more proactive. To put it another way, I’m more interested in making art that does something rather than only being about something.

For example, I’d like to find a site to create sculptural sanctuaries for native plants, birds, and insects. It could be miniature -- such as in a pocket park, median strip or vacant lot -- or monumental, such as in tangent to an urban walking trail. These would be living, site-specific self- maintaining and self-contained installations to bring Nature more into harmony and proximity with urban life.

Other ideas I’ve been looking for opportunities to do: • Sculptural rain and sprinkler water catchments that would create small oases for urban wildlife. • A naturalistic sculptural wall made of rammed earth or native stone that incorporated places for plants, shade, seating and play. • An intimate, spoken-word amphitheater for small audiences. • An outdoor reading room with book exchange. • Covered seating areas designed to encourage socializing. • A wall made of recycled local brick that demonstrates the lost art of fancy masonry. • Neighborhood time capsules. • Milkweed seed bomb project to increase habitat for Monarch butterflies.

All of my projects have been collaborative in two principle ways. First, in order to develop my concepts the input of the client, end user, architect, engineers, GC, etc. are critical. Second, I am committed to using local labor and materials whenever possible in order to create jobs and return the majority of the budget to the economy that generated it. Third, because I adapt my approach to the conditions of each site I use a wide variety of materials and know how to work professionally with subcontractors.

In addition to my studio and public art practice I’ve begun a residency in the storefront of a building I own in Chicago where, for over a year, I’ve been commissioning artists whose work is experiential and engages the community. In the process it’s changed my attitude towards what art can accomplish in the public realm. For one thing I’ve become more convinced of the value of taking art to the people rather than waiting for people to come to the art.

Top to bottom: Trimet Orange Line windscreens, 2015, Portland, OR; Coursing Through Life, 2010, University of Northern Iowa; Cornucopia, 2014, Chicago, IL Lynn Basa • 2248 N. Campbell Ave • Chicago IL • 60647 • (773) 289-­3616 [email protected] • www.lynnbasa.com

Education 2016 MFA, Studio, The School of the Art Institute of Chicago 1981 MPA, Public art policy, University of Washington 1977 BA, Fine Art (ceramics), Indiana University

Awards 2009 Honor Award, National Terrazzo & Mosaic Association International Parking Institute Award of Merit, Fredericksburg, VA 2008 Award of Excellence, Architectural Commission, City of Claremont, Claremont, CA

Public Art Commissions 2016 The Long Way Home, Wassaja Hall, University of Illinois Urbana Champaign Territory, 70 W. Madison,Chicago, IL 2015 Terrazzo floor artwork, University of Illinois Integrated Bioprocessing Research Lab, ($100,000) Urbana, IL Julia de Burgos Park, The 606, ($TBD), Chicago, IL 2014 Capriccio, Ballet West/Capitol Theater, ($120,000), Salt Lake City, UT Mosaics and bus shelter windscreens for nine light rail stations, Trimet, ($260,000), Portland, OR Abundance, University of Kentucky Medical Center, Chandler Pavillion, ($100,000), Lexington, KY Epoch, ($50,000) University of Minnesota, Itasca Biological Station, Itasca, MN 2013 Cornucopia, Chicago Transit Authority, ($48,300), Chicago, IL 2012 A Long Story, Cambridge Housing Authority, ($93,000), Cambridge, MA Transit Hub artwork, Des Moines Area Rapid Transit, ($60,000), Des Moines, IA Downtown Theater, Design team lead artist ($20,000), Town of Cary, NC Bower, University of Northern Iowa, Residence Hall, ($200,000), Cedar Falls, IA Threshold, University of Wisconsin, School of Human Ecology, ($99,000), Madison, WI 2010 Grove Alta, Alta building, Chicago, IL Learning Curve, Kingsport Center for Higher Education, ($75,000), Kingsport, TN Coursing Through Life, University of Northern Iowa, Sabin Hall, ($80,000), Cedar Falls, IA 2009 The Grand Lake Map, Grand River Dam Authority EcoEducation Center, ($57,000), Langley, OK 2008 Glendale History Walk, Downtown Parking Structure, ($200,000), Glendale, AZ The Great Circle Route, Indianapolis International Airport, ($440,000), Indianapolis, IN 2007 Grove, Downtown Parking Structure, ($200,000), Claremont, CA 2004 N=10, University of Washington/Bothell Community College, ($30,000), Bothell, WA 2003 Untitled, Highland Hospital, ($60,000), Oakland, CA

Museum Collections Selected Public Collections Iowa State University, Ames King County Arts Commission, Seattle Museum of Arts and Design, New York University of Washington Medical Center North Carolina State University Museum Washington State Arts Commission Rhode Island School of Design Museum City Lights Collection, Seattle, WA Spencer Museum, University of Kansas Tacoma Art Museum, Tacoma Washington Numerous private collections (partial list available on request)

Publications as Author (selected) Author, The Artist’s Guide to Public Art: How to Find and Win Commissions (New York: Allworth Press) 2008. ISBN 158115-501-8

Lynn Basa – CV 1

Selected Lectures, Workshops and Panels American for the Arts, 2016, Public Art Network panel and discussion, How to Engage Community Creative Capital, 2014-16, Webinar, Demystifying Public Art SAIC, 2016, Chicago IL: Career Development SAIC Student Union Galleries Portfolio Review Chicago Department of Cultural Affairs and Special Events, 2016, Chicago, IL: Creating Community panel Salt Lake City Arts Council, 2014, Artists Creating Place: Public Art Commissions Forecast Public Art, 2013, St. Paul, MN: Grant panel, Public Art and Planning Project Grants Broward County, 2013, Public Art and Design Program, Ft. Lauderdale, FL: Workshop, Public Art Training University of Chicago, 2012, Chicago, IL, Cultural Policy Center: Moderator, The Chicago Cultural Plan and Creative Cities El Paso Public Art Program, 2012, El Paso, TX: Workshop, Making the Leap to Public Art LegalArts, 2012, Miami, FL: Workshop, Making the Leap to Public Art New England Foundation for the Arts, 2011, Bridgeport, CT: Workshop, Making the Leap to Public Art The School of the Art Institute of Chicago, 2011, Chicago, IL, Power Tools: Workshop, Writing a Winning Letter of Interest UrbanArts, 2011, Memphis, TN: Workshop, Making the Leap to Public Art MetroArts Program (with Joel Straus), 2011, Nashville, TN: Workshop, Making the Leap to Public Art Chicago Department of Cultural Affairs, 2011, Chicago, IL: Panel organizer, How They Did It Chicago Artists’ Coalition, 2011, Chicago, IL: Workshop, Galleries: What Are They Good For? Art Loop Open (with Tony Tasset, Juan Angel Chavez), 2010, Chicago, IL: Panel, Public Art – A Discussion New England Foundation for the Arts, 2010, Boston: Workshop, How to Find and Win Public Art Commissions Austin Art-in-Public-Places Program (with Joel Straus), 2010, Austin, TX: Workshop, Public Art From A to Z Creative Chicago, 2010: Workshop, Making an Artist’s Living: A Conversation Oklahoma Art-in-Public-Places Program/Oklahoma Visual Artists Coalition, 2010, Tulsa, OK: Mentor Indiana Artists Coalition, 2009, Nashville, IN: Lecture, 10 Ways to Become a Starving Artist New England Foundation for the Arts, 2009, Boston, MA: Workshop, How to Write a Winning Letter of Interest Chicago Cultural Center, Artists-at-Work-Forum, 2009, Chicago, IL: Moderator, Beyond Walls: Nontraditional Ways of Making a Living as an Artist Austin Art-in-Public-Places Program, 2009, Austin, TX: Workshop, Making the Leap to Public Art El Paso Public Art Program, 2009, El Paso, TX: Workshop, How to Find and Secure Public Art Commissions Creative Chicago Expo, Chicago Cultural Center, 2009, Chicago, IL: Lecture, Making the Leap to Public Art UrbanArts, 2008, Memphis, TN: Workshop, Finding and Winning Public Art Commissions Fulton County Arts Council, 2008, Atlanta, GA. Chicago Artists Coalition, 2008: Panelist, The Politics of Commissions and Corporate Sponsorships Tremaine Foundation National Summit, 2008, Chicago, IL: Discussion leader, Professional Practices for Visual Artists Americans for the Arts National Conference, 2008, Philadelphia, PA: Panel leader, What Do Artists Want? Creative Chicago Expo, Chicago Cultural Center, 2008, Chicago, IL: Lecture, Making the Leap to Public Art

Teaching 2013 Visiting instructor, Hyde Park Art Center jointly with University of Chicago, Graham School 2006 – 2012 Instructor, School of the Art Institute of Chicago, Sculpture Dept.

Curatorial 2015 – present Founder and director, Corner Gallery, Chicago

Selected Committees/ Juries 2016 Community representative, 35th Ward participatory budgeting committee Navy Pier Public Art Focus Group, Chicago IL. 2011- 2013 Bloomingdale Trail Mayor’s Design Advisory Committee, Chicago, IL. 2008- 2009 Chair, 1st Ward Milwaukee Avenue Task Force, Chicago, IL. 1999- 2001 Chair, Public Art Committee, Seattle Arts Commission, Seattle, WA. 1996- 1998 Co-Chair, Metro Public Art Committee, King County, WA.

Lynn Basa – CV 2 PETE BEEMAN Portland, OR petebeeman.com

Art must engage its viewers. Whether kinetic or static, my sculptures are big and gestural, yet rich and variegated to intrigue on closer inspection. I work most frequently with metals - stainless, aluminum, bronze - and also with wood. As I see the world through an engineer’s eye, my work is rooted in the capabilities of engineering: to make the improbable stand up, to harness the untamed, and to make the static, dynamic. By building useless objects with efficient functionality, I am questioning the meaning of utility and functionality. The characteristics created by the elegant and unexpected motions in my sculpture form a tension with the industrial structures, materials, and scale of the work. This tension is a metaphor for both human experience and human potential: the human machine, with the potential for a state of grace, constantly struggling with its own limitations. To engage in this struggle is to succeed.

In particular, several elements of my background make me well suited to designing and building public art: site- specificity (example, “Alphabet Soup” in Albuquerque connects the various sites of a campus); collaboration: a real strength of mine is coordinating with all stakeholders to satisfy the constraints of the project, while providing one-of- a-kind art; durability: I am well-equipped to deal with technical issues of designing integrated, interactive artwork with a constant eye on longevity; sustainability: incorporating environmental concepts when possible; I have a proven record of meeting budgets and reliability.

The vast majority of my projects involve collaboration with design professionals and community stakeholders.

Top to bottom: Alphabet Soup, 2005, Albuquerque, NM; Star, 2015, Tainan, Taiwan; Runner, 2013, Taipei, Taiwan PETE BEEMAN www.petebeeman.com 2068 NW Lovejoy St.h 503.241.8104 [email protected] Portland, OR 97209 c 971.570.2168

COMMISSIONS

2015 Oregon State University, Tebeau Hall (exp. compleon 2016)Corvallis, OR$161k 2015 Hearst Elementary Scavenger HuntWashington, DC$60k 2015 Hampline Exploraon Staons Memphis, TN$82k 2015 “Star” Naonal ersity Cheng Kung Univ Tainan, Taiwan $80k 2014 “Ball in Hand” and “Crown” Taipei Physical Educaon College Taipei, Taiwan $151k 2014 “NEROF Gears” NE Remote Operaons FacilityRaleigh, NC$80k 2013 “Runner” Xinzhuang Sports CenterTaipei, Taiwan$110k 2013 “Da’an Flower” Da’an Forest Park MRT StaonTaipei, Taiwan$106k 2012 “Open up the Doors” Norfolk HRT Transit Facility Norfolk, VA$75k 2010 “Iris” Civic Drive Staon, TriMet Light RailGresham, OR$85k 2010 “Spalanzani’s Parasol” Port of Portland HQPortland, OR$135k 2010 “Lier” Fire Staon #37 Seale, WA $90k 2009 “Shuffletown Hand” Charloe, NC $72k 2009 “Waving Post” TriMet I-­‐205 Light Rail,Portland, OR$52k 2006 Kiosks for ODFW Hatchery Research CenterAlsea, OR$39k Collaboraon with architect Yianni Doulis 2006 “Spalanzani’s Generator” North Carolina ZooAsheboro, NC$72k 2005 “Alphabet Soup” E. F. Public LibraryAlbuquerque, NM$84k 2002 “Pod” Portland Streetcar AlignmentPortland, OR$40k 2001 Portland Internaonal Airport ProjectPortland, OR$39k 2001 First ian Unitar Church Sanctuary ProjectPortland, OR$15k

SELECTED EXHIBITIONS

2014 Art-­‐Work, Bar Catalonia (Group) New York City, NY 2014 Oregon Art Beat 15th Anniversary, Peoples Art Gallery (Group)Portland, OR 2009 Sculptural installaon w/ Heidi Cody, The Lab GalleryNew York City, NY 2007 More Simple Machines, ArtCentric (Solo)Corvallis, OR 2006 The Valenne Exchange, Reed College (Group)Portland, OR 2004 Lower Columbia Community College (Group)Longview, WA 2004 Arts Downtown -­‐ Outdoor installaonLake Oswego, OR 2003 Blackfish Gallery (Group) Portland, OR 2003 A. N. Bush/Focus Gallery (Solo)Salem, OR 2002 Performave Objects, Kent State University (Group)Kent, OH 2002 The ym, Art G Marylhurst University (Solo)Portland, OR 2001 Southern Exposure (Solo) San Francisco, CA

GRANTS & AWARDS & MORE

2013-­‐17 City of El Paso Pre-­‐Qualified Arst PoolEl Paso, TX 2011-­‐15 Oregon Arts Commission Public Art RosterSalem, OR 2003-­‐07 Regional Arts and Culture Council Design Team RosterPortland, OR 2004-­‐05 Arst in Residence, Product Realizaon Lab Stanford University, CA 2001 Technical Assistance Grant from RACCPortland, OR PETE BEEMAN www.petebeeman.com 2068 NW Lovejoy St.h 503.241.8104 [email protected] Portland, OR 97209 c 971.570.2168

EDUCATION

2000 M.S. in design, Stanford University Degree co-­‐sponsored by the Art & Mechanical Engineering Departments ○ Master’s thesis on mechanical/kinec sculpture ○ 1990 B.A. in the Visual Arts, Sculpture), with Honors (emphasis on Brown University 1990 B.S. in Civil Engineering (emphasis on Structural), Brown University

PROFESSIONAL EXPERIENCE

2001-­‐11 Parallel Development Inc., Brooklyn, NY Contract collaborave design, engineering, project management, and fabricaon of artwork, ○ architectural fixtures and products.

1994-­‐07 Michael Curry Design, s, St. Helen OR Design, engineering, fabricaon, management, and installaon of giant puppets and ○ mechanical costumes. Projects for the 1996 Olympics opening ceremony, stage shows in Las Vegas, as well as for Disney’s theme parks, cruise lines, Broadway shows.

2005 Collaboraon with GreenWorks Landscape Architects, Portland, OR Design collaboraon on “windscape” park in SE Portland, OR. ○ 2003 Arthur Ganson, arst, Boston, MA Contract fabricaon of artwork ○ 2001 Portland Development Commission, Portland, OR Consulng arst on a design team with ZGF Architects and arst Tad Savinar for a $3.3 million ○ urban streetscape redesign. th Project cancelled wi PDC funding.

PRESS

2015 Thomas Bailey Jr, “New sculptures adorn Hampline...”, The Commercial Appeal, October 28 2015 Meagan Nichols, “New Public Art Pieces Tell Story...”, Memphis Business Journal, October 26 2010 Marty Smith, “Dr. Know”, Willamee Week, August 18 2009 Tom Roussey, “Shuffletown Residents l See Artwork…”, Channe 3 news, July 29 2009 Andrew Baen, “Shuffletown Artwork Srs Controversy”, Mountain Island Weekly, July 31 2007 Kyle Odegard, “Kinec Sculpture Installed”, Gazee-­‐Times, July 11 2006 Francesca Atencio, “Alphabet Soup”, Albuquerque-­‐The Magazine, April 2004 CNN NewsNight with Aaron Brown, CNN, September 28 2003 “Best Of the West”, Sunset Magazine, September 2003 Ron Cowan, “Art Detects Visitors, Scampers Away”, The Statesman Journal, July 5 2003 Michaela Bancud, “Art Aches”, The Portland Tribune, January 3 2002 D. K. Row, “The Pod and the Pendulum”, The Oregonian, November 18 2002 Beth Harrington, Art Beat, OPB Television, October 24 2002 Dorothy Shinn, group show review, The Akron Beacon Journal, September 29 2002 Alicia Miller, Sculpture, review, Vol. 21 No. 5 June 2002 Janet Goetze, “At Play with Sculpture”, The Oregonian, April 4 VAUGHN BELL Seattle, WA vaughnbell.net

My work looks at the paradoxes and possibilities of our relationships to the places we inhabit. I’m interested in our sense of visceral connection to our surroundings and the materiality of environment: plants, soil, water, concrete, steel, plastic. I ask how we relate through body and senses to our places and to each other, and what our responsibilities are to these ecologies.

My approach to public artwork is to create a response that is very specific to the site and situation the work inhabits, while drawing on the ideas and themes that continually fascinate me. I am interested in creating moments in which we recognize our connection to complex systems, or tune in to a layer of sensory information or detail that normally goes unnoticed. I want to create experiences that are participatory, playful and visceral, while re-framing our place in the local ecology.

Because I develop concepts based on context, my public work has employed diverse media including stone, performance, sound, metal and plastic fabrication, soap, ceramics, native plants and environmental restoration. I approach a project through a phase of research, outreach and exploration, then develop a concept related to the specific context.

I bring to any project an ability to develop fresh creative ideas, communicate them to others and see them through to completion with attention to the details and nuances of site and process. As the resident artist in the Seattle Department of Transportation for four years, I had the opportunity to work as a team member with engineers, planners, designers and project managers on a broad range of projects. I created art plans and artist scope of work for projects ranging from trails and new media projects to multi-million dollar roadway structures. In addition to creating art plans to utilize 1% for art funding, I worked with design teams to seek creative solutions and enhancements that add interest and aesthetic value to projects without going beyond the budget of the capital project.

Top to bottom: Welcome Home, 2013, Schuyllkil Center for Environmental Education, Philadelphia, PA; Mossuments (one of 3), Jordan Woods Natural Area, Beaverton, OR; Land for Adoption with the Cultivation Utility Vehicle, 2006-ongoing, Seattle, WA Vaughn Elizabeth Bell [email protected] www.vaughnbell.net 206.661.7251

EDUCATION Massachusetts College of Art, Boston, MA M.F.A. Studio for Inter-related Media

Brown University, Providence, RI B.A. independent concentration: "Nature and Culture: Human Perspectives on the Natural Environment"

SELECTED PUBLIC ART Artist in Residence and Art Master Plan, Seattle Public Utilities, Seattle, WA, 2016 Being with the River, Duwamish Revealed, funded with a grant from the NEA, 2015 Land For Adoption, Canal Convergence, Scottsdale, AZ, 2014 Mossuments, Jordan Woods Natural Area, commission for the Tualatin Hills Parks and Recreation Department, Beaverton, OR, 2013 FROTH, RINSE, REFLECT, SEND, Brightwater Conveyance Route Public Art Project, commissioned by 4Culture, Seattle, WA, 2013 Welcome Home, Schuylkill Center for Environmental Education, Philadelphia, PA, 2013 Metropolis, commissioned by the Seattle Center Foundation for the Next Fifty, celebration of the 50th anniversary of the World’s Fair in Seattle, 2012 Staff Artist, Seattle Dept. of Transportation: Initiate, facilitate, design and plan public art projects in the right-of-way as the resident artist in SDOT, 2008-2012 IPed, A Low Impact Vehicle Exhibition, public engagement, Seattle WA, commissioned by 4Culture, 2009 Post-colonial, temporary installation in collaboration with Meredith Hall at Carkeek Park, Seattle, WA, 2009 Landscape for Walking, public performance, Oldenburg, Germany, 2009 Again, Life Becomes a River, public artwork created in collaboration with Kamiyama High School Students, Kamiyama, Japan, 2007 Watermark: Seattle's Climate Change Shoreline, collaboration with Sarah Kavage and Nicole Kistler, 2007

SELECTED EXHIBITIONS 2015 Climats artificiels, Fondation EDF, Paris, France Nature of Scale, Peabody Essex Museum, Salem, MA Anti-Grand, University of Richmond Museum, Richmond, VA Rooted in Soil, DePaul Art Museum, Chicago, IL

2014 Home ECOnomics, Wignall Museum of Contemporary Art, Rancho Cucamonga, CA Encounters at the Edge of the Forest, Gallery 400, University of Chicago, Chicago, IL Columbia River Symposium, Spokane, WA

2013 Vaughn Bell, NRDC Booth, EXPO Chicago, Chicago IL Ego|Eco, Begovich Gallery, California State University, Fullerton, CA This Land, Salisbury University Art Gallery, Salisbury, MD Encountering Nature, Towson University, Towson, MD Sensing Change, Chemical Heritage Foundation, Philadelphia, PA

2012 Old ghost ranges, sunken rivers, come again, Cornish College Gallery, Seattle, WA Nurturing Nature, Albright College, PA

Vaughn Bell www.vaughnbell.net [email protected] 2011 Transported Landscapes, Walter E. Terhune Gallery, Owens College, Toledo, Ohio Turf: Ecological Activism and Art, Diablo Valley College Art Gallery, Pleasant Hill, CA Outlandish, Bedford Gallery, Walnut Creek, CA Nurturing Nature, Osilas Gallery, Concordia College, Bronxville, NY Forecast: Communicating Weather and Climate, Washington State Convention Center, Seattle, WA

2010 Thinking Caps, Jack Straw New Media Gallery, Seattle, WA Sustainable Shelter, Bell Museum of Natural History, Minneapolis. MN Signs of the Forest, Arena Gallery, Santa Monica, CA The Illuminated Forest, The Lab, San Francisco, CA Critical Messages: Contemporary Northwest Artists on the Environment, Western Gallery at WWU, Halle Ford Museum at Willamette University, Boise Art Museum

2009 Village Green, Lycoming College Gallery, Williamsport, PA This Land is My/Your Land, Edmonds Community College Gallery, Edmonds, WA Landscape 2.0, Edith Russ Site for New Media Art, Oldenberg, Germany Melt: Vaughn Bell and Sara Osebold, Gallery 4Culture, Seattle, WA Vaughn Bell and Josh Keyes at Swarm Gallery, Oakland, CA Troubles in Paradise, Art and Design Gallery at Missouri State University, Springfield, MO

2008 Three Rivers, Pratt Fine Art Center Gallery, Seattle, WA Badlands, Massachusetts Museum of Contemporary Art, North Adams, MA Cultivate, Berkshire Botanic Gardens, MA Environmental Performance Actions, Exit Art, New York, NY

2007 Becoming A River, Kamiyama, Japan From Sea to Shining Sea, Backspace at SOIL, Seattle, WA

SELECTED GRANTS & AWARDS Fellow, Virginia Center for Creative Arts, 2012 Jack Straw Productions New Media Gallery Residency, 2009-2010 4Culture Special Projects Grant recipient 2007, 2009 Kamiyama Japan International Artist in Residence, 2007 Full Fellowship, Vermont Studio Center, 2006 Nancy Graves Foundation Fellow, Millay Colony, 2006 Artist in Research Grant, Berwick Research Institute, Boston, MA, 2004

SELECTED BIBLIOGRAPHY “Vaughn Bell’s Portable Works” Public Art Review, Issue 54, Spring/Summer 2016 Brown, Andrew, Art and Ecology Now, Thames and Hudson, 2014 Moyer, Tylene and Glenn Harper, The New Earthwork: Art, Action, Agency, ISC Press, 2012 Himmelsbach, Sabine, Ed. Landscape 2.0, Edith Russ Site for Media Art, Oldenburg, Germany Wolff, Rachel, “Turning Over a New Leaf”, Artnews, April 2009, pp. 88-95 Guay, Abigail, “Land Developments”, Arcade Journal 27.03, Spring 2009, pp.6-7 Markonish, Denise, Ed., Badlands, New Horizons in Landscape, North Adams, MA: MassMOCA and Cambridge, MA: MIT Press, 2008 Chase, Alisia G., "Toxic Slurry and Pond Scum," Afterimage: The Journal of Media Arts and Cultural Criticism, September/October 2008, Vol. 36, No. 2, pp. 27-28 2 SITE PAINTERS LAURA BENDER, JOHN EARLY and ARCADIA TRUEHART sitepainters.net

It is imperative that art in public places be responsive to core needs for beauty, meaning, and clarity. Towards this purpose we have collaborated for 30 years producing an evolving body of art for diverse clients and sites. Experience has trained us to be resourceful and versatile and taught us how to work in partnership with people of diverse temperaments, values, and professional perspectives.

We intend with each new project to craft art forms that make strong heart and head connections with people. We are committed to work that is rich in metaphors and allusions, stimulates thoughtful reflections, balances complexity with coherence, lets color sing out, pulses with rhythmic patterns, and integrates different media and methods.

Our aesthetic has also been informed and refreshed by vital folk art traditions and many residencies with children. Ideas and energy from our studio painting, collage, and sculpture circulate into site-specific projects. We are inquisitive researchers – discussing ideas, reading, finding relevant visual sources …and doing lots of drawing.

We would welcome opportunities to further explore sculptural low-relief ideas. We have worked with a variety of media (mosaic, laser-cut steel, porcelain enamel on steel, carved clay, linoleum as a wall mural medium) and would like to find more avenues for using these materials and broaden our skills and understanding of how best to incorporate them into our work. Combining new and different ways of working with insights and experience we have already accrued is an on-going endeavor.

We have the many skills needed to be successful design team contributors: reading plans; listening, questioning, researching; crafting art proposals that enhance project goals; producing accurate and informative mockups; realistic budgeting and scheduling; coordinating with fabricators, installers, and job-site contractors.

The pervasiveness and quality of the built environment in our daily urban experience strongly shapes our consciousness and social relationships. Therefore we believe it is essential that what is designed for public places responds to core human needs for beauty, meaning, and clarity.

On the job we have learned the skills needed to be successful design team contributors, including reading plans; listening, questioning, researching; crafting art proposals that enhance project goals; producing accurate Top to bottom: From Here to There, 2007, Charles Jordan Community Center, Portland, OR; Conversation, 2013, Grants and informative mockups; realistic budgeting and Pass, OR; (one of 3), Where In the World, Capital Hill Library, scheduling; and coordinating with fabricators, installers, Portland, OR and job-site contractors. LAURA BENDER 330 SE 52nd Ave. Portland, OR 97215 (503) 788-2064 www.sitepainters.net, [email protected]

EDUCATION: 1978 – California College of Arts and Crafts – Oakland, CA; BFA in painting

PUBLIC ART COMMSSIONS (Juried) 2013 – Capital Hill Library – Portland, OR 2013 – The Bus Stops Here – Grants Pass, OR 2009 – Western Oregon University, Math & Nursing Departments – Monmouth, OR 2008 – Tabor Commons – Portland, OR 2008 – Tualatin Visual Arts Chronicle – Tualatin, OR 2007 – Charles Jordan Community Center – Portland, OR 2005 – TriMet Barbur Blvd Transit Center – Portland, OR 2001 – OHSU Permanent Collection – Portland, OR 1997 – Multnomah County Walnut Park Health Center – Portland, OR 1996 – Brentwood Darlington Community Center – Portland, OR

SELECTED COMMISSIONS 2016 – Salem Hospital, Rehabilitation – Salem, OR 2015 – Dallas Children’s Medical Center, Nephrology Wing – Dallas, TX 2014 – Providence St. Vincent Medical Center, Pediatrics and Postpartum Units – Portland, OR 2014 – OHSU, Mother/Baby Wing – Portland, OR 2013 – Providence St. Vincent Medical Center, Postpartum/PICU – Portland, OR 2012 – Sacramento Elementary School – Portland, OR 2011 – Legacy Emanuel Children’s Hospital, Portland, OR 2011 – Providence St. Vincent Medical Center, Pediatric/Radiology Corridor – Portland, OR 2011 – Hermiston Headstart Center – Hermiston, OR 2011 – Shriners Hospital for Children – Portland, OR 2010 – Mulino Headstart Center – Mulino, OR 2010 – Providence St. Vincent Medical Center, Neonatal ICU – Portland, OR 2010 – Providence St. Vincent Medical Center, Mother/Baby Wing – Portland, OR 2010 – Beaches Restaurant – Vancouver, WA 2009 – Shriners Hospital for Children – Honolulu, HI 2008 – Woodburn High School – Woodburn, OR 2007 – Durham Elementary School – Tigard, OR 2006 – Providence St. Vincent Medical Center, Pediatric In-patient Care – Portland, OR 2006 – Do Jump, Echo Theater – Portland, OR 2005 – Portland Community College, Cascade Campus – Portland, OR 2004 – Providence St. Vincent Medical Center, Pediatric Surgery Center – Portland, OR 2003 – Lewis and Clark College, Cooley House – Lake Oswego, OR 2003 – Salem Hospital, Maternity Wing – Salem, OR 2002 – OHSU, Cardiac ICU – Portland, OR 2002 – Portland Youth Builders, Alternative High School, Lobby – Portland, OR 2002 – Portland Waldorf School, Performance Hall – Milwaukie, OR 2001 – Westin Diplomat Resort – Hallendale Beach, FL 2001 – Kaiser Permanente Clinic – Vancouver, WA 2000 – Oak Creek Elementary School – Lake Oswego, OR

ROSTERS 2012 – 2016 Washington Public Art Roster 2011 – 2016 Oregon Public Art Roster 2010 – 2016 RACC Artist Design Team Roster, Portland, OR

JOHN EARLY 330 SE 52nd Ave. Portland, OR 97215 (503) 788-2064 www.sitepainters.net, [email protected]

EDUCATION: 1980 – California College of Arts and Crafts – Oakland, CA; BFA in painting

PUBLIC ART COMMISSIONS (juried) 2013 – The Bus Stops Here – Grants Pass, OR 2008 – Tigard Transit Center – Tigard, OR 2008 – Tabor Commons Community Center – Portland, OR 2007 – Charles Jordan Community Center – Portland, OR 2005 – TriMet Barbur Blvd Transit Center – Portland, OR 2001 – Outside/In – Portland, OR 2001 – Whitaker Middle School – Portland, OR 1997 – Multnomah County Walnut Park Health Center – Portland, OR 1996 – Brentwood Darlington Community Center – Portland, OR 1995 – OHSU Permanent Collection – Portland, OR 1994 – Operations Center – Beaverton, OR

SELECTED COMMISSIONS 2015 – Dallas Children’s Medical Center, Nephrology Wing – Dallas, TX 2014 – Providence St. Vincent Medical Center, Pediatrics and Postpartum Units – Portland, OR 2014 – OHSU, Mother/Baby Wing – Portland, OR 2013 – Providence Willamette Falls Medical Center, Behavioral Health Unit – Oregon City, OR 2013 – Providence St. Vincent Medical Center, Postpartum/PICU – Portland, OR 2012 – Sacramento Elementary School – Portland, OR 2011 – Legacy Emmanuel Children’s Hospital – Portland, OR 2011 – Hermiston Headstart Center – Hermiston, OR 2010 – Providence St. Vincent Medical Center, Mother/Baby Wing – Portland, OR 2010 – Mulino Headstart Center – Mulino, OR 2010 – St. Vincent Providence Medical Center, Neonatal ICU – Portland, OR 2010 – Shriners Hospital for Children – Portland, OR 2009 – Shriners Hospital for Children – Honolulu, HI 2008 – Providence St. Vincent Medial Center, Radiology Department – Portland, OR 2007 – Durham Elementary School – Tigard, OR 2006 – Providence St. Vincent Medical Center, Pediatric Care Unit – Portland, OR 2005 – WillaKenzie Estate Vineyard – Yamhill, OR 2004 – Providence St. Vincent Medical Center, Pediatric Surgery Center – Portland, OR 2004 – OHSU, Buffalo Café – Portland, OR 2004 – Starbucks – Portland, OR 2003 – Salem Hospital, Maternity Wing – Salem, OR 2003 – Lewis & Clark College, Cooley House – Portland, OR 2002 – OHSU, Cardiac ICU – Portland, OR 2000 – Haggis McBaggis – Portland, OR 1999 – Westin Hotel – Portland, OR 1998 – Doernbecher Children’s Hospital – Portland, OR 1998 – OHSU, Hospital South, Portland, OR

ROSTERS 2011 – 2016 Oregon Public Art Roster 2010 – 2016 RACC Artist Design Team Roster, Portland, OR 2011 TriMet Shortlist Roster for Portland-Milwaukie Light Rail Project CARRIE BODLE Seattle, WA carriebodle.com

My work as a sound and visual artist explores our inherent experience of time, site, and material. The central method in my work is to use underlining systems of data translating them into evocative experiences. I am inspired by what art historian and critic Caroline Jones calls “interrogative practice with technology”. She describes this as “ work that repurposes or remakes devices to enhance their insidious or wondrous properties; available data translated into sensible systems”.

Translating inaudible or invisible phenomena into sensible experiences, I create a conversation between scientific research and its extension to the public through art. Buildings speak of scientific practice happening within, speakers become small mouths of histories and technological change, embroidery becomes a tangible, visual residue of spatialized sound derived from oceanographic data.

I have experience working with the public and in curating art experiences in public contexts. I have worked at the scale of architecture specifically for Oscillations and Sonification/Listening Up projects. With my large-scale installation artworks I have experience working with fabricators, structural engineers, and other professionals to realize complex art projects and have worked collaboratively on projects with artists, scientists, designers, and technologists. I feel well suited to work on public art projects in a variety of sizes and complexities.

Top to bottom: Tryon Creek: Walking/Listening/ Recording, September 2006-2007, Portland, OR; Bike Rack, 2013, Cambridge, MA; Waveforms, Harborview Eye Institute, 2010, Seattle, WA Carrie Bodle 187 37th Ave East, Seattle, WA 98112, USA [email protected] 206.369.0841 www.carriebodle.com Education

2005 Masters of Science in Visual Studies (SMVS), Massachusetts Institute of Technology, Visual Arts Program, Cambridge, Massachusetts 2002 Bachelor of Fine Arts with Distinction, The Ohio State University, Art and Technology Program, Columbus, Ohio

Selected Awards, Honors, and Residencies

2016 STart Transit (Washington) Public Art Roster Grand Prize Jury award, Giant Steps: Artist Residency on the Moon Exhibition, Seattle, WA

2015 Finalist, City of Seattle public art commission KEXP New Home Project

2014 City of Seattle Prequalified Public Art Roster

2013 Selected for SF Arts Commission Prequalified Public Artist Pool

2012 Washington State Public Art Roster

2011 State of Oregon Public Art Roster City of Seattle Public Art Roster

2010 City of Seattle 2010 CityArtist Award 4Culture Individual Artist grant Nominated for The Brink Award, Henry Art Gallery, Seattle, WA

2009 4Culture Public Art Roster 4Culture Individual Artist Washington State Arts Commission Americans for the Arts Conference grant

2008 Washington State Public Art Roster Rockefeller Foundation Bellagio Center Fellowship/Residency October 20 - November 20 One month residency with 12 international scholars in Bellagio, Italy. Preparations for “Sonification/Puget Sound”. Nominated for The Brink Award, Henry Art Gallery, Seattle, WA Semi-finalist Creative Capitol Grant

2007 Nominated for Contemporary Northwest Art Award, Portland Art Museum

2006 Henry Art Gallery and 911 Media Arts Center NewWorks artist residency and commission Friends of Tryon Creek State Park, Portland, OR, "Walking/Listening/Recording" commission

2005 MIT Office of the Provost, MIT Vice President for Research and Associate Provost, MIT Associate Provost for the Arts, MIT Department of Architecture, MIT Visual Arts Program, and the MIT Council for the Arts, Cambridge, MA, "Sonification/Listening Up", project funding

2004 MIT Council for the Arts "Oscillations" grant IBM Watson Research Center/Boston Cyberarts, Cambridge, MA, artist residency and commission

Selected Exhibitions, Public Artworks

2016 “Giant Steps: Artist Residency on the Moon”, King Street Station March 3–April 3, group exhibition

2014 “Public Space? Lost & Found”, MIT Media Lab, Cambridge, MA, April 18 – October 30, group exhibition

2013 “Sine Wave Bike Racks”, public artwork in Kendall Square, Cambridge, MA, commissioned by the City of Cambridge Public Art Program “METHODology”, Method Gallery, Seattle, WA, June 21 – August 3, group exhibition “Atmospheric Weather”, City of Settle Muncipal Tower, July 3 – August 13, group exhibition

2012 “Wavelines”, CoCA (Center on Contemporary Art), May 18 – July 14, 2012, solo exhibition “Tangible Competitive Intangibles”, Jacob Lawrence Gallery, University of Washington, School of Art, July 24 - August 4, group exhibition “SPUN: Artist Designed Bike Racks”, Cambridge Arts Council Gallery, Cambridge, MA, January 26 - March 9, group exhibition

2011 “Waveforms”, Indiana University Grunwald Art Gallery, October 14 – November 12, 2011, group exhibition “Forecast: Communicating Weather and Climate”, Washington State Convention Center, January 24 – April 9, group exhibition

2010 “Waveforms”, Harborview Eye Institute, Seattle, WA, October 28 – December 28, solo exhibit

2009 “Sewing Sonifications”, ArtSparks Westlake Park Public Art Initiative, City of Seattle Parks and Recreation Department, City of Seattle Office of Arts and Cultural Affairs, and 4Culture, Seattle, WA, October

2007 “Coupling V: Fifth Annual UW Strange Co. Show coupling UW students with Seattle-based artists”, collaboration with student Elizabeth Buschmann creating wave visualization and sound installation. Ouch My Eye Gallery, Seattle, WA, March 23-31

2006 “Walking/Listening/Recording”, commissioned 10-channel public art sound installation emerging from a trail in the Tryon Creek State Park. Sound layers form a dialogue between the visual and audible experience. Portland, OR, September 2006 - September 2007 “The Flattening and Opening of Space”, collaboration with painter Margie Livingston, 911 Media Arts Center, Seattle, WA, September - October

2005 “Sonification / Listening Up”, temporary 35-channel speaker public art installation across the south facade of I.M. Pei’s Green Building on the MIT campus emitting sounds of the ionosphere, realized in collaboration with MIT Haystack Observatory. Cambridge, MA, September 9 – 16 “Wiki Soundscape”, a system of sonic representations of activity on Wikipedia. Boston CyberArts Festival, DeCordova Museum, Lincoln, MA April 5 - 19 “Sounds from Astereoseismology”, international webcast on radioartemobile: transmissione live, February

2004 “Oscillations”, public art sound installation on MIT building facade, MIT Visual Arts Program Graduate Show, Cambridge, MA May “Oscillations II”, Creative Intelligence: New Work from the MIT Visual Arts Program, Location One Gallery, NYC May “Underground•Subterraneo: Under view of the Tijuana-US border”, collaboration with Lissa Martin, Otra/Another Ver 2.04 Academia, San Diego/Tijuana, April

2002 "Boltworks", video/sound site installation in historical bolt factory. Berry Brothers Bolt Works Factory, Columbus, OH, May 16

Selected Bibliography

2016 Upchurch, Michael. Art Critic. “Shoot the moon: Exhibit at King Street Station imagines art in space.” The Seattle Times (March 8, 2016) Flock, T.S. Art Critic. “Giant Steps’ Wants to Put Art on the Moon, But Should We?” Seattle Weekly (March 15, 2016) “Artists win $10,000 prize with moon ‘Wave Signs’ .“ UWB In the News: Main UWB website (March 9, 2016) 2012 Baumgarten, Mark. “CoCA Settles in the Design Center.” City Arts Magazine (June, 2012) pp. 18 2011 Stricherz, Vince. Science News and Information. “Scientists, artists collaborate to produce new art exhibit in Seattle.” UW Today (January 24 2011). 2006 Hackett, Regina. P-I Art Critic. "Theater, Fine Arts News." Seattle Post-Intellingencer (October 2006). Farr, Sheila. Art Critic. "New Works Lab experiments mix old and new." The Seattle Times (September 22, 2006) Interview. "Sonic Artist Fuses Art and Technology". Open Door, MIT School of Architecture and Planning, MIT Alumni Association. (July 2006) Van Buskirk, Audrey. "Green Living". Portland Tribune (September 12, 2006) Rossing, Thomas. Editor. "Acoustics in the news". Echoes: Acoustics Today Journal Spring 2006 Volume, quarterly. CCRMA Dept. of Music, Stanford University. 2005 "Discoveries: Sound Construction". The Boston Globe. (September 12, 2005). pp. C3 Gleitzman, Benjamin. "Rarefied Air Makes Noise at Building 54". The Tech (September 16, 2005). pp. 1 Lenssen, Anneka. "Sonification/Listening Up @ MIT (Blgd 54)". Big Red and Shiny Online Art Journal. (September 19, 2005) Heinemann, Lynn. MIT Office of the Arts. "Spotlight: Hear Sounds of the Ionosphere". Spotlight: Main MIT Webpage (September 13-16, 2005).

Academic Positions

2010-16 Full-time Lecturer at the University of Washington Bothell (current) 2006-13 Visiting Lecturer at the University of Washington School of Art 2004-5 Teaching assistant with Professor Joe Gibbons, Massachusetts Institute of Technology, Video Art

Publications and Presentations

2016 Glassbox Gallery, This May Not Work lecture series, Seattle WA. Artist Presentation, June 29 2015 Interactive Media Design Program, University of Washington Bothell. Artist Presentation. March 5 2014 MFA in Creative Writing and Poetics Program, University of Washington Bothell, Liveness Symposium. Moderated panel for artist Ann Hamilton. 2013 DxARTS 200 Digital Art and New Media Course, University of Washington, Seattle, WA. Artist Presentation. October 31 Comparative History of Ideas Program Faroe Island Study Abroad Class, University of Washington, Seattle, WA. Artist Presentation. July 6 Method Gallery, Seattle, WA. Artist Presentation. July 2 BISIA 319 Introduction to Interdisciplinary Arts Course, University of Washington Bothell, Bothell, WA. Artist Presentation. April 18 Henry Art Gallery, Seattle, WA. Faculty-led tour of Now Here is also Nowhere: Part II, DxARTS Program, University of Washington, Graduate Studio Class, Seattle, WA. Artist Presentation. April 12 MFA in Creative Writing and Poetics Program, University of Washington Bothell, Graduate Class, Bothell, WA. Artist Presentation. February 5 2012 Surrey Art Gallery, Vancouver, Canada. Sound Art Conference, Artist Presentation, October 21 Cornish College of the Arts, Seattle, WA. Our Creative Society: Beyond Art. Creative Thinking in Contemporary Culture Conference, “Art of Science”, Panelist and Artist Presentation, October 6 2011 ‘Sonification’, Site of Sound: Of Architecture and the Ear, Vol 2, edited by Brandon LaBelle & Claudia Martinho, Errant Bodies Press, Los Angeles/Berlin, Publication date: 2011 2010 Aspect Magazine: Chronicle of New Media Art, Engaged: 20 Years of the MIT Visual Arts Program, biannual DVD publication 2009 MIT Visual Arts Program, Artist Presentation to Graduate Studios 2008 Rockefeller Foundation Bellagio Center Artist Presentation Comparative History of Ideas, University of Washington, Artist Presentation on Sound and Visual Art 2006 Bodle, Carrie (2006): Sonification/Listening Up. Leonardo Music Journal Volume 16, annual. Noises Off: Sound Beyond Music. MIT Press: Cambridge, MA. Design Machine Group Lablunch series at the University of Washington School of Architecture. Artist Talk Visual Codec, Selected artist for “One Shot” Publication, Seattle, WA 2005 Presenter at IBM Research Headquarters, Artist Talk concerning sound as representation. Yorktown Heights, NY School of the Museum of Fine Arts, Sound Art Studio Class, Boston, MA, Artist Presentation

Professional Positions

2010-16 Reviewer for the Rockefeller Foundation Bellagio Center Award/Residency program (current) 2013 Selection Committee Public Art Panelist for 4Culture (King County Arts Organization) 2013 Selection Committee Panelist for City of Seattle Office of Arts and Cultural Affairs 2013-14 Selection Committee Panelist for The New Foundation, Seattle, WA 2009 Co-curator with Ingrid Lahti, ArtSparks Westlake Park Public Art Initiative, City of Seattle Parks and Recreation Department, City of Seattle Office of Arts and Cultural Affairs, and 4Culture, Seattle, WA, June-October 2007 Communications and Development Director, 911 Media Arts Center, Seattle, WA 2003 Artist Assistant, Ann Hamilton Studios, Columbus, OH, 2000-2003

CHRISTINE BOURDETTE Portland, OR christinebourdette.com

I am fascinated by the fluidity of public spaces, their daily and seasonal transformations, their activity of interchange as people gather and pass through. Much of my work in the public realm has been comprised of sequences of elements, episodic moments or markers that punctuate time or space as one moves, for instance, down a sidewalk or through a park. I pay careful attention to scale, both in relation to the surrounding context and in the ability of the work to engage with viewers of all ages.

Texture and tactility are important to me aesthetically as well as to encourage hands-on interaction with passersby. These projects in the broadest sense reflect a consideration of the textures of community, taking into account the cultural fabric of neighborhoods, the habitual rhythms of daily commutes, and the forms, materials and metaphors implicit in the surrounding city or landscapes. Primarily a sculptor, I have always drawn from a broad palette of materials and have worked with a variety of fabricators---bronze, stone, mosaic, steel, enamel, and glass---to realize my projects. I enlist whatever materials best fit the context and concept of a project, aiming for public engagement and local resonance.

IMy private studio practice of recent years also addresses ideas of fluidity and transformation, though from a different angle and in less physically durable ways. Metaphorically and literally, it reflects the textures, volatility and vulnerability of the land beneath our feet. Drawing is my main vehicle for these ideas, along with sculptural forms.

In the public realm, I would like to explore some opportunities where 2- and 3-dimensionality can intersect, potentially incorporating drawing, photographic and printing techniques not only as 2-dimensional work alone, but where it can be built up in 3-dimensional ways as well. Conceptually, the fluidity of time and place is an intriguing jumping-off point for thinking about how public spaces work, and has the potential to open up a new approach to materials. Practically, this approach might bring into closer alignment certain modes of practice I employ in my public and private work, still keeping in view the goal of public engagement.

I have a successful track record of working collaboratively with community stakeholders, project managers, architects, engineers and contractors---the nuts and bolts of public art work---and of successfully managing up to six-figure budgets on tight, and often fluctuating, schedules. Top to bottom: Cairns; (1 of 6), 2009, Transit Mall, Portland, OR; Circulations, 2007, Totem Lake Freeway Station, Kirkland, WA; Dust Devil, 2011, Othello, WA Christine Bourdette • Christine Bourdette Studio, LLC 503-550-0595 • 1801 NW Upshur St, Portland, OR 97209 • [email protected]

EDUCATION B.A. Art, 1974, Lewis & Clark College, Portland, OR

FELLOWSHIPS & AWARDS 2012 Caldera, artist residency fellowship (The Ford Family Foundation grant), Sisters, OR 2011 Ucross Foundation, artist residency, Clearmont, WY 2009 Jentel, artist residency, Banner, WY 2007 Caldera, artist residency, Sisters, OR 2001 Visual Artist Fellowship, Regional Arts & Culture Council, Portland, OR 1992 Bonnie Bronson Fellowship Award (first recipient), Portland, OR

SELECTED COMMISSIONS 2016 Towers of Burble, site-specific sculpture (in progress), Yesler Park, Seattle, WA 2015 Swans, site-specific sculpture (on hold), Carpenter Park, Cary, NC 2013 Snails, site-specific sculpture, The Fields Park, Portland, OR 2011 Dust Devil, site-specific sculpture, McFarland Middle School, Othello, WA 2009 Listening Trumpets and Nest, site-specific sculpture, Cooper Mountain Nature Park, Beaverton, OR 2009 Cairns, site-specific sculpture for three light-rail stations, Portland, OR 2008 Points of View, site-specific works for four light-rail stations, Tempe, AZ 2007 Circulations, sequence of eight sculptures along pedestrian walkway, Kirkland, WA 2006 Tree of Life, bronze doors for hospital chapel, Mercy Medical Center, Roseburg, OR 2005 Bloom Cycle, site-specific lobby sculpture for Columbia Center, Seattle, WA 2001 Time Flies, enamel wall panels for Airport light-rail station, Portland, OR 1998 Show and Tell, sculpture series w/ artist Larry Kirkland , Baptist/Nemours Children’s Hospital, Jacksonville, FL 1998 Gathering and Dispersal, site-specific sculptures for light-rail station, Hillsboro, OR 1997 Beside Ourselves, site-specific works for Juvenile Justice Center, Portland, OR 1991 Consumer Reliquaries, Lloyd Center Mall, Portland, OR

SELECTED COLLABORATIVE PROJECTS 2011 Childhood Star, stage design for dance, Oslund+Co. Dance, Portland, OR 2007 SKY, stage design for dance, Oslund+Co. Dance, Portland, OR 2005 Forgotten Memories, stage design for dance, Minh Tran Dance Co., Portland, OR 2003 Design Team, Sound Transit and Totem Lake HOV Access project w/ David Evans Associates and Washington State Department of Transportation, Seattle, WA Nocturnal Path, stage design for dance, Minh Tran Dance Co., Portland, OR 2001 Design Team, intermodal traffic mall w/ OTAK Architects, Portland and Corvallis, OR 1999 Five by Four with Twelve, stage design for dance, Minh Tran Dance Co., Portland, OR ‘98-2001 Design Team, Tri-Met Airport MAX, w/ artist Vicki Scuri, ZGF Architects, Bechtel and Port of Portland, OR ‘96-2007 Consultant, collaborator and muse for Bunnyheads (animated short film), Jim Blashfield Studio, Portland, OR; Jim Blashfield, director 1992 Stage property for Partitio, Kristy Edmunds, director, Portland, OR 1991 Moving Around and Telling It Still, set design & narrative collaboration with Ursula K. LeGuin and Judy Patton, Artquake festival, Portland, OR 1986 Common Nature, installation & performance, music by Dave Storrs and Mike Curtis; curated by Cristina DeGennaro, Portland Art Museum, Portland, OR SELECTED SOLO EXHIBITIONS 2016 Drawing to Planet Earth, Elizabeth Leach Gallery, Portland, OR 2014 Christine Bourdette, Caldera, Portland, OR 2013 Terra mobilis, Elizabeth Leach Gallery, Portland, OR 2010 Chart Room, Elizabeth Leach Gallery, Portland, OR 2008 Birds Eye View, Elizabeth Leach Gallery, Portland, OR Riddles, Bunnyheads, and Asides, The Art Gym, Marylhurst University, Portland, OR 2005 Small Universes, Elizabeth Leach Gallery, Portland, OR 2002 New Work, Elizabeth Leach Gallery, Portland, OR 2001 Fragile Circus, Elizabeth Leach Gallery, Portland, OR 1999 Sustenance, Elizabeth Leach Gallery, Portland, OR 1998 Drawing & Sculpture, Fairbanks Gallery, Oregon State University, Corvallis, OR 1997 Landscape of Desire (installation), Elizabeth Leach Gallery, Portland, OR 1996 Sculpture & Related Studies, Elizabeth Leach Gallery, Portland, OR 1995 Devices, Doohickeys and Thingumajigs, Tyler Museum of Art, Tyler, TX, and Klein Art Works, Chicago, IL 1994 Devices, Jamison Thomas Gallery, Portland, OR, and Kittredge Gallery, University of Puget Sound, Tacoma, WA 1993 Capacity (installation), Hoffman Gallery, Oregon College of Art & Craft, Portland, OR Sequences & Assemblies, Jamison Thomas Gallery, Portland, OR 1991 Vehicles, Jamison Thomas Gallery, Portland, OR 1990 …a thousand words (installation), Jamison Thomas Gallery, Portland, OR 1989 Klein Gallery, Chicago, IL 1988 Northwest Viewpoints, curated by John Weber, Portland Art Museum, Portland, OR 1987 Créatures, Galerie l’Aire du Verseau, Paris, France 1986 Common Nature (installation), Portland Art Museum, OR 1984/85 Since Olive’s Garden: Rites of Passage traveling exhibition: Alexandria Museum, Alexandria, LA; Trisolini Gallery, Ohio University, Athens, OH; Kirkland Gallery, Milliken University, Decatur, IL; The Art Gym, Marylhurst College, Portland, OR; Klein Gallery, Chicago, IL 1984 Installation and Small Works, Traver Sutton Gallery, Seattle, WA Great Expectations and Little Wrinkles (installation), Herron Gallery, Indianapolis, IN 1982 Olive’s Garden (installation), Klein Gallery, Chicago, IL Ex Post Presto (progressive installations) Franklin Bldg, Chicago, IL 1980 Spatial Exercises (installation), Portland Art Museum, Portland, OR Standing Target (installation), Contemporary Crafts Gallery, Portland, OR

PUBLIC COLLECTIONS Baptist/Nemours Children’s Hospital, Jacksonville, Florida Bonnie Bronson Collection, Reed College, Portland, OR City of Portland, OR (portable collection and public sculpture) Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR Milliken University, Decatur, IL Oregon Health & Science University, Portland, OR Portland Art Museum, Portland, OR Racine Art Museum, Racine, WI Sound Transit (Central Puget Sound Regional Transit Authority), Seattle, WA Tacoma Art Museum, Tacoma, WA Tri-Met Transportation Authority, Portland, OR University of Iowa Art Museum, Iowa City, IA Valley Metro Rail, Phoenix, AZ Washington State Schools Art Collection, Othello, WA and Kettle Falls, WA CAROLYN BRAAKSMA Denver, CO braaksmadesign.com

As a public artist I design art that is built for the public and belongs to the public. I consider myself to be a designer and maker of practical art since I design for enhancements that are incorporated into the construction process and are built by contractors without extraordinary effect on project schedule or budget.

I manage an inherently collaborative practice of balancing my ideas with the limitations imposed by engineering, architectural and funding concerns. My art-making is much less about the artist as individual and more about the artist as a tool to find the solution for the potential of a public space.

I typically research the history of a community – whether natural or cultural history – and gather input from the community to develop a concept for each public project. Every project is completely unique because of the special consideration of place; each place is specific unto itself.

Finding a practical and elegant way to express my ideas, to satisfy requirements of the specific site of the artwork, and to address budget considerations pushes me to find the perfect balance to bring a project to life.

From the seed of the basic art concept to the evolution of buildable details for those concepts, my role as a public artist centers on the process of problem solving and working within the constraints that fabrication and construction often present. My ultimate goal is to produce elements that engage the public and create a dialogue not only between the artwork and the physical site, but also among those who interact with the enhancements.

I have been a member of many design teams that include architects, engineers, landscape architects, project managers and community leaders, and I enjoy working in this collaborative atmosphere since it often leads to a more comprehensive design. Because most of my past projects have been integrated during the construction stage, it has been especially important for me to work closely with the design team to ensure that the enhancements fit within the constraints of the construction process and budget.

Top to bottom: Untitled, 2008-in progress, Tucson, AZ; Sananda Flores, 2015, Ft. Collins, CO; Silver Spring Gateway, 2009, Silver Spring, MD Braaksma Design Inc. ! Carolyn Braaksma 4444 Utica St., Denver, CO 80212 (303) 433‐1175, [email protected]! www.braaksmadesign.com !

EDUCATION Graduate work in Studio Art at University of Minnesota, Minneapolis, MN, 1987-1989 B.A., Magna Cum Laude, Metropolitan State College, Denver, CO 1980

SITE SPECIFIC AND PUBLIC ART COMMISSIONS In Progress: Bogert Trail Bridge, Palm Springs, CA. Enhancements for remodel of existing bridge includes forming and staining monuments, parapet and sidewalk.

Untitled, Charlotte, NC. Design for wall and bridge treatments integrated with construction for Charlotte Area Transit System LYNX Blue Line Extension project.

Untitled, Cary, NC. Design for monuments, railing and paving for Cary Downtown Park.

2015 University of Colorado at Colorado Springs. Design of terrazzo floor for the Roaring Fork Dining Hall.

2015 Sanando Flores, Ft. Collins Senior Center, Ft. Collins, CO. Design of room screen constructed from water jet cut aluminum sheet metal, mounted into a steel tube frame.

2013 Untitled, La Cañada Road, Tucson, AZ. Design of over 40,000 sq. ft. of concrete and cast concrete sound walls, median paving and railings. Transportation.

2012 Belardo Bridge, Palm Springs, CA. Project for the Agua Caliente Band of Cahuilla Indians. Enhancements include patterns and color for wing walls, tile on parapet and medallions for railing.

2011 En Avant, Minneapolis, MN. Artists’ roles include staining the wall, building trellises from recycled bridge deck, and landscaping.

2011 Basket Bridge, Palm Springs, CA. Project for the Agua Caliente Band of Cahuilla Indians. Includes, fencing for bridge, and bridge pier and slope pavement treatment. *Public Art Network Year in Review.

2011 Untitled, Tulsa, OK. Enhancements for highway sounds walls.

2009 Silver Spring Gateway, Chevy Chase, Maryland. Design of concrete and stone “upholstered” outdoor seating.

2008 The Face of the Community, Northside Aztlan Community Center, Fort Collins, CO. Design collaboration with architect and client for exterior walls, windows and floor enhancements for new community center.

2008 Honey Creek Resort, Appanoose County, IA. Design collaboration with Brad Kaspari, TSP Architects and DNR for indoor and outdoor features such as: fireplace, windows, and tile floor.

2008 Life Tapestries, Florida State University, Life Sciences Teaching and Research Building, Tallahassee, FL. Design of 2,000 ft2 terrazzo floor.

2007 Children’s Hospital at Fitzsimons, Aurora, CO. Collaboration with design team for schematic and final design of 19,000 square foot terrazzo atrium floor.

2006 Route 85 / US 101 Interchange project, City of Mountain View, CA. Artist designed imagery for 10,000 precast concrete facing panels for mechanically stabilized earth (MSE) walls. Collaboration among artist, community members, engineers, and architects.

! "! 2006 TREX, Denver, CO. Surface treatment of retaining walls and sound walls on Denver’s !Transportation Expansion Project of the I-25 Corridor.

2006 Two Ways, Bio-tech, Science and Engineering !(BSE) Building, University of Texas at San Antonio, Texas. Artist designed images for the atrium floor and balustrade panels. ! 2005 The Sky of Humankind, Minnesota State University Moorhead, MN. Artist designed 6,000 square feet terrazzo floor for the Science Building main lobby and central hallways.

2003 There Is No Other, Hollywood International Airport, Ft. Lauderdale, FL. Artist designed 8,000 sq. ft. of floor space in Terminal 1 Concourse B.

2003 What is the Cost of Raising a Child? Why Opportunity Works (WOW) Center in the Extension 4- H Youth Building, Iowa State University, Ames, IA. Design of terrazzo floor with hand-carved bronze inlays.

2003 Vivarium Subterraneum, Fort Collins, CO. Commissioned for design and fabrication of formliners for cast-in-place concrete retaining walls and bronze railing enhancements for bikeway underpass. Artist-artist collaboration.

2002 The Green, Charlotte, NC. Artist designed park centerpiece, a fountain plaza featuring three spouting fish as well as seating and paving.. Artist-artist collaboration.

2001 King Harvest, Frederiksen Hall, Iowa State University, Ames, IA. Artist designed various aspects of interior and exterior design includeing brickwork design of chimney and fireplace, cast stone inset in walls, and terrazzo floors designed in conjunction with Brad Kaspari.

2001 Drifting Beyond Control, San Diego International Airport, San Diego, CA. Twenty-four precast concrete panels below the glass enclosed corridor. Artist-to-artist collaboration.

2000 The Path Most Traveled, Scottsdale, AZ. Infrastructure project for 13 bridges, on/off ramps, bridge piers and eight miles of concrete sound abatement walls. Artist was member of design team, which included architect and landscape architect, to decide surface treatment of concrete sound walls, retaining walls for ramps, bridge piers and bridge abutments.

GRANTS, AWARDS 2012 Public Art Network, Year in Review for Basket Bridge. Fort Collins Urban Design Award for Vivarium Subterraneum. 2008 National Terrazzo and Mosaic Association Honor Award for Children’s Hospital at Fitzsimons 2008 National Terrazzo and Mosaic Association Honor Award for King Harvest. 2002 Crescordia Award for Special Achievement in Environmental Excellence and the President's Award for an art in public places project. Awarded by the Valley Forward Association of the Greater Phoenix Area in partnership with Honeywell for The Path Most Traveled.

PROFESSIONAL ADVISORY POSITIONS 2002-2007 Member of T-REX Art Committee, decision-making body for RTD T-REX Public Art Program, Denver, CO.

ARTIST RESIDENCIES 2013 CATS Artist-in-Residence, McColl Center for Visual Art. Charlotte, NC.

! #! JEAN BRADBURY Seattle, WA jeanbradbury.com

My large scale paintings of plants and animals are a celebration of the wonder and diversity of the natural world. I depict emotionally charged environments, often incorporating small and delicate flora and fauna painted to giant scale. My innovative use of metallic gold, aluminum and copper leaf reflects ambient light and can brighten a dark interior or a grey Pacific Northwest day.

My focus is to express a highly localized and specific interpretation of flora and fauna based on research of native plants and animals or on personal requests from clients. Often the resulting landscapes resemble dreams or memories of nature. My depictions of plants and animals have also translated well into the medium of painted and fired stained glass. I have also begun work on pieces to be produced in vitreous enamel for installation out of doors.

My years of experience with public art have left me comfortable meeting deadlines and managing budgets

I frequently work for the United Nations Culture branch (UNESCO) with a team of international development experts to bring art and culture to rural women through an empowerment project using textile design – a project I initiated. I am the founder of Studio Syria, an organization that brings art and education opportunities to Syrian refugees in Jordan and in this capacity I work with teams from many aid organizations and manage classes on the Syrian border as well as conducting outreach and fundraising.

Top to bottom: Seasons of Abundance, 2013, Macrina Bakery, Seattle; Tree of LIfe, 2012, Peace Health Cancer Center, Bellingham, WA; Wild and Tame, 2016, Belleview, WA JEAN BRADBURY www.jeanbradbury.com 1618-10 Ave W, Seattle, WA 98119 206 217 0031 [email protected]

Large Scale Commissioned Art Selected Exhibitions

KIRKLAND ART CENTER, Kirkland WA MURAL (ACRYLIC AND ALUMINUM LEAF) 2014 Group Show Eliot and Vine Restaurant, Halifax, NS, 2016 PORT ANGELES FINE ART CENTER, Port Angeles WA PAINTING (OIL ON CANVAS) 2014 Group Show Washington State Arts Commission Clover Creek Elementary School, Frederickson ADOBE GALLERY, Seattle WA 2014 Solo Show WA, 2014 MILLER’S ART, Carnation WA PAINTING (ACRYLIC AND ALUMINUM LEAF) 2013 Solo Show Macrina Cafe, Queen Anne, Seattle, 2013 LUCIA DOUGLAS GALLERY, Bellingham, WA 2011 Group Show PAINTING (ACRYLIC AND ALUMINUM LEAF) Starbucks, Taiyuan, China, 2013 CONFLUENCE GALLERY, Twisp, WA 2011 Group Show PAINTING (ACRYLIC AND “GOLD” LEAF) Peace Health St Joseph Medical Center, ARTS WEST, West Seattle 2010 AND 2011 Group Shows Bellingham, WA, 2012 WOODSIDE BRASETH GALLERY, Seattle PAINTING (OIL ON CANVAS) 2010-11 Group shows Ballard Pediatric Clinic, Seattle, 2012 ART IN THE ALLEY, Seattle 2009 Group Show MURAL (ACRYLIC AND “GOLD” LEAF) Starbucks, Kuwait City, 2012 EARTHUES GALLERY, Seattle 2007 Solo Show PAINTING (ACRYLIC AND COPPER LEAF) Macrina Bakery, Belltown, Seattle, 2012 INTERCONTINENTAL HOTEL, Amman, Jordan 2000 Group Show

THEATER BACKDROP Seattle Public Theater, 2011 Grants and Awards

THEATER CURTAIN CanCan Nightclub, Seattle, 2011 4CULTURE Individual Artist Project 2011 PAINTING (ACRYLIC AND ALUMINUM LEAF) Private Residence, Kirkland, WA, 2010 ARTIST TRUST Grant for Artist Project MURAL (ALUMINUM AND ALUMINUM LEAF) Macrina Bakery Headquarters, Seattle, 2009 2011

ARAMEX JORDAN SUSTAINABLITY Grant to conduct art workshops with rural women Education in the Jordan Valley. 2011, 2012 (ongoing) BFA (Hons) Queen’s University, Kingston, Ontario, 1985 METHOW VALLEY ARTS ALLIANCE Grant to conduct art workshops at Twisp Elementary School AAS, Graphic Design and Illustration with special needs children. 2011 and 2012 Seattle Central Community College , 2006 KENT ART’S COMMISSION Merrit Award 2011 BELIZE BROTHER Seattle, WA

My projects range from artworks that encompass an entire room or environment to those that exist as independent pieces. Many have involved collaboration with public entities, community groups, and design and construction professionals.

I am interested in how an idea or narrative can be expressed using elements of architecture; material, form, color, scale, and how the movement of light through space can be a dynamic and engaging expression of an idea.

My goal is to create artwork that can remain fresh throughout its existence. By responding to the natural changes around us I strive to make artwork that creates a moment in time, not once, but repeatedly throughout its lifespan. Working with light, time of day and change in season an artwork can continue to create a series of unique experiences that can be shared by many and felt personally by each of us.

Knowledge of the site, environmental as well as cultural, attention to the program and needs of the users, and a thorough understanding of the design elements can be the basis for an artwork that will be experienced on many levels.

I have worked on many design team projects and collaborated on many projects with other artists including works for performance, galleries and public art.

Top to bottom: return, 2003, Seattle City Hall; Flow, 2014, Tacoma, WA; Bloom, 2009, Everett, WA

Beliz Brother 3843 South Brandon Street Seattle, WA 98118-6161 206.465.2153 [email protected]

selected public collections & design team projects

2015 Washington State Capitol, 1063 Building, Olympia, WA, in progress

2015 Sound Transit East Link Light Rail Stations, Mercer Island, WA, in progress

2015 Public/Private Downtown Plaza, Palo Alto, CA, in progress

2015 ‘reflected past’ Tri- Met Light Rail, Public/Private Development, HIllsboro, OR, Walker/Macy Landscape

2014 Fort Worth Public Safety Training Center, Fort Worth, TX, in progress, Komatsu Architecture, in progress

2014 ‘flow’ Harned Ceter for Health Careers, Tacoma Community College, Tacoma, WA, NBBJ Architects

2013 ’build’ Arch LaCledes Metro Station, Eads Bridge, St Louis, MO

2013 ‘peloton’ McAlexander Fieldhouse, Oregon Sate University, Corvallis, OR, Yost Grube Hall Architecture

2011 ‘tilt’ Cheney Stadium, Tacoma, WA, sculpture and LED artwork, Belay Architects

2010 ‘pool’ LOTT Alliance Water Treatment Facility, Olympia, WA, sculpture, Miller Hull Partnership

2010 ‘our memory of the season’ Laguna Honda Hospital, San Francisco, CA, artwork for Alzheimer’s floors

2009 Vancouver Community Connector Project, Vancouver, WA. In progress – Collaborative design team with Gustafson, Guthrie and Nichol, Seattle, Allied Works Architecture, Portland, Arup Engineers

2009 ‘bloom’ Everett Community College, Everett, WA, sculpture and light installation. LMN Architects, America for the Arts Public Art Network Best Public Artwork of 2009 Award

2008 ‘bridge’ Harborview Medical Center, Seattle, titanium and LED light sculpture. NBBJ Architects

2008 ‘night blooming garden’ Phoenix Civic Center, light sculpture, Leo Daly Architects

2007 ‘water’ Medina, Washington. Private commission. BUILD Architects

2005 ‘illumine’ Seattle City Hall, glass sculpture created for City Hall, Bohlin Cywinski Jackson Architects, Gustafson Guthrie Nichol Site Design

2003 ‘lure’ University of Texas San Antonio, glass sculpture. Ford Powell & Carson Architects

2003 ‘return’ Seattle City Hall, sculpture and lead design team artist. Bohlin Cywinski Jackson Architects, Gustafson Guthrie Nichol Ltd, Site Design

2003 ‘continuum’ Seattle City Hall, sculpture and lead design team artist, Bohlin Cywinski Jackson Architects, Gustafson Guthrie Nichol Ltd, Site Design

2002 ‘lumen’ Seahawks Stadium, Seattle, light sculpture, Ellerbe Becket Architects and Engineers

1998 ‘origin’ The Tech Museum of Innovation, San Jose, CA, atrium sculpture, Ricardo Legorreta Architect, Mexico City

1998 ‘kao’ Akasaka Gakudo Center, Tokyo, JAPAN, sculpture for new children’s center

1997 ‘harborview pillows’ Harborview Medical Center, Seattle, sculpture for lobby courtyard of new hospital wing. Kaplan McLaughlin Diaz Inc. Architects

1997 ‘whirr’ & ‘aureole’ Bitter Lake Community Center, Seattle, design team & sculpture, Fukui Architects

1996 ‘album of our conscience’ Seattle Opera House, Seattle, site-specific sculpture for lobby

1996 ‘touch’ Swedish Hospital, Seattle, permanent sculpture created for new lobby. NBBJ Architects, Seattle

1996 ‘clock tower’ Rainer Community Center, Seattle - design team & sculpture, Canatsy Architecture

1996 ‘prophet’ & ‘schema’ Meadowbrook Community Center, Seattle - design team & sculpture, Arai/Jackson Architects

1996 ‘culture & agriculture’ Holly Park Housing Community, Seattle, model market garden with residents of Seattle public housing project

1994 ‘kuba grille’ Garfield Community Center, Seattle – design team & sculpture, Miller Hull Partnership

1994 ‘gathering wall’ & ‘trophies’ Delridge Community Center, Seattle – design team & sculpture, Boyle Wagoner Architecture

1992 ‘boushay solarium’ Aids Housing Of Washington, Seattle, solarium design and sculpture in collaboration with artist Mary Ann Peters, Bumgardner Architects

1990 ‘shared site’ Goodwill Games Arts Festival, Seattle, sculpture

1991 ‘lunasphere’ Pier 61, Seattle, sculpture Beliz Brother page 2

awards & honors 2010 America for the Arts Public Art Network Best Public Artwork of 2009 Award 2001 National Endowment for the Arts Millennium Arts Project “Artists & Communities: America Creates for the Millennium” 2000 Distinguished Alumni Award, Prescott College, Prescott, AZ 1998 National Endowment for the Arts Japan Fellowship, Japan - U.S. Friendship Commission Creative Artist Fellowship 1997 Headlands Center for the Arts, San Francisco, Bridge Fellowship 1995 National Endowment for the Arts Visual Arts Grant 1995 Art Matters, Inc. Fellowship Award 1994 Arts International & Lila Wallace Reader’s Digest Fund International Artist Fellowship, Indonesia 1993 Western States Arts Federation Distinguished Work in Sculpture Award 1993 Artist Trust of Washington GAP Grant 1991 Seattle Arts Commission, Northwest Major Works Award 1991 Art Matters, Inc. Fellowship Award 1990 Artist Trust of Washington Design Fellowship Award 1990 Northwest Institute of Architecture & Urban Studies, Rome Fellowship 1990 Adolph and Esther Gottlieb Foundation Award, New York 1989 National Endowment for the Arts InterArts Award 1989 Allied Arts Foundation of Seattle Project Award 1989 Artist Trust of Washington State GAP Grant 1988 Pilchuck Glass Center, John Hauberg Award 1987 National Endowment for the Arts / Rockefeller Foundation Interdisciplinary Project Award selected solo exhibitions 2009 ‘models for recent projects’ Russell Day Gallery, Everett, WA

2001 ‘woven light’ The National Japanese American Museum, Los Angeles, CA, Karen Higa, Curator

2001 ‘new work’ Rockingham Arts and Museum Project, Bellows Falls, VT, artist in residence exhibition

1998 ‘gathering’ The International House of Japan, Tokyo, JAPAN solo exhibition

1998 ‘the face of moriya’ Wacoal Art Foundation, Spiral Building, Tokyo, JAPAN & ARCUS Studio Moriya, Ibaraki Prefecture

1995 ‘witness’ Seattle Art Museum, Seattle, solo exhibition, Patterson Sims, Curator

1993 ‘welling’ Fuel Gallery, Seattle, solo exhibition

1993 ‘plumbum’ Northwest Institute of Architecture and Urban Studies in Italy, Seattle

1992 ‘count’ New Langton Arts, San Francisco, CA solo exhibition, Renny Pritikin, Curator

1992 ’22 adagio’ Artist Initiated Project, Washington DC & Seattle, sculpture installation and series of cello performances to remember war in Sarajevo. 22 public places such as the Holocaust Museum, US Senate Rotunda, Red Cross Headquarters 1991 ‘count’ Center On Contemporary Art Seattle, solo exhibition

1991 ‘trace’ Art Gym, Portland, OR, invitational exhibition, Terri Hopkins, Curator

1991 ‘moving light: seeing and believing’ Kohler Art Center, Sheboygan, Wisconsin, Nathan Braulick, Curator

1987 ‘glance’ 911 Contemporary Media Center, Seattle, sculpture installation selected group exhibitions 2009 ‘box’ Moore Inside Out, Seattle, sculpture installation

1998 ‘citizen’ Global Cultural Center, Tokyo, JAPAN, SOMAR Art Gallery, San Francisco, CA

1998 ‘expanding environment’ Brunnier Art Museum, Ames, IA, invitational exhibition, Ingrid Lilligren, Curator

1991 ‘interactions’ Philadelphia Institute of Contemporary Art invitational exhibition, Judith Tannenbaum, Curator

1986 the distance from my heart to my soul’ Henry Art Gallery, University of WA, Seattle, Chris Bruce, Curator PEG BUTLER Portland, OR

My work is integrated, conceptual and often functional. As a systems thinker and artist, I consider and analyze interrelated components to understand how one thing effects the next. I work to understand human behavior in the context of ingrained habits and ways of thinking and often attempt to encourage change and tipping points that lean in the direction of healthier people, places and practices; educating by planting seeds of ideas as opposed to being obvious.

I like to explore subtle ways to acknowledge that people are a part of nature and that feeling a kinship to all life is an act of enlightened self-interest. I’m interested in pursuing more art in urban places that can inspire a sense of connectedness to nature and each other, and am continuing to work on projects that integrate social and ecological principles, processes and issues.

I’m a placemaker. I like to consider how a place works, and how it feels to be there. I’m sensitive to the requirements of sites: environmental considerations, view corridors, circulation and other needs. These practical elements add interesting puzzle pieces that fuel ideas. I’m drawn to reusing and repurposing materials, weaving them with metaphors and utility. The choice of materials for projects is entirely dependent on the place and the conceptual intent. I love the mixing of parameters and inspiration, of connectivity and gritty authenticity, of storytelling, hint- dropping and encouragement. I love the magic of ideas that come out of nowhere once the mixture gets stirring.

And that’s how I’d like to advance my work--I’d like more project opportunities that allow the creative exploration of environmental and social issues in public settings. One of the great benefits of public art is that it’s not in a gallery where only a small group will interact with it. It’s out there being stumbled upon, potentially sowing seeds like our friend the dandelion (a plant that is beneficial as a detoxifier). I like to work both independently and with other people; whether that be with a local community, design team members or other artists; to further the creative, functional and sustainable aspects of projects.

Working in collaboration on public art projects for over ten years and as an associate designer in architecture and landscape architecture offices prior to that, I have played an array of artistic, design and project management roles on diverse complex projects and can relate to the varied perspectives and priorities of people in these fields. I am able to see the big picture as well as understand and attend to details. I’ve worked on art plans and other types of environmental documents Top to bottom: Dekumstruction 2 (with Buster Simpson), 2012, Artists can provide a perspective that leads to innovative Portland, OR; Mountainhood, 2015, Portland, OR; Cradle (with team thinking, I’m interested in representing the varied lot Buster Simpson), 2015, South Waterfront, Portland, OR of us in the early stages of project development. PEG BUTLER

EDUCATION

MLA / BLA Landscape Architecture, University of Oregon, Eugene BA Geography/Linguistics, University of Massachusetts, Boston

ART, DESIGN AND PROGRAM MANAGEMENT

ART INSTALLATIONS Mountainhood / Rain Garden and Stormwater Art. Portland, OR, 2015. Integrated art & downspout disconnection/rain garden installation. NE Martin Luther King Jr Blvd & NE Shaver. Community Watershed Stewardship Grant funded. Client: Micro Enterprise Services of Oregon.

People Blind ‐ Prospect and Refuge / Portland Building Temporary Installation. Portland, OR, Feb‐ March 2015. Conceptual installation provides opportunity to observe people as nature, from behind a blind. Natural materials and repurposed objects. RACC funded and managed.

Orange Lining / Portland to Milwaukie Light Rail Public Art. Portland, OR, 2015. Temporary and permanent alignment‐wide installations. Co‐artist/project manager/writer, with Buster Simpson. Materials: orange silt fabric, India ink, Concrete, aluminum letter stamps. Client: TriMet. www.orangelining.net

Cradle / South Waterfront Greenway Public Art. Portland, OR, 2015. Installation weaves culture, ecology and site history. Collaborating artist/project manager, with Buster Simpson. Materials: cedar trees, concrete, wire rope. Client: Portland Parks and Recreation (PPR).

HELLO / Temporary Installation. Frye Museum Seattle, WA, 2013. Conceptual installation integrating ecological thinking and human interaction. Materials: found and repurposed objects used to instigate interaction between museum visitors.

Dekumstruction /Art‐Stormwater‐Bike Corral. Portland, OR, 2012. National award‐winning project. Installation integrates environmental concepts and multi‐functionality. Co‐artist/project manager with Buster Simpson. Materials: stainless steel tubing, halved oil barrels, , plants, hue‐changing paint. Clients: Portland Bureau of Environmental Services (BES), Portland Bureau of Transportation (PBOT), and the Regional Arts and Culture Council (RACC).

Bucket Brigade. Portland, OR, 2009. Stormwater Art. Stainless steel installation conveys stormwater from roof downspout to a series of planted buckets and on to a trough and constructed wetland. Concept relates to the idea of working together toward a common goal. Co‐ artist/project manager with Buster Simpson. Client: East Multnomah Soil and Water Conservation District.

The Other Portland, Art & Ecology in the 5th Quadrant, Portland Art Center, 2007. Group Gallery Show, Temporary Installation. Three conceptually connected installations, each told a dysfunctional ecological story relating to the superfund site along the Willamette River in North Portland. Materials: found along the river and other repurposed elements.

Art and Placemaking with Schools

Jefferson High School, Portland, OR, 2010. Edible school garden development with special needs class. Visioning, Teaching, construction and planting. PEG BUTLER

Ockley Green K‐8 School, Portland, OR, 2007‐2008. Artist and project manager. Wrote and received multiple grants for school projects. Developed project support; revived school’s native plant and vegetable garden; produced outdoor installations and art elements with students, faculty and community. Taught after‐school garden class.

Beaumont Middle School, Portland, OR, 2008. Sustainable Courtyard Project. Design team member to develop multifunctional, stormwater garden and courtyard.

Lewis Elementary School Eco‐structure, Portland, OR, 2007. Designed and provided construction documents for an outdoor classroom with ecoroof. Built with volunteer labor.

DaVinci Middle School, Portland, OR, 2000‐2001. On team to develop artistic/innovative stormwater garden in old tennis court at school site. Led workshops on ecological/social art.

DESIGN AND PLANNING Lando and Associates Landscape Architecture, Portland OR, 2009 to 2010. Associate designer and project manager.

Eric Lloyd Wright Architecture and Planning, Malibu CA, 2001 to 2005. Associate designer, green building specialist, project manager.

Sustainable Systems Design, Portland, OR, 2000. Project assistant.

Portland Parks and Recreation, Portland, OR. 1998 to 2000. Trail planner/consultant.

PROGRAM MANAGEMENT Black Dog Art Ensemble, Portland OR, Current. Program director of public benefit corporation that explores contemporary environmental and social issues through the creative arts by producing and supporting place‐based art experiments in ecology and culture.

Wright Organic Resource Center, Malibu, CA, 2001 to 2005. Program director of environmental/art non‐profit.

HOPES EcoDesignArts Conference, University of Oregon, Eugene, OR, 1994‐1998. Co‐founder, co‐ chair and coordinator. ED CARPENTER Portland, OR edcarpenter.net

Since 1973 I have participated in more than 100 large collaborative public art commissions in the U.S. and abroad. I try to respond freshly to each circumstance discovering technique and meaning within the context. Recent commissions not only involve many different materials, but also both indoor and outdoor sites, gateway sculptures and towers, pedestrian and freeway bridges, a garden pavilion, fountains, and many types of lighting. All of my projects involve night lighting, sometimes programmed for kinetic effects, to insure a strong 24 hour presence. My real fascination is in the challenge of each new situation, not in any one material or approach.

A common thread running through all my work, whether for indoor or outdoor sites, is that it is simultaneously technological and sentient, engineered and organic, mechanical and botanical. This dualism makes it especially suitable for settings where contemporary aesthetic and humanistic values must be expressed simultaneously. In general, I find myself addressing the heart, the eyes, and the mind, in that order. I believe my most important role is in helping create conditions that can make a site even more compelling than it would otherwise be. At the same time, I pride myself on a high level of technical competence in budgeting, scheduling, and management of large projects.

I am fully involved in every aspect of every phase of each project and am supported by my staff in such a way that we can produce high quality drawings and presentations. We employ a variety of modeling and rendering programs that allow us not only to create documents that are compatible with those of our consultants, but also to produce striking and realistic visualizations. We have extensive experience in collaborating with design teams and managing large projects. We work closely with a variety of consultants and sub-contractors who are committed to helping achieve a very high level of excellence, efficiency, and originality.

Collaborating with designers, planning committees, consultants, and community groups is standard procedure on most of my public work. Successful collaborating calls for an intense state of listening and observation as well as active leadership.

Top to bottom: Ascendus, 2012, Charlotte-Douglas International Airport; Mollie’s Garden, 2014, Forest Grove Library, OR: Foxglove, 2014, University Hospital, San Antonio, TX

ED CARPENTER, ARTIST, 1812 NW 24th Avenue, Portland, Oregon 97210 Telephone: (503) 224-6729; FAX: (503) 241-3142; [email protected] www.edcarpenter.net Born: Los Angeles, California, 1946 Education: University of California, Santa Barbara 1965-66, Berkeley 1968-71

Selected Bridge and Exterior Public Commissions 2016: TAICHUNG NEW CITY PARK, TAICHUNG, TAIWAN, Exterior Sculpture 72' x 20'. 2015: MESA LIGHT RAIL, MESA, ARIZONA, Station sculpture, 35’ x 25’ x 8’ 2012: BROADWAY VIADUCT, COUNCIL BLUFFS, IA, Bridge Gateway, 76’ x 99’ x 34’ 2012: CHARLOTTE-DOUGLAS INTERNATIONAL AIRPORT, CHARLOTTE, NC, Entrance sculpture, 60’ x 16’ x 16’ 2008: FRED HUTCHINSON CANCER RESEARCH CENTER, SEATTLE, WA, Plaza sculpture, 60’ x 39’ x 39’ 2006: PORTLAND STATE UNIVERSITY, MASEEH COLLEGE OF ENGINEERING, Plaza sculpture, 200’ x 40’ x 40’ 2006: REDMOND CITY HALL, REDMOND, WASHINGTON – Exterior/interior entrance sculpture , 170' x 45' x 20' 2005: JOHN A. BURNS SCHOOL OF MEDICINE, HONOLULU, HI – Exterior sculpture, 72’ x 143’ x 31’. 2004: GOLDEN SPRINGS INDUSTRIAL PARK, LOS ANGELES COUNTY, CALIFORNIA - Gateway sculpture, 60’ x 45’ x 10’ 2001: BALLONA CREEK PEDESTRIAN BRIDGE, CULVER CITY, CALIFORNIA (unbuilt) 2000: FISHBIRD PEDESTRIAN BRIDGE for airport light rail station, PORTLAND, OREGON, 155' x 14' x 22' 2000: SAN ANTONIO CONVENTION CENTER PEDESTRIAN BRIDGE, SAN ANTONIO, TEXAS - 12' x 140' (unbuilt) 1998: DEAN SCIENCE BLDG., CENTRAL WASHINGTON UNIVERSITY, ELLENSBURG - Atrium bridge sculpture, 40' x 20' x 20' 1997: CAVE CREEK PEDESTRIAN BRIDGE, PHOENIX, ARIZONA - 220' x 10' x 36' 1992: CITY HALL PLAZA, ORLANDO, FLORIDA - 60' Stainless steel and glass tower

Selected Interior Public Commissions 2015: WICHITA AIRPORT, WICHITA, KANSAS, Interior sculpture, 64’ x 360’ x 25’ 2014: FOREST GROVE LIBRARY, FOREST GROVE, OR, Entry lobby sculpture, 32’ x 24’ x 24’ 2013: ANN ARBOR JUSTICE CENTER, ANN ARBOR, MI, Lobby sculpture, 40’ x 20’ x 12’ 2012: MCCARRAN INTERNATIONAL AIRPORT, TERMINAL 3, LAS VEGAS, NV, West window 70' x 52', skylight 33' x 32' 2011: BRODY HALL MICHIGAN STATE UNIVERSITY, EAST LANSING, MI, Atrium Sculpture, 94’ x 30’ x 30’ 2010: RALEIGH-DURHAM INTERNATIONAL AIRPORT, RALEIGH, NC, Interior sculpture, 86’ x 78’ x 51’ 2006: SKY HARBOR, PHOENIX, AZ - Design consultant for $250,000,000 airport facility, 800’ x 25’ art wall & several skylights of various sizes 2004: U.S. COURTHOUSE, SEATTLE, WASHINGTON - Interior sculpture, 55’ x 98’ x 26’ 2004: UCSD, SCHOOL OF MEDICINE RESEARCH FACILITY – Atrium sculpture, floor, & benches, 28’ x 28’ 50’ 2003: RICHMOND CONVENTION CENTER, RICHMOND, VA – Pedestrian bridge walkway sculpture, 100’ x 16’ x 24’ 2003: DALLAS CONVENTION CENTER, DALLAS, TEXAS - Lobby light sculpture, 60' x 800' 2001: MEMPHIS, TENNESSEE CENTRAL LIBRARY - Atrium sculpture, 60’ x 36’ x 15’ 2001: HOUSTON, TEXAS, GEORGE BUSH INTERNATIONAL AIRPORT, North concourse sculpture, 78’ x 40’ x 15’ 1999: HOKKAIDO SPORTS CENTER, SAPPORO, JAPAN - Entry pavilion sculpture, 52’ x 49’ 1998: SHIHO-SHOSHI LAWYER ASSOCIATION BUILDING, TOKYO, JAPAN - Suspended sculpture, 25’ x 25’ x 10’

Selected Corporate Commissions 2014: UNIVERSITY HOSPITAL, SAN ANTONIO, TX, Lobby sculpture & Terrazzo flooring, 46’ x 30’ x 15’ 2002: WELLS FARGO TOWER, DENVER, CO - Atrium sculpture, 118' x 48' x 90' 2001: SAFECO CORPORATE HEADQUARTERS, REDMOND, WASHINGTON - Lobby sculpture, 46’ x 60’ x 24’ 2000: 520 NORTH MICHIGAN AVENUE, CHICAGO, ILLINOIS - Entry lobby sculpture, 72' x 49' x 37' 1999: STERLING COMMERCE BUILDING, DALLAS, TEXAS - Lobby sculpture, 32’ x 32’ x 25’ 1994: RENAISSANCE TOWERS, LOS ANGELES, CALIFORNIA - Lobby windows, 130 sq. ft. 1993: BOEING CORP., SEATTLE, WA, with Michael McCulloch & John Rogers-Theatre lobby sculpture, 140' x 60' x 30' 1992: 1251 ROCKEFELLER CENTER, NEW YORK CITY, NEW YORK- Lobby transom windows, 7' x 100' each

Selected Church Commissions 1997: ST. MARK'S CATHEDRAL, SEATTLE, WASHINGTON - Monumental screen and rose, 60' x 32' x 4'

1988: CONGREGATION NEVEH SHALOM, PORTLAND, OREGON - Ark doors and aisle windows, 4' x 10'

Selected Publications 2013: FARBLICHTSPIEL, Dichroic Glass in Fine Arts and Architecture, Prinz Optics GmbH 2012: INTERNATIONAL NEW LANDSCAPE, X-Color Publishing International, China, Sept/Oct, #41, Volume 7 2011: INTERNATIONAL NEW LANDSCAPE, X-Color Publishing International, China, Sept/Oct, #35, Volume 6 2011: Public Architecture: The Art Inside, Curtis Fentress, ORO Editions 2009: ILUMINET internet lighting review, Mexico, February 2009: AMERICAN CRAFT, Feb/March 2008: l’ARCA, Milano, Italy, #240, October

Ed Carpenter, page 2 of 2 Selected Publications, continued 2007: DOSSIER LIGHTECH, Italy, April 2006: AMERICAN CRAFT, Aug./Sept. 2005: GLASS MAGAZINE, August 2005: FLARE, Architectural Lighting Magazine, Italy, No. 38, April 2005 2004: THIS SIDE UP!, Autumn 2004 2004: ARCHITECTURAL RECORD, May 2004: l'ARCA, Milano, Italy, #191, April 2003: COLORFULNESS, Beijing, China, March 2003: GLASS ART, January/February 2002: Reflections on Glass, 20th Century Stained Glass in American Art and Architecture, American Bible Society 2002: Designing the World's Best Public Art, The Images Publishing Group Pty Ltd 2001: PUBLIC ART REVIEW, Spring/Summer 2001: Breath of Light, Ed Carpenter, l'Arca Edizioni Publishers

Awards 2007: Americans for the Arts Public Art Network 2007 Year in Review for TECOTOSH 2004: Special Achievement Award for the Seattle US Courthouse, US General Services Administration, Seattle, WA 2001: Architectural Foundation of Oregon Honored Citizen of the Year Award, Portland, Oregon 1999: Federal Highway Administration Excellence in Highway Design for "Grasshopper Bridge," Phoenix, AZ 1994: Design Citation, American Institute of Architects (New England Region), University Center, Rochester, MN 1989: Solomon Schechter Fine Art Award for Congregation Neveh Shalom Ark doors 1989: Governor's Commendation "The Making of Mainstreet: A Design Workshop for Government Camp" 1985: Portland Beautification Association Honor Award for the Justice Center Great Window 1975: E.B. Webster Award, Contemporary Crafts Association, Portland, Oregon 1973: Michael Hattrell Award for study of stained glass in modern architecture, from Burleighfield Association, Buckinghamshire, England

Grants 1984: National Endowment for the Arts Fellowship 1977: Western States Arts Foundation Fellowship 1976: National Endowment for the Arts Master Craftsman Grant 1975: Graham Foundation for Advanced Studies in the Fine Arts, grant for study in Germany with Ludwig Schaffrath

Selected Professional Activities 2007-2014: Member Urban Design Advisory Group, Columbia Crossing Project, Oregon/Washington 2005-present: Board of Trustees, Midland School, Los Olivos, California 2000-2010: Chair, Edelman Lecture Committee, Pacific Northwest College of Art. 1999-2004: Swallowtail School, Hillsboro, OR (k-8), Board Chair. 1985-89: Metropolitan Arts Commissioner, Portland, Oregon. Founder, Public Art Advisory Committee 1983-86: Board of Trustees, American Craft Enterprises, Chairman 1982-86: Board of Trustees, American Craft Council, Vice-President 1975-79: Board of Trustees (Chair of Building Committee during construction of new campus), Oregon School of Arts and Crafts 1972-74: Board of Trustees, Hillside Center Artist's Cooperative

Training 1975: Studied large architectural glass design with Ludwig Schaffrath, Aldsdorf, West Germany. 1973: Studied stained glass design and technique with Patrick Reyntiens, Buckinghamshire, England. 1969, 1973, 1975, 1982, 1987, 1993: Visited factories, installations and artists throughout Europe. 1958-1963: Summer Apprenticeships Neutra & Alexander Architects, Los Angeles, California JEANINE CENTUORI and RUSSELL ROCK Los Angeles, CA urbanrockdesign.com

Our works make various connections with their immediate environments, programs, and building functions. Throughout the process, we work with the inter-related threads of form, material, and theme. We perform intensive research and analysis in the initial stage of the project in order to find relevant themes. These themes are often intermixed to create layered conditions. Our approach balances subtlety with whimsy.

Another of our technical strategies is to work with embodied experience. Our public art projects weave perception, narrative, and the meanings of site together with graphics- imbedded materiality. The artwork uncovers alternate meanings through shifts in perception, scale, and imagery. A variety of techniques are employed that are synchronized with the viewer’s speed of movement and/or point of view. Embodied experience linked with ephemeral and invisible dimensions of place yield visceral and continued interest in repeat viewings.

In developing our work, we would like to delve deeper into perceptual strategies with a broad array of material and formal techniques. We also would like to push our three- dimensional form making toward greater impact for place making and field projects that employ multiple components. We see this next phase in our work as exploring a greater range of perceptually charged strategies, testing a wider range of materials, and employing more three-dimensional place making tactics.

The studio has a successful track record of urban-sited and integrated public artworks in multiple cities with municipal, non-profit, and private clients. The studio has also completed public art plans for arts agencies. We have worked with professional teams comprising engineers, landscape architects, architects, urban planners, public arts agencies, and governmental groups. We have worked as design team members with architects and landscape architects from the conceptual stages all the way through installations of projects. We value the interactive nature of design teams and relish working with a range of professionals and communities,

Top to bottom: Conditional Reflections, 2008, Denver, CO; Tunnel Vision, 2016, Los Angeles, CA; Setting the Tables, SBX E Street Corridor Bus Rapid Transit, San Bernardino, CA UrbanRock Design 670 Moulton Avenue, #7 Los Angeles, CA 90031 323 227-0955 (t) 323 227-0446 (f) EDUCATION

Russell Rock MFA, Painting, Wayne State University, 1987. BA, Art & English, Alma College, 1976.

Jeanine Centuori M.Arch, Cranbrook Academy of Art, 1991. B.Arch, The Cooper Union, 1983.

Licenses California Architecture License #C-28180 New York Architecture License #024135 LEED Accredited Professional

UrbanRock Design, founded in 2000, is an interdisciplinary practice focusing on public art and environments. The studio has a practice of both built projects and theoretical publications and that range from discrete environments to linked installations. The studio is registered as a Small Business and a Woman Owned Business with the State of California.

PUBLIC COMMISSIONS

Inside Outside Commission for Public Art façade project located at Nebraska History Museum, Lincoln, NE. Lincoln, NE, 2016 $52,000

City of Calgary, Alberta Comprehensive Public Art Master Plan for future Green Line Southeast Transit Line defining GL-SE Transitway Public Art creative opportunities for artistic expression and overarching context to tie projects together. Master Plan, in progress $30,000

Greensboro Downtown Community engagement charette planning session sponsored by the SmART Initiative Master Art Plan charette, 2014 Steering Committee and ArtsGreensboro, Greenboro, NC. $2750

Setting the Tables, 2014 Public Art for Three Transit Stations. Project involves six art glass panels and concrete pavers. San Bernardino, CA Project in situated in an entertainment zone. The project employs a permanent glass printing $100,000 process.

Grant Road Public Art Plan, 2011 This five-mile Public Art Plan works in conjunction with a major road-widening project. UrbanRock Tucson, AZ Design was the Public Art Plan consultant, and worked with Tucson Pima Arts Council, the City of $40,000 Tucson, the Engineering firm, an Urban Design firm, and a Public Relations Firm.

Across the Market, Below the Sky, This is a plaza design for a downtown redevelopment that has several architectural and image Up the River, 2010 imbedded components referencing the flora, fauna, and culture of Redding. $85,000

Looking through the Past, 2010 A series of six imagery imbedded aluminum panels are strung along the outdoor area of theTempe Tempe, AZ History Museum bringing a snap-shot of the museum collection into the public realm. $75,000

Rethinking Accessibility, 2010 This speculative grants-funded art and design project proposed creative solutions for the integration $20,000 of accessible features in public space. Funded by the National Endowment for the Arts. It resulted in a publication. Conditional Reflections, 2008 This integrated public art façade and courtyard project was closely coordinated with Semple Brown Denver, CO Design (architects) and the landscape architect. The client was the Park Creek Metropolitan District $75,000 for the Stapleton community.

Gateway to Hollywood, 2005 - 15 This public art median island design was commissioned by the Yucca Corridor Coalition, a Hollywood, CA neighborhood association. The Los Angeles Department of Water and Power served as the $150,000 engineering team. In 2015, a neighborhood group raised funds to light the tower sign.

Noguera Educational Garden, 2005 This educational art garden was designed for school children and residents. It was commissioned Hollywood, CA. by the Police Activities League. $90,000

Finding Public Space in the This a speculative grants-funded design project proposed creative solutions for public art Margins, 2003 interventions in tight urban marginal spaces. It resulted in a publication. Funded by the National Hollywood, CA Endowment for the Arts, the Graham Foundation, and others. $32,000

Oasis town plan. 2003 This urban design and public art plan was a 40-acre development in association with Integrated Coachella Valley, CA Infrastructures, Inc. for the Desert Area Community Empowerment. (architects). $20,000

Faux Grove, 2001 This temporary public art installation was installed as an entry feature for Angel’s Gate Cultural San Pedro, CA Center. $4000

EcoStations, 2002 This series of public art educational stations were commissioned by the non-profit organization Los Angeles, CA TreePeople, and were located along the trail system in Coldwater Canyon Park. $90,000

Formation, 2000 This public art demonstration element doubled as a retaining wall for Coldwater Canyon Park. It Los Angeles, CA was done in conjunction with a design/build educational program for at-risk youth. $15,000

Scopes, 1998 This temporary exterior billboard installation was a competition commissioned for the gallery Ferndale, MI Revolution. $1000

Art Master Plan, 1998 This master plan was created for a series of permanent installations for Cleveland School of the Cleveland, OH Arts. Coordinated and oversaw the design and implementation of several public art projects for $2000 this Middle School.

Temporary Urban Garden, 1998 This temporary project for the Cleveland School of the Arts was completed in conjunction with a $1500 workshop that was offered to middle school children. It helped to garner funds for the permanent Garden that was installed on the site.

Doughboy Plaza, 1996 This plaza was designed for the siting of a monument in front of Stow City Hall. Stow, OH $10,000

Neighborhood Initiative,1996 This project was commissioned by Cleveland Public Art and was funded by an Ohio Arts Council Cleveland, OH grant. It was a series of public art proposals for urban spaces by a group of invited artists. $2500 SUSAN CHORPENNING Altadena, CA susanchor.com

My main work has been creating site-specific installations using light, often classified into two groups, Light Rooms and Dark Rooms. Even though they are called "Rooms", many of these pieces have taken place outdoors. The Light Rooms are shaped by architectural elements such as doors and windows. Daylight moves across these elements, creating an image of the light, which I delineate in different materials, fixing one moment in time. The delineated images of light don't move while the actual light does move across the space each day as the sun moves. Entering one of these pieces late in the day, many times people have made comments such as, "It feels like morning in here." These pieces can be made with temporary materials such as paint or carpet, but also with more permanent materials, such as brick, stone, or ceramic tile.

The Dark Rooms are about the glow of colored lights at night; some glow in the dark, others glow from inside windows, and some dazzle with flashes and afterimages.

I approach new opportunities to make spaces for people to connect, through light and shadow, color, or the sheer joy of the experience of noticing. I have completed one large public commission as well as numerous smaller ones, coming in on time and on budget, proving that I can administer larger, more extensive pieces. My direction is now toward permanent light works which allow for the play of natural and/or electric light in response to particular sites.

My past experience working on various other projects has informed my own art. I had a design/contracting business for years where I drew architectural plans, managed budgets, hired subcontractors, and supervised jobs, always coming in on time and on budget.

I've completed numerous public pieces, mostly large-scale installations working with light, submitting proposals, plans and budgets, working effectively with curators, lighting and exhibition designers, funders and community members on these projects.

Top to bottom: Day In, Day Out, 1999, The Kunstmuseum Heidenheim, Germany; Light Drawers, 2012; February 30, 2004, Dangerous Curve, Los Angeles Susan Chorpenning 370 West Loma Alta Drive Altadena CA 91001 (626) 398-8816 Curriculum Vitae [email protected] Education MFA, Art, University of California, Berkeley 1979 MA, Art, University of California, Berkeley 1978 AB, Art, University of California, Berkeley 1973

Website: www.susanchor.com Selected Solo Shows and Siteworks “One Hundred Gifts” Los Angeles CA, mail project (documented on website) 2013-current "Fiat Lux IV", Phantom Galleries, Long Beach CA, (sitework) December, 2009 - March, 2010 "Granite Lookout", permanent public work, Firehouse 4, 450 E.Temple, Los Angeles CA October, 2009 "Fiat Lux III", Phantom Galleries, City of Long Beach, CA (solo) January - March, 2008 "Fiat Lux II", Phantom Galleries, Pasadena CA (sitework) December, 2006-January, 2007 Dangerous Curve, Los Angeles CA (solo) May 8 - 29, 2004 Arnaud Lefebvre Gallery, Paris, France (solo) January 9-February 7, 2004 "Fiat Lux", Jim Kempner Fine Arts, NYC (solo) December 18, 2003 - January, 2004 Two Siteworks, Chinati Foundation, Marfa TX (solo) June, 2001 "Drawings", The Locker Plant, Marfa TX (solo) June, 2001 Installation, Masonic Building (concurrent w/Flavin Symposium at Chinati), Marfa TX (solo) May, 2001 Gail Gates, NYC (sitework) September-October, 2000 Arnaud Lefebvre Gallery, Paris, France (solo) September, 1999 Florence Lynch Gallery, NYC (solo) June, 1999 Kunstmuseum Heidenheim, Germany (sitework) May-July, 1999 Städtische Galerie Würzburg, Germany (sitework) February,1999 - 2001 Brian Gross Fine Arts, San Francisco CA (solo) July-August, 1998 2 Siteworks, ART/OMI, Omi NY July, 1997 Sitework, 476 Broadway, NYC June, 1995 Nancy Driscoll Gallery, Sea Cliff NY (solo) September, 1992 Sitework, Fulton Ferry Landing State Park, NYC April - May, 1990 Performance, Dixon Place, NYC April 26, 1990 Performance, The Knitting Factory, NYC March 12, 1990 Sitework, 55 Central Park West, NYC (commission) March, 1988 Performance, BACA Downtown, NYC April, 1987 Windows on White, NYC (solo) December, 1984 - January, 1985 Installation, Proarts Gallery, Oakland CA (solo) July, 1982 Selected 2-4 Person Shows Arnaud Lefebvre Gallery, Paris, France May-July, 2005 Arnaud Lefebvre Gallery, Paris, France February-March, 2001 P.S. 122, New York NY (with Elena Berriolo) November, 2000 Bellevue-Saal, Wiesbaden, Germany (with Thorsten Goldberg) September, 1998 Dedicated Space, NYC February, 1994 Financial Guaranty Ins. Co. Corporate Headquarters, NYC May - October, 1993 Boathouse, Prospect Park, NYC August -September, 1990 Performance, Claremont College, Los Angeles CA November, 1986 Performance, The Painted Bride, Philadelphia PA March, 1986 Installation, The Women's Interart Center, NYC April, 1984 Selected Group Exhibitions "Sketchbook Project 2015", Brooklyn NY March, 2015 “2012 World Tour”, Co-Lab-Austin, Painted Bride-Philadelphia, Gladstone-Toronto, etc 2012 “After Darkness, I Hope for Light”, Godine Gallery, MA College of Art & Design, Boston MA Jan-Feb, 2012 "Turtle Show", Galerie Arnaud LeFebvre,, Paris October, 2011 "Expo Retrospective", Galerie Arnaud LeFebvre & Galerie Ivana de Gavardie, Paris Sept-Oct, 2011 "The Value of Water", St. John the Divine, New York NY (electronic show) September, 2011 "The Canvas Project", Brooklyn Art Library, Brooklyn NY December, 2010 "The Sketchbook Tour", Chicago Art Source Gallery, Chicago IL May-June, 2009 "The Sketchbook Tour", Museum of Design, Atlanta GA April, 2009 "The Sketchbook Tour", MOCA, Washington DC (9 venues in all) March, 2009 "A Language More Powerful Than Words", 2nd City Art Gallery, LA April 16 - May 26, 2005 Arnaud Lefebvre Gallery, Paris, France January-March, 2003 8 Invited Artists: Proposals for Public Work, Bergkamen, Germany October-November, 2002 "Faculty Exhibition", Fullerton College, LA September, 2002 "The Magic of Light", Hudson River Museum (catalogue) February-May, 2002 "Out of Site", Pasadena City College Art Gallery November, 2001 "Minimal 2000", Jim Kempner Fine Arts, NYC March, 2001 "Light as Object", Gail Gates, NYC Sept-October, 2000 "Blurring the Line", RareArt, NYC April, 2000 "Generations: A Survey of Women Artists at the Millenium", AIR Gallery, NYC February, 2000 "FarbLicht", Kunstmuseum Heidenheim, Germany May-July, 1999 "FarbLicht", Städtische Galerie Würzburg, Germany February-April, 1999 "25th Anniversary Invitational", A.I.R. Gallery, NYC October, 1997 "Drawn Conclusions", Riverside Art Museum, Riverside CA Sept-October, 1996 Group Show, City College of NY, NYC October, 1996 Kölnischer Kunstverein, Cologne, Germany September, 1996 Bedford Gallery, Lesher Center for the Arts, Walnut Creek CA (invit) April, 1996 "Mass Exposure", NYC December, 1994 "Wall to Wall", Art Initiatives, NYC December, 1993 "The Other Landscape", Art Initiatives, NYC October, 1992 Installation, The Arsenal Gallery Annex, NYC March, 1982 Installation, Southern Exposure Gallery, San Francisco CA February, 1981 Installation, S. F. Airport, San Francisco CA (invitational) February - April, 1981 Grants and Awards 2015 Art Slant Sculpture Prize Showcase October, 2015 Los Angeles DCA Award: Public Sculpture at Firehouse #4, 450 Temple St. LA January, 2008 Chinati Foundation Residency, Marfa TX May-June, 2001 Artist in Residence, City of Wiesbaden, Germany June-September, 1998 ART/OMI International Residency, Omi NY 1997 Gottlieb Foundation Fellowship 1989 Artists' Fellowship, NYC 1989 Selected Publications/Press http://www.fineartsla.com/tag/lights (photo) December 29, 2009 http://www.huffingtonpost.com/2009/12/18/your-weekend-to-do-list_n_396662.html December 18, 2009 "Fiat Lux", CD by Doug Tornquist, images from "Fiat Lux II" on cover & as inspiration for CD 2009 "Fourteen Saturdays at Dangerous Curve", gallery publication 2008 LA Times Calendar, "Ungallery", by Cindy Chang December 28, 2006 ArtScene, "It's About Time", by Suvaan Geer December, 2004 also at: http://artscenecal.com/ArticlesFile/Archive/Articles2004/Articles1204/SGeer1204.html LA Weekly, "Art Picks of the Week", by Peter Frank May 28, 2004 Florence Lynch Gallery Presents: A Site-Specific Installation, catalogue 2002 The Magic of Light, catalogue, Hudson River Museum 2002 New York Times, review, Grace Glueck March 1, 2002 "Show Turns a Spotlight on Light Itself in All Forms", New York Times, W. Zimmer February 17, 2002 Alpine Observer, Alpine TX, Kate Hunt July 4, 2001 Mudfish 12, New York, ed. Jill Hoffman May, 2001 kunsttermine.de magazine, Germany, photo/caption May-June-July, 2000 TV Interview, KSW, Ute Hoffarth, Germany May 19, 1999 Radio Interview, SWR 2, Kultur, Petra Mauwir, Germany May 17, 1999 "Kunst unter Strom", Actuell Kunst, Nicole Bubenzer May, 1999 Heidenheimer Zeitung, "Dem Leben auf der Spur", Bettina Schmid May 7, 1999 Heidenheimer NP, "Wie der Fleck vors Museum kan", bes May 7, 1999 Bayerische-Staatzeitung, "Asthetische Electroschau" Thomas Senne April 16, 1999 Front page w/photo, Stadt Würzburg, ake March 23, 1999 Front page w/photo, Volksblatt Würzburg, Rö March 10, 1999 DAY CHRISTENSEN Highland, UT

Over the past thirty years, I have developed a variety of public art projects that have involved interior and exterior pieces for libraries, light rail stations, airports, state capitol buildings, recreation centers, medical facilities, and public parks.

These projects range from fabricated and cast bronze sculpture, formed glass, murals, paving designs, benches, light sculpture, and earthworks, to suspended sculptures. Materials have included, bronze, glass, stone, laser cut metals, wood, and stainless steel.

My primary interest has been that each project is site specific and addresses the activities, history, and uses of each site. These projects therefore vary in scale, materials and concept, but have a common clarity of design and quality of execution

I especially enjoy working on a team with the client, other artists, architects, and community members in developing concepts and ideas for public art. My experience with collaborative projects, have been very positive and creative, resulting in more innovative and integrated public artwork

Top to bottom: Arc, 1999; Nevada State Capitol, Carson City; Dairy Cats, 2007, Salt Lake City, UT; Windscreens, 2011, West Valley City, UT DAY CHRISTENSEN 11222 Gambol Oak Highland, Utah 84003 801 763 9444 [email protected] ______

EDUCATION MASTER in LANDSCAPE ARCHITECTURE Harvard Graduate School of Design, Cambridge, MA B.A. ART and DESIGN Brigham Young University, Provo, UT ______

PUBLIC ART COMMISSIONS 2016 ASPEN Salt Palace Convention Center, Salt Lake City, Utah

2015 PERCHING BIRDS Fleet Management Building, Salt Lake County, Utah

PAVILION ARTWORK Julia Davis Park, Boise, Idaho

2013 SPRING GRASS Salt Lake Clinic, Salt Lake City, Utah

2012 WILLOW CREEK Draper Senior Center, Draper, Utah

2011 HIGH WATER Popperton Park, Salt Lake City, Utah

TREES Yalecrest and Westmoreland Place, Salt Lake City, Utah

WINDSCREENS TRAX Light Rail Stations, West Valley City, Utah TURNING PAGES Magna Library, Magna, Utah

2010 HISTORY CHAIRS Sorenson Recreation Center Plaza, Herriman, Utah

LEAVES Public Works Building, Salt Lake County, Utah 2009 DAYLILIES UTA Bus Rapid Transit, West Valley City, Utah

2008 GAME PLAYS Holladay Lions Recreation Center, Holladay, Utah

SHOVELS UTA Frontrunner Commuter Rail, Roy, Utah FLORA The Metro Condominiums, Salt Lake City, Utah 2007 DAIRY CATS Steenblik Park, Salt Lake City, Utah

GARDEN South Main Health Clinic, Salt Lake City, Utah 2005 RIVER South Jordan Library, South Jordan, Utah 2003 SUGAR BEETS Sugar House Business District, Salt Lake City, Utah 2002 SHARDS Salt Lake City Library, Salt Lake City, Utah 2001 GLASS WALLS Salt Lake City Sports Center, Salt Lake City, Utah 2000 WINDBREAK Salt Palace, Salt Lake City, Utah

500 WEST PARK BLOCKS Salt Lake City, Utah 1999 CITY CENTER and TEMPLE SQUARE STATIONS TRAX Light Rail, Salt Lake City, Utah ARC / Capitol Mall Amphitheater Carson City, Nevada

1996 KIT CARSON TRAIL MARKERS Carson City, Nevada

1995 THE LAKE Salt Lake City International Airport 1993 WILDLIFE WALL Gallivan Utah Center, Salt Lake City, Utah

1992 STORY WALL Gallivan Utah Center, Salt Lake City, Utah

1988 FLYING FISH PROJECT Utah Arts Festival, Salt Lake City, Utah

1982 COPPER WALL Utah State Capitol, Salt Lake City, Utah ______

SELECTED EXHIBITS 2008 INDIVIDUAL ARTIST SHOWCASE *Artist Grant Rio Gallery, Salt Lake City, Utah

2005 THE ART OF THE BOOK The City Library, Salt Lake City, Utah 2002 JUXTAPOSITIONS: THE ARTIST AND THE ENVIRONMENT Finch Lane Gallery, Salt Lake City, Utah

1995-98 DRESSING THE TEXT National traveling show

1995 PYRAMID ATLANTIC BOOK ARTS EXHIBIT Corcoran Gallery of Art, Washington D.C.

1989 UTAH 89: WORKS ON PAPER *Juror’s Purchase Award Utah Museum of Fine Arts, Salt Lake City, Utah

1986 UTAH 87: WORKS ON PAPER *Juror’s Purchase Award Salt Lake Art Center, Salt Lake City, Utah

1983 SCULPTORS OF UTAH Springville Museum of Art, Springville, Utah ______

DESIGN CONSULTING 2006-14 FLYING OBJECTS PROJECT CONSULTING Salt Lake City Design Board 2010 GUEST CURATOR Utah Museum of Fine Arts 2007 300 SOUTH ARTISTIC LIGHT DESIGNS Salt Lake City Engineering

2005 9TH & 9TH STREETSCAPE CONSULTING Salt Lake City Engineering 1998 COMMUNITY DESIGN COMMITTEE Salt Lake City International Airport 1992-98 VISUAL ARTS ADVISORY PANEL Utah Arts Council

1987-95 CONSULTANT for DESIGN and HANDPRINTING Red Butte Press, University of Utah

JOHN CHRISTENSEN Austin, TX christensen-oko.com

For three decades I have designed for public, private and theatrical arenas - completing 17 large scale public and private commissions and making environments for 27 productions of modern dance presented worldwide. I seek design solutions that are poetic, integrative and surprising. I have considerable experience working with other design professionals, engineers, subcontractors, community stakeholders and administrators.

For projects in public spaces I often take cues from a site's physical and thematic contexts that have both grand and intimate aspects providing iconic presence and rewarding close encounters. My intent is disruptive and optimistic – that we may effectively re-imagine personal and communal ambitions.

I adapt natural forms and make spatial constructs. In recent installations I have plotted motifs in irregular patterns to create visual fields that evoke interdependent organic systems - branching rhizomes, biotic colonies, neural networks, african frets, polymers - clustered works with perceptual and philosophical subtexts that make structural and poetic connections between phenomena in disparate fields. It excites me to adapt biotic forms. I often make works that - in their making - require discovery, and that - in their viewing - reward curiosity.

Some of these projects were guided by conversations with engaged stakeholders, resulting in iconic works that communities proudly own, that invigorate a shared identity and that focus a distinct sense of place

I have worked closely with project architects, landscape architects, engineers and others to coordinate our efforts and mutually achieve our goals. In private, commercial and theatrical realms - in over a hundred projects - I have often collaborated with other designers (architectural, lighting, etc.), artists (choreographers, directors, costumers, etc.), and technicians. I work graciously with others to develop an inclusive communal vision and to realize success.

Top to bottom: Go There, 2011, Pima County Psychiatric Hospital, Tucson, AZ; Guerrero Park – Turtle Plaza, 2013, Austin, TX; 2906 Screen, 2015, private residence, Austin, TX C o m m i s s i o n s / A w a r d s Historic Handley Village commission, Fort Worth, TX, 2015 Scouters Mountain Nature Park commission, Happy Valley, OR, 2014 Apache Corporation commission, Houston, TX, 2013 Fire Station #50 commission, Dallas, TX, 2011 Behavioral Health Pavilion commission, Tucson, AZ, 2009 Robertson architectural screen commission, Houston, TX, 2007 Bathhouse Art Center commission, Dallas, TX, 2006 Robertson wall commission, Houston, TX, 2006 Overton-Turner-Roberts Memorial, Austin TX, 2004 J O H N C H R I S T E N S E N Florida International University commission, Miami, FL, 2004 i n f o @ c h r i s t e n s e n - o k o . c o m Roy C. Guerrero Colorado River Park design team project, Austin, TX, 2003 5 0 0 W S t E l m o University of New Mexico Health Sciences commission, Albuquerque, 2002 A u s t i n , T e x a s 7 8 7 4 5 Dallas Area Rapid Transit - Park Lane Station commission, Dallas, TX, 2000 5 1 2 . 4 6 2 . 3 3 4 2 Hermann Children’s Hospital commission, Houston, TX, 1999 Austin-Bergstrom International Airport commission, Austin, TX, 1995 Art Matters Grant, New York, NY, 1995 E d u c a t i o n Waller Creek Plaza commission, Austin, TX, 1993 M.F.A., The University of Texas at Austin, 1988 City of Austin Cultural Contract - Interdisciplinary Program, 1992 B.A., Harvard University, 1977 City of Austin Cultural Contract - Interdisciplinary Program, 1991 S e l e c t e d P r e s s Connemara Grant, The Connemara Foundation, Plano, TX, 1988 Aaron Seward, "Campsite Rules", Artist in Residence, Ossabaw Island, GA, 1981 Texas Architect, March/April 2016, pp. 32- 37. S o l o E x h i b i t i o n s Fred Bernstein, “House of the Rising Son”, John Christensen - sculptures, Wildflower Center, Austin, TX, 2014 Metropolitan Home, November 2007, pp.128-137. John Christensen - screens, Ginko Studios, Austin, TX, 2013 Heather Brand, “Place View Thought”, Push down the dark water, Gremillion & Co., Houston, TX, 2011 Tribeza, January 2003, pp. 24-26. John Christensen - Projects, Texas Lutheran University, Seguin, TX, 2007 J.C. van Ryzin, “Sculptor, collagist make winning pair”, Difficult Loves, Gremillion & Co., Houston, TX, 2005 Austin American Statesman, 22 January 2000, p. D7. Unquiet Garden, Linda Fairchild Contemporary Art, San Francisco, CA, 2004 Rebecca Levy, “John Christensen...Public Perceptions“, Asana, Gremillion & Co., Austin, TX, 2000 The Austin Chronicle, 20 January 1995, p. 34. no kings no boxes no numbers, Wyndy Morehead Fine Arts, New Orleans, LA, 1998 Saundra Goldman, “Sculpture Inspires Contemplation”, Ekstasis, Gremillion & Co., Houston, TX, 1997 Austin American Statesman, 16 July 1994, p. XL11 Substance, Helm Fine Arts Center, Austin, TX, 1996 Jack Anderson, “Dance in Review”, Sculpture and Documents, Dougherty Arts Center, Austin, TX, 1995 The New York Times, 14 December 1992. Awkward Simple Volumes, Third Street Gallery, Austin, TX, 1993 Patricia Hendriks & Becky Duval Reese, Studio Intrusion, Texas Lutheran University, Seguin, TX, 1993 A Century of Sculpture in Texas 1889-1989, p. 108. Idas & his Brother, Installation, The Amarillo Art Museum, TX, 1991 Johanna Drucker, “Connemara: Spring 1988”, John Christensen - Sculpture, The Blue Collar Gallery, San Antonio, TX, 1987 Dallas Arts Revue #26, Spring 1988. P r o f e s s i o n a l A c t i v i t i e s Designer and fabricator of furniture, architectural details and spaces. Production designs for Brink Design International, 1989-present. Commercial spaces include seven By George clothing stores. Designer of Theatre sets, lighting, inter-active props, and media projections in twenty-six productions with choreographers - Andrea Beckham, Yacov Sharir, and Jose Luis Bustamante - performed in the Americas, Europe and Asia. 1999-present. Recent theatre projects include: Faith in Unknowing, performed with the World Dance Alliance at the Centre national de danse comtemporaine, Angers, France 2014, Light-Night / Bike-Light Dance Project, performed at the LBJ Library Plaza, Austin, TX, 2012, Blurred Boundaries – Section2: Gate, performed by Dance Repertory Theatre, Austin, TX, 2011. Civic Engagement - I served on the City of Austin Art in Public Places Panel 2005-2009, chairing that panel in 2007 and 2008. During my tenure we built a progressive City collection, funded temporary installations and new media, and increased community participation. R e s u m e P a g e 2 J O H N C H R I S T E N S E N i n f o @ c h r i s t e n s e n - o k o . c o m 5 0 0 W S t E l m o A u s t i n , T e x a s 7 8 7 4 5 5 1 2 . 4 6 2 . 3 3 4 2

S e l e c t e d P r o j e c t s & P r o j e c t R e f e r e n c e s

Handley Train - Completed 2015, commissioned for Historic Handley Village, Fort Worth, TX Painted steel place-maker with illuminated panels. Project budget $55,000 Contact: Anne Allen, Public Art Project Manager, Fort Worth Arts Council 817 298 3028 [email protected]

Habitat - Completed 2014, commissioned for Scouters Mtn. Nature Park, Oregon 5 installations of mixed media on benches of salvaged timber. Budget $23,000. Contact: Elizabeth Klein, Program Manager, Clackamas County Arts Alliance 503 341 7833 [email protected]

Go There - Completed 2011, commissioned for the Behavioral Health Pavilion, Tucson, AZ. Bronze sculpture and concrete pedestal on a campus of health facilities. Budget $200,000. Contact: Mary Ellen Wooten, Public Art Program Manager, Tucson Pima Arts Council 520 624 0595 [email protected]

Leaf, Pod & Samara - Completed 1999, commissioned for the Austin-Bergstrom Intl. Airport, Austin, TX. Cast concrete sculptures and landscaping. Project budget $54,000. Contact: Megan Crigger, Director of Creative Services, Kansas City Office of Culture and Creative Services 816 513 2659 [email protected]

Cloud/Rift - Completed 2002, commissioned for the UNM Health Sciences Center, Albuquerque, NM. Fabricated bronze and concrete sculpture with site integration and landscaping. Budget $138,000. Contact: Kathryn Minette, former Public Art Program Manager, New Mexico Arts 505 983 7663 klmfi[email protected]

Whirl - Completed 2008, commissioned for the Bathhouse Arts Center, White Rock Lake, Dallas, TX. Bronze sculpture on concrete pedestal with landscaping. Project budget $80,000. Contact: Kay Kallos, Ph.D., Public Art Program Manager, Dallas Office of Cultural Affairs 214 670 3281 [email protected]

Roy G. Guerrero Colorado River Park - Completed 2013, Austin, TX. Designs for a high-use area of a municipal park - a pavilion, memorial grotto, children’s play-scape and plaza - involved collaboration with Parks Department Designers. The artist took a leading role in the design of signature elements, structures and hardscape. Original artist’s budget $110,000; project budget $2.6 million. Contact: Julie Lipton, former PARD Park Development Coordinator 512 974 6727 [email protected] TED CLAUSEN Cambridge, MA

Each of my public art works integrates form, space, and story into a narrative journey. I create sculptural forms and spaces which are sometimes intimate, sometimes monumental, each of which becomes a vehicle for the stories and histories of the theme of the work. Each work is specifically and meticulously crafted for its site and theme.

My belief in the power of stories to remind, educate, and inspire is at the core of my work. I begin by working with the local community and schools to gather the public histories and personal stories which are specific to the project. I have an established curriculum for this aspect which I tailor to each project. Whether the theme of the work is the daily life of a soldier on the Korean front, or the first 100 years of a town’s life, the final texts are chosen for their ability to vividly capture and explore the theme from a variety of points of view: they inform; they are often personal and emotionally moving; they can be humorous or intellectually provocative, poetic or inspiringly everyday.

I often underscore the meanings of the text by using evocative objects which encourage the visitor to touch: a draped, life-size firefighter’s coat and hat in bronze; a life- size cast metal plow used by the first settlers to a region; a bronzed, pocket-sized prayer book carried by an American prisoner of war in Korea.

The resulting works are layered and interactive: visitors attention is alternately focused on text, on form and on space, each interaction furthering the sense of journey. The works are multi-sensory: inspiring visual and intellectual curiosity, touch, and movement. They capture the particular feel, texture, and meanings of the theme. They invite and encourage further visits.

One of the intriguing and compelling aspects of using text as an element in public art is that it can be seamlessly integrated in a variety of different ways into the architecture, the landscape and in stand alone works. Whenever I work with other professionals and community members on a project, I view my work as collaborative. In addition to researching, gathering, editing and proposing texts for a work we ask such questions as: how do these words fit into the structure, the place, the environment? What size are these texts? What materials will give them more substantive meaning? Are they typefaces or handwritten? Are they discovered or in plain sight? The collaborative research and the answers to these questions Top to bottom: provide insight and fuel for the final design. Centennial Words (2000), Twin Falls, ID; Needham Cares, 2015, Needham, MA; The River Speaks, 2001, Reading, PA 617-974-4566 tedclausensculpture.com [email protected] 46 Cogswell Avenue,Cambridge, MA 02140

T E D C L A U S E N

RESUME

EDUCATION

1974 B.A., Anthropology, Psychology, University of Redlands, Redlands, CA 1982 Graduate Certificate: Design, Kunstgewerbeschule, Basel, Switzerland

PUBLIC ART COMMISSIONS

2015 Needham, MA; Friends of Needham Coalition for Suicide Prevention ($200,000)

2012 Cambridge, MA; Prince Hall Memorial ($100,000)

2010 Gaithersburg, MD; Montgomery County Public Safety Officers Memorial ($425,000)

2009 Hartford, CT; State of Connecticut, A.I. Prince Regional Vocational Technical School, ($380,000) Boston, MA; State of Massachusetts, Irish Immigration Memorial ($250,000)

2006 Holliston, MA; Holliston Public School

2002 Beverly, MA; Landmark School

2000 Twin Falls, ID; Artists & Communities: America Creates for the Millennium ($125,000) Reading, PA; 250th Anniversary Sculpture; installed 2001; ($175,000)

1999 Somerville, MA; Korean War Memorial ; installed 2000; ($55,000+ $55,000 In-kind.) Cambridge, MA; Cambridge City Arts Council, Massachusetts Arts Council: 'Visible Voices' Brockton, MA; Fuller Art Museum, Outdoor Sculpture Installation Boston, MA; Parkarts: 'Hidden Words of the North End', Outdoor Sculpture Installation

1998 Lake Oswego, OR; Cook's Butte Memorial Boston, MA; Boston City Library, 'The Space of Speech'; 'Under the Covers'

1996 Boston, MA; Vendome Firefighter's Memorial. Installed 1997; ($200,000) Providence, RI; Convergence IX, International Sculpture Conference, Public Installation Lowell, MA; The Brush Art Gallery; 'A Mill Woman's Day', Public Installation Cambridge, MA; 'Work Talks ' One person Installation Boston, MA; The Invisible Cities Group; Public Installation Massachusetts Cultural Council Grant: 'Our Own Stories': Cambridge's Teenage Closet'

1994 Ogunquit, ME; Town of Ogunquit, Permanent Sculpture Installation Boston, MA; Urban Arts, Public Art Project : ' Youth Works/Art Works: In Our Own Words' Cambridge, MA; Performance piece commissioned for 'The Cambridge River Festival'

1993 Providence, RI; Roger Williams State Park, Commission: Sculpture Installation Topsfield, MA; Bradley Palmer State Park, Commission: Sculpture Installation Attleboro, MA; Attleboro Museum, Commission: Sculpture Installation Massachusetts Highway Department, Central Artery Tunnel Project, Public Art Commission

PUBLIC ART COMPETITIONS: DESIGNATED FINALIST

2016 The Jewish Community Foundation of Greater Hartford Aim Chai Public Art Project, Hartford, CT

2013 City of Boston, Vince Droser Tribute, Boston, MA

2010 Brighton Public Library, Boston, MA

2006 Babi Yar Memorial Park, Denver, CO State Police Headquarters Public Art Project, Kansas City, MO

2005 State of Delaware, W.W.II Memorial, Dover, DE State of Connecticut, Fitch Home for Veterans, Darien, CT.

2004 September 11th Memorial, Rockville, MD

2003 Massachusetts State Firefighters Memorial, Boston, MA Fire Station No 14 Public Art Project, Tampa, FL 9-11 Memorial, Rockaway, NY

2002 State of Massachusetts Police Memorial, Boston, MA Eggleston Square Library, Public Art Project, Boston, MA

2001 Veterans Memorial, Mercer Island, WA

2000 Mount Auburn Cemetery, New Grotto Proposals, Cambridge, MA

1994 Vietnam Women's Veterans Memorial, Washington, DC

WHY WORDS WORK Integrating text and form are powerful components of public art:

They take you there. Real voices, of real people, bring the experience to life.

You can identify. You read the words of a real person you can identify with.

You participate. You read and think about what you have read.

They offer complexity and diversity. They allow for the inclusion of many roles, persons, attitudes, experiences, and places.

They involve you on many levels. They educate, they remind, they inspire, they generate curiosity. Powerful texts help you feel AND think.

Each visit brings a new experience. You may reinterpret a quote you read on an earlier visit, or you may relate the words to another text or to the sculptural form in a new way. BÉATRICE CORON New York, NY beatricecoron.com

For the last 20 years, I have been exploring visual storytelling in artist books, paper cutting and public art. Collecting memories from individuals and communities, I stage narrative allegories in silhouette to create a dialogue with the viewer in playful fantasies. .

I have installed public art projects in the U.S. and France. From free-standing to architectural elements, these installations are created in metal, glass, stone or mixed media. I am working closely with a South Bronx developer to conceive concepts and fabrication of ironwork (railing, balconies, fences, sitting areas). Four buildings have been completed and we are working on a new project in Brooklyn. In most of these projects there is a community participation.

My process of creation is to capture stories about what is unique to the place. First I research. I read books, look at websites, and when possible organize workshops to understand the wishes and concerns of people who know the place.

Then I research a concept that can be accessible to all commuters. My goal is to invite the public to pause and bring their own ideas finding personal interpretation to reclaim their imaginative powers. Each design can be “read” on several different levels, and can be enjoyed by children and adults alike.

My experience in public art has taught me to approach each creation in a practical way, and to be very careful about materials and budget. Attention to detail ensures safety and low maintenance. I am accustomed to coordinating a project with multiple agencies and meet deadlines.

Each project is unique and follows its own path. However, my past experiences taught me to keep an open mind as to how to process information and keep the dreams of my inner vision balanced with the reality of fabrication and budget. My recent projects have reinforced my interest in metaphors and collected memories shared with the public.

Top to bottom: A Sense of Directions, 2016, Lancaster, PA; Tree of Knowledge, 2009, San Jose, CA; Bronx Literature: Nicholasa Mohr, 2006, NYC www.beatricecoron.com printed April 2016 online update at www.beatricecoron.com/CV.html Resume Public Art 1 of 2 “A Sense of Directions” Martin Luther King swimming pool, Lancaster, PA, 2016 Budget $ 35,000 19 metal fences depicting different locomotions, gates with a quote of Martin Luther King “On the Right Track” 104th St station, A train, New York, 2015 stainless steel and hand soldering Budget $ 140,000 A giant deck of 24 cards that represents positive and uplifting moods that passengers might choose to endorse for their day.

“Dreams”, Harbor Gateway Silver Line Subway Station,Los Angeles , 2015 Budget $ 7,000 Vinyl applied on existing canopy- Looking up and upward with Los Angeles’ angels.

“Cultivate your Mind in the Orchard of Knowledge” 2009, Santa Teresa Public Library, San Jose, CA, Budget $220,000 Antique Blown glass, flamed granite and Stainless steel. Commissioned by the City of San Jose, California. An allegorical environment composed of: - “Fruits of Knowledge Walk” , which are 27 pages (10 x 8”) and a mat of granite and stainless steel embedded in walkways - “BiblioTree” a 10’ x 6‘ stainless steel tree composed of writing systems and library materials. - “Tree of Knowledge” 3 concentric glass rings depicting San Jose’s history and growth, one 80” diameter, two 40” diameter “Floating Memories” 2008, Bell Tower, 7380 E. 2nd Street, Scottsdale, AZ Budget $ 5400 cut Tyvek. Commissioned by the City of Scottsdale. Eight papercut banners (45” x 10‘) with 24 iconic scenes from the region are hanged at the top of the Bell Tower from Sept to Dec2008.

“Tell Me A Story” 2008, Aurora, CO, Metal bench -the Ruley Building- 53” x 22” x 40”- Budget $ 2,500 commissioned by “The Intersection of Art and Function” program, Aurora, Colorado

“Energie” 2007 Sport facility, Tigery, France, Stainless steel and LED- 16’ x 3‘ Budget $ 18,300 A curved ramp with sport silhouettes. LED animation has different programs animated by motion sensors. Commissioned by the City of Tigery.

“Postcards From North Carolina” -2007, Douglas Intl Airport. Charlotte, NC Budget $105,000 cut aluminum- three murals 20’ x 6’, and three 10’x 6’ The must-see of the region with Charlotte skyline, the mountains and seascape sceneries, while the trees reference the many historical roots of the region. Commissionned by Arts & Science Council

“Patterns of Life” 2006, Chelsea House 130 West 19th Street, New York City - stainless steel & mirrors Budget: $ 90.000 shadow boxes (9’6”x18”) at street level on the building façade and etched mirrors( 10‘ x 5’) with the same motif on each floors Commissioned by Suzanne Randolph Fine Arts for the Clarett Group.

"Bronx Literature" 2006, Burke Station, line 2, The Bronx,, New York: 164 square feet of faceted glass Budget: $ 105,500 Commissioned by New York Metropolitan Transportation Authority. Location: Burke Avenue, line 2, The Bronx, New York A subway station about Bronx and Bronx-inspired writers: Edgar Allan Poe, Sholem Aleichem, James Baldwin, Nicholasa Mohr.

“Seeds of the Future are Planted Today” 2004, Kostner Station, Chicago, 2004 Four stainless steel fences (two 10 ’x 6’, 6’ x 6’ and 7’ x 6’) Commissionned by CTA - Budget: $ 81,000 Connections in commuting and in states of mind are illustrated in four decorative fences (cut by water-jet technique) Working with a structural engineer, and CTA architect I modified my drawing several times for new security requirements

"Working in the Same Direction" 2003, Staten Island, New York City, 2003, 16’ x 9’ stainless steel sculpture with 2 working weathervanes Budget: $ 81,000 Commissioned by the New York City Fire Dpt, the Dpt of Design & Construction, and the Department of Cultural Affairs & for the Arts A free-standing stainless steel open book with 2 working weathervanes emphasizes the common goal of both agencies and celebrates the first merger station of firemen and EMS workers in New York City. Architectural Work “Graffiti”, 2016, cut windowguards and metal screens for lobby, 2016, commissioned by BlueSea Development budget $80,000 “On the Move”, 2013, Oak Park, Illinois, cut stainless steel fences. “Arbor House”, 2013, 770 East 116th St, The Bronx, 2013, cut metal panels, windowguards, fences budget $ 250,000 “Books”, 2011, Book conservation, Metropolitan Museum, architectural railing, commissioned by the Metropolitan Museum “The Melody” 2011 Macy place, South Bronx, New York . Garage openings, windowguard, rubber mat, vinyl sets, lobby mural, balconies for an affordable housing commissioned by BlueSea Development budget $ 250,000 “Twirls” 2010, Fox-Leggett building, South Bronx, New York . Garage opening, windowguards and fences for an affordable housing “Wild Flowers” 2009, Melrose Commons 5, 429 East 156th Street, South Bronx. Fences and windowguards for a low income housing “Rue des Prairies” 2009, Paris, France, stainless steel fences and gates for a residential property “Have a Ball” -2006, Kent, Washington: entrance sign for the baseball field. Powder-coated aluminium 20’ x 5‘- Béatrice Coron Llc 372 Central Park West #20D, New York, NY 10025 Studio: 392 Central Park West #3T New York, NY 10025 [email protected] tel 718-737 5571 www.beatricecoron.com printed April 2016, online update at www.beatricecoron.com/CV.html Resume

Testimonials 2 of 2

Testimonials videos from David Mc Fadden, chief curator at the Museum of Arts & Design, Lydia Bradshaw, project manager at Arts for Transit and Les Bluestone, reak estate developer at : www.youtube.com/cutstories other weblinks of interviews, videos and podcasts at www.beatricecoron.com/press.html

Other Commissions and invitations:

TED Speaker, Long Beach, CA 2011 TEDx Cape May 2013 Hugo Boss Meatpacking district Windows, June 8- Aug 3, 2010: 2 cut & painted papercuttings 110 x 45” The Mannequin Collective, Santa Monica, CA August 2010, commissioned by Hugo Boss “All Around Town”, 2010, artcard poster for line 6, E, F, W, Q commissioned by New York Metropolitan Transit Authority

Pre-qualified Artist Pool for Public Art :

Los Angeles, Santa Cruz, California; Iowa Art in State Buildings Program ; Washington State; Evanston, Illinois; Tucson, Arizona; MTA, Maryland; Richmond, British Columbia, Canada

Collections Museums and Collections

Metropolitan Museum of Art, New York, Prints and Drawings; Walker Art Center, Minneapolis; The Getty, Los Angeles; MOMA , New York; Achenbach foundation, San Francisco; National Gallery of Art, Washington, DC; Museum of Fine Arts of Boston, Hunt Library; New York Historical Society; National Museum of Women in the Art, Washington, DC; Museum of the City of New York; Musée Saint-John Perse, Pointe-à-Pitre Guadeloupe; Brooklyn Museum Musée de la Miniature, Lyon, France; Musée de l'hospice Saint-Roch, Issoudun France; City of Phoenix, Portable Works Collection; Musée Baron Gérard, Bayeux, France; AGO, Toronto, Canada Monaco Public Library San Francisco General Hospital, Intensive Care Children Unit St Mary’s Children hospital, Queens, New York Principauté de Monaco Princess Haya of Jordania’s collection Fidelity Investments Collection, USA Libraries and Universities

Atheneum la Jollia, California. Brown University, Rhode Island. Connecticut College. Columbia College Library, Illinois. Florida Atlantic University, Arthur Jaffe collection. Louisiana State University, Baton Rouge. Mills College, California. Otis College of Art and Design, Los Angeles. Occidental College, Mary Norton Clapp Library, Los Angeles. Stanford University, California. Princeton University Firestone Library, New Jersey. U.C.L.A., California. Rutgers University Libraries (Newark, Dana library, Jazz collection; New Brunswick, Roebling Collection) New Jersey. University of Connecticut. Oberlin College, Ohio. University of Louisiana, Lafayette. University of Louisville, Kentucky. University of Minnesota. Burton Barr Library, Phoenix, Arizona. Temple University, Pennsylviana. Yale University, New Haven, Connecticut. University of Miami, Richter library, Florida. University of Toronto, Canada. Toronto Public Library. Swarthmore College, Pennsylvania. The Boston Athenæum. Topeka Public Library, Kansas. University of Delaware. Washington University, St Louis, Missouri.

French cities libraries: Albertville, Albi, Amiens, Annecy, Antibes, Aurillac, Auxerre, Bayonne, Becherel, Besançon, Bézier, Boulogne-Billancourt, Brest, Chalon en Champagne, Chalon-sur-Saône, Chambéry, Cherbourg, Clermont-Ferrand, Dijon, Douai, Dunkerque, Grasse, La Rochelle, Le Havre, Issoudun, Issy-les-Moulineaux, Lille, Limoges, Lourdes, Lyon, Metz, Montauban, Montpellier, Mulhouse, Nantes, Narbonne, Nice, Niort, Oullins, Quimper, Rennes, Riom, Royan, les Sables d'Olonne, Saint-Brieuc, Saint-Priest, Saumur, Sens, Sète, Strasbourg, Toulouse, Vannes

Béatrice Coron Llc 372 Central Park West #20D, New York, NY 10025 Studio: 392 Central Park West #3T New York, NY 10025 [email protected] tel 718-737 5571

TIM DE JONG Wimberly Glassworks San Marcos, TX wgw.com

Our studio’s vision is to create dynamic, engaging, three dimensional glass art installations that welcome visitors by provoking the imagination and creating a sense of awe and excitement. Creating artwork in glass captures the emotional influence of color, liveliness of light, and dynamism of form. The captivating nature of art glass will continually be fascinating to all members of the public.

We believe in being present throughout the entire project, for a truly unique and well situated installation. We take into account the feeling of the space, the scale, and the emotion we are endeavoring to evoke from the surrounding architectural elements. These ideas are then developed into renderings and models to understand how the piece will function in the intended space. Physical mockups will ensure the project is up to engineering standards as well as meeting our artistic intention. Technical drawings and instructions are created for all teams involved in execution. The glass is created to defined, specific standards, while at the same time maintaining the character of hand-blown glass. Finally, the project will be delivered on time and installed with the utmost respect for safety, the art and the space.

Wimberley Glassworks has worked for over eleven years to create some of our largest and most prestigious projects throughout the United States. By investigating multiple artistic approaches and recommending a design option that fits both the vision and budget of each project, we are confident we can devise an approach that exemplifies the particular project’s goals, while exceeding the requirements for safety and function.

Our in-house creative team includes four glass artisans, led by Tim de Jong, and a lighting designer who makes our artistic projects a reality. We have collaborated extensively with designers, architects, builders and other artists. One of our most fruitful partnerships has been with Granite Properties with whom we have collaborated with on many of our largest projects. In the words of David Cunningham, Granite Properties Director of Development and Construction, Wimberley Glassworks “has been a vital creative partner in helping Granite to ‘brand’ our new buildings with stunning one of a kind lobby lighting ensembles…[i}t’s been fun, thought provoking and fulfilling to have been able to work with a true artist who can think outside the box.”

Top to bottom: The Jewel, 2011, Texas Children’s Hospital, Plano, TX; Soft Motion, 2009, Dallas, TX; Sea and Sky, 2014, Glendale, CA TIM DE JONG Wimberley Glassworks Gallery & Studio 6469 Ranch Road 12, San Marcos, Texas 78666 512-213-0923 Gallery 512-415-6135 Cell [email protected]

PROFESSIONAL EXPERIENCE Wimberley Glassworks – Wimberley, Texas. President 1992 – present Carriage House – Philadelphia, Pennsylvania. Owner and Head Gaffer 1986- 1992 Art Park - Lewiston, New York. Swedish Glassblowing Apprenticeship 1983

EDUCATION Temple University’s Tyler School of Art, Philadelphia. Bachelor of Fine Arts - Glass Alfred University, New York. Emphasis in ceramics, sculpture, and glass.

AWARDS & RECOGNITIONS Business of the Year – Wimberley Chamber of Commerce 2006 Texas Commission of the Arts Award 2006 Distinguished Achievement Award-Alfred University 2009 ADEX Platinum Awards 2015

PROFESSIONAL AFFILIATIONS Wimberley Chamber of Commerce San Marcos Chamber of Commerce Wimberley Merchants Association Texas Society of Architects, AIA

COMMISSIONS

• Texas Star Chandelier 2000, Sam Houston Memorial Museum, Huntsville TX • Oak Tree Chandelier 2004, BOKA Powell - Architect Granite Park III, Plano, TX • Art Glass Lighting 2003, Staffelbach - Interior Architects Granite Park III Offices, Plano, TX • Falling Embers 2004, Interprise Design - Interior Architects Spectrum Center, Addison, TX • Sunrise at Matagorda Bay 2006, Kirksey Architecture Westchase II, Houston, TX • Soft Motion 2009, Good Fulton & Farrell Architects, Park 17, Dallas, TX • River of Glass 2013, PGAL - Granite Briarpark Green, Houston, TX • Sea & Sky 2014, CBRE – Granite North Brand, Los Angeles, CA • The Jewel 2011, Pavilion for Women. James O’Neill, AIA, Inventure Design, Texas Children’s Hospital, Houston, TX • Riverstone Ensemble 2012. Whitney Harris & Mark Smith, ESPY Corporation, Dripping Springs, TX • Custom Chandeliers 2012. Whitney Harris & Mark Smith, ESPY Corporation, Dripping Springs, TX • Riverstone Ensemble 2011. Olutola Adetona MD & Omolola Adetona DDS, Practical Approach Pediatrics • Sculpted Glass Cross 2014. Spring Cypress Presbyterian Church, Spring, TX • Abundance 2015. BOKA Powell – Architect, Granite Park IV Offices, Plano, TX • Over 11,000 private collections

MOLLY DILWORTH Brooklyn, New York mollydilworth.com

My projects are built from the ground up, beginning with research about a particular site, with an emphasis on things that have an effect on our daily lives but exist below the level of conscious experience. The work is always drawn from site data – historical, geological, sociological – so the resulting piece is relevant and engaging to the community in which it is made.

I have partnered with government agencies, green building and climate change activists, arts organizations and community organizations to make public art pieces that offer viewers an opportunity to reflect on their surroundings.

I have been a member of an artist collective (Red Shoe Delivery Service), worked in a advisory capacity to plan public art in Jackson Hole, WY, and to help with programming in artist residencies in New York, Vermont, Kansas and Oklahoma. I've worked closely with several communities to produce temporary and permanent public art in New York, Colorado, Kansas, Oklahoma and Washington

Top to bottom: Field Test,; 2011, New York, NY; Fort Industry, 2015, Toledo, OH; Cool Water, Hot Island, 2010, Times Square, New York, NY Molly Dilworth [email protected] 117 Dobbin #205, Brooklyn, NY 11222 646.515.5161 mollydilworth.com

EDUCATION MFA 2003 New York University, New York, NY BFA 1999 University of Washington, Seattle, WA

AWARDS/FELLOWSHIPS/GRANTS 2016 Tulsa Artist Fellowship, George Kaiser Foundation 2014 Third Culture Conversations, University of Oregon Art & Science Fellowship 2013 Brooklyn Arts Council Community Arts Fund Grant 2012 Pollock-Krasner Foundation Grant New York Foundation for the Arts Painting Fellowship Vermont Studio Center Fellowship supported by the Pollock-Krasner Foundation 2011 Van Lier Fellow in the Art & Law Residency Program 2010 Rema Hort Mann Foundation Award nominee

SOLO EXHIBITIONS AND PROJECTS 2016 Time Present, Sculpture for the 40th and Airport light rail station, Denver, CO 2015 2421 Miles, Garden design for All-Rise, public programming for a city block, Seattle, WA 2015 Fort Industry, Mural and community artist project, Toledo, OH 2014 International Sign Language, Cedar Crest College, Allentown, PA 2013 Sans Souci, David B. Smith Gallery, Denver, CO Ghost Acre, The James Hotel Urban Garden, New York, NY 36°30’, Michigan State University School of Law, East Lansing, MI 2012 All Night Forever, exhibition and public artwork, Salina Art Center, Salina, KS 36°30’/WFC, World Financial Center Winter Garden, New York, NY 2011 Paintings for Satellites/LIC, Commissioned by Seek Art, Queens, NY Field Test (NYC), Site-specific Painting for Pulse Projects, Pulse Art Fair, New York, NY 2010 Paintings for Satellites/350, rooftop painting in conjunction with 350.org and NYC CoolRoofs Cool Water, Hot Island, commissioned by The Mayor’s Fund/DOT, Times Square, NYC 2009 Dispersion, Feldman Gallery, PNCA, Portland, OR

GROUP EXHIBITIONS 2015 Fluid, Newhouse Center for Contemporary Art, Staten Island, NY, curated by Jesse Hamerman Use Values, Spring Break Art Fair, New York, NY, curated by Sarah G. Sharp RESPOND, Smack Mellon Gallery, Brooklyn, NY (co-organizer and exhibitor) 2014 Offline, Radiator Gallery, Queens, NY 2013 The Cartography of the Unseen, Holon Institute of Technology, Holon, Israel 2013 6 Years In: The Warehouse, Salina Art Center, Salina, KS 2013 Brooklyn Utopias: In TRANSITion, The Old Stone House, Brooklyn, NY 2013 We Know Not Exactly Where or How, Open Source Gallery, Brooklyn, NY 2012 Spontaneous Interventions: design actions for the common good, U.S. Pavilion, 13th International Venice Architecture Biennale Group Exhibition, David B. Smith Gallery, Denver, CO Happy Birthday: A Celebration of Chance and Silence, Feldman Gallery at PNCA, Portland, OR 2011 Art and Law Residency Exhibition, SculptureCenter, New York, NY Selections from the Cultural Corridor VI, Storefront Artist Project, Adams and Pittsfield, MA Group Exhibition, David B. Smith Gallery, Denver, CO Lodge 441, New Museum Festival of Ideas, New York, NY The Open Daybook Exhibition, LACE, Los Angeles, CA Habitat, Foothills Center for the Arts, Golden, CO Speculative Topographies, BADCAT Mobile 1 Gallery, NYC 2009 Architecturally, Hendershot Gallery, New York, NY Suddenly: Where We Live Now, Seattle, WA, Pomona College Museum of Art, Claremont, CA, Cooley Gallery, Reed College, Portland, OR Exquisite Corpse, Paul Robeson Galleries, Rutgers, NJ Pure Intangibles, Mandrake Bar, Los Angeles, CA Visionary Drawing Building, Mass MOCA La Superette, Eyebeam, Deitch Projects, Participant, Inc., New York, NY (2003-2009) 2007 Psychaedelis Domesticus in collaboration with Marina Zurkow,Contemporary Baroque – Extreme Excess, BM-Suma Contemporary Art Center, Istanbul, Turkey 2005 Red Shoe Delivery Service, Melbourne International Arts Festival, Melbourne, Nottdance Festival, Nottingham, Swiss Institute of Contemporary Art, NYC, Time Based Art Festival, Portland, OR, (2003-2005)

RESIDENCIES AND PROFESSIONAL EXPERIENCE 2016 Featured Artist, Volunteer Lawyers for the Arts Benefit, New York, NY 2014 Artist in Residence, Smack Mellon Residency, Brooklyn, NY 2014 Visiting Artist, Low-res MFA Program, Pacific Northwest College of Art, Portland, OR 2014 Visiting Lecturer, Drawing Class, Queensborough Community College, Queens, NY 2014 Third Culture Conversations Conference presenter, University of Oregon, Eugene, OR 2013 Artist in Residence, LMCC Workspace Program, New York, NY Artist in Residence, Catwalk, Catskill, NY 2012 Artist in Residence, Recess at the Pioneer, New York, NY Artist in Residence, Vermont Studio Center, Johnson, VT Artist in Residence, Salina Art Center, Salina, KS 2011 Visiting Lecturer, Christies Education, New York, NY Resident, AAl Lower East Side Studio Program, New York, NY Visiting Lecturer, School of Visual Art, New York, NY Foothills Center for the Arts Residency, Golden, CO Volunteer Lawyers for the Arts Residency, New York, NY 2010 Visiting Lecturer, Cardozo Art Law Society, New York, NY 2009 Visiting Artist, Pomona College Museum of Art, Claremont, CA 2008 Visiting Artist and Lecturer, Reed College, Portland, OR Visiting Instructor, MFA Seminar, BFA drawing and studio mentor, Pacific Northwest College of Art, Portland, OR Visiting Lecturer and Curator, The Searchers, Pacific Northwest College of Art, Portland, OR Assistant/Performer for MK Guth, Ties of Protection and Safekeeping, Whitney Museum of American Art, New York, NY. 2006 Curator, The Searchers, Elizabeth Foundation Gallery, New York, NY (traveling exhibition with catalog.) Curator, The Great American Store(age), Spring Gallery, Brooklyn, NY 2004-2005 Curator, Mobile Home for Red Shoe Delivery Service, TBA Festival, Portland OR, Nottdance Festival, Nottingham, Melbourne Festival of International Art, Melbourne 2004 Visiting Lecturer, Pacific Northwest College of Art, Portland, OR

PRESS Wired Magazine, Vision Quest: Doug Aitken’s tech-fueled, all-night… Clive Thompson, September 2013 Brooklyn Daily Eagle, Greenpoint artist’s mural is the talk of SoHo, Paula Katinas, May 13, 2013 Salina Journal, Integrated designs, Gary Demuth, June 1, 2012 The Atlantic Monthly, Satellite Art: One Woman Tries to Create Google Earth… Rebecca Greenfield, March 24, 2011 The Denver Post, Mural on Foothills center ceiling elevates artistry, Kyle MacMillan, January 23, 2011 The Telegraph, 350 Earth: Art that can be seen from space…, November 29, 2010 Artforum, 500 Words, Molly Dilworth, Stephanie Snyder, August 28, 2010 WNYC, The New Times Square Unveiled, Andrea Bernstein, May 23, 2010 Fast Company, Times Square Set for Colorful Makeover Before Summer's Tourist Rush, Jill Singer, May 24, 2010 Huffington Post, Molly Dilworth's "Cool Water, Hot Island" Makes A River In Times Square, May 25, 2010 Wall Street Journal, Artist to Paint The Great White Way Blue, Alexandra Cheney, May 26, 2010 Italian Vogue, Times Square: The "land art" of Molly Dilworth that will refresh New York…. Alice Capiaghi, May 31, 2010 El Pais, Pintando para los satellites, R. Bosco/C. Caldana, April 15, 2010 L’espresso, Opere d'arte da cogliere al volo, Filippo Brunamonti, March 2, 2010 Gizmodo.com, Paintings For Satellites: Rooftop Art Targets a Google Earth Audience, Brian Barrett, March 1, 2010 Inhabitat.com, Stunning Rooftop Paintings Visible from Satellites, Moe Beitiks, February 27, 2010 NY Daily News, Work’s outta this world, Erica Pearson, February 8, 2010 La Repubblica, Molly l'artista che dipinge sui tetti vista dal satellite, February 8, 2010 Artcat, Architecturally at Hendershot Gallery, November 17, 2009 New York Times, Exquisite Corpse at Rutgers, November 22, 2009 Pdxart.blogspot, Interview with Molly Dilworth, September 26, 2009 Afterall, 'suddenly: where we live now' at the Pomona College Museum of Art, Mia Locks, 27th May 2009 The Oregonian, "Suddenly" at Reed College, Brian Libby, September 23, 2008 Art Lies, The City, Naked, Stephanie Snyder, Summer 2008 New York Times, Art In Review, The Searchers, Martha Schwendener, December 22, 2006

PUBLISHED WORK fillip Magazine, Lightly Illegal, Winter 2009 Tricycle Magazine, Pour Painting/Rorschach #3 (illustration p. 128), Fall 2010 Faesthetic, Dumb Luck, Fall 2010 Outer Horizons, Paintings for Satellites, Winter 2011 SUSAN DOWELL Charlotte, NC sharondowell.com

I firmly believe that creative placemaking communicates distinctiveness and generates connections across communities. Having completed several public art works in North and South Carolina, I am interested in expanding my work in other regional areas.

Intertwining themes course through my layered and vibrant paintings and public artworks. Interested in the documentation of memory and place, I strive to find beauty in often overlooked structures and spaces. At times, commentaries on the changing environment or social references surface. I incorporate the vigor, tension, and perceptions of an environment, often reflecting a sense of locality and history.

Additionally, my background in arts administration lends me a unique perspective and capacity for creating impactful and engaging public art. I enjoy the challenge of working within set parameters to find creative solutions, melding my artistic and business skills together. Community and location are key in creating visually stimulating spaces. Thus my process often includes historical research and feedback gathering. I am accustomed to managing large- scale budgets, sub-contractors, and installations.

I enjoy collaboration and the melding of different areas of expertise. I am currently working with Juan Logan Studios and Groundworks Studios, hand-painting the mural portion of their design for Rock Hill, SC's large-scale civil rights themed public walkway. I am also accustomed to working with sub-contractors to fabricate my designs into site- specific public art spaces

Top to bottom: Halcyon Idyll, 2016, CATS Transit, Charlotte, NC; Central Avenue Mural, 2009, Charlotte, NC; CATS Transit 30% Schematic Design, 2017 S H A R O N D O W E L L 2115 Dalehurst Dr. Charlotte, NC 28205 . 704.502.6880 . sharondowellgmail.com . sharondowell.com ------RELATED EXPERIENCE * full experience upon request Painter and Public Art Commissioned Artist, 2002 - present Sharon Dowell Art, LLC, Charlotte, NC • Design, create, and install projects, ranging from paintings, murals, mosaics, glass windscreens, laser-cut metal, powder coated metal, & digital media • Manage large budgets, sub-contract with designers, work closely with architects, city planners, and arts administrators to bring projects to successful fruition o Contractors collaborated with: Moonshadow Etchers, Daltile American Olean, TPM Printing, Colossal Media Murals • Project budgets range from $10,000 to $300,000 Arts Empowerment Workshop Instructor, 2016 Community School of the Arts, Charlotte, NC • Teach art workshops to youth impacted by violence and abuse • Work with the Art Empowerment program on curriculum and strategies Rowe Galleries Manager + Adjunct Professor (part-time), 2012 - 2015 College of Art and Architecture, University of North Carolina at Charlotte Corporate Art Consultant + Social Media Coordinator (part-time), 2011-2012 RedSky Gallery, Charlotte, NC Gallery Director, 2004 - 2010 Center of the Earth Gallery, Charlotte, NC PUBLIC ART COMMISSIONS • CATS Transit 11th St. and I-277 murals, light rail expansion, Charlotte, NC, Jan 2016 • Woolworth Walkway Mural, Rock Hill, SC, Summer 2016 • United Buddy Bear sculpture (with Berlin residency), Main Library, Charlotte, NC, 2014 • Piano Project painting commission, ASC + Charlotte Center City Partners, 2014 • ArtPop! Billboard, ASC + Adams Outdooor, 2014 • News Rack Art Initiative, ASC + Charlotte Center City Partners, 2014 • Mural, digital media on vinyl, Cornelius Arts Center, Cornelius, NC 2014 • History of Concord Walkway Mural, digital media on metal, City of Concord, NC, 2013 • Friends of the Library Gala, mural, Main Public Library, Charlotte, NC, 2013 • CATS Transit, 25th St Station art design, Blue Line light rail, Charlotte, NC, 2011-2017 • Triangle Transit Bull City Connector bus shelters, Durham, NC, 2010-2016 • CATS Transit TPSS, signal houses, & cc’s design, Blue Line light rail, Charlotte, NC, 2009 • Arts & Science Council public mural on vinyl, Central Avenue, City of Charlotte, 2008 Collections * full list upon request • Pricewaterhousecoopers, BLT Steakhouse (Ritz Carlton), Carlisle & Gallagher Consulting, Duke Energy, Federal Reserve Bank, Fidelity Investments-Raleigh, Marriott- Chicago O'Hare, Renaissance Hotel-DC, SPX Corporation, UNC Charlotte, Parker & Poe Selected Solo Exhibitions • Sharon Dowell: Re, Gallery Seventeen, Greenville, SC, 2014 • Sharon Dowell: Against The Tide, Water Works, Salisbury, NC, 2013 • Pendulum, University of North Carolina at Charlotte Student Union Gallery, 2010 • Sharon Dowell: Substrata, Duke University, Louise Brown Gallery, 2010 • Swing, Cone Center Gallery, University of North Carolina at Charlotte, 2002 Selected Exhibitions * full list upon request • Art Faculty Biennial Exhibition ’14, UNC- Charlotte, Rowe Galleries, 2014 • Forged Landscapes, Sharon Dowell + Ahmad Sabha, Ross Gallery, CPCC, 2013 • CATS Blue Line Extension Exhibitions, Storrs Gallery & McColl Ctr for Visual Art, 2013 • The Green Shadow, McColl Center for Visual Art, Charlotte, NC, 2012 • Tram Bui, Sharon Dowell, & Francisco Mora, Davidson Galleries, Seattle, WA, 2010 • Kantry Days, NES, Skagastrond, Iceland, 2010 • Crash: Sharon Dowell, Sean Richards, & Derek Toomes, Flanders Art, Raleigh, NC, 2010 • Converging Trajectories, Modified Arts, Curator: Ted Decker, Phoenix, AZ, 2010 • KiptonART silent auction, Friends of the Arts Benefit, Christies New York, 2009 S H A R O N D O W E L L 2115 Dalehurst Dr. Charlotte, NC 28205 . 704.502.6880 . sharondowellgmail.com . sharondowell.com • Elements: Sharon Dowell & Susan Poindexter, Thomas Deans Gallery, Atlanta, 2008 • Seen & Unseen: Sharon Dowell & Patrick Glover, Center of the Earth Gallery, NC, 2008 • Winter Show Invitational, Green Hill Center, Greensboro, NC, 2006 • New & Hot North Carolina, Lee Hansley Gallery, Raleigh, NC, 2006 • Generations 04, A.I.R. Gallery, Chelsea, New York, NY, 2004 • Prevailing Human Spirit, Society of Illustrators Museum, New York, NY, 2001 • Recycled Art juried exhibition, Tampa Museum of Art, Tampa, FL, 2000 Lectures • TEDxCharlotte, Sharon Dowell: Anxiety as Fuel for Artistic Creativity, 2014 • Sharon Dowell on Public Art: An Artist’s Perspective, Mint Museum, Charlotte, NC, 2014 • Leadership Charlotte Panelist Speaker, Foundation of the Carolinas hosted panel, 2013 • East Mecklenburg High Guest Art Lecturer, Bechtler Museum Summer Art Camp, 2012 Grants • Project Art Aid/Knight Foundation Matching Grant, 2014 • Arts and Science Council Regional Individual Artist Project Grant, 2011 • Seventh Street Windows, McColl Center for Visual Art Grant, 2011 • Arts and Science Council Regional Individual Artist Project Grant, 2009 Artist Residencies • United Buddy Bear Artist, Berlin, Germany, 2014 • Julia and David Artist’s Colony, Ciudad Colón, Costa Rica, June 2013 • Tyrone Guthrie Center, Annaghmakerrig, Ireland, April 2012 • McColl Center for Visual Art, Summer Affiliate, Charlotte, NC, April-September 2011 • NES Artist Residency, Skagastrond, Iceland, July 2010

COMMUNITY ENGAGEMENT Regional Individual Art Grants Panelist, ArtsGreensboro, 2015 Condom Couture Fashion Show Fundraiser Planning Committee, Planned Parenthood, 2015-2016 Community Supported Art Grants Panelist, Arts and Science Council, 2014 Exhibition Program Committee Member, McColl Center for Visual Art, 2013-present Cultural Project Grant Panelist, Arts and Science Council, 2009 DNC Project Public Art Committee Member, 2012 Mayor’s Legacy Village Artist, Democratic National Convention, Charlotte, NC 2012 YMCA Exquisite Corpse Art Project, McColl Center for Visual Art, 2011 PRESS & PUBLICATIONS * full list upon request Charlotte Observer, Front Page: “Art Comes to the Blue Line,” Jan 2016 Charlotte Observer: “Charlotte City Council Oks artists for light rail,” Jan 2015 Charlotte Viewpoint Magazine, “Capturing The Energy Of Place In Paint,” Feb 2014 QC Exclusive Magazine, “The Exclusives: Meet The Artists,” Jan 2014 Made In The Carolinas: Sharon Dowell, TWC News video feature, 2014 Creative Loafing, Cover with John Love, Jr., Thanksgiving 2013 issue WFAE Interview-Julie Rose: “New Take On Collecting Gives Donors A ‘Taste’ of Local Art,” 2013 Charlotte Business Journal, Cover, Dec 2012 WCNC News, Sonja Gantt interview of Sharon Dowell and John Hairston, Jr., Sept 2012 Charlotte Observer: “Sharon Dowell: Painter and Public Artist,” Nov 2011 Charlotte Magazine: “Who’s Next?” Cover and feature article, Sept 2011 McColl Center for Visual Art Youtube: “Sharon Dowell: 2011 Open Door Interview” Studio Visit Magazine-Volume 10, featured artist Art Business News, Preview, Cover, March 2005 EDUCATION MAAA degree candidate, Winthrop University, projected graduation May 2016 BFA degree, Cum Laude, University of North Carolina at Charlotte, 2002 AA degree, Cum Laude, Florida College, 2000 TALLMADGE DOYLE Eugene, OR tallmadgedoyle.com

My public art projects have been fueled by my love of the natural world and the weaving together of its flora and fauna into a unifying whole. More recently I have come to appreciate the magic of visualizing and conceiving images that tell a story. I see public art as a vehicle for bringing to light cultural, natural, historic, and other unique aspects of a community into a graphic and dynamic visual narrative. For me this is an opportunity to integrate art in a highly visible and historical context that will affect the everyday life of our community's citizens in a meaningful, positive manner.

My initial foray into permanent public art installations was at the University of Oregon’s Ford Alumni Center where I installed twenty one etched and painted copper plates representing a sampling of the native flora and fauna of Oregon. I am interested in continuing this fabrication method of etched panels that allows for a unique, detailed, and painterly approach to image making which can be applied to permanent installations.

I enjoy the creative collaboration necessary to generate architecturally scaled, community owned art. I thrive on the challenge of creating imagery within public art that will provide both varying degrees of subtlety and graphic impact at a given viewing distance while successfully integrating with each project’s architectural elements. I relish opportunities to work with teams of architects, designers and fellow artists to create public art which expands my art practice and knowledge base as well as teaches me the benefits and pleasures of the collaborative process. I have created and negotiated budgets, organized fabricators, and participated on committees to develop solutions for design and planning issues within site specific public art.

Top to bottom: Contemplari Natura, 2011, Eugene, OR; University Beacon Day, 2012, Eugene, OR; Seed Pods, 2015, Corvallis, OR TALLMADGE DOYLE www.tallmadgedoyle.com [email protected]

EDUCATION Bachelor of Fine Art – Drawing, Silversmithing - Cleveland Institute of Art, Cleveland OH Masters of Fine Art – Printmaking, Painting - University of Oregon, Eugene OR

SELECTED SOLO EXHIBITIONS 2016 Davidson Gallery - Shifting Migrations - Seattle WA upcoming 2015 Augen Gallery - Shifting Migrations - Portland OR 2014 Karin Clark Gallery - After the Storm - Eugene OR 2012 Davidson Gallery, Contemplari Natura - Seattle WA 2012 Linn Benton Community College, North Santiam Gallery - Albany OR 2011 Karin Clarke Gallery, Contemplari Natura - Eugene OR 2010 Museum of Natural History and Culture, University of Oregon - Eugene OR 2009 Art Center Gallery, Umpqua Community College - Roseburg OR 2008 Davidson Gallery, Celestial Menagerie - Seattle WA 2008 Augen Gallery, Celestial Menagerie - Portland OR 2008 Jacobs Gallery, Celestial Menagerie - Eugene OR 2007 Eugene Downtown Public Library - Eugene OR 2006 Chase Gallery - City Hall - Spokane WA 2005 Augen Gallery – Mysterium Cosmographicum – Portland OR 2003 Newport Visual Arts Center - Origins of Medicine - Newport OR 2002 Lane Community College Art Department Gallery - Eugene OR 2002 John and Betty Greay Gallery – Northwest Print Council - Portland OR 2000 Cambell Gallery - Inside OutsideViews of Nature - Western Oregon University – Monmouth OR

PUBLIC ART PROJECTS 2016 Courtyard Enclosure Fence, Driver Relief Building, EmX Transit - Laser cut powder coated steel Lane Transit District - in process - Eugene, Oregon 2016 EmX Transit West End Stations – Laser cut steel railings – in process – Eugene, OR 2015 Oregon State University - Strand Hall Renovation 2015 – Oil Paintings commission for large scale reproduction - Administered by OSU Planning and Development 2011 University of Oregon Ford Alumni Center - Contemplari Natura - 1% for the Arts, administered by Oregon Arts Commission - Copper panel installation on 30 foot hearth wall, Eugene, OR 2003 Life Out of Balance - Lead artist for community based temporary installation project funded through Oregon Arts Commission/Lane Arts Council - Art Builds Community Grant PUBLIC COLLECTIONS City of Seattle Portable Works Collection - Seattle WA Hubei Institute of Fine Art Collection, Hubei China Jingdezhen Ceramic Art Institute Permanent Collection - Jingdezhen City, Jiangxi China Museum of Castiglione, Abruzzo, Italy University of Hawaii at Hilo Permanent Collection – Hilo HI Dedalo Center for Contemporary Art - Abruzzo Italy University of Amman Applied Sciences Collection, Amman Jordan Loyola University Permanent Collection, Chicago, IL Regional Arts and Culture Council Portable Works Collection - Portland Oregon Portland Art Museum - Gordon Gilkey Center for Graphic Arts - Portland OR Multnomah County Central Library Special Collections - John Wilson Special Archival Portfolio – Portland OR Lane Community College Center Building Collection - Eugene - OR Pacific Northwest College of Art – Portland OR Southern Graphics Council International Archives McHenry College Print Collection, Crystal Lake, IL Umpqua Community College Permanent Collection – Roseburg OR Tweed Museum of Art, University of Minnesota - Duluth MN University of Oregon Erb Memorial Union Permanent Collection - Eugene OR University of Oregon Straub Hall Permanent Collection Oregon State University College of Agriculture Science, Art About Agriculture, Corvallis The Cleveland Art Association, Cleveland, OH Pacific Source Corporation – Springfield OR Lane Community College Health Building Collection University of Alaska, Anchorage, Print Collection RECENT AWARDS and RESIDENCIES 2016 Ford Family Foundation Mid Career Residency Award 2016 Playa - Artist Residency 2015 Printmaker's Hand - Corvide Press, Northwind Arts Center, Port Townsend WA – Juror's award 2014 Northwest Art Annual - Purchase Award - Eugene, OR 2013 Honorary Award, Larry Sommers Fellowship for Research of non-toxic printmaking 2011 Hallie Ford Foundation Golden Spot Residency Award – granted through Sitka Center for Art & Ecology 2011 Mayors Art Show - Jacobs Gallery, Eugene, OR – Best in Show 2010 Sitka Center for the Arts and Ecology – Artist's residency 2009 Mayors Art Show - Jacobs Gallery, Eugene OR – Jurors Award 2005 Los Angeles Print Society 18th National - Armory Art Center, Pasadena - Juror’s Award 2004 Loyola University of Chicago Biennial - Crown Center Gallery - Purchase Award 2004 Pacific States Biennial National Print Exhibition – University of Hawaii, Hilo - HI - Purchase Award 2004 4th Minnesota Print Biennial - Wiesman Art Museum, Minneapolis, MN Purchase Award RECENT JURIED EXHIBITIONS 2016 Biennial International Miniature Print Exhibition - Vancouver British Columbia 2016 Artworks Northwest Annual - Umpqua Valley Art Center 2016 A-6 Small Prints 2016 - Bend OR 2016 Whitaker Printmaking National Juried Exhibition - Eugene OR 2015 35th Cadaques International Mini Print Traveling Exhibition – Barcelona, Spain 2015 Printmaker's Hand - Corvide Press - Northwind Arts Center Port Townsend WA- JurorsAward 2015 Parkside National Small Print Exhibition – Parkside Gallery, University of Wisconson, Kenosha WI 2015 Delta National Print Exhibition - Bradbury Gallery – State University, Jonesboro AZ 2015 Artworks Northwest – Hallie Ford Gallery, Umpqua Art Assoc.– Roseburg OR 2015 Pacific Northwest Art Annual - Erb Memorial Union Gallery – Eugene OR 2014 Pacific States Biennial Print Exhibition - University of Hawaii, Hilo, HI 2014 Northwest Art Annual - Erb Memorial Union Gallery – Eugene OR - Purchase Award 2013 34th Bradley International Print and Drawing Exhibition - Bradley University, Peoria, IL 2013 LA Printmakers and California Printmakers Exchange Exhibition - LA Print Space, Hollywood CA HEIDI DUCKLER Los Angeles, CA heididuckler.org

Heidi Duckler Dance Theater (HDDT) creates innovative dance experiences in non-traditional places and provides learning opportunities in diverse neighborhoods. We invite our artists and audiences to engage with one another and connect with their community in ways they have never experienced before.

Artistic/Executive Director, Heidi Duckler, takes dance outside of its usual context and creates a brand new, inter- disciplinary style. This approach has been widely acclaimed for changing the way in which audiences are exposed to and experience dance. The site-specificity of HDDT's projects has fostered greater awareness for architecture in our communities - giving new breath into otherwise overlooked spaces. With the help of the Oregon Art in Public Places Roster, HDDT plans to broaden its audience and continue creating exceptional experiences in the public realm

Heidi Duckler’s practice is unique in its exploration and activation of often overlooked spaces. Duckler has over thirty years of extensive experience collaborating with visual artists, designers, architects and musicians in cities and communities around the world. Notable projects include site-specific performances on an international scale in storefronts, found spaces, construction sites, abandoned buildings and parking lots – among many others. Duckler’s arts education program in public schools, Duck Ed, is truly collaborative in spirit and has forever affected the lives of teaching artists, students and participants in our most vulnerable communities

Top to bottom: Iragnarok, 2014, performance; Table of Contents, 2015, performance; Governing Bodies, 2010, performance [email protected] | (818) 784-8669

HEIDI DUCKLER ARTISTIC DIRECTOR/CHOREOGRAPHER

LIST OF RECENT CHOREOGRAPHY & PERFORMANCE (SINCE 2010)

143 Days Historic Southwest Museum, Los Angeles, CA 2016 Parts and Labor Santa Palm Car Wash, West Hollywood, CA 2016 Siá Kará Habana Vieja: Ciudad en Movimiento, Havana, Cuba 2016 Outpost: a Sign of the Times Shaw Building, Sun Village, CA 2016 Fish Eyes Estrella Park, Los Angeles, CA 2016 A Blessing in Disguise Fowler Museum, UCLA, Los Angeles, CA 2015 Table of Contents Centrl Office, Portland, OR 2015 Sophie & Charlie Central Wholesale Produce Market, Los Angeles, CA 2015 King’s Road Park, West Hollywood, CA Semi-Vacant Hospital, Crenshaw, CA Beyond Baroque, Venice, CA Unitarian Universalist Church of Studio City, Studio City, CA Urban Sustainable Northwest Wood, Portland, OR 2015 Governing Bodies Ventura City Hall, Ventura, CA 2015 Brush Up Brand Library & Art Center, Glendale, CA 2015 Chinatown Blues 837 N Spring St. Los Angeles, CA 2015 Space Opera Thom Mayne’s Morphosis office, Culver City, CA 2015 Miss Fire Canal Convergence, Scottsdale, AZ 2015 Parts and Labor Redux Los Angeles Contemporary Exhibitions, Hollywood, CA 2015 Southern California Institute of Architecture, Los Angeles, CA Well Worn White Box Gallery, University of Oregon, Portland, OR 2014 The Way She Wears the World Rexel/Taylor Electric Supply Building, Portland, OR 2014 Ocean’s Skin Queensland Cultural Centre, Brisbane, Australia 2014 Dancing at Dunbar Dunbar Hotel, South Los Angeles, CA 2014 Off the Top of My Head Kunstakademie Dusseldorf, Dusseldorf, Germany 2014 Bowling Blues Mission Bowling Club, San Francisco, CA 2014 From Time to Time…At the Oasis Fresno State University, Fresno, CA 2014 California State University-East Bay, Hayward, CA California State University-Dominguez Hills, Carson, CA California State University-Los Angeles, Los Angeles, CA Skyline Festival Cooper Design Space, Los Angeles, CA 2014 Ragnarok Rexel/Taylor Electric Supply Building, Portland, OR 2014 The Groundskeepers Linda Vista Hospital, Boyle Heights/Los Angeles, CA 2013 The Sound of Falling Flux Night, Atlanta, GA 2013 Bowling Blues Darling Bowling Alley, Montreal, Canada 2013 L’esprit de l’escalier Reed College Performing Arts Center, Portland, OR 2013 Something to Declare! Custom House, Portland, OR 2013 Three Ducks in a Row East Los Angeles Civic Center 2013 At the Oasis West Hollywood Park, West Hollywood, CA 2013 Downtown Culver City, Culver City, CA Krispy Kreme, South Los Angeles, CA East LA Civic Center, Los Angeles, CA [email protected] | (818) 784-8669

Santa Monica Museum of Art, Santa Monica, CA Art Night, Pasadena, CA Expulsion A vacant lot in Boyle Heights, Los Angeles, CA 2013 Catch Your Breath Barlow Respiratory Hospital, Los Angeles, CA 2012 Kiss N’Ride Van Nuys FlyAway Terminal, Van Nuys, CA 2012 Expulsion River Street Studios, Portland, OR 2012 Laundromatinee La Brea Coin Op, Los Angeles, CA 2012 Expulsion Koreatown/Little Ethiopia, Los Angeles, CA 2012 Cleopatra, CEO. 51st Floor, Paul Hastings Tower, Los Angeles, CA 2012 Oh, Cosmonaut! Boston Court Performing Arts Center, Pasadena, CA 2011 Expulsion A vacant lot in Glendale, CA 2011 A Gallerina’s Guide Los Angeles County Museum of the Arts, Los Angeles, CA 2011 Phoenix Art Museum, Phoenix, AZ Laurel Hardware Space, West Hollywood, CA Off the Top of My Head Indigo Building, Portland, OR 2011 A Trace of Lipstick [spf:a] Gallery, Culver City, CA 2011 Governing Bodies Los Angeles City Hall, Los Angeles, CA 2010 Oh Cosmonaut! 9th International Festival on the Volga, Yaroslavl & Kotroma, Russia 2010 Expulsion A vacant lot in Cambodia Town, Long Beach, CA 2010

AWARDS & HONORS (SINCE 2010) 2016 • Lester Horton Award, Artist Appreciation 2015-2017 • Call for Wall Artist, LA Department of Cultural Affairs, Public Art Program 2015 • TedxUCLA speaker 2016 • Panelist, Santa Monica Artists Fellowship 2014 • Los Angeles County Art Commission Civic Artists Prequalified List 2013 • Dance/USA and the Doris Duke Charitable Foundation’s Engaging Dance Audiences 2013 • Los Angeles Women’s Theatre Festival Emerald 20th Anniversary Recipient of the Maverick Award 2012 • Distinguished Dance Alumna, University of Oregon, School of Music & Dance 2011 • Curator of Bootleg Dance Festival 2010 • NEA American Masterpiece for the choreography of Laundromatinee

EDUCATION 1988 M.A. in Dance Choreography; University of California, Los Angeles, California 1976 B.S. in Dance; University of Oregon, Eugene, Oregon RYAN FEDDERSEN Seattle, WA ryanfeddersen.com

I primarily focus on creating large-scale interactive work and site-specific immersive installations that invite the viewer to engage intellectually and creatively. I investigate ways of creating content through the intrinsic and connotative properties of materials paired with imagery and action. As a multi-cultural artist, I draw on the indigenous traditions of performance, communal practice, storytelling and metaphor, and the western traditions of printmaking, painting, sculpture, and installation. I challenge myself to find new ways of utilizing and blending these traditions to explore content. While my work often encourages the audience to transcend the typical role as a spectator to engage creatively, I also believe that there is an important role in society for artists to be culture bearers. I see it as the artists responsibility to not only carry on cultural traditions but to also be active in generating the culture that reflects and analyzes who we are today.

I create work through an historical, cultural, and contemporary urban lens. I see art as a way that we get to know the world around us, and how we orient ourselves within our culture and society. I find this to be especially true of art-making and the creative process. When I dedicate my creative energy to a project, it becomes a meditation on the subject. I walk away not only knowing more, but with a contextual understanding of my relationship to the subject and how my ideas around it have been constructed.

I approach each project as a new investigation, with it's aesthetic, material, and scale dependent on the content. I begin my process by investigating a site or topic, seeing every project as an opportunity to learn and apply new strategies to illuminate existing content presented by the site. I provide experiences where participants are able to personally investigate their relationship to culture and society. By pairing superficially light-hearted activities with underlying challenges to the status quo, participants are enabled to have a non-threatening experience that invites personal introspection. Through the investigation of new approaches to the uses of artistic traditions, materials, cultural ideas, and relationships between the artist and audience, I hope to help drive our culture in directions that will benefit communities.

I have a strong interest in collaborating. I believe that the highest form of collaboration is a type of alchemy, that there are ideas that only emerge from creative interaction with others. I am an active team player who knows how to listen to and recognize people’s aspirations, build off group momentum, and to see obstacles as creative problem- solving opportunities. I also know how to lead. My work Top to bottom: 900* Horses, 2015, Spokane, WA; Sky River, often encourages the audience to transcend the typical role 2016, commission by Museum of Northwest Art, Anacortes, WA; Bumper by Number, 2011, commission for Bumbershoot as a spectator to engage creatively, becoming a contributor in a work that I am actively orchestrating. CURRICULUM VITAE a. 7300 19th Ave S.W. Seattle, WA 98106

EDUCATION FEDDERSEN RYAN! 2009 Bachelors of Fine Arts, Cornish College of the Arts, Seattle, WA 2008 Summer Programs, Pilchuck Glass School, Stanwood, WA 2005 Institute of American Indian Arts, Santa Fe, NM

COMMISSIONED WORK 2016 Giantess, (upcoming), Mini-Maker Faire, Experience Music Project, Seattle, WA 2016 White Out, (upcoming), Put Art in Parks, Office of Arts and Culture, Seattle, WA 2016 Skyriver, 35th Anniversary and Auction, Museum of Northwest Art, La Conner, WA 2015 900* Horses, Spokane Arts, Spokane, WA 2015 Coyote Now, Northwest Native Celebration, Tacoma Art Museum, Tacoma, WA 2011 Bumber By Number, Bumbershoot, Seattle, WA 2010 Creative Feast, Benefit Gala, The Henry Gallery, Seattle, WA

SELECTED EXHIBITION

*Solo e. 2016 *Resistance, (upcoming), Missoula Art Museum, Missoula, MT [email protected] 2016 Not Vanishing, Contemporary Expressions in Indigenous Art 1977-2015, Missoula Art Museum, Missoula, MT 2016 Sgwigwial?txw@20: Building Upon the Past, Visioning Into the Future, The Evergreen Galleries, Olympia, WA 2016 Not Vanishing: Ever-Present Indigenous Art 1977-2015, Heritage University, Toppenish, WA 2016 Contemporary & Traditional Works, The Lucia Douglas Gallery, Bellingham, WA 2016 Coyote Now: Connecting with Nature, Healing Through Art, Peacehealth St Joseph Medical, Bellingham, WA 2015 *Disconnected Towers, Seattle Municipal Gallery, Seattle WA 2015 Terrain: Plateau Native Art & Poetry, Missoula Art Museum, Missoula, MT p. 2015 Not Vanishing, Contemporary Expressions in Indigenous Art 1977-2015, Museum of 509.393.1124 Northwest Art, La Conner, WA 2014 Extended Terrain, The Evergreen Galleries, Olympia, WA 2013 Staff Exhibition, Cornish College of the Arts, Alumni Gallery, Seattle, WA 2012 Joe Bar Retrospective, Joe Bar, Seattle, WA 2012 Strange Coupling, Object Gallery, Seattle, WA 2012 *TAG! You're it, Joe Bar. Seattle, WA 2011 i. Emerging Indigenous Voices, San Francisco University, San Francisco, CA

2009 *Glitter, Grey Gallery & Lounge, Seattle, WA www.ryanfeddersen.com 2009 Suspension of Disbelief, Cairo Gallery, Seattle, WA 2009 CCA Alumni Exhibition, Fred Hutchinson Cancer Research Center, Seattle, WA 2008 Fire at the Dell, Youngstown Arts & Cultural Center, Seattle, WA 2006 Red Shirt Art Project, Red Shirt Gallery, Los Angeles, CA 2005 Winter Annual, Institute of American Indian Arts, Santa Fe, NM

ROSTER 2016-17 ArtScapes, Tacoma, WA 2016-19 Artist Roster, Sound Transit, WA 2015-18 Public Artist Roster, ARTSWA, Washington State Arts Commission, WA 2014-15 Emerging Public Artist Roster, Office of Arts and Culture, Seattle, WA CURRICULUM VITAE a.

SELECTED AWARD & RESIDENCY 7300 19th Ave S.W. Seattle, WA 98106 2016 Visiting Artist Research Grant, Bill Holms Center, Burke Museum, Seattle, WA FEDDERSEN RYAN! 2011 Emerging Indigenous Voices Residency, Kua’ainaa Assoc, San Francisco, CA 2010 American Indian Artist Residency, Montana Artist Refuge, Basin, MT 2008 Pilchuck Glass School Scholarship, Stanwood, WA 2007,08 Krielshiemer Award, Cornish College of the Arts, Seattle, WA 2007,08 Presidents Art Scholar, Cornish College of the Arts, Seattle, WA

COLLECTION 2014 Seattle Art Museum, Seattle, WA 2014 Portland Art Museum, Portland, OR 2014 Missoula Art Museum, Missoula, MT 2014 Museum of Art and Culture, Spokane 2014 Washington State History Museum, Tacoma, WA 2014 Hallie Ford Museum, Salem, OR 2014 Heard Museum, Phoenix, AZ

2011 San Francisco State University, San Francisco, CA, School of Ethnic Studies. e.

2009 Cornish College of the Art, Seattle, WA, Mary Alice Cooley Print Collection. [email protected]

SELECTED PRESS & PUBLICATION 2015 Aljazeera America, National, Kevin Taylor, Native American artist brings 900 horses back to life in Spokane. 2015 The Spokesman Review, Spokane, WA, Carolyn Lamberson, Mural project honors tribes, slaughtered horses. 2015 Pacific Northwest Inlander, Spokane, WA Mike Bookey, Community Commemoration. 2015 The Spokesman Review, Spokane, WA, Chad Sokol, Chalk mural to commemorate horses slain by U.S. Army. 2012 OFF PAPER, The Project Space, Seattle, WA, Guest Writer, Quest(ion) What's the p. First Thing You Ever Made, Ryan Feddersen? 2011 Seattle Weekly, Seattle, WA, Brian Miller Triumph of Crowd-Sourcing. 509.393.1124 2011 The Stranger, Seattle, WA Jen Graves, Touch The Untouchable. 2011 BoingBoing, National, David Pescovitz, Artists Alter Paint by Number for Exhibit. 2010 Missoula Independent, Missoula, MT Skylar Browning Postcard from Basin: The future of American Indian Art. i.

SELECTED EXPERIENCE 2014-16 Public Art Program Assistant, 4Culture, Seattle, WA www.ryanfeddersen.com 2010-14 Art Department Coordinator, Cornish College of the Arts, Seattle, WA 2006-10 Studio Assistant, Norie Sato, Seattle, WA 2008 Studio Assistant, Ginny Rufner Studio, Fremont, WA

DEVIN LAURENCE FIELD Portland, OR devinlaurencefield.com

Over the last twenty years I have specialized in large-scale site specific, fabricated metal public art. My work has been commissioned for the Olympic Games, National Governments and Museums around the world ranging in scale from 10 feet to more than 60 feet in height.

Built in painted, cor-ten or stainless steel, my sculptures combine subjects mined from local site history, cultural traditions in the community, archetypal iconography of human belief systems and my own personal form vocabulary. The result is art that is poignant to the community, builds a sense of place and creates way-finding landmarks. The art becomes an engaging focal point that prompts an on-going dialogue about what we as societies are doing and how it relates to the world around us.

My art has evolved in recent years to include more glass, light, color, and interactivity. Designs recently installed have orbiting kaleidoscopes, color changing LED lighting, solar power, touch sensitive color changing surfaces, musical instruments and sound activated interactive lighting. Children and adults alike are delighted with the sense of discovery and connection provided in such designs

I have worked with and on committees in states across the US and overseas as well as lectured on public art in China, Korea and Sweden. My projects always involve working closely with design team members, community stakeholders, city officials, engineers, urban planners etc. I have been instrumental in planning and organizing international sculpture parks and traveling exhibitions of group sculpture shows.

Top to bottom: Heaven’s Lantern, 2012, Seoul, South Korea; Flame Gateway, 2016, Springfield, OR; Barometer, 2013, Hillsboro, OR D e v i n L a u r e n c e F i e l d

19003 N.W. Columbia Street, Portland, Oregon 97231 • (503) 309 2443 Ph • [email protected] www.devinlaurencefield.com

EDUCATION

1993 Master of Fine Arts, University of Oregon 1991 Bachelor of Fine Arts, Summa cum Laude, University of Oregon 1981-96 Apprenticeships and private instruction with renowned artists in Christchurch, New Zealand, Toyota City, Japan, and Banyuls-sur-Mer, France.

SELECTED EXHIBITIONS

2008 Beijing Biennale, China National Art Museum, Beijing, China Tai Miao Temple, Forbidden City, Beijing China 2007 Waterstone Gallery, Portland, Oregon 2004 Represents USA at Macay Museum /US Embassy outdoor sculpture exhibit, Merida, Mexico 2003 Four Museum tour of One Man Exhibition: State Museum of Art, Chetumal, Mexico Museum of the Island, Cozumel, Mexico Museum Playa Kukulkan, Cancun, Mexico Cultural Center, Carillo Puerto, Mexico 2002 Wildlife Experience Art Museum, Denver, Colorado 2001 Longview Museum of Fine Arts, Longview, Texas Outdoor Sculpture Invitational, City of Lake Oswego, Oregon 2000 D'Adamo/Hill Gallery, Seattle, Washington 1999 Cleveland Museum of Natural History, Cleveland, Ohio Maryhill Museum of Art. Goldendale, Washington Sebastian Foundation, México City, México Galeria Sebastian Internacional de Arte, Cancún, México Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin Genesee Country Museum, Mumford, New York Big Rock Garden Sculpture Park, Bellingham, Washington 1998 National Academy Museum, 173rd Annual Exhibition, New York, N.Y. Northwest Regional Outdoor Sculpture Invitational, Clackamas, Oregon Waterstone Gallery, Portland, Oregon 1997 Cuauhnauac Museum Palacio de Cortez, Cuernavaca, México Galeria Oscar Roman, México City, México Regional Museum of Guadalajara, Jalisco, México Hiram Blauvelt Art Museum, Oradell, New Jersey Loveland Sculpture Invitational, Loveland, Colorado Contemporary Crafts Gallery Sculpture Invitational, Portland, Oregon Chetwynd Stapylton Gallery, Portland, Oregon

DISTINCTIONS

2006 International Juror, Beijing 2008 Olympics Sculpture Competition, Beijing, China 2003 Evelyn & Peter Haller Distinguished Young Artist Award, Society of Animal Artists, N.Y. 1999 Published in Millenium edition of Who's Who in America 1998 Helen Foster Barnett Award for sculpture, National Academy of Design, N.Y. Sebastian Prize, Mexico City, Mexico. 1996 Regional Arts and Culture Council grant recipient for work in Japan 1989 Joseph Kinsman Starr Scholarship Recipient 1988 David McCosh Scholarship Recipient 1986 Ina McClung Scholarship Recipient

PROJECTS AND COMMISSIONS

2015 Monumental sculpture commissions for the cities of Kansas City, KS, and Springfield, Oregon (62’ tall) 2012-14 Monumental sculpture commissions for city of Arboga, Sweden, Hangaram Art Museum, Seoul, Korea and the Cities of Bend, Beaverton, Monmouth and Hillsboro, Oregon Monumental sculpture commission for Interstate 5 Bridge, ODOT, Eugene, Oregon 2010 Monumental sculpture commission for the cities of Tangshan and Taizhou, China 2009 Monumental sculpture commission for the cities of Urumqi, China and Ordos, Inner Mongolia Monumental sculpture commissions for Lane Transit District and Lane Community College, Oregon 2008 Monumental sculpture commission for 2008 Beijing Olympic Games, Olympic Park, Beijing, China 2007 Monumental sculpture commission, North Clackamas Park, Milwaukie, Oregon 2004 Monumental sculpture commission for city of Klamath Falls, Oregon 2003 Monumental sculpture commissions for cities of Chetumal and Colima, Mexico Monumental sculpture commissions for cities of Bend and Lake Oswego, OR 2002 Monumental sculpture commission for the State of Oregon, Salem, Oregon Monumental sculpture commission, Isla Mujeres. Cancuun, Mexico 2000 Monumental sculpture commission Corvallis Commemorative Park, Oregon 1999 Monumental commission for St. Louis University Sculpture Park, Louisiana, Missouri. 1998 Corvallis City Hall, Corvallis, Oregon main entry sculptures, public art commission. City of Eugene, Oregon percent for art project, ten cast bronze sculptures. 1997 Co-organizer of 11x11 International Sculpture Exhibition, traveling museum show between Mexico and Oregon. Instructor, Northwest Stone Sculpture Symposium, Silver Falls, Oregon. Work on Tom Hardy's Franklin D. Roosevelt Memorial for the U.S Capitol, Wash D.C

COLLECTIONS

Portland Art Museum, Portland, Oregon City of Arboga, Sweden Jin Tai Art Museum, Beijing, China City of Beijing, Olympic Park, China Yidong Museum of Sculpture, Beijing, China City of Urumqi, Xinjiang, China Maryhill Museum of Art, Goldendale, Washington City of Ordos, Inner Mongolia Isla Mujeres International Sculpture Park, Cancun, Mexico City of Monmouth, Oregon Hangaram Art Museum, Soeul, Korea City of Springfield, Oregon State Museum of Art & Culture, Chetumal, Mexico City of Klamath Falls, Oregon International Sculpture Park, Chetumal, Mexico City of Corvallis, Oregon State of Oregon, Salem, Oregon City of Vancouver, Washington National Museum of Sculpture, Colima, Mexico City of Bellingham, Washington Fundación Sebastian, Mexico City, Mexico City of Lake Oswego, Oregon St. Louis University, Lay Sculpture Park, Missouri City of Bend, Oregon University of Oregon Knight Library. Eugene, Oregon City of Eugene, Oregon Oregon Health Sciences University. Portland, Oregon City of Milwaukie, Oregon Clackamas Community College, Clackamas, Oregon City of Salem, Oregon Central Oregon Community College, Bend, Oregon City of Tangshan, China Juan Soriano Intl Sculpture Park, Colima, Mexico Colima City of Taizhou, China Multnomah Athletic Club City of Shijiazhuang, China Chemeketa Community College City of Beaverton, Oregon Oregon Dept of Transportation City of Hillsboro, Oregon Lane Transit District, Springfield, Oregon BILL FITZGIBBONS San Antonio, TX billfitzgibbons.com

I believe that public artwork takes possession of the unique potential in a space and inspires an artist to wed the practical and functional with the transcendent. Successful public art informs its environment with a spirit that transforms a place into an aesthetic and engaging experience. When I develop an idea for a project, the site is critical to how the work will manifest itself. In addition, the needs and desires of the individuals that will experience the space are crucial to the formative process. Site-specific art pieces are successful only to the extent that they can engage the viewer in a compelling and/or sublime way.

Overall, my ideas often incorporate LED lighting systems in a way that engages the project site and provokes the feeling of traveling through the art. It is my intent to humanize the experience between the viewer and the art, and to create a space of beauty out of sites that are otherwise unnoticed. It is my hope that my art provides an experience that will remain with the viewer long after leaving a space behind. Through the incorporation of light interventions, I transform sites into an experience that continually distinguishes itself.

I have the capability and experience necessary to generate interactive art installations, allowing visitors to engage in memorable experiences at various sites. In addition, it is important to note that my history working with reclaimed and environmentally conscious materials will complement the intent of each project and the current environmental requirements of the area. My focus on using recycled materials supports sustainability and allows for important collaboration within the community.

Throughout my career, I have completed many successful public art commissions in more than five countries. I have also worked as part of numerous design teams, as well as with architects, engineers, landscape engineers, general contractors, and county/city/state governmental agencies. The majority of my projects are site specific, and have all been completed on time and on budget. I am certain that my unique experience and ability to engage multiple perspectives will provide both unity and innovation to your project.

Top to bottom: Light Channels, 2007, San Antonio, TX; Light Rails, 2013, Birmingham, AL; Woodlawn Bus Stop, 2010, San Antonio, TX Bill FitzGibbons 205 Sheffield Place San Antonio, TX 78213 E-mail: [email protected] Website: www.billfitzgibbons.com Cell: (210) 723-3048

Bill FitzGibbons received his BFA in Sculpture and Art History from the University of Tennessee, and his MFA in Sculpture and Multi-Media from Washington University in St. Louis. Bill has received over thirty public art commissions in five countries. In 1979 he became the first curator at Laumeier Sculpture Park in St. Louis, Missouri. From 1985 until 1988 he was appointed as the Director of Sculpture at the Visual Art Center in Anchorage, Alaska. In 1988 he became the Department Head of Sculpture at the San Antonio Art Institute. In 1991 he was selected as a Fulbright Scholar for the Hungarian Art Academy in Budapest, Hungary. Bill has also been on the adjunct faculty at Trinity University in San Antonio. FitzGibbons is the former Executive Director of Blue Star Contemporary Art Museum 2002-2013 and in 2012, was selected by the Texas State Legislature as The Texas State Artist (sculpture).

Public Art Masterplans

 1996-97 Public Art Masterplan, San Antonio International Airport Expansion Project  1987-88 Public Art Masterplan, Anchorage International Airport renovations and new parking garage.

Public Art Commissions

 2016 El Paso Airport Design Team, design and help implement a new entrance for the El Paso International Airport including landscaping, public art, and a master lighting plan.  2016 Kinetic Skyline, a site-specific computerized LED light sculpture installed on the Bank Of America Plaza Building in downtown San Antonio  2016 Centro Chroma Tower, site-specific interactive, computerized LED light sculpture located at the new Westside Intermodal Transit Center in San Antonio, Texas.  2015 Current Drift, a bridge project in Allen, Texas in collaboration with George Schroeder.  2014 Culebra Plaza, environmental plaza with LED light sculpture, San Antonio, Texas. This artwork is collaboration with the neighborhood association and school.  2013 LightRails, site-specific computerized LED light sculpture under the 18th Street viaduct, Downtown, Birmingham, Alabama  2013 San Antonio Colorline, a permanent site-specific LED light sculpture for the Robert B. Green University Health System Clinic, Downtown San Antonio, Texas  2012 Chinook Lights, Site-specific LED light installation for the King County Office, Seattle, Washington.  2010 Knoxville Colorline, a light sculpture installation for the Knoxville Museum of Art, Knoxville, Tennessee.  2010 Öndvegissúlur, Poem of Light, a light sculpture installation on the City Hall of Reykjavik, Iceland as part of the Museum Night celebration.  2005-2008 Woodlawn Ave. Bus Stop Design Team with Pape-Dawson Engineers, streets and drainage project for the city of San Antonio.  2006 Light Channels, Site-specific public art project consisting of aluminum sculptures and hundreds of LED lights installed at the I37 underpasses at Houston and Commerce Streets, San Antonio, Texas.  2003-2005 Skywall Intercontinental Airport, Houston, Texas.  2005-2008 Woodlawn, 60’ Ave. long Bus sculpture Stop Design with LED Team lights with located Pape-Dawson at the Bush Engineers, streets and drainage project for the city of San Antonio.  2001 Duck Pond plaza Design Team with Groves and Associates, redesign of a neighborhood park with public art for the city of San Antonio.  2000 Millennium Plaza, a site-specific sculpture for the University of Houston at Victoria, Texas.  1999 Day Star Archway International Airport, San Antonio, Texas.  1996-1997 Design Team, aParticipant 40’ tall archway, San Antonio and walkway Airport at Expansionthe San Antonio Project Parking Garage.  1996 Rhode Island Lights, exterior neon sculpture for the Rhode Island Convention— Center, Providence, Rhode Island.  1995 The Epiphany of Five Rivers, commissioned by the River Pierce Foundation, located on the banks of the Rio Grande, San Ygnacio, Texas.  1994 Olaf, commissioned by the Hampshire Sculpture Trust to commemorate the millennium of the Viking visits, Hampshire County, England.  1992 Homage to Balder, commissioned by the Millesgarden Museum and Sculpture Garden to celebrate Swedish mythology, Stockholm, Sweden.  1991 Literary Garden, chosen for the Main Library in Gainesville, Florida (funding was not realized).  1990 Lemon Creek Plaza, Lemon Creek Correctional Facility, Juneau, Alaska, 1% commission-State of Alaska.  1988 Fifth Ave. Reflections, an interior and exterior neon sculpture for the 5th Ave. parking facility, Anchorage, Alaska.  1988 North Star Plaza, an environmental sculpture for the Fairbanks Youth Facility, Fairbanks, Alaska.  1987 Solar Path, an environmental sculpture for Spring Hill Elementary School, 1% commission, Anchorage, Alaska.

Awards/Appointments

 2014 CODAaward Winner, LightRails winner in transportation category  2012 Texas State Artist (sculpture) for 2012, selected by the Texas State Legislature.  2011 Board Member, Texas Sculpture Group, Chapter of the ISC  2010 Outstanding Alumni Award, University of Tennessee, Knoxville, Tennessee.  2006-2012 International Sculpture Center, Member of Board of Trustees  1993 Fulbright Scholar, Hungarian Academy of Art and Design, Budapest, Hungary  1999-2000 Blue Star Contemporary Art Center, President, Board of Directors  1991 USIA, Artist Fellowship, Helsinki, Finland

Exhibitions (selected) Bill FitzGibbons has had sixteen solo exhibitions and has been in over sixty-five group exhibitions over the past twenty-five years.

 2015 Texas!, Lalit Kala Akademi (National Academy of Art), New Delhi, India  2014 Bill FitzGibbons, International Museum of Art and Science, McAllen, Texas  2012-13 Western Sequel, Art from the Lone Star, Athens School of Fine Arts, Athens Greece/ Mimar Sinan Fine Arts University, Istanbul, Turkey.  2011 The New Old San Antonio, Spencer Museum, Lawrence, Kansas  2010 Fire Drawings, G Gallery, Houston, Texas  2010 Filament, the work of Bill FitzGibbons and Creighton Michael, Ewing Gallery, University of Tennessee, Knoxville, Tennessee  2006 Eellight, The Lab Gallery, a collaboration with Creighton Michael, New York City, New York  2000 Earth and Fire, San Antonio Museum of Art, an exhibition of ceramic sculpture, San Antonio, Tex  1996 Northern Lights, Fruitmarket Gallery, Edinburgh, Scotland  1993 Out of the Fire, Laredo Arts Center, Laredo, Texas  1993 Jansen-Perez Gallery, San Antonio, Texas  1993 Carrington-Gallagher Gallery, San Antonio, Texas  1992 Millesgarden Museum, Stockholm, Sweden  1991 Otso Gallery, Helsinki, Finland  1991 Hochsule fur Bildende Kunste, Brunschweig, Germany  1991 Blue Star Art Space, San Antonio, Texas  1988 Searching for the Balance, Anchorage Museum of History and Art, Anchorage, Alaska  1983 Light Motifs, St. Louis Art Museum, St. Louis, Missouri  1982 Pratt Manhattan Gallery, New York City, New York  1981 City Museum, Stoke-on-Trent, England  1980 Electrosculpture, Midland Art Centre, Birmingham, England

Sculpture Conference Speaker

 SCALE: a Gathering of Sculptors” (organizer) sculptors included: Alice Aycock, James Surls, Gudjón Bjarnson (Iceland), Ivano Vitali (Italy), Jesús Moroles, Joan Hall, 2012and Phillip “ King (UK), Blue Star Contemporary Art Museum, San Antonio, Texas.  2010 “”Out of Darkness, Light as Public Art”, 22nd Annual Sculpture Conference, International Sculpture Center, London, England.  2007 "Art in the Public Realm", Mid South Sculpture Alliance, Chattanooga, Tennessee  2005 “Leading the Charge,” Americans for the Arts, national annual conference, Austin, Texas  1997 “Beyond Site-Specific Sculpture,” Mid America College Association Conference, panel chair (participants were Robert Hobbs, Chris Janney, Richard Hunt), Richmond, Virginia  1994 “The Artist as Urban Designer,” Art Point, Milton Keynes, England  1993 “Central European Public Sculpture Conference,” Magyar Iparmuveszet, Budapest, Hungary  1992 “Spirituality in Sculpture,” panel International Sculpture Center, Philadelphia, Pennsylvania  1991 “Public Art in a Multi-Cultural Society: On Common Ground,” Santa Fe Arts Commission, Santa Fe, New Mexico  1988 “Alaska and its Effect on Environmental Sculpture,” Irish Sculpture Society, Dublin, Ireland  1988 “Public Sculpture Dialogue” with sculpture Nancy Holt, Mid South Sculpture Conference, Little Rock, Arkansas  1986 “Sky Art Sculpture Conference,” The Center for Advanced Visual Studies at the Massachusetts Institute of Technology, Cambridge, Massachusetts  1986 “Art in Public Places—A Public Forum,” Anchorage Museum of History and Art, Anchorage, Alaska  1984 “Art in the Environment Conference,” Edinburgh College of Art, Edinburgh, Scotland  1983 “Environmental Sculpture Panel,” Mid America Art Conference, St. Louis Missouri  1983 “Public Art for the Eighties,” St Louis Art Museum, St. Louis, Missouri  1981 “Public Art in the US,” Richard Demarco Gallery, Edinburgh, Scotland

Visiting Artist

 2010 The University of Tennessee, Knoxville, Tennessee.  1995 Rhode Island School of Design, Providence, Rhode Island.  1994 Winchester School of Art, Winchester, England.  1991 Hochschule für Bildende Künste, Braunschweig, Germany.  1991 Kuvataideakatemia, Helsinki, Finland.  1990 Virginia Commonwealth University, Richmond, Virginia.  1986 Center for Advanced Visual Studies, M.I.T., Cambridge, Massachusetts.  1981 University of Sunderland, Sunderland, England.  1981 Bath Academy of Art, Bath, England.

FUTURE CITIES LAB Nataly Gattegno and Jason Kelly Johnson San Francisco, CA future-cities-lab.net

Future Cities Lab is an experimental design studio, workshop and urban think tank operating globally out of San Francisco, California. We have a proven record of award-winning experience, creating work at the intersection of architecture, sculpture, and public digital art. With every new work we attempt to leverage cutting-edge fabrication processes with insightful analysis of a work's urban context to produce art that materially and spatially enriches the lives of its viewers.

Future Cities Lab is able to deliver world-class artwork on time and on budget. We recognize there are a number of challenging aspects to public art: developing durable and low maintenance strategies and making sure that the local community is part of the process and feels ownership of the outcome. Future Cities Lab has deep experience working with complex teams of designers, community members, contractors and fabricators to design and fabricate dynamic indoor and outdoor installations. Our work explores several key, contemporary ideas: making poetry of data, creating interactive experiences, and pushing the envelope of craft, as can be seen in the following works:

Future Cities Lab is passionate about creating ground- breaking artworks that excite viewers while provoking thinking about their relationship with technology, data, society, and place. We have deep experience bringing teams of fabricators, engineers, scientists, arts commissions and the public together to create ground- breaking works of art.

Top to bottom: Lightswarm, 2014, San Francisco, CA; Datagrove, 2012, San Jose, CA; Data Lanterns, 2015, San Francisco, CA OREGON ART IN PUBLIC PLACES RESUME 25 JULY 2016

FUTURE CITIES LAB Nataly Gattegno + Jason Kelly Johnson 2325 3rd St. #229, San Francisco, CA 94107 t: 415.255.4879, c: 434.466.6507, e: [email protected], e: [email protected] w: www.future-cities-lab.net

+ References Jaime Austin Curator and Director of Programs ZERO1 Art and Technology Network, San Jose, CA [email protected], (415) 269-0191

Betti-Sue Hertz Director of Visual Arts Yerba Buena Center for the Arts, San Francisco, CA 94103 [email protected], (415) 321-1321

Kelly Allman Personal Assistant to the President OPPIDAN Investment Company, Excelsior, MN 55331 [email protected], (952) 294-0151

+ Education Nataly Gattegno: 2002 Master of Architecture, MArch, Princeton University 2000 Master of Arts, MA, Cambridge University, St Johns College, UK 1998 Bachelor of Arts, BA Honors, Cambridge University, St Johns College, UK

Jason Kelly Johnson: 2001 Master of Architecture, MArch, Princeton University 1995 Bachelor of Sciences, BSc, University of Virginia

+ Current / Forthcoming Public Art Installations 2016 Anemone: Shade Canopy Sculpture, Albany, CA [forthcoming] 2016 Lightweave: Interactive Public Art Installation, North Union Station Underpass, Washington, D.C. [forthcoming] 2016 Hyposwarm: Graphic Crosswalk Pattern, Yerba Buena Community Benefit District, San Francisco, CA [forthcoming] 2015 Murmur Wall: Interactive Public Art Installation, Yerba Buena Gardens, San Francisco, CA [currently on view] 2014 Lightswarm: Interactive Façade Installation, Yerba Buena Center for the Arts, SF, CA [currently on view]

+ Recent Public Art Installations 2016 Chronoscope 1, Soundwave Festival, Fort Mason, San Francisco, CA 2015 Data Lanterns: Interactive Public Art Installation, Market Street Prototyping Festival, San Francisco, CA 2014 Datasprayer, Swiss Pavilion, Venice Biennale, Italy 2013 Hydraspan, Yerba Buena Center for the Arts, San Francisco, CA 2012 Datagrove, ZERO1 Biennial, San Jose, CA and artMRKT, Fort Mason, San Francisco, CA 2012 Hydramax, San Francisco Museum of Modern Art, San Francisco, CA 2011 Trilux Pavilion, Museum of Craft and Design, Hayes Valley, San Francisco, CA 2010 Xeromax Envelope, Pratt Gallery, New York, NY 2010 AURORA, Van Alen Institute, New York, NY

Page 1 of 2 OREGON ART IN PUBLIC PLACES RESUME 25 JULY 2016

+ Recent Private Art Commissions 2016 Untitled, Survey Monkey, San Mateo, CA [forthcoming] 2015 Bitstream, Bitly, New York, NY

+ Recent Public Art Awards 2016 MTA Arts + Design, Sea Beach Line Station Public Art, New York, NY [finalist, ongoing] 2016 Montgomery Street Public Art, Fort Worth, TX [finalist, ongoing] 2016 Assen Railway Integrated Public Art, Assen, Netherlands [finalist, ongoing] 2016 Metropolitan State University of Denver, Aerospace & Engineering Sciences Building, Denver, CO [finalist, ongoing] 2016 Clemson University Lee III Interior Public Art, Clemson, SC [finalist, ongoing]

+ Recent Community Engagement / Thought Leadership 2016 Our City: Oakland, Oakland, CA: Advisory Committee 2015 Market Street Prototyping Festival, San Francisco, CA: Planning Committee / Neighborhood Captain 2014 Audi Innovation Research/California College of the Arts: Beyond Mobility Workshop, San Francisco, CA: Organizers

+ Group Exhibitions 2015 Data Clay, Musuem of Craft and Design, San Francisco, CA, Curators: Joshua G. Stein & Del Harrow 2013 Dissident Futures, Yerba Buena Center for the Arts, Curator: Betti-Sue Hertz 2012 Hydramax, in Utopian Impulse, San Francisco Museum of Modern Art, Curator: Jennifer Fletcher

+ Fellowships / Awards 2016 Americans for the Arts ‘Top 50 Public Artworks’ for Murmur Wall 2016 Community Contribution Award, Robots in Architecture, Sydney, Australia 2013 Americans for the Arts ‘Top 50 Public Artworks’ for Datagrove 2011 New York Prize, The Architectural League of New York

+ Select Lectures/Presentations/Conferences 2016 Rob|Arch 2016, Keynote Speaker, Robots in Architecture, Sydney, Australia 2015 Wired City Conference Keynote, Wired Magazine, Tokyo, Japan

+ Select Authored Publications 2016 Nataly Gattegno + Jason Johnson, Foreword: Towards a Robotic Ecology, in Responsive Landscapes, ed. Bradley Cantrell + Justine Holzman, Routledge. 2015 Nataly Gattegno + Jason Johnson, The Hydramax Trilogy, in Architectural Design, AD 2050, Wiley Press. 2014 Nataly Gattegno + Jason Johnson, Interview, in eVolo: Digital Parametric Architecture, ed. Carlo Aiello.

+ Select Publication of Design Work 2016 Michael Fox, Interactive Architecture: Adaptive World, Princeton Architectural Press. 2016 Bradley Cantrell + Justine Holzman, Responsive Landscapes, Routledge. 2014 Installation Art Now, Sandu Publishing, Ginko Press.

+ Select Press, Interviews, Commentary 2016 What could the world of sports look like in 20 years?, USA Today. 2015 Illuminate SF, SF Travel. 2015 A Light Sculpture Is Harvesting San Francisco’s Secrets, The Creators Project. 2015 Writers, Scientists, and Climate Experts Discuss How to Save the World from Climate Change, VICE. 2014 Best of #Light, Domus.

Page 2 of 2 MATTHEW GELLER New York, NY matthewgeller.com

I'm particularly drawn to overlooked or underutilized environments, from private imaginary worlds within brick walls, to back alleys, to sprawling open public spaces. It is in these environments that I tease out small fragments of narrative by augmenting or amplifying the raw materials of a given locale. I ask the viewer to engage both with what was always there as well as with what might be.

As with all of my public artwork, I set out to engage the public and foster a sense of community. The works are spirited, accessible—and very often unexpected. By using disparate elements—including everything from swings, to showers, to wind—in surprising and interactive ways, my artwork aims to encourage engagement with the work and among viewers themselves.

For the past dozen years, I’ve often worked with a visual vocabulary that doesn’t immediately telegraph its status as art. As my starting point, I like to use blemishes, sites, and vernaculars that have been marginalized in some form: the controlled chaos of industrial infrastructure (“Open Channel Flow” and “Chroma Booster”), the abandoned limb of an amusement park ride (“Greenway Blueway Byway Skyway” and “Nautical Swing”), or the aging tree in a public park (“Woozy Blossom” and “Anticipator”). I take these abject artifacts and retrofit them to create a ready-made public square, often incorporating more evanescent media as a beckoning device. The idea is to surprise while fostering a sense of community around an unlikely object or site.

I’d like to have opportunities to do interior works that are functionally and visually integrated with the site’s architecture. I’d also like to have additional opportunities to address all of the aspects of an exterior public site as a means of expanding on Dutch architect and playground designer Aldo Van Eyck’s ideas about citizenship based on social engagement and his theories on play and urban life.

Community, stakeholder, and design team engagement has taken many forms in my projects, and input from these stakeholders always informs the development of the initial concept. Direct feedback is critical to the process of refining the idea as it moves from preliminary sketches to a final proposal.

The initial idea is also often developed in conjunction with input from the site architects and design teams. Once I have developed the initial idea, the process of bringing it from concept to completion is a collaborative process between a fabrication partner, engineers, and myself.

Top to bottom: Open Channel Flow, 2009, Houston; Triple Pasture, 2016, Ashland, OR; The Huddle, 2013, Albuquerque, NM Matthew Geller / Hutabut LLC www.matthewgeller.com [email protected] 917.804.0118 4 White Street, New York, NY 10013

PUBLIC ART 2018 Waterloo Falls, Cleveland Public Art, Land-Studio, Cleveland Water Department, Cleveland, OH, $150K 2018 TBD, Art in Public Places, Norfolk, VA, $121K 2017 TBD, Office of Arts & Culture, Seattle, Seattle Public Utilities, Seattle, WA, $200K 2016 Cypress Landing, Miami-Dade Art in Public Places, Zoo Miami, Miami, FL, $940K 2016 One Puck Hollow, Calgary Public Art Program, Great Plains Recreation Center, Calgary, Alberta, CA $150K 2016 Formosa, Percent for the Arts, New York City Department of Cultural Affairs, Myrtle Avenue Plaza, $117K 2016 Woozy Blossom II, 21c Museum Hotel, Oklahoma City, OK 2016 Triple Pasture, Oregon Arts Commission, Southern Oregon University, Ashland, OR, $165K 2015 Nautical Swing, Hunters Point Shipyard, San Francisco, CA, $135K* 2015 Chroma Booster, Museums & Cultural Affairs Department, , Downtown Pedestrian Pathway, El Paso, TX, $350K* 2013 Anticipator, Florence Griswold Museum, Old Lyme, CT, $50K 2013 Greenway Blueway Byway Skyway, North Carolina Arts Council, Happy Valley Byway, Lenoir, NC, 2010, $75K 2012 The Huddle, New Mexico Arts, New Mexico School for the Blind & Visually Impaired, Albuquerque, NM, $78K 2010 Woozy Blossom (Platabus nebulosus), Katonah Art Museum, Katonah, NY, $40K 2009 Open Channel Flow, Houston Arts Alliance, Sabine Street Water Pump Station, Houston, Texas, $150K* 2006 Awash, NYC Dept of Parks, Lower Manhattan Cultural Council, Collect Pond Park, Downtown Manhattan 2006 Babble. Pummel & Pride, Evergreen House at Johns Hopkins University, Baltimore* 2005 Whether you love me or not, Wave Hill, The Bronx, NY 2004 Sixty Weak Knees, Arthouse, Austin, TX 2004 Little white pearls in a puddle, Summer Palace Garden, Düsseldorf, Germany 2003 Foggy Day, Cortland Alley, NYC, Lower Manhattan Cultural Council, a project of Creative Capital, NYC* 2002 Feed for a fine line, Church Street, Downtown New York City, Lower Manhattan Cultural Council 2002 Six permanent installations, Long Island Children's Museum, Garden City, NY 1999 Failing to seek shelter, they…, Witte de With Center for Contemporary Art, Rotterdam 1997 Longer Island, Projects 97, Islip Art Museum, Long Island, NY 1995 Steps, Biography Memorials at Woodlawn Cemetery, Bronx Council on the Arts HONORS, AWARDS & GRANTS Year in Review*—Best Public Art in 2016 (2 projects), 2010, 2006, 2003, Public Art Network, Americans for the Arts Foundation for Contemporary Art, 2006 Grants for Art in Public Places, Lower Manhattan Cultural Council, 2006 New York Foundation for the Art Artists' Fellowship in Sculpture, 2005 Fund for Creative Communities, 2001 Creative Capital Foundation, 1999-2000 The Greenwall Foundation, 2000 Milton & Sally Avery Arts Foundation, 2000 Artslink, a program of CEC International Partners, 1997-8 Rome Prize Fellowship in Visual Arts, American Academy in Rome, 1991-1992 National Endowment for the Arts, Visual Arts Fellowship, 1989, 1987 Jerome Foundation Film/Video Grant, 1989 Art Matters Grant, 1988 New York Foundation for the Arts Artist's Fellowship, 1988 WGBH/WNET “New Television” Finish Funds Grant, 1987, 1985 New York State Council on the Arts, TV/Media Production Grant, 1986, 1984, 1982 National Endowment for the Arts, Media Arts Production Grant, 1987 Creative Artists Public Service (CAPS) Fellowship, 1984 SOLO EXHIBITIONS & SCREENINGS 2013 Anticipator, Florence Griswold Museum, Old Lyme, CT 2012 Woozy Blossom (Platabus nebulosus), Vero Beach Museum of Art, Vero Beach, FL 2010 Woozy Blossom (Platabus nebulosus), Katonah Art Museum, Katonah, NY 2005 Almost. Again. Almost. One more time. Maiden Lane Exhibition Space, NYC 1998 Basements, Hans Knoll Gallery, Budapest, Hungary 1998 Continuously harder forever, U.F.F. Gallery, Budapest, Hungary 1996 Stories contrary to the way they appear, Revolution, Detroit, MI 1995 Reciprocal Discovery, Revolution, Detroit, MI 1991 The Activity of Watching Television, Urban Institute for Contemporary Arts, Grand Rapids, MI 1990 From Receiver to Remote Control: The TV Set, The New Museum of Contemporary Art 1988 Split Britches, New Television Series, PBS 1987 Bees & Thoroughbreds, New Television Series, PBS 1985 Everglades City, The Kitchen at Squat Theater, NYC; Hallwalls, Buffalo, NY; UC Video, Minneapolis, MN 1982 October New York Post, Printed Matter, NYC 1982 Or run to ground zero, “Messages to the Public”, Spectacolor Board, Public Art Fund, NYC 1981 Difficulty Swallowing, Printed Matter, NYC 1980 Last War III, Mudd Club, NYC; Time Square Show, NYC

1980 Times Square Show, WNEW-TV GROUP EXHIBITIONS & SCREENINGS 2014 “Learn To Read Art”, Print Matter, NYU’s 80WSE Gallery, NYC “The Real Estate Show”, James Fuentes Gallery, NYC “RESx (Real Estate Show Extended)”, ABC No Rio, NYC 2013 “VFR STN”, New Museum, NYC 2012 "Times Square Show Revisited", Hunter College Art Gallery, NYC “The Worldly House”, dOCUMENTA (13), Kassel, Germany “Forecast”, Architecture Center Houston and AIA Houston, Houston, TX “Chalk the Block Festival”, San Jacinto Plaza, El Paso, TX 2011 Grange Gardens Sculpture Commission Proposals, Galerie8, London, England "A Show About Colab (and Related Activities)", Printed Matter, NYC 2010 “Summer Shorts”, Electric Arts Intermix, NYC 2009 “Looking at Music: Side 2”, Museum of Modern Art, NYC “Civic Duty: Building Art, Building Houston”, 125 Gallery, Houston Arts Alliance, Houston, TX 2008 “Art in the Public Sphere: Singular Works, Plural Possibilities”, University Gallery, U of Massachusetts 2007 “For Being Open: A Celebration of 30 Years”, Urban Institute for Contemporary Arts, Grand Rapids, MI 2005 "The Downtown Show: The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburg "Meteorologic Phenomena", Wave Hill, NYC 2004 “The Duce: (Nearly 100 Years of Times Square, Ocularis, NYC 2003 "Summer Repertory: Everglades City", MOMA, NYC 2001 "The Hagie C", Kunst Kanaal, Amsterdam 2000 “Video Time”, Museum of Modern Art, NYC 1999 “Space”, Witte de With, Rotterdam 1996 “No Wave Cinema, 1978-87”, Whitney Museum of American Art, NYC 1995 “Boxes”, The Sculpture Center at Roosevelt Island 1994 “The Future of the Book, the Book of the Future”, Florida State U. Gallery 1993 “Good and Plenty”, Art in General, NYC “Aides Project”, Museum of Modern Art, NYC “Artists' Books”, Smithsonian Institute 1990 “Learn to Read Art: Artists’ Books”, Art Gallery of Hamilton, Canada “New Narratives”, Whitney Museum of American Art, NYC 1989 “New Narratives”, International Center for Photography, NYC 1988 “21 Years of Independents”, Museum of Modern Art , NYC; Rotterdamse Kunst Stichting 1987 “Selections from the Video Study Center”, Museum of Modern Art, NYC “Video Discourse: Mediated Narratives”, La Jolla Museum, California 1986 “Resolution: A Critique of Video Art”, Los Angeles Contemporary Exhibitions “MASS”, Group Material, The New Museum of Contemporary Art, NYC “TV’s Impact on Contemporary Art”, Queens Museum 1984 “Mediated Narratives”, Institute of Contemporary Art, Boston “The Second Link”, Long Beach Museum of Art, CA, Institute of Contemporary Art, London 1983 “1983 Biennial”, Whitney Museum of American Art, NYC “The Second Link”, Museum of Modern Art, NYC; Stedelijk Museum, Amsterdam; A Space, Toronto “1984”, Ronald Feldman Gallery 1982 “New Imagery”, Museum of Modern Art, NYC “New Work, New York”, Long Beach Museum of Art “Return/Jump”, The Kitchen Center “A.More Store”, Collaborative Projects, Barbara Gladstone Gallery, NYC “Fashion Moda Store”, Documenta, Kasel, Germany “Ola De Calor”, Museum del Bario 1981 “Kitchen Presents”, Museum of Modern Art, Jerusalem “Colab Two Suitcase Show”, And/Or, Seattle “Page as Alternative Space”, Franklin Furnace 1980 “The Times Square Show”, Collaborative Projects EDUCATION Connecticut College, 1976, BA University of Delaware, 1978, MFA BRAD GOLDBERG Dallas, TX bradgoldberg.com

From the beginning, earning duo degrees in Sculpture and Landscape Architecture, I have been passionate about exploring a holistic approach toward art and place. My goals are to continue to create work that is site-specific, timeless, and exemplary in use of material, craftsmanship, and scale.

I find that each project has its own unique undiscovered challenges and that uncovering and answering these challenges is part of the excitement in doing this work. My inspiration comes from the journey of discovery in researching the history, culture, aspirations of the community and creating an artwork that becomes integral to the place, as if it had always been there. Artists are accustomed to working on projects far advanced in their design evolution. While not an ideal scenario, my goal is always to make the artwork look as if it was part of the overall design intent all along, rather than an afterthought, and I have been successful in this regard.

Recently, it seems that public art is transitioning to asking for work at “X marks the spot”, a process that focuses on the product and gives less attention to the process. In advancing my work, I wish to continue to pursue a holistic process that is less about pieces and more about spaces.

In a life’s pursuit, one gains expertise in one’s craft, while over time responding to an ever-changing world of new discoveries and technology. Throughout, I continue to value working with the materials of the earth, as these materials are sustainable, durable, and beautiful. The span of my work reflects my interest in archetypal forms, the cycles of nature and geologic time, the evolution of technology, and in creating people-oriented community spaces. I strive to create work that is timeless, beautiful, in touch with both past, present and future, and with humankind’s inherent need to connect with and make one’s mark upon the natural world..

Top to bottom: Coral Eden, 2006, Miami International Airport; Houston Waters II, 2004, Houston, TX; Passage, 2016, Phoenix, AZ BRAD J GOLDBERG

5706 GOLIAD AVENUE DALLAS, TX 75206 . W 214 821 9692 . [email protected] . WWW.BRADJGOLDBERG.COM

SELECTED PROJECTS 2016- Eastside Regional Park, El Paso, Texas 2016- Johnson County Arts and Heritage Center, Kansas 2014- Moore Square, Raleigh, North Carolina 2013- Washington D.C. Metro Innovation Center Station 2009- Terminal 4 Terrazzo Floor Project, Ft. Lauderdale International Airport, Florida 2016 Passage, Pueblo Grande Archeological Museum, Phoenix, Arizona 2014 Trinity River Amenities Project, Dallas, Texas 2012 Water Tower, Elevated Water Tower Design/Wind Energy Project, Town of Addison, Texas 2012 Belt Line Station, Dallas Area Rapid Transit, Irving, Texas 2011 Every Place A History, Austin Animal Shelter/Betty Dunkerley Campus, Austin, Texas 2011 Water Table, Cityplace, Dallas, Texas 2011 Bollard Series, West Palm Beach County Courthouse Project, West Palm Beach, Florida 2011 Alluvium, Pinnacle/Pima Road Project, Scottsdale, Arizona 2010 Healing Stones, Solar Light Project, Children’s Hospital, Minneapolis, Minnesota 2010 DART System-Wide Lead Artist, Dallas Area Rapid Transit Projects (12 Years) 2009 Trinity Lakes Project, 30% Conceptual Design, Design Team Member with WRT, Dallas, Texas 2009 Fair Park Station, Dallas Area Rapid Transit, Main Entrance to Fair Park, Dallas, Texas 2007 Cisterna, Stone Cistern and Wind Turbine Project, Montgomery Farm, Allen, Texas 2007 Illumination, Symantec Corporation Solar Light Project, Culver City, California 2007 Coral Eden, Miami International Airport Project, Miami, Florida 2006 Place of Origin, Land Reclamation Project, Village of Kemnay, Aberdeenshire, Scotland 2005 High Plains of Texas, Dallas/Fort Worth International Airport Terrazzo Floor Project 2005 Living Room, Project for State of New Jersey 911 Police Headquarters Facility 2004 Houston Waters 2, Water Sculptures/ Streetscape Design, Houston, Texas 2004 Stratum, Allen Civic Center Plaza Design, Phase Two, Allen, TX 2004 Foundation, New Federal Building, Oklahoma City, Oklahoma, US GSA Art in Architecture Program 2002 Wanderings, Biblical Garden Project for Congregation Agudas Achim, Dell Campus, Austin, Texas 2002 Museums on the River, Wichita Museum District Project, Wichita, Kansas 2002 Brownfield to Greenfield, Land Reclamation Project at West Bend Plating Site, Wisconsin 2002 Houston Waters 1, Cotswold 2000, Phase One, Downtown Houston, Texas 2001 Planting Vessels, 900 Block of Nicollet Mall, Minneapolis, Minnesota 2001 Binary Carpet, 2M Companies, Dallas, Texas 2001 Montgomery Farm Master Plan Project, Allen Texas, with Oglesby Greene Architects 2001 Bethany Parkway Design, Allen, TX, with WRT, Landscape Architects, Philadelphia 2001 Epoch, Network Appliance Corporation, Sunnyvale, California 2001 Stratum, Allen Civic Center, Phase One, Allen, Texas 2001 Explicitus Est Liber, Memphis/Shelby County Public Library, Memphis, Tennessee 2000 Mesquite Bosque, Phoenix Criminal Justice Center, Phoenix, Arizona 2000 Continuum, 800 Block Nicollet Mall, US Bancorp Piper Jaffray, Minneapolis, Minnesota 1999 Untitled, Esquire Plaza Project, Downtown Sacramento, California 1999 Terminal A, 100,000 s.f. Terrazzo Floor Design, Miami International Airport, Florida 1998 Origin, Tech Museum of Innovation Lead Artist, San Jose, California 1998 Step Well, Water Sculpture at Mountain View College, Dallas, Texas 1997 Spiral Study, Fine Arts Building, Greenhill School, Addison, Texas 1997 Outdoor Exhibition Area, Theater and Sculpture Garden, Lindabrunn, Austria 1996 Bloomington Waters, Sculpture for New City Hall, Bloomington, Indiana 1996 Dallas Area Rapid Transit Central Business District Transit Mall, Texas, with Sasaki Associates 1994 Pegasus Plaza, Dallas City Center Project, Dallas, Texas 1994 Liturgy, Prince of Peace Catholic Community, Plano, Texas 1994 Dallas Convention Center Expansion/Vertiport, Project Lead Artist, Dallas, Texas 1994 City of Wichita Museum District Master Plan, Wichita, Kansas 1993 Think, Main Entrance, Miyakoda Technopolis Research Institute, Hamamatsu City, Japan 1993 Mears Park, St. Paul, Minnesota, with City of St. Paul/ Lowertown Redevelopment Corporation 1992 Lapidarium, Sculpture for Heritage Park, Fort Worth, Texas 1991 Yuri No Ki Dori, Pocket Park/Water Sculpture, Hamamatsu, Japan 1990 Universal Cycles, Dallas Arboretum and Botanical Society, Dallas, Texas 1989 Lay Ornamental Garden, Dallas Arboretum and Botanical Society, Dallas, Texas 1989 Artist Square, Dallas, Texas, with Sasaki Associates, Landscape Architects 1989 Portal, Sculpture for Lippincott Center, Marlton, New Jersey 1988 Labyrinths, Two Permanent Installations for The Crescent Office Tower Lobbies, Dallas, Texas 1986 Outdoor Water Wall, Garden, Interior Installations, West End Oasis Restaurant, Dallas, Texas 1984 Archetype, Granite Sculpture for a Public Park, Hachioji, Tokyo, Japan 1983 Sanctuary, Granite Sculpture and Meditation Space, Vassiviere en Limousin, France 1982 Olney Memorial Park, Olney, Texas, with Scott Slaney, Landscape Architect 1981 Shizuki Park, Hagi, Japan, with Yokozawa Hidekazu, Tanabe Takeshi, Landscape Design 1981 Ga Ryu Ten Sey, Granite Sculpture, The Warrington Condominiums, Dallas, Texas 1979 Wall, Landscape Sculpture, Lindabrunn, Austria 1977 Landscape Carpet, Lindabrunn, Austria 1976 Untitled, Main Public Square, International Sculpture Symposium, Liberty Hill, Texas 1976 Untitled, Forma Viva International Sculpture Symposium, Kostanjevica Na Krki, Slovenija, Yugoslavia 1974 Untitled, Limestone Sculptures and Public Park Design Proposal, Village of Lacoste, Vaucluse, France

SELECTED RECENT AWARDS Americans for the Arts, Public Art Network “Year in Review” 2010 Fair Park Station, Dallas Area Rapid Transit, Fair Park, Texas 2008 Coral Eden, Miami International Airport, Miami, Florida 2002 Explicitus Est Liber, Memphis/Shelby County Central Public Library, Tennessee The Saltire Society, Arts & Crafts in Architecture Competition Award 2007 Place of Origin, Aberdeenshire, Scotland American Institute of Architects 2001 Community Citation of Honor Award, Mesquite Bosque, Phoenix Criminal Justice Center 2000 Centennial Medallion Award, Mears Park, St. Paul, One of the best US projects in 100 years American Society of Landscape Architects 2001 Design Award, Mesquite Bosque, Phoenix Criminal Justice Center

SELECTED RECENT ACTIVITIES 2016 Fellow, Dallas Institute of Humanities and Culture (22 years) 2016 Advisory Council, University of Texas Arlington School of Landscape Architecture (5 years) 2012 Panelist, “The Third Hand: Digital Tools in an Analog World”, AFTA Public Art Preconference 2012 Board of Directors, Dallas Architectural Forum (three years) 2011 Panelist, “Landscape and Public Art: Making a Seamless Realm”, ASLA National Convention, San Diego 2011 Panelist, “The Sustainable Artist: A Virtual Panel Discussion” New York Foundation for the Arts 2011 Participant, “Re-envisioning the Soul of the City”, Dallas Institute of Humanities and Culture

EDUCATION 1978 Rhode Island School of Design, Providence, Rhode Island Bachelor of Fine Arts, Sculpture and Bachelor of Landscape Architecture 1973 Antioch College, Yellow Springs, Ohio MARK GRIEVE and ILANA SPECTOR Petaluma, CA markgrieve.com

Our approach to public art recognizes patterns and rhythms. By repeating patterns, dynamic visual expressions are attained. By turning the rhythm “on its head,” new dynamic visual rhythms meet a wide variety of special design needs, and (to our delight) whimsical, strangely happy effects are created.

We look for opportunities to showcase signature iconic artworks that integrate nature, activity and community. Ilana Spector and I create elegant, spontaneous compositions – vibrant visual statements that engage and inspire – dynamic, architectural-yet-organic works captivating the imagination with an optimistic world view – contributing to sense of place – a sense of movement and wonder – highly-site-specific sculptural environments that set the tone for the day and years to come....

In our combined studio and workshop we work in mediums including drawing, painting, ceramics, wood, metal, found objects, kinetic, interactive, LED, performance and cutting- edge combinations of the above. We hope the committee can recognize if we can produce work using old bicycles as a medium, and with our experience, we can produce artworks in any media, including functional artworks – inspiring spaces inviting public interaction while enhancing the site, as well as city's collection.

I have been a fine artist and builder for thirty-five years and Spector was formerly CEO of a pioneer southern California solar electric company. We both have proven ability to collaborate with project managers and community stakeholders, delivering public art solutions in design team context on time and within budget.

We have incorporated project parameters to any standards and specifications – projects ranging from grassroots community-driven works to large-scale monuments and have enjoyed working with various design team professionals.

Top to bottom: Intertwine, 2016, Norfolk, VA; Bike Arch, 2007, Black Rock City, ID; Temple of Dreams, 2006, Black Rock City, ID MARK GRIEVE Fine Artist 2975 Sonoma Mountain Rd., Petaluma, CA 94954 + 1.415.850.3690 / [email protected] / www.MarkGrieve.com Public Art Commissions 2017 Selected artist for U.C. Davis / City of Davis, Third Street Improvement Project, Davis, CA (upcoming) 2016 Selected artist for City of Sacramento, North Natomas National Park, Sacramento CA (upcoming) 2016 “Intertwine,” Norfolk Botanical Garden, Norfolk, VA 2016 Shortlisted for Anchorage Z.J. Loussac Library's 1% for Art Project 2015 Finalist for 1900-2000 Delaware St., San Mateo, San Mateo, CA 2014 Shortlisted for Bayview Gateway Public Art Project, SFAC, San Francisco, CA 2014 Finalist for RTD FasTracks, Peoria Station, Denver, CO 2013 Finalist for Woodlawn Lake Public Art Project, San Antonio, TX 2013 “Archways,” City of Santa Clarita, CA 2012 “Ring Roll,” California State University, Chico, CA 2011 “Full Circles,” San Francisco Arts Commission Visitacion Valley Library, San Francisco, CA 2010 “Cyclisk,” City of Santa Rosa, Santa Rosa, CA 2009 “Double Archway,” Site-specific installation for City of Glendale, AZ & San Rafael, CA 2009 Finalist for City of Phoenix Children’s Museum, Phoenix, AZ 2008 “Wheel Arch,” City of San Buenaventura Public Art Commission, Ventura, CA 2008 “Flat Heaven,” Site-specific installation for City of San Rafael & Artworks Downtown, San Rafael, CA 2008 “Circles and Trees,” Site-specific installation for City of San Rafael & Artworks, San Rafael, CA 2007 “Bike Arch,” Honorarium Art Grant, Black Rock City LLC, Black Rock City, NV 2006 “Temple of Hope,” Honorarium Art Grant, Black Rock City LLC, Black Rock City, NV 2005 “Temple of Dreams,” Honorarium Art Grant, Black Rock City LLC, Black Rock City, NV Selected Exhibitions (* Solo Shows) 2016 * One-Man Show at College of Marin, Novato, CA (upcoming) 2016 Sonoma County Children’s Museum, Santa Rosa, CA (upcoming) 2014 “Pedal Power,” Los Altos History Museum, Los Altos, CA 2012 pART Project, World Bicycle Relief, New York, NY 2011 “Figurative Composition,” Sonoma Valley Museum of Art, Santa Rosa, CA 2011 Untitled, Spencer Brownstone Gallery, New York, NY 2011 “Take Me to the Bridge,” Red Bull, Justin Herman Plaza, Embarcadero Square, San Francisco, CA 2009 “Il Mazzolin di Fiori,” funded in part by Pollock-Krasner and Puffin Grants, Black Rock Desert, NV 2009 “The Bean Chandelier,” Tour de California, Sausalito, CA 2008 “THE PIG,” Integrative Installation, Black Rock Desert, NV 2007 California State Fair, Merit Award, Sacramento, CA 2007 Art League of Northern CA, Marin MOCA, Novato, CA 2006 * “Post-Temple Project Installation,” Artworks Downtown, San Rafael, CA 2006 “Circles and Trees,” Site-Specific Installation, San Rafael, CA 2006 “Wet Paint,” Sonoma Museum of Art, Sonoma, CA 2005 Fundraising Auction, Di Rosa Preserve, Napa, CA 2004 “Sonoma Paints,” Period Exhibition, Sonoma Museum of Art 2004 College of Marin, Group Show, Teachers and Students, Marin, CA 2003 “House of Godzilla,” Burning Man Festival, Black Rock City, NV 2003 “Offerings and Sanctuaries,” Site-Specific Installation, San Rafael, CA 2003 “Sonoma Creates,” First Juried Exhibition, Sonoma Valley Museum of Art 2002 “Forbidden City,” Burning Man Festival, Black Rock City, NV 2000 “Annual Juried Exhibition,” Falkirk Cultural Center 1996 “Individual Artist Grant Recipient,” The Marin Arts Council - Recipient of the Buck Fund Individual Artist Grant 1996 * Solo Exhibition, 444 Market St., San Francisco, CA 1995 “Hero Show,” Susan Cummins Gallery 1995 “Introductions,” San Francisco Art Dealer’s Association 1994 “The Gold Show,” Monterey Peninsula Museum, Palo Alto Cultural Center 1992 “On a Small Scale,” Susan Cummins Gallery 1991 “Romance Exhibition,” The Monterey Peninsula Museum 1991 “Bird Images,” Susan Cummins Gallery 1990 “Iconic Images,” Susan Cummins Gallery

MARK GRIEVE Fine Artist 2975 Sonoma Mountain Rd., Petaluma, CA 94954 + 1.415.850.3690 / [email protected] / www.MarkGrieve.com Selected Publications and Media 2016 Hillard, Bret, Norfolk Public Art, Summer 2016, www.norfolk.gov/tv48, https://youtu.be/ZjIMw4g7UuA 2016 http://experience.usatoday.com/story/living-here/2016/05/17/mark-grieve-ilana-spector-intertwine-sculpture 84497772/ 2015 http://www.sfmayor.org/Modules/ShowDocument.aspx?documentID=267, front page, Only photo 2015 “Cyclisk - Santa Rosa Monument; 340 bicycles, 65’...,” http://www.atlasobscura.com/places/cyclisk 2014 Blumberg, Antonia, “10 Years of Burning Man Temples Show the Spiritual Side ...,” Huffington Post, June 24 2013 Wels, Susan, “San Francisco: Arts for the City Civic Art and Urban Change,” Heydey, 2012, p. 20, 222-23 2012 Official London 2012 Olympic Opening Ceremony Souvenir Program, pp. 32-33, 68 2012 Metcalfe, John, “Incredible Sculptures Made From Bike Parts,” Atlantic Cities, Nov. 20, 2012 2012 Katz, Leslie, “Bike Parts Get Artists’ Imaginations in Gear,” http://cnet.com/8301-17938_105-57555068-1/ 2012 American Libraries Magazine, “Library Design Showcase 2012: The Shape of Things,” Feb. 28, 2012 2011 Iosifidis, Kiriakos, “BIKE ART, Bicycles in Art Around the World,” Publikat, 2011, pp. 200-201, 253 2011 Public Art Review, Issue 44 — Spirituality and Religion, spring / summer 2011, p. 81 2011 Primeau, Martin, “Re-bicyclage,” DébrouillArts, May 2011, p. 5 2010 Graziano, John, Ripley’s Believe It or Not!® Comic, December 5, 2010 2010 Ma, Sandy, Kadokawa Media Taiwan, MY LOHAS (Life Styles Of Health and Sustainability), Dec. 3 2010 South Park “Coon vs. Coon & Friends (Season 14, Episode 13), Nov. 10, 2010 2010 Robinson, Bruce “The Cyclisk,” North Bay Report, KRCB 91 FM, Oct. 2010 2010 Berman, Judy, “Bike Worship: Mark Grieve and Ilana Spector’s Cyclisk,” Flavorpill, Sept. 8, 2010 2010 Tweney, Dylan, “California Artists Build Obelisk Out of Bicycles,” Wired, Sept. 8, 2010 2010 McCallum, Kevin, “What’s It All Mean?” Press Democrat, August 26, 2010, Front Page, A9 (photos) 2010 Keeler, Stuart, “Salon des Réfusés...,” Americans for the Arts Half-Century Summit, June 26, Baltimore, MD 2009 “The Arts Advantage in Glendale,” Glendale, AZ July 2009, www.glendaleaz.com/glendale11/arts 2008 Taylor, Matthew, “Burned Out on Burning Man,” Sierra, July/August 2008, pp. 32, 33 (photos) 2008 Samson, Chris, “Local Artist’s Outdoor Bike Sculpture a Hit in Ventura,” Argus Courier, May 15-21, A6, A9 2008 Taggart, Phillip, CNN Headline News, SoCalNews, May 5, 2008 2008 “Street Detail,” San Francisco Magazine, April 2008, p. 67 2007 van Meter, Lori, “The Temples at Burning Man,” 5th Global Conference, Making Sense of Dying and Death, Mansfield College, Oxford, July 10 2006 Haden-Guest, Anthony, “In Defense of Burning Man,” Art in America, June-July 2006, p.112 2006 LeDuff, Charles “Only in America,” Discovery Channel, Feb. 2, 2006 2005 Terdiman, Daniel, “Burning Man Mourns the Big Easy,” Wired, Sept. 6, 2005 2005 Terdiman, Daniel, “Burning Man Feeds Art Inferno,” Wired, Sept. 1, 2005 2005 Young, Tobias, “From Art to Ashes,” Press Democrat, Front page, Aug. 15 2004 Alba, Victoria, “Rising Suns,” Pacific Sun, Special issue, pp. 21, 23, Aug. 18-24, 2004 2004 Robertson, Ross, “Naked on Stilts,” What is Enlightenment?, Issue 24/Feb.-April ‘04 Awards and Honors 2013 Velo-City, Cycling Visionary Voting Prize, Cycling and the Arts, Vienna, Austria 2011 American for the Arts, Public Art Network, (PAN) Year in Review Award, San Diego, CA 2011 SEAONC Excellence in Structural Engineering Award of Merit, Special-Use Structures 2010 First Place, AIA Redwood Empire, Decade of Design Awards - Small, Sonoma, CA 2009 Puffin Foundation Grant, Puffin Foundation Ltd., Teaneck, NJ 2008-09 Pollock-Krasner Foundation Grant, Pollock-Krasner Foundation, New York, NY 2007 Merit Award, California State Fair, Sacramento, CA 1996 “Individual Artist Grant Recipient,” Recipient of the Buck Fund Individual Artist Grant, Marin, CA Academic Lecturers, Chico State University, Chico CA Education and Apprenticeships 1993-94 San Francisco Art Institute, San Francisco, CA 1984-89 College of Marin, Kentfield, CA Collections/Corporate Commissions Susan Cummins, Petaluma, CA Chester Arnold, Napa, CA Clif Bar, Emeryville, CA Robin Williams, San Francisco, CA Red Bull, San Francisco, CA Elaine and Maxwell Meyers, SF, CA The Fleeman Collection, Austin, TX Chrome Industries, Inc., SF, CA Bici Centro, Santa Barbara, CA ILANA SPECTOR Fine Artist 2975 Sonoma Mtn. Rd., Petaluma, CA 94954 + 1.707.776.7733 / [email protected] / www.MarkGrieve.com Public Art Commissions 2017 Selected artist for City of Davis / U.C. Davis, Third Street Improvement Project, ($45k) Davis, CA (upcoming) 2016 Selected artist for City of Sacramento, North Natomas National Park, ($138k), Sacramento CA (upcoming) 2016 “Intertwine,” Norfolk Botanical Garden, ($150k), Norfolk, VA - Karen Rudd, 757.664.6883, [email protected] 2016 Shortlisted for Z.J. Loussac Library's 1% for Art Project, ($75k), Anchorage, AK 2015 Finalist for 1900-2000 Delaware St., San Mateo, San Mateo, ($100k), CA 2014 Shortlisted for Bayview Gateway Public Art Project, ($425k), SFAC, San Francisco, CA 2014 Finalist for RTD FasTracks, Peoria Station, ($134k), Denver, CO 2013 “Archways,” City of Santa Clarita, Santa Clarita, CA 2013 Finalist for Woodlawn Lake Public Art Project, ($375k), San Antonio, TX 2012 “Ring Roll,” California State University, Chico, CA 2011 Finalist for City of Seattle, King Street Station, Seattle, WA 2011 “Full Circles,” San Francisco, CA - Andrew Maloney, 415.431.2008, [email protected] 2010 “Cyclisk,” City of Santa Rosa and Public Art, Santa Rosa, CA - Tara Thompson, 707.543.4512, [email protected] 2009 Finalist for City of Phoenix Children’s Museum, Phoenix, AZ 2009 Finalist for San Diego Airport Commission, San Diego, CA 2009 “Double Archway,” Site-specific installation for City of Glendale, AZ & San Rafael, CA 2009 “Pacific Rim,” City of San Rafael and Artworks Downtown, San Rafael, CA 2009 “Double Arch,” City of Glendale, Jazz and Blues Festival, Glendale, AZ 2009 “Wheel Arch,” City of San Buenaventura Public Art Commission, Ventura, CA 2008 “Flat Heaven,” City of San Rafael & Artworks Downtown, San Rafael, CA Selected Exhibitions 2012 pART Project, World Bicycle Relief, New York, NY 2011 “Fork Composition,” Sonoma Valley Museum of Art, Santa Rosa, CA 2011 “Archway Composition with Bike Parts #14” or “Spoken For,” Jack London Square, Oakland, CA 2011 “Take Me to the Bridge,” Red Bull, Justin Herman Plaza, Embarcadero Square, San Francisco, CA 2011 “Bubbles,” Geography of Hope Conference, Grandi Building, Pt. Reyes Station, Invernes, CA 2009 “Il Mazzolin di Fiori,” Pollock-Krasner and Puffin Foundation grant, Dead Dog’s Dune, Pershing, NV 2009 “The Bean Chandelier,” Tour de California, Sausalito, CA 2008 “Exercise in Democracy – for Under 500 Bucks” Self-funded Installation, Pershing, NV 2008 “THE PIG,” Self-funded Installation, Pershing, NV 2008 “Wheel Arch Splendor,” Los Angeles River Ride, Los Angeles, CA 2008 “Bringing Back the Fire: Art & Community…” Santa Rosa Junior College, Santa Rosa, CA 2008 “Flat Heaven,” Site-Specific Installation, San Rafael, CA Awards and Honors 2013 Velo-City, Cycling Visionary Award, Cycling and the Arts, Vienna, Austria 2011 American for the Arts, Public Art Network, (PAN) Year in Review Award, San Diego, CA 2011 SEAONC Excellence in Structural Engineering Award of Merit, Special-Use Structures 2010 AIA Decade of Design Award, First Place, Sonoma, CA 2008 Recommended Artist, “Wheel Arch,” Ventura Public Arts Commission P.L.A.C.E., Ventura, CA Corporate Commissions 2014 Clif Bar, Headquarters, Emeryville, CA 2008 Chrome Industries, San Francisco, CA 2007 “Bike Arch,” Black Rock City LLC, Black Rock City, NV Academic Lecturer, Chico State University, Public Art, Chico CA Residency BCIAR, Bici Centro International Artist Residency, Santa Barbara, CA Education 2012-13 College of Marin, Kentfield, CA 1997-00 U.C.L.A. School of Law, Los Angeles, CA 1995-96 London School of Economics, London, U.K. 1992-96 cum laude, School of Foreign Service, Georgetown University, Washington, DC

ILANA SPECTOR Fine Artist 2975 Sonoma Mtn. Rd., Petaluma, CA 94954 + 1.707.776.7733 / [email protected] / www.MarkGrieve.com Selected Publications and Media 2016 Hillard, Bret, Norfolk Public Art, Summer 2016, www.norfolk.gov/tv48, https://youtu.be/ZjIMw4g7UuA 2016 http://experience.usatoday.com/story/living-here/2016/05/17/mark-grieve-ilana-spector-intertwine-sculpture 84497772 2015 “Cyclisk - Santa Rosa Monument; 340 bicycles, 65’...,” http://www.atlasobscura.com/places/cyclisk 2015 http://www.sfmayor.org/Modules/ShowDocument.aspx?documentID=267, Opening photo (only one) 2013 Wels, Susan, “San Francisco: Arts for the City Civic Art and Urban Change,” Heydey, 2013, p. 20, 224 2012 Official London 2012 Olympic Opening Ceremonies Souvenir Program, pp. 32-33, 68 2012 Metcalfe, John, “Incredible Sculptures Made From Bike Parts,” November 20, 2012 2012 McCallum, Kevin, “Santa Rosa Sells Sculpture Site,” March 5, 2012, B1, B3 2011 Iosifidis, Kiriakos, “BIKE ART, Bicycles in Art Around the World,” Publikat, 2011, pp. 200-201, 253 2011 “Copenhagenize’s Top Five Bicycle Monuments,” Aug. 15, 2011 http://www.copenhagenize.com/2011/08/top-five-bicycle-monuments.html 2011 Lee, Stephanie, “Visitacion Valley to Reopen after Remake,” San Francisco Chronicle July 30, 2011, C2 2011 Taylor, Dan, “‘Cyclisk Sculpture Wins National Honor,” July 1, 2010 2011 Public Art Review, Issue 44 — Spirituality and Religion, spring / summer 2011, p. 81 2011 Primeau, Martin, “Re-bicyclage,” DébrouillArts, May 2011, p. 5 2010 Graziano, John, Ripley’s Believe It or Not!® Comic, December 5, 2010, http://comics.com/ripleys_believe_it_or_not/2010-12-05/#CMT_Comments 2010 Ma, Sandy, Kadokawa Media Taiwan, MY LOHAS (Life Styles Of Health and Sustainability), Dec. 3 2010 South Park “Coon vs. Coon & Friends (Season 14, Episode 13), November 10, 2010 2010 Robinson, Bruce, “The Cyclisk,” North Bay Report, KRCB 91 FM, Oct. 2010, http://krcb.org/the-cyclisk 2010 Berman, Judy, “Bike Worship: Mark Grieve and Ilana Spector’s Cyclisk,” Flavorpill, Sept. 8, 2010 http://flavorwire.com/116956/bike-worship-mark-grieve-and-ilana-spectors-cyclisk 2010 Tweney, Dylan, “California Artists Build Obelisk Out of Bicycles,” Wired, Gadget Lab, Sept. 8, 2010 http://www.wired.com/gadgetlab/2010/09/bicycle-obelisk 2010 PBS/NPR - KRCB 91 FM/TV 22, Sonoma Spotlight, Roland Jacopetti, Sept. 16, 2010 at 9 a.m. 2010 Frattini, Kristen, “60ft Bike Obelisk Towers over Santa Rosa, CA,” Bikeradar.com, Sept. 3, 2010 2010 The Drive with Steve Jaxon, KSRO 1350 am, August 31, 2010 2010 McCallum, Kevin “What’s It All Mean?” Press Democrat, August 26, 2010, Front Page http://www.pressdemocrat.com/article/20100826/ARTICLES/100829569?tc=ar 2010 Smith, Chris “From Old Bikes to Beauty,” Press Democrat, August 24, 2010 2010 Keeler, Stuart “Salon des Refusés – Sight Unseen,” Americans for the Arts Half-Century Summit 2009 “The Arts Advantage in Glendale,” Glendale, AZ July 2009, www.glendaleaz.com/glendale11/arts 2008 “Local Artists Strike Burning Man,” The Buzz, Argus-Courier, p. C1, Sept. 4, 2008 2008 Taylor, Matthew, “Burned Out on Burning Man,” Sierra, July/August 2008, pp. 32, 33 (photos) 2008 Samson, Chris, “Local Artist’s Outdoor Bike Sculpture a Hit in Ventura,” Argus Courier, Week of May 15-21, A6, A9 2008 Taggart, Phillip, CNN Headline News, SoCalNews, May 5, 2008 http://www.twcsocalnews.com/index.php option=com_seyret&task=videodirectlink&Itemid=26&d=536 2008 N.P.R. - KCRW/KCLU, Sunday, April 27, 2008, http://www.kclu.org/datebook/event/919 2008 Clerici, Kevin, “Artist is assembling sculpture of bike parts,” Ventura Star, April 4, 2008, p. B1, B3, 2008 “Street Detail,” San Francisco Magazine, April 2008, p. 67 (including photo) 2008 “Public Art Displays Roll into Downtown San Rafael,” San Rafael Focus Magazine, winter 2008, 2007 Keesling, Ryan, “On Mark Grieve’s Bicycle Arch at Center Camp,” BRAF Journals, Sept. 2007 2007 BikeRadar, “The Bike Arch: Recycled Art,” Sept. 20, 2007 2007 Roccapriore, Carla, Reno Gazette Journal, “Burning Art Highlights Green Issues,” Sept. 2, p. A4 (photo) 2007 “Burning Man 2007,” San Francisco Chronicle, August 30, 2007, (photo) http://sfgate.com/c/pictures/2007/08/30/mn_burningman_116_mac.jpg 2007 Sam, Ryan, “Preparing the Playa: Behind the Scenes at BRC,” Sierra Sun, Aug. 31, 2007, p. 28 (photo) Work Experience 2010-16 Certified Welder, Fiber Artist, Photographer 2003-16 Private Consultant, Curator, Esquire 2000-02 President & CEO, Solar Edge, Los Angeles, CA 2000-01 Associate Esquire, Bryan Cave LLP, Santa Monica, CA DAVID GRIGGS Denver, CO publicartist.com

I am a public artist based in Denver, and have completed over 50 commissioned works of art throughout the United States. My work is site-integrated, an approach that utilizes the ability of a site to compliment a work of art both in meaning and in impact. This may include work that is specific to the architecture and other formal elements of the site, or responsive to other factors, whether they are social, cultural, environmental, or historical.

My design process starts with an understanding of the “culture” of the site. I work to sensitize myself to the function of a site and its qualities, i.e., design, scale, pattern, ambiance, and so on. I also try to become aware of aspects that aren’t visually apparent, such as social situations and historical circumstances. I've collaborated with many other design professionals. These have been architects, engineers, planners, and fabricators.

I graduated from the University of Colorado at Boulder with a Masters Degree in Fine Arts. For the last 25 years I have been self-employed as a public artist, designing and building work for percent-for-art, public art, and private commissions. I've been involved in Design Team projects that require both Public Art planning and advocacy. In addition to consulting for Denver’s new Light Rail system, I've also been involved in a mixed-use residential Redevelopment project (Lowry Redevelopment Authority) and with the City's affordable housing program, the Denver Housing Authority

Top to bottom: Potenza 2, 2010, Denver, CO; Vegas Arabesque, 2011, Las Vegas, NV; Seven Sisters, 2002, Denver, CO Griggs Resume (1)

DAVID M. GRIGGS 715 Galapago St. www.publicartist.com Denver, CO 80204 [email protected] (303) 446 – 3030

Public Art Design Team Resume

Denver International Airport (1990 - 1994) This was a project to design and build a public art piece for the Central Core of the International Concourse. With a budget of $465,000., this 4-year project was installed in the facility at the time that it was being built. In order to manage this process I formed a design team consisting of an Architect, Engineer, Lighting Designer and General Contractor. The implementation of the project involved over a dozen subcontractors.

Hope, Arkansas (1996 - 2000) I was on the design team for the renovation of Hope, Arkansas, President Bill Clinton's birthplace. The team focused on the historic train depot and the adjacent downtown area. The public art designs are based on: 1) the history of this small southern town, 2) the legacy of the railroad as transportation and metaphor, and, 3) the town itself as a metaphor for historic opportunities and possibilities.

Colorado School of Mines (1998 - 2001) This was a design team collaboration with an architect and with the client/users on a new facility for the Department of Metallurgy. The team was involved with designing and shaping the public spaces of the building and incorporating art into functional elements such as floors, columns, windows, walls, sidewalks and so on. This incorporation of art was focused on the relationship between the ongoing exploration of the Metallurgy Department and its historic roots in the study of Alchemy.

Fort Collins, Colorado (1999 - 2001 One of the key components in the renovation of Downtown Fort Collins was the design for a new 900 space parking structure. I was hired by the City of Fort Collins as a Master Planner for incorporating art into the new garage. I worked with architects and City personnel to identify art opportunities presented by the facility, and I also designed terrazzo floors for the stairwells and entrances to the parking structure.

Western State College (1999 - 2002) As part of a design team collaboration, I worked with another artist and an architect to plan site-specific works of art for a new Math and Science building at Western State College. This new facility housed the College’s science classrooms and labs, and it offered several opportunities to integrate public art. We planned, designed and installed public art pieces in 4 locations on the inside and outside of the facility.

Stockton, California (2004 - 2006) Stockton is an inland California town which is going through a major renovation involving essential infrastructure and public amenities. I was hired by the City of Stockton to participate in the design, planning, and implementation of public art for a new downtown parking structure. This integration included incorporating drawings into construction documents and presenting design ideas for public review.

Colorado State University (2005 - 2006) This thriving State University in Fort Collins, Colorado collaborated with the City’s public transportation agency to build an addition onto the Student Union. I was hired to participate on the design team and work with the architects and clients to develop and integrate public art into this facility, the new main entrance to the University.

The City of Greeley, Colorado (2005 – 2007) Greeley is a prominent city on the eastern plains of Colorado that has a strong agricultural influence and an exceptional state university. When the City decided to build a new, state of the art Police Department Headquarters I was hired to propose and design integrated artwork for the building’s public spaces. The result is an iconographical terrazzo floor and etched glass panels with historic Police Department images.

Regional Transportation District (2006 - 2008) Denver’s public transportation agency is in the process of designing and building “Fastracks”, a light rail system that will unify transportation options in the greater Denver/Boulder area. I was hired as a consultant to integrate art into functional elements and station designs for the West Corridor, the first of the Fastracks lines to be designed and built.

Colorado State University (2007 - 2009) The South Campus of this main branch of the Colorado State University System is the home of the Veterinary Sciences Program, a nationally regarded center for large- animal veterinary studies and treatment. I was hired to integrate artwork into the Diagnostic Medical Center, the South Campus’ new facilty for adminstrative, teaching, and laboratory services.

Denver Housing Authority (2011 - 2014) Denver’s Public Housing agency is embarking on a new era of affordable housing with the redevelopment of South Lincoln Homes. This transformational project includes market rate housing, senior housing, retail and commercial incubator facilities at a challenging urban TOD site. I was hired as a consultant to OZ Architecture to identify and advocate for culturally appropriate art opportunities inherent in the redevelopment.

Lowry Redevelopment Authority (2013 - Present) As the Public Art Consultant on the Design Team of this ongoing Redevelopment, I am working with the owners, developers and designers to integrate Public Art into the Lowry property. This 70 acre site features new construction on a decommissioned Air Force Base, repurposed for a mixed-use neighborhood with residential and retail facilities. My involvement has included the writing and publishing of a new Public Art Master Plan and the designing of several integrated Art features for the site.

Griggs Resume (2)

COMMISSIONS : Over 50 commissioned art projects, both public and private, including:

TIME PIECE, 2015, an architecturally-integrated installation around a pendulum at Miami University of OH $150,000 HOME RANGE, 2015, an integrated sculptural wall installation for Colorado State University, Ft. Collins, CO $ 25,000 HAVANA LANTERNS, 2013, a site-specific sculptural installation for the Denver County Jail, Denver, CO $190,000 ECOTONES, 2012, a terrazzo floor design in collaboration with Scott Parsons, Ft. Lauderdale Airport, FL $514,000 ON STAGE, 2012, an architecturally-integrated installation for a historic theater renovation, Loveland, CO $ 88,000 VEGAS ARABESQUE, 2010, pedestrian bridge gateway piece pays homage to vintage neon, Las Vegas, NV $450,000 FARAWAY NEARBY, 2010, sculptural wall piece with glass and lights for a Science building, Fort Collins, CO $ 37,000 POTENZA, 2010, art glass wall with programmed LED lights for new Xcel Energy headquarters, Denver, CO $280,000 VERVE, 2009, a multi-element installation with terrazzo, art glass, and sculptural trellises, Fort Collins, CO $265,000 AURORA AKIMBO, 2008, a monumental gateway sculpture for a park and major arterial into Aurora, CO $115,000 FLIGHT RIDE FOUR, 2008, a bus shelter for a new development on the site of former Lowry Air Force Base. $ 98,000 BLUE LINE, 2007, a terrazzo & glass installation for the new Police Department Headquarters, Greeley, CO $195,000 WESTLIGHT, 2006, an installation for the new Student Union at Colorado State University, Ft. Collins, CO. $ 50,000 LIGHTSTALK, 2006, an entrance light sculpture for a new parking structure in downtown Stockton, CA. $135,000 FLYWHEEL, 2006, a multi-part installation for an early childhood learning center in Jacksonville, Florida. $ 55,000 FLORA NOVA, 2005, a sculptural installation for the new Deccio Higher Education Center in Yakima, WA. $ 43,000 POWER TRAIL BIRDHOUSES, 2004, a series of sculptural birdhouses for a bike trail in Fort Collins, CO. $ 5,000 THE LOCKTON SCULPTURE, 2003, an installation in a corporate headquarters at Denver Tech Center. $ 20,000 SEVEN SISTERS, 2002, a sculptural installation for a new RTD Light Rail Station in Downtown Denver. $120,000 DOUBLE AXLE, 2002, a suspended atrium sculpture for a recreation center in the Town of Breckenridge. $ 25,000 WINGSCAPE, 2002, design team collaboration for a science building at Western State College, Gunnison. $ 93,000 HOOP DANCE, 2002, a sculptural relief project for the new Englewood City Center in Englewood, CO. $100,000 IMAGINAMACHINA, 2002, an installation for the University of Colorado Discovery Learning Center. $ 50,000 EARTH STATION SCULPTURE, 2001, site specific sculpture for the new National Cable Center Museum. $200,000 HOPE FREIGHT, 2000, a sculptural installation for the Hope, Arkansas, President Bill Clinton’s birthplace. $ 50,000 ALCHEMY WORKS, 1997-2000, design team collaboration for Colorado School of Mines in Golden, CO. $140,000 GHOST STEPS, 2000, a sculptural installation for the University of Wisconsin’s Armory, Madison, WI. $ 44,000 THE PENDULUM PROJECT, 1998, installation for Science Center at Adams State College, Alamosa, CO. $ 65,000 GLACIAL ALCHEMY, 1998, a terrazzo floor design and installation for a public school in Anchorage, AK. $130,000 PLATTE VALLEY TIME VANES, 1997, a commission to install 6 gateway sculptures on a freeway viaduct. $195,000 DIVINE MOTION, 1996, an installation of a suspended atrium sculpture for Santa Fe Community College. $ 50,000 WINDHARP, 1995, a wind sculpture commissioned by Dallas Area Rapid Transit Authority, Garland, TX. $ 25,000 DUAL MERIDIAN, 1994, a sculptural installation commissioned for Denver’s New International Airport. $465,000 ALBUQUERQUE APPARITION, 1992, site specific sculpture commissioned by the City of Albuquerque. $ 36,000

EDUCATION : M. F. A., Fine Arts, 1984, University of Colorado, Boulder, 80309. Attended 1981 - 1984. B. A., Psychology, 1977, Hamilton College, Clinton, NY, 13323. Attended 1973 - 1977.

HONORS/AWARDS : AWARDEE, Mayor’s Urban Design Award 2011, Public Art category, Las Vegas, NV 2012 PRESENTER, “Getting Your Mojo Back”, Creative Industries Summit, State of CO 2012 JUDGE, International Snow Sculpture Championships, Town of Breckenridge, CO 2009 PRESENTER, College of Arts and Media “Arts Industry Exchange”, UC Denver 2009 PRESENTER, City of Aurora/TOSA “Careers in the Arts” workshop, Aurora, CO 2008 JUDGE, International Snow Sculpture Championships, Town of Breckenridge, CO 2007 ART CASTINGS AWARD, North American Sculpture Exhibition, Foothills Art Center. 1993 PRESENTER, Artweek ‘92, University of Colorado, Colorado Springs Campus. 1992 PUBLIC ART COMMISSION, New Denver Airport Art Program, City of Denver. 1990 NEW WORKS GRANT, Commission on Cultural Affairs, Denver, Colorado. 1990 ARTIST’S RESIDENCY, The Sitka Center for Art and Ecology, Otis, Oregon. 1990 ARTIST GRANT, awarded by Art Matters Incorporated, New York, New York. 1988 SCULPTURE COMMISSION, The Power Plant Arts Center, Toronto, Ontario. 1988 MERIT AWARD WINNER, The Artquest International Competition, Los Angeles, CA. 1988 EXHIBITION AWARD, Decadent X show, Art Department/Objects Gallery, Chicago. 1987 EXHIBITION GRANT, The Boulder Arts Commission, BCVA, Boulder, Colorado. 1986 CREATIVE FELLOWSHIP, The University of Colorado at Boulder, Colorado. 1984 BEST OF SHOW, Creative Arts Symposium, Colorado State University, Fort Collins. 1982 BARBARA GRYGUTIS Tucson, AZ barbaragrygutis.com

As an artist, I create public spaces that enhance the built environment, enable civic interaction, and reveal unspoken relationships. By identification of meaningful themes and the creation of works of art relevant to specific locations and communities, I create engaging places of interest for the public to interact with and enjoy.

I have been commissioned to work in a wide variety of situations and have completed over 75 works of large-scale permanent public art throughout North America. Completed projects include sculptural experiences fully integrated into the urban environment inclusive of sculptural elements, lighting, landscaping and seating, public plazas, freestanding sculpture, sculpture gardens, and works of art built to enhance pedestrian and urban mass transportation systems. I have created environmental works of art emphasizing community heritage, and memorials to honor ideals and individuals.

Natural and artificial illumination are key elements of my work. My illuminated works function sculpturally during the day and transition to create an illuminated, welcoming atmosphere in the evening. Through the relationship of material, light, and movement my site specific works dynamically engage the viewer. Subtle shimmering moiré patterns appear on the surface of semi-transparent forms and continually evolve within the 24 hour framework. I use low energy, LED fixtures demonstrating sustainable technology.

All of my site-specific works of art respond to the site, purpose, and stakeholder goals for which they are conceptualized. I design to create a place of reflection where the beauty of the natural world can be seen in the built environment. I have diverse experience with design team/stakeholder collaboration nationwide.

Top to bottom: Desert Passages, Canopy Dreams, 2009, Chandler, AZ; South Park Bridge, 2014,Seattle, WA; Dawn’s Silver Lining, 2012, Salina, KS BARBARA GRYGUTIS Barbara Grygutis Sculpture LLC P O Box 3028 Tucson, AZ 85702-3028 | t 520.882.5572 | f 520.206.0692 | [email protected] |www.barbaragrygutis.com

Barbara Grygutis has been commissioned to create over 75 works of large-scale public art in locations across the United States and beyond. Awards she has received include the National Endowment for the Arts’ Individual Artist’s Fellowship and an Individual Project Design; and Second Place in the International Quadrennial Competition in Faenza, Italy. In 2011, the New York Municipal Art Society awarded a MASTERworks Honorable Mention for her work, Bronx River View, a sculptural installation at Whitlock Station, MTA, New York City. In 2010 her Imaginary Garden, in Cary, North Carolina’s Walnut Street Park received national awards from Hardscape North America and the Brick Industry Association’s Brick in Architecture competition. In addition to her permanent public art installations, Grygutis’ work has been exhibited at The Smithsonian Institute in Washington, DC; The Socrates Sculpture Park in Long Island City, New York; The Bronx Museum in New York City; and The Parker Collection for the Vice-President's House and the White House, both in Washington, D.C.

SELECTED WORKS OF PUBLIC ART

2017 • Palo Alto, California. Frequencies, sculpture with lighting 2016 • San Antonio, Texas. Leon Creek Passage, sculpture with lighting on Hausman Rd. bridge over Leon Creek • Fairfax County, Virginia. WMATA, Tysons West Metro Rail Station, Washington-Dulles Rail extension sculpture and plaza nd 2015 • Tucson, Arizona. Sonoran Passage, Kino Parkway 22 St. Interchange Bridge, sculptural treatment (railing, lighting, piers) • Kansas City, Kansas. Firefighter’s Memorial, Sculptural memorial with lighting. 2014 • Seattle, Washington. South Park Bridge, Sculptural railing and gateway entry monuments. 2012 • Salina, Kansas. Dawn’s Silver Lining, South 9th Avenue Median. Gateway to the city, with integrated lighting. • St. Louis, Missouri , Garden Under the Bridge, Scott Avenue Plaza Metro Station sculptural environment. • West Palm Beach, Florida, The Green Wall, Sculptural environment, Palm Beach County Assembly Plaza. • East Lansing, Michigan, Echo, sculpture for Michigan State University, Brody Amphitheater. 2011 • Long Beach, California. Seagrass, Ocean Boulevard median sculptures with integrated lighting. • Phoenix, Arizona. Kuban Park, Artist-designed park. 2010 • Antioch, California. Drop, Prewett Family Park. Iconic entry sculpture with integrated lighting. • New York City, New York. Bronx River View, Award winning MTA sculptural installation with integrated seating and screen grating units. • Las Vegas, Nevada. Flamingo Arroyo Trail, Eleven mile trail with rest areas (artist design team project with Buster Simpson and Kevin Berry). • Bremerton, Washington. Signs and Symbols, Artist-designed glass block and aluminum gateway for Olympic College’s Humanities Building. 2009 • West Palm Beach, Florida. Wave, Integrated, illuminated sculptural installation at the Palm Beach County Convention Center. • El Paso, Texas. Silver Lining, Integrated sculptural environment located at El Paso Civic Center. • Gilbert, Arizona. Desert Passage, Canopy Dreams, sculptural pedestrian bridge at Chandler-Gilbert Community College. • Cary, North Carolina. Imaginary Garden, Award winning 1.2 mile brick promenade for Walnut Street Park. 2008 • Calgary, Alberta, Canada. The Color of Snow, Integrated works of art at the Northwest Crowfoot Light Rail Transit Station: Transit Station façade and two freeway pedestrian bridge railings. 2006 • Bellevue, Washington. Windswept, Kinetic light sculpture with integrated seating at the Central Light Rail Transit Center. • Greeley, Colorado. Luminarias: The Seasons, Architectural art glass entry sculpture located in Twin Rivers Community Park. • Phoenix, Arizona. Luminarias: Phoenix, Central Avenue sculptural installation series. • Lubbock, Texas. Universal Signs, Sculptural environments for the Texas Tech University Stadium and residence halls. • Philadelphia, Pennsylvania. Life Lines, Sculptural environment with seating and lighting for SEPTA at Suburban Center Courtyard. • San Jose, California. Bird's Eye View, Integrated plaza with seating for Hayes Mansion Conference Center. 2005 • Jacksonville, Florida. Rookie Card, Lighted aluminum gateway to ballpark with granite seating units. 2004 • Washington, DC. Journeys, Sculptural environment at New York Avenue Metro Station, WMATA. • Santa Clara, California. The Illuminated Page, Sculptural gateway at the Santa Clara Central Library. 2002 • Seattle, Washington. Standing Leaves, Falling Light, Series of lighted sculptures at the Overlake Transit Center. • Denver, Colorado. Common Ground, Sculptural environment for Commons Park in downtown Denver. • Athens, Ohio. River Run, Sciatto River Footbridge sculptural passageway at Ohio University. 2000 • Phoenix, Arizona. Camelback Bridge, Railing sculptural treatment for vehicular and pedestrian bridge over Interstate I-17. 2000. 1999 • San Diego, California. Ocean Motion, Fencing and design collaboration with Estrada Land Planning for Robb Field. 1999. • Hamilton, New Jersey. Railgate, Gateway sculpture (with lighting) to the New Jersey Transit Transportation Center. 1999. • Mesa, Arizona. Linkage, Integrated sculptural environment and paving at Mesa Community College Technology Center. 1999. • Tucson, Arizona. Front Row Center, Integrated sculpture environment at the College of Fine Arts, University of Arizona. 1999.

Page 1 of 2

BARBARA GRYGUTIS Barbara Grygutis Sculpture LLC P O Box 3028 Tucson, AZ 85702-3028 | t 520.882.5572 | f 520.206.0692 | [email protected] |www.barbaragrygutis.com

SELECTED AWARDS • CODAWorx “Public Spaces” Winner 2014, for Dawn’s Silver Lining. 2014 • New York Municipal Art Society MASterWorks Honorable Mention award, Bronx River View, MTA, New York City, NY. 2011. • The National Brick Industry’s “Best in Class: Paving in Landscaping 2010,” for Imaginary Garden in Cary, North Carolina. 2010. • Hardscape North America , “Excellence in Clay Brick in the 10,000-50,000 sq. ft. category” for Imaginary Garden in Cary, North Carolina. 2010. • Westword (New Times Inc.) “Best New Public Art” in Denver, Colorado for Common Ground. 2002. • City of San Diego, California. “Orchid Award” design collaboration with Estrada Land Planning for Robb Field. 2000. • Tucson Community Foundation of Southern Arizona “The Arizona Artist Award”. 1998. • Arizona Commission on the Arts; “Individual Artist Fellowship”. 1997 • The Albuquerque Conservations Association “Award of Merit; Contributing to the Urban Quality of Albuquerque”. 1991. • 2nd International Quadrennial Competition: “Ceramics in the Urban Setting,” Second Prize in Faenza, Italy. 1988. • National Endowment for the Arts Individual Project Design Arts Award. 1988 • Tucson Pima Arts Coalition Project Grant for Alene Dunlop Smith Garden in Tucson, Arizona. 1984. • Arizona Commission on the Arts Project Grant for Alene Dunlop Smith Garden in Tucson, Arizona. 1984. • IBM Project Grant for Alene Dunlop Smith Garden in Tucson, Arizona. 1983. • National Endowment for the Arts Individual Artist Fellowship. 1975.

SELECTED PUBLIC ART PLANNING ND • Tucson, Arizona. 22 Street from Tucson Blvd. to Kino Blvd., Public art master plan. 2010 • Clark County, Nevada. Flamingo Arroyo Public Art Master Plan, Collaborative with Buster Simpson, Kevin Berry. 2004. • Austin, Texas. Second Street Renovation, Public art master plan collaborative with Copley Wolfe Landscape Design. 2006. • Seattle, Washington. Atlantic Base Public Art Master Plan. 2003. • San Diego, California. Robb Field Master Plan, Artist Consultant to Estrada Land Planning. 1999. • San Diego, California. College Grove Drive, Consultant to Nasland Engineering and Estrada Land Planning. 1998. • Avondale, Arizona. Arts Master Plan; Estrella Mountain Community College, Artist Consultant and Core Planning Team Member in collaboration with DMJM SLS Architects, Planners & Engineers. 1990. • Tucson, Arizona. Art in Public Places Master Plan for Downtown Tucson. 1984.

SPECIAL EXHIBITIONS  "International '94," Socrates Sculpture Park, Long Island City, New York. 1994-1996.  "Alabama Biennial," University of Alabama National Site Sculpture Invitational, Tuscaloosa, Alabama. 1993.  "Women Artists, Clay, Fiber, Metal," The Bronx Museum (Group), New York, New York. 1978. nd  “Ceramics in the Urban Setting,” the 2 International Quadrennial Competition (Group), Faenza, Italy. 1988.  "The Parker Collection for the Vice-President's House," The Vice-President's House, Washington, D.C. 1978.  "American Crafts at the White House," Renwick Gallery, Smithsonian Institute (Group), Washington, D.C. 1977.

Page 2 of 2 MICHELLE GUTLOVE and JEFFREY HOOVER Natick, MA studiogh.com

I make art to celebrate light—glass sculpts light as light sculpts space. As daylight streams into a building, it interacts with the glass art, and creates colorful shadows, reflections and refractions, that embrace and enhance architectural space. Changes of light with season, time of day, and the position of the viewer constantly recreates the experience. Energy efficient LED lights enliven the glass when sunlight is not present. Subtle movements in the glass cause dramatic changes in the dancing color patterns. The design of the artwork evolves through a process of design development sparked by collaborative feedback from the designers and municipality.

The vivid iridescent sheen of a hummingbird's wing, rainbows on soap bubbles and the pleochroic qualities of an opal are examples of an optical phenomenon called thin film interference. Dichroic glass captures the beauty of this phenomenon permanently. I have a technique in which I sculpt transparent glass and grow a microscopically thin coating of metal oxide quartz crystals directly on the surfaces, creating completely unique prismatic lenses.

I personally shape and fire each piece of glass by hand for my installations. All of my art glass projects have been delivered and installed in accordance with my clients’ schedule requirements including integration into on-going construction timelines. Any and all of my clients can be contacted as reference.

Design Studio G+H is experienced in working with community groups, public agencies and the public review process, collaborating with engineers, and with the management of a large range of budgets—from small gallery and residential work to public art installations and architectural commissions up to $25,000,000. We are both architects, experienced in working in public art and architecture projects, collaborating with other artists, engineers, and with the management of a large range of budgets—from small gallery and residential work to public art installations and architectural commissions. Jeff specializes in the design and construction of public libraries, and was the chair of ALA’s public library committee for 2012-2013, and teaches a course in library design for Harvard’s Graduate School of Design.

Top to bottom: Harbor, 2014, Palo Alto, CA; Bright Day, 2013, Monmouth, OR; Between Sea and Sky, 2015, University Place, WA Michele R Gutlove design studio GH, LLC

35 Glenwood Street Natick, MA 01760

(508)650-5757 [email protected] www.studiogh.com

Background: For the last 19 years, glass has been my primary artistic medium. While an undergraduate architecture student, I studied watercolor as well as structural engineering. When I discovered glass fusing, my watercolors became three-dimensional transparent sculptures, as cut slivers and fragments of glass replaced brushstrokes. Molten glass, fluidly dynamic then solidly permanent, allows deliberate and intricate layering of textures with a full spectrum palette, as opaque as obsidian, as transparent as air, or as reflective as a lake.

My partner, Jeff Hoover, and I are both architects. He specializes in the programming and design of municipal buildings, with a concentrated focus on libraries. He has taught a course at Harvard’s Graduate School of Design, in Library Design, for the past two decades. While he is responsible for all aspects of Studio GH installation, I design, shape and fire each piece of glass.

All of my art glass projects have been delivered and installed in accordance with my clients’ schedule requirements including integration into on-going construction timelines. Any and all of my clients can be contacted as reference.

Résumé – Design Studio GH, LLC www.studiogh.com 1 of 2 Michele R Gutlove

Public and Institutional Glass Art Installations and Proposals: ($6,000-$430,000) Commissions Awarded and in Process: “Hydrosphere”2016 New William Griffin Community Centre, N Vancouver, BC “Community Oasis” 2016 – Holden Heights Community Center, Orlando, FL “Curtain Call” 2017 – Performing Arts Center, Lauderhill, FL “aurora” 2017 – Northern Lights Center, Reykjavík, Iceland

Completed “Helix Nebula” 2016 – Public Library Building Atrium, El Paso, TX “a sweep of swifts” 2015 – Portland Community College, Portland, OR “Kuolimo” 2015 – City School Atrium, Savitaipale, Finland “Between Sea and Sky” 2015 – Civic/Library Building Atrium, University Place, WA “epiphany” 2015 – Montana State University, Bozeman, MT “Estuary” 2014 – Wentworth School, Scarborough, ME “Harbor” 2014 – VA Hospital, Palo Alto, CA “Teeming” 2014 – Kodiak Near Island Research Facility, Kodiak, AK “Verve” 2014 – Florida Gulf Coast University, Ft Myers, FL “Heliozephyr” 2013 – Mt. Blue Regional High School, Farmington, ME “Intertwined” 2013 – OSU College of Public Health, Columbus, OH “Connected Thoughts” 2013 – Community College of Denver, Denver, CO “Bright Day” 2013 – Western Oregon University, Monmouth, OR “Aqua-Luminance” 2012 – Baystate Medical Center, Springfield, MA “Random Thoughts” 2012 – Algiers Regional Library New Orleans, LA “inklings, musings & notions” 2011 – Microbiology Ctr, UofU Salt Lake City, UT “Emergence” 2011 – Juvenile Justice Center, Cedar Rapids, IA “Elemental Energy” 2011 – Gainesville Regional Utilities, Gainesville, FL “Bromeliad Sunshower” 2011 – Lauderhill City Hall, Main Lobby, Lauderhill, FL “Suislaw Sunshower” 2010 – Corvallis-Benton County Public Library, Corvallis, OR “Clowder Umbrage” 2008 – The Cats’ Hospital, Wellesley MA “Menorah and Letters” 2007 – Sanctuary Art, Temple Beth Elohim, Acton, MA “Wall of Reflection” 2005 – Lobby Art, Chabad Center, Natick, MA “Water, Fire and Steam” 2004 – National Institute of Flamenco, Albuquerque, NM

Finalist: “River Ledge” 2016 – Southern New Hampshire University, Manchester, NH “stage glow” 2016 – Lone Tree Performing Arts Center, Lone Tree, CO “Flow” 2015 – Colleges of Health Sciences, University of Nebraska, Kearney “Alpenglow” 2015 – Visitor Center, Vail, CO “Waves and Jays” 2015 – Health & Human Services Bldg, Broomfield, CO “Luminous Drift” 2015 – Livingston Library, MSU Moorhead, MN “Catenary” 2014 – University of North Texas, Denton, TX “Southern Light” 2013 – Southern Oregon University, Ashland, OR “River and Sky” 2013 – Central Wyoming College, Riverton, WY “Oasis” 2013 – New Mexico School for the Deaf, Santa Fe, NM “Sun & Wind” 2011 – Denver Botanical Gardens, Denver CO “Critters” 2010 – Musical Sculptures for NMSBVI, Albuquerque, NM “Shattered Dreams” 2009 – Orange County ME Building, Orlando, FL

Education and Architectural Background (Registered Architect, Massachusetts 1989)

Architectural employment and work history is available on request.

A list of Gallery and Museum Exhibits is available on request.

BArch – University of Oregon 1983 (summa cum laude) Dual Major – Architecture and Structural Engineering, ASU

Résumé – Design Studio GH, LLC www.studiogh.com 2 of 2 MAGS HARRIES and LAJOS HEDER Cambridge, MA harriesheder.com

We believe public art is more than placing large objects in public. It can reach every aspect of the environment. Elements of water and sun are of special interest to us. Opportunities to reference the rising waters facing many communities, or to use solar in new and exciting ways are especially interesting.

We are particularly interested in issues of water and energy. WaterWorks at Arizona Falls, transforms an old hydro power plant into an educational resource and a site of community energy. SunFlowers, an Electric Garden is a powerful symbol for the energy conscious city of Austin. Light Gate captures the setting sun over the Pacific. In West Palm Beach, FL we are currently working on a project Sculpting the Sun with custom solar panels and water imagery. We welcome opportunities to invent ways to incorporate this exciting medium.

If selected, we will spend ample time at the site the art is intended for to experience the flow of pedestrians through the space, observe interactions, and talk with those who pass through on their daily commute, or stop to visit. Through conversations, and our observations, we will create our art. We will help create an iconic work of art that enhances and becomes a part of the place it is for.

Since 1990 we have worked together on over 30 major public commissions, many of which have been recognized for national and international awards. We came to this collaboration from the different worlds of art and architecture. Mags, born and raised in Wales, brings her experience as an award-winning sculptor, teacher, and public artist. Lajos grew up in Hungary, was trained as an architect and has worked on community projects, urban design, site planning, architecture, and construction before he concentrated on public art for the last 25 years. Our focus is the same: to activate public space through art. For each project we collaborate fully in the development of ideas and designs, drawing on our complementary skills. We have worked on and led design teams; we are comfortable meshing our ideas with community members, engineers, landscape architects, architects, and other artists.

Top to bottom: Light Gate, 2015, Manhattan Beach, CA; Meeting Place, 2014, Greensboro, NC; Sunflowers, An Electric Garden, 2009, Austin, TX

Mags Harries PROFESSIONAL POSITION: 1990 -­‐ Harries/Héder Collaborative, Cambridge MA 1978 -­‐ School of the Museum of Fine Arts, Boston, MA, Sculpture Faculty AWARDS -­‐ a Selection: * in collaboration with Lajos Héder 2015 School of the Museum of Fine Arts, chment Boston Faculty Enri Grant: Chesterwood (Stockbridge, MA) 2014 CoD+A Awards Merit Award for Art Passage and Technology: (Phoenix, )* AZ 2012 Valley Forward Crescordia Award for Art In Public Places: Passage (Phoenix, AZ)* Public Art Network Year in Terpsichore Review Award: for Kansas (Kansas City City, MO) * Public Art Network Year in Passage Review Award: (Phoenix, AZ) * 2010 Valley Forward Crescordia Award for Site Art In Public Places: The Zanjeros Line (Phoenix, AZ)* Valley Forward Award of Merit for Site The Development: Zanjeros Line (Phoenix, AZ)* Liveable City Vision Award for Esthetics: SunFlowers, An Electric (Austin, Garden TX)* The Bogliasco Foundation Fellowship: Residency (Genoa, Italy)* 2008 Public Art Network Year in A Review Award: MoonTide Garden (Portland, ME)* 2007 The Waterfront Center Honor Award Excellence of : Drawn Water (Cambridge, MA)* 2006 The Waterfront Center Honor Excellence Award of : WaterWorks at Arizona (Phoenix, Falls AZ)* 2005 Valley Forward Crescordia Arbors Award: & Ghost (Phoenix, Trees AZ)* Public Art Network Year in South Review Award: Anchorage High School, (Anchorage, AK)* 2004 AICA Award: Projections , NAO Gallery (Boston, MA) Public Art Network Year in WaterWorks Review Award: at Arizona Falls (Phoenix, AZ)* 2003 New England Foundation for the Arts Fund for the Community Arts: Consultant (Boston, MA) Valley Forward Presidential WaterWorks Award: at Arizona (Phoenix, Falls AZ)* Massachusetts Cultural Council: Individual Artist Grant Sculpture/ Installation 2002 Public Art Network Year in Drawn Review Award: Water (Cambridge, MA)* 2001 Marshall Cogan Visiting Office Artist: of the Arts at Harvard University, (Cambridge, MA) 1993 Boston Society of Architects Design Collaboration r Awa d: Wall Cycle to Ocotillo (Phoenix, AZ)* 1986 Massachusetts Governor's Design Awards: Asaroton & Bellingham Square 1981 Design Excellence Award for Public Art in Transportation (N.E.A / U.S.D.O.T) 1977-­‐78 Bunting Institute Fellow, Radcliffe College, Harvard University, (Cambridge, MA) PUBLIC ART COMMISSIONS -­‐-­‐-­‐ a Selection: * in collaboration with Lajos Héder 2016-­‐ West Palm Beach, / FL Convention Center Courtyard* (in progress) 2015 Manhattan Beach, CA/ Light Gate* 2014-­‐ Mounts Botanical Garden, West Palm Beach, FL/ Windows on the Floating World (in progress) 2014 Meeting Place Greensboro, NC/ Downtown Greenway* 2012-­‐ Southstar Lofts, Philadelphia, PA/ LightPlay* (in progress) 2012 Xixi Wetlands Park, Hangzhou, China/ Xixi Umbrellas* 2011 Kaufman Center for the Performing, MO Kansas City, / Terpsichore for Kansas City * South Mountain Community College, Phoenix, AZ/ Passage* 2009 Highline Canal, Phoenix, AZ/ The Zanjero’s Line with Ten Eyck Landscape Architects* Mueller Development, Austin, TX/ Sun Flowers, an Electric Garden* 2008-­‐ Havana Square, Stapleton, CO/ Solar Light Raft* (in progress) 2007 Portland, ME/ A MoonTide Garden * Des Moines Science Museum, IA/ The Big Question * 2006 Miramar Park, Fort Lauderdale, FL/ Terra Fugit, Lead Artists* 2005 Phoenix, AZ/ Arbors & Ghost Trees, with Ten Eyck Landscape Architects * Central Connecticut State University, CT/ Connections * 2003 San Diego Authority Port , CA/ The Benefit of Kite Mr. * Arizona Falls, Phoenix, WaterWorks AZ/ at Arizona Falls , design team artists* 2001 Sullivan Water Purification Facility, Cambridge, MA/ Drawn Water, design team artists* 2000 City of Louisville, KY/ City at Falls the , design team artists* 1998 Kleis Park, Toledo, Mud OH/ Life* 1997 Norfolk, MA/ Portrait Chairs 1995 PS 89, Queens, NY/ Terullian Mantle* 1994 Scottsdale Public Library, Scottsdale, AZ/ Pillars of Thought* Mission Hill, Boston, MA/ Ben’s Circular Tower * 1993 Prospect Park Zoo , Brooklyn NY/ Topiary 1991 Squaw Peak Parkway, Phoenix, AZ/ Wall Cycle to Ocotillo * 1988 Faxon Company, Norwood, MA/ In the Dense Words 1984 Porter Square Subway, Cambridge, MA/ Glove Cycle 1983 Longfellow School, Cambridge, MA/ The Gateway 1976 Haymarket, Boston, MA/ Asaroton, 1976 -­‐ Reinstalled 2006 TEMPORARY INSTALLATIONS -­‐ a Selection: * in collaboration with Lajos Héder 2015 Chesterwood, MA/ Columnar Reflection. 2015 Blithewold, Bristol, RI/ Sun and Rain Catchers 2011 Peabody Essex Museum, Salem MA. River * 2003 American Academy in Rome, Italy/ Aqua al Dente 2002 Scottsdale Museum of Contemporary Art, AZ/ Lucid Moment 2001 Neuberger Museum Biennial of , Public Art Purchase, NY/ Play Back* 1999-­‐2000 Cambridge Arts Council River Winding Festival/ Down the Charles River1999 Regis College, Western MA/ Lucid Moment 1998-­‐99, 2000 National Park Service, Rivers Trails and , Bronx River, / NY Golden Ball* 1998-­‐99 National Park Service, Rivers , and Trails Bangor, / ME Kenduskeag Roots* 1995 UK. Literature Festival, Swansea, The U.K./ Demon Trap with poet Peter Finch 1994 Honolulu Academy of Art, Communal HI/ Well 1990 Art Park , Lewiston, NY/ River Runes 1988,'89 First Night, City Hall, Boston, The MA/ Man from Hall City PUBLIC ART CONSULTING & MASTER PLANNING -­‐ Selection: a in * collaboration with Lajos Héder 2007 Concord River Greenway Trail, Lowell, MA/ Master Art Plan* 2003 San Jose City Trails System, Consultant* San Jose, CA/ 2002 Santa Cruz, Consultant* CA/ 2001 Cleveland Circle, Brighton, MA/ Master Art Plan South Anchorage High School, Master AK/ Art Plan* Codman Square Library Park, Boston, Master MA/ Art Plan* EXHIBITIONS -­‐ a Selection: * in collaboration with Lajos Héder 2016 Gallery Kayafas, Boston, / MA Precautionary Tales -­‐Solo 2015 deCordova Sculpture Park and Museum, Lincoln, / MA The Sculptor’s Eye: Prints, Drawings, and Photographs from the Collection 2015 Chesterwood, Stockbridge, / MA Boston Sculptors at Chesterwood 2015 Boston Sculptors Gallery, Boston, / MA 34 2015 Boston Sculptors Gallery, Boston, / MA Rising Waters -­‐Solo 2014 Blithewold Mansion and Arboretum, Bristol, RI/ Sculpture Embraces Horticulture 2013 Boston Sculptors Gallery, Boston, / MA Levels -­‐Solo 2011 Peabody Essex Museum, Salem, MA/ Ripple Effect: The Art of 2 H O* 2011 Boston Sculptors Gallery, Boston, MA/ In Dialogue -­‐ Solo 2010 Grossman Gallery, School of the Museum oston, of Fine Arts, B MA/ Recent Work Federal Reserve Bank of Boston, Boston, MA /Clean Volts* Wave Hill, Bronx, NY/ Remediate/ Re-­‐Vision: Public Artists Engaging the Environment* -­‐Traveling University Gallery, University of Massachusetts, Amherst, / MA Art in the Public Sphere* The Mills Gallery, Boston Center for the Arts, Boston, MA/ Greed, Guilt, & Grappling -­‐ Co-­‐Curator 2007 Foster Gallery, Nobles & Greenough School, Needham MA/ Waterways -­‐-­‐Solo* 2006 Open Square Gallery, MA/ Intersections 2005 Center for Architecture, / NY City Art, celeb rating the launch of City the book Art 2004 CAC Gallery, Cambridge, MA/ Reaching Water -­‐Solo* 2003 NAO Project Gallery, Boston, MA/ Projections -­‐Solo 2001 University of California, Santa Cruz, CA/Public Projects -­‐Solo 1972-­‐1999 Cardiff Bay Art Trust, Cardiff, Wales-­‐Solo; Rose Art Museum, Brandies University, Waltham, MA; Iowa State University, IA; Ames, Cardiff Bay Art Wales; Trust, Institute of Contemporary Art, Boston, MA; Fitchburg Museum, ; MA Danforth Museum, Framingham, MA; MIT List Art Center, MA & La Jolla Museum of Contemporary Art, CA ; Pine Manor College , Newton, MA -­‐Solo; Museum of Fine Arts, Boston, ; MA The Welsh National Museum, Cardiff, les Wa ; Decordova Museum, Lincoln, MA -­‐Solo; Bunting Institute, Cambridge, MA -­‐ Solo; Sch ool of the Museum of Fine Arts, Boston, MA -­‐Solo; Institute of Contemporary Art, Boston, MA -­‐Solo; Krakow Gallery, Boston, MA -­‐Solo ARTICLES & PUBLICATIONS-­‐-­‐-­‐ a Recent Selection: in * collaboration with Lajos Héder 2015 Brutal Magazine (Issue ), 2 “Clay” 2015 CODAmagazine (February), “Written Word”* 2014 Maine Magazine (April), “Arts: See”* 2013 Orion Magazine (September/October), “The Art of Infrastructure”* 2013 100 Boston Artists -­‐ Chawky Frenn, Schiffer Press Sculpture Magazine (September), “Mags Harries: Boston Sculptors Gallery” -­‐-­‐-­‐ Christine Temin The Globe, Galleries “ ” -­‐-­‐-­‐ Cate McQuaid 2011 Sculpture Magazine (November) “Mags Harries: Boston Sculptors Gallery” -­‐-­‐-­‐ Christine Temin 2011 Landscape Architecture (March) “[…] Sunflowers Sprout on Texas Highway” -­‐-­‐-­‐ Marty Carlock* 2011 The obe Gl Head “ to head” -­‐-­‐-­‐ Cate McQuaid 2010 Landscape Architecture (March) “High Tide, Low Tide” -­‐-­‐-­‐ Marty Carlock* 2010 Remediate/ Re-­‐Vision, “Public Artists Engaging The Environment” * 2009 Public Art for Public Schools -­‐-­‐-­‐ Michele Cohen* 2009 Art New England (June/July) “Public Art: Greenways, Sonic Trees & Waterways” -­‐-­‐-­‐ Christine Temin* 2008 Morgunbladid (Reykjavik Daily Newspaper) Interview -­‐-­‐-­‐ Einar Fal Ingolfsson* 2008 Public Art: Theory, Practice and Populism -­‐-­‐-­‐ Cher Krause Knight* 2007 Public Art Review (Fall/Winter), “US Commissions: The Big Question”* 2007 Conversations on Sculpture (Perspectives on Contemporary Sculpture) -­‐-­‐-­‐ Edited by Glenn Harper* EDUCATION: 1968 -­‐-­‐-­‐ 70 Southern Illinois University, Carbondale, IL, MFA

Lajos Héder Born Budapest Hungary PROFESSIONAL POSITIONS: 1990-­‐present Harries/Héder Collaborative, Cambridge, MA 1973 -­‐pr esent Héder Architects, (formerly Moore-­‐Héder Architects), Cambridge, MA -­‐-­‐-­‐ Principal AWARDS– Selection a : in * collaboration with Mags Harries 2014 CoD+A Awards Merit Award for Art Passage and Technology: (Phoenix, AZ)* 2013 CoD+A Awards Merit Award for Xixi Landscape: Umbrellas (Hangzhou, China)* 2012 Valley Forward Crescordia Award for Art In Public Passage Places: (Phoenix, AZ)* Public Art Network Year in Terpsichore Review Award: for Kansas (Kansas City City, MO) * Public Art Network Year in Passage Review Award: (Phoenix, AZ) * 2010 Valley Fo rward Crescordia Award for Site Art In Public Places : The Zanjeros Line (Phoenix, AZ)* Valley Forward Award of Merit for Site Development : The Zanjeros Line (Phoenix, AZ)* Liveable City Vision Award for Esthe tics: SunFlowers, An Electric Garden (Austin, TX) * The Bogliasco Foundation Fellowship: Resid ency (Genoa, Italy)* 2008 Public Art Network Year in Review Awa rd: A MoonTide Garden (Portland, ME) * 2007 The Waterfront Center Honor Award of Excellence : Drawn Water (Cambridge, MA)* 2006 The Waterfront Center Honor Award of Excell ence: WaterWorks at Arizona Falls (Phoenix, AZ)* 2005 Valley Fo rward Crescordia Award: Arbors Ghost & Trees (Phoenix, AZ)* Public Art Network Year in Review Award: South Anchorage High School, (Anchorage, AK)* 2003 Valley Forward Presidential Award: WaterWorks at Arizona Falls (Phoenix, AZ)* 2002 Public Art Network Year in Review Award: Drawn Water (Cambridge, MA)* 1999 Boston Foundation Grant: Chelsea Trail Markers Community Art Project 1995 Eisenhower Exchange Fellowship : Research on Hungarian Cities 1993 Boston Society of Architects Design Collaboration Award: Wall Cycle to Ocotillo (Phoenix, AZ)* 1991 Expo ‘96, Budapest: International Urban Design Competition, Merit Award 1989 Hungarian National Theater Design Competition: Third Prize 1986 Massachusetts Governor's Design Awards 1985 Presidential Design Award for Artist’s Housing: Design development & 1983 Spectacle Island Design Competition/Merit Award: Urban design art & 1977-­‐78 National Endowment for the Arts Design Fellow : Design in transportation Public Art Commissions – Selection a : in * collaboration with Mags Harries 2015 Manhattan Beach, CA/ Light Gate* 2014 Mounts Botanical Garden, West Palm Beach, FL / Windows on the Floating World (in progress) 2014 Greensboro, NC / Downtown Greenway* 2012-­‐ Southstar Lofts, Philadelphia, PA/ LightPlay* (in progress) 2012 Xixi Wetlands Park, Hangzhou, China/ Xixi Umbrellas* 2011 Kaufman Center for the Performing, Kansas City, MO / Terpsichore for Kansas City * South Mountain Community College , Phoenix, AZ/ Passage* 2009 Highline Canal, Phoenix, AZ / The Zanjero’s Line with Ten Eyck Landscape Architects* Mueller Development, Austin, TX/ Sun Flowers, an Electric Garden* 2008 -­‐ -­‐-­‐ Havana Square, Stapleton, CO/ Solar Light Raft * (in progress) 2007 Portland, ME/ A MoonTide Garden* Des Moines Science Museum, IA/ The Big Question * 2006 Miramar Park, Fort Lauderdale, FL/ Terra Fugit, Lead Artists * 2005 Phoenix, AZ/ Arbors and Ghost Trees, with Ten Eyck Landscape Architects * Central Connecticut State University, CT/ Connections * 2003 San Diego Port Authority , CA/ The Benefit of Mr. Kite * Arizona Falls, Phoenix , AZ/ WaterWorks at Arizona Falls , design team artists * 2001 Sullivan Water Purification Facility, Cambridge, MA/ Drawn Water, design team artists * 2000 City of Louisville, KY/ , City at the Falls , design team artists * 1998 Kleis Park, Toledo, OH / Mud Life * 1995 300 Summer Street, Boston, MA/ Entry Sculpture PS 89, Queens , NY/ Terullian Mantle * 1994 Scottsdale Public Library , Scottsdale, AZ / Pillars of Thought * Mission Hill, Boston, MA/ Ben’s Circular Tower * 1993 Prospect Park Zoo Brooklyn , NY/ Topiary * 1991 Squaw Peak Parkway, Phoenix , AZ/ Wall Cycle to Ocotillo * TEMPORARY INSTALLATIONS – Selection a : in * collaboration with Mags Harries 2011 Peabody Essex Museum, Salem MA. River * 2001 Neuberger Museum Biennial of Public Art , Purchase, NY/ Play Back* 1998-­‐99, 2000 National Park Service, Rivers and Trails, Bronx River, NY Golden / Ball* 1992-­‐2000 New Charles River Basin & Reclamation Art, Boston, MA/ with Reclamation Artists 1998-­‐99 National Park Service, Rivers and Trails, Bangor, ME/ Kenduskeag Roots* 1988,'89 First Night, City Hall, Boston, MA/ The Man from City Hall* EXHIBITIONS– Selection a : in * collaboration with Mags Harries

2011 Peabody Essex Museum, Salem, MA / Ripple Effect: The Art of 2 H O*-­‐-­‐-­‐Traveling 2010 Federal Reserve Bank of Boston, Boston, MA / Clean Volts* Wave Hill, Bronx, NY/ Remediate/ Re -­‐Vision: Public Artists Engaging the Environment* 2008 Baer Art Ce nter, Hofsos, Iceland/ Residency Exhibition* & University Gallery, University of Massachusetts, Amherst, MA/ Art in the Public Sphere* 2008 The Mills Gallery, Boston Center for the Arts, Boston, MA/ Greed, Guilt, Grappling* & 2007 Foster Gallery , Nobl e and Greenough School, Needham MA/ Waterways -­‐ -­‐-­‐ Solo* 2004 CAC Gallery , Cambridge, MA/ Reaching Water -­‐-­‐-­‐ Solo* CONSULTING MASTER & PLANNING – Selection a : in * collaboration with Mags Harries 2007 Concord River Greenway Trail, Lowell, MA/ Master Art Plan* 2003 San Jose City Trails System, San Jose, CA/ Consultant* 2002 Santa Cruz, CA/ Consultant* 2001 Cleveland Circle, Brighton, MA/ Master Art Plan Lead & Artist* South Anchorage High School, AK/ Master Ar t Plan * Codman Square Library Park, Boston, MA/ Master Art Plan* 1991 Tucson, AZ/ Master Art an Pl -­‐-­‐-­‐ with Corky Poster* URBAN DESIGN WORK – Selection: a 1982-­‐2003 Artists’ Cooperative Live-­‐-­‐-­‐Work Studio Projects, Boston, MA/ Design & development of 6 projects 2000-­‐2002 South Boston Seaport, Boston, MA/Pro-­‐-­‐-­‐bono urban design for a new city district on the waterfront 1997-­‐2001 The Urban Ring, Greater Boston, MA/ Pro-­‐-­‐-­‐bono urban design for a community building initiative 1996 Louisville Convention Center, Louisville KY/ Review of building’s interface with city and public art TEACHING, RESEARCH & WRITTING Massachusetts Institute of Technology, Cambridge, MA/ Research Associate Harvard Graduate School of Design, Cambridge, MA/ Instructor in Urban Design and Architecture Northern Polytechnic, London, England/ Lecturer in Town Planning 1980 Aesthetics in Transportation With the U.S. Dept. of Transportation, Office of the Secretary ARTICLES & PUBLICATIONS: -­‐-­‐ a Recent Selection: * in collaboration with Mags Harries 2015 CODAmagazine (February), “Written Word”* 2014 Maine Magazine (April), “Arts: See”* 2013 Orion Magazine (September/October), “The Art of Infrastructure”* 2011 Landscape Architecture (March) “[…] Sunflowers Sprout on Texas Highway” -­‐ Marty Carlock* 2010 Landscape Architecture (March) “High Tide, Low Tide” -­‐ Marty Carlock* 2010 Remediate/ Re-­‐Vision, “Public Artists Engaging The Environment” * 2009 Sculpture Magazine (November) Commissi ons: “SunFlowers, an Electric Garden”* 2009 Public Art for Public Schools -­‐ Michele Cohen* 2009 Art New England (June/July) “Public Art: Greenways, Sonic Trees & Waterways” -­‐ Christine Temin* 2008 Morgunbladid (Reykjavik Daily Newspaper) Interview -­‐ Einar Fal Ingolfsson* 2008 Public Art: Theory, Practice and Populism -­‐ Cher Krause Knight* 2007 Conversations on Sculpture (Perspectives on Contemporary Sculpture) -­‐ Edited by Glenn Harper* 2006 Touchstone (September)“Falling Waters” -­‐Wiard Sterk* 2006 Architecture Boston (July) “Landmarks, 5 Projects that left a Mark on the 70’s” -­‐ Ross Miller* 2006 City Art New York’s Percent for Art -­‐ Eleanor Heartney* 2005 Sculpture Magazine (October) “Poetry in the Mundane” -­‐ Marty Carlock* 2005 Infusion: 20 Years of Public Art in Phoenix -­‐ Phoenix Office of Art & Culture* 2005 New York Times, “Risks and Rewards of Art in the Open” -­‐ Michael Kimmelman*

EDUCATION: Harvard University, B.A., Harvard Graduate School of Design, M. Arch. + M. Arch. in Urban Design Frank Knox Traveling Fellow of Harvard University -­‐ in Great Britain

ANGELINA MARINO-HEIDEL and JOE HEIDEL Portland, OR artspa.us

Our works begin with inquisitive dialogues about subject matter, ethereal and practical concepts moving into problem solving materials/fabrication. We conduct research, extending our studies to history related to the project goals and areas of committee and community interests.

Our style is narrative with abstracted figurative content that explores cultural richness, diversity, history and nature. Our “Industrial Deco” style combines African Modernism, Maori, Japanese Art, Industrial References, Post Modern and Pop Art. The imagery is crisp, contemporary, combines ideas of industry, technology, relevant history and nature into the designs.

The work is awake and uses sweeping lines, drawing the eye from long distances. Created for all audiences regardless of age, gender or culture - by observer reviews, our works have a positive, uplifting appeal that holds the viewers interest.

Premium materials are used in fabrication to ensure minimal maintenance and longevity. Our projects come in on time and on budget. We are interested in public projects and work within budgets, partner with approved subcontractors if needed and desire the opportunity to create unique works that speak to the architecture, history or the area, theme and site.

Many of our projects have included community participation in an array of ways. From teaching artists community outreach, project management, collaborations with small town design teams. We have had the illuminating experience of working with people of all ages and cultures with up to as many as 400 people a project. We have worked with professionals from an array of the creative spectrum from both public and corporate concerns, including oversite committees, designers, agents, subcontractors, and in the case of our UMASS project - the master plan committee and their subcommittees that included funding agents and professors, engineers and technicians.

Our main objectives are to continue growing artistically and collaboratively with other artists, design teams, community, architects and together respond to the ever growing changes in our times culture and to evolve in artistic thought Top to bottom: Bird Child Travels Through History, 2014, Hillsboro, OR; Access to Knowledge, 2013, Happy Valley, OR; Fabric of Nature and Industry, 2015, North Dartmouth, MA Marino Heidel Studios – Portland, OR – 503-381-8614 – Artspa.us

PUBLIC ART MURALS & SCULPTURE Artist Team of Angelina Marino and Joel Heidel

2015 Fabric of Nature and Industry, UMass Dartmouth; Mural on panels; 13’ x 47’; $80,000 (substrate $30,000) 2015 Bike Rack Plaza City of Molalla, OR; Sculptural Bike Racks; Powder coated steel; $12,500 2015 Additional Sculptural Bike Rack, City of Estacada, OR; Sculptural Bike Racks; Powder coated steel, 38” x 21” x 3” Budget: $5,600; Partners: Estacada Design; Site Specific 2015 Reaching Knowledge, McMinnville, OR; Sculpture; Painted direct metal sculpture 96” x 12” x 24”; $14,000 2015 Journey Home, Lake Oswego, OR; Gallery without Walls; Sculpture; 84” x 48” x 72”; Installation 2015; $18,000 2014 Life Cycles, City of Estacada, OR; Sculptural Bike Racks; Powder coated steel, enamel; 96” x 60” x 288”; $25,000 2014 Bird Child Travels through History, Shute Library, Hillsboro, OR; Interior Mural; 48” x 252”; Budget: $5,350; Design Committee Reviews; Site Specific 2013 Accessing Knowledge, County of Clackamas, OR; Painted metal sculpture and signage; 108 x 144”x 72”; $9,500 2013 Tree of Life; City of Napa, CA; Painted direct metal sculpture; 72” x 34” x 30” 2013 Unity, Puyallup, WA; Arts Downtown; Direct metal sculpture; Cold Forged; Dimensions: 57’ X 12” X 12; $4,500 2013 E=MC2, Puyallup, WA; direct metal sculpture; $4,500 2012 Walking is a Way of Being Free, Beaverton City Hall Stairwell; City of Beaverton, OR; interior mural; poem by Tim Barnes, acrylic on interior wall; 144” x 96” 2012 Reading Garden Mural, Portland, OR; acrylic, exterior panels; community involvement; 88” x 336”; $10,000 2012 Snapshots of a Neighborhood, Gateway Mural; Portland, OR; exterior wall; 500 sq. ft.; $19,000 2011 Hillsdale History of Land Use, Mural; RACC, City of Portland, OR; exterior wall 932 sq. ft.; $26,000 2011 Zest of Life, Mural; Office of Neighborhood Involvement; Portland, OR; exterior mural on panels, 160 sq. ft.; $7,000 2010 River Workers, kinetic street banner; City of St. Helens, OR; 24” x 72”; $1,000, Site Specific 2010-11 School of Outdoor Learning, Mural; City of Beaverton, OR; exterior, 1200 sq. ft., community involvement; Funding: Arts Commission, Private Funders; $24,000; Site Specific 2009 Plaza Del Sol, Terra-Mural; City of Gresham, Office of Sustainability/Urban Renewal 14,000 sq. ft.; Part of a $150,000 temporary project 2008 Neighborhood in Motion, Mural; Portland, OR; exterior wall, 1100 sq. ft.; community involvement; $23,000

Current Commissions 2016: Green Screen Wind and Water Myth Treslis’s; Eighteen 4’x 4’ cut steel panels, powder coated; SeedsArt (Housing Authority), Seattle, WA – design complete – installation 2017 2016: Mural “EthnoUunis” on ACM panels; 8’ x 28’; Alaska state 1% for art, Romig Middle School, Anchorage – design complete - Installation fall 2016

ROSTERS – Marino and Heidel – 2015-2016 Palo Alto pre-qualified artist roster; 2015 Baltimore MY Muralist Roster; 2014 Regional Arts and Culture Council Muralist Roster, Portland, OR; 2014 Portland Open Studios, Portland, OR; 2015 Public Art Archives; 2014 Coos Bay Maritime Historical Museum, Coos Bay, OR; 2009 – 2014 Sculpture, Painting, Murals Roster; Nine Dots Data Base, Denver, CO.

AWARDS and HONORS 2016 Artist selection committee, Regional Arts and Culture Council, Tri-Counties, Portland, 2013 Endorsement, Governor Kitzhaber; Everyone Out Here Knows, illustrations-book design; Author: William Stafford

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Marino Heidel Studios – Portland, OR – 503-381-8614 – Artspa.us

2013 Pavilion of the States, National Book Festival; 32 Great Reads, Washington, DC 2013-14 Oregon Reads Selection, Oregon Library Association; Everyone Out Here Knows 2012 SWNI Grant; Hillsdale Gateway Mural, Portland, OR 2012 SE Uplift Grant; Reading Garden Mural, Portland, OR 2011 Blue Ribbon: The Language of Sculpture; Festival of Arts Special Show, Lake Oswego, OR 2011 Grants: Regional Arts and Culture Council, Portland, OR; Swini; Wikelund; History of Hillsdale Mural, Portland, OR 2010 Grants: Beaverton Arts Commission, Beaverton, OR; Wikelund Fund; School of Outdoor Learning Mural, Beaverton, OR 2009 Publicly Recognized, City of Gresham, OR; Plaza Del Sol 2008 Grants: RACC, Oni; Neighborhood in Motion Mural 2007 Leadership Certificate: Lake Oswego Chamber of Commerce 2006 Grant: RACC; Life in the Inner City Mural 1999 Leadership Certificate: Our United Villages and Out Front House, Adjudicated Youths Mural. 1998 1998 Grant: Belmont Business District; Community Crossroads Mural, Portland, OR, 1998

MUSEUM SHOWS 2014 Coos Bay Museum, Maritime Art, Steel Sculpture (2); 1998 Women’s Museum, Washington DC, Fundraiser

BOOKS – 2013 Everyone Out Here Knows; Author, William Stafford Poet Laureate of Oregon, 1970; Illustrator, Angelina Marino-Heidel; Publisher, Arnica Press; Selected for Oregon Reads and the Pavilion of the States in Washington D.C. 2012 - 15 Poems and 15 Broadsides; ReImagiNation PDX; Marino-Heidel Publications; 2010 Portland Walls; Inclusion of our mural; Robin Dunitz, publisher; 2006 Laughter Loves Us Like This; Book design, illustrations; Marino-Heidel Publications; 2001 Mother and the Mangos; Author, Tim Barnes; Illustrator, Angelina Marino; M. Kimberly Press; Special collections; University of Arizona, University of Washington State University, Holland Terrel, Multnomah County Library

COLLECTIONS (Partial List) - Cities of: Portland, Beaverton, Happy Valley, St. Helens, Napa CA, Gresham, Hillsboro, Estacada; Honorary Collections: Senator Jeff Merkely, Washington DC; Special collections: University of Arizona, University of Washington State University, Holland Terrel and Multnomah County Library; Libraries: Most in Oregon

ARTICLES, PRINT and On-Line: Sun Times Massachusetts, Living Gallery – UMass Dartmouth, Napa Valley Register Newspaper 2012, Washington County Culture Guide 2012, Oregonian 2008 2012, SW Connections 2011, 2012, Statesman Journal 2012, Jewish Review Magazine 2011, Santa Rosa Examiner 2010 Beaverton Valley Times 2010, Portland Scanner and Mercury 2009, Public Art Archive, Mural Locator, Oregon Live, Matter Gallery, Lawrence Gallery, Lakewood Art Center, Beaverton Arts Commission, Napa Arts Council, Regional Arts and Culture Council, Clackamas Arts

In the News: http://www.heraldnews.com/article/20151022/news/151027911 http://www1.umassd.edu/communications/articles/showarticles.cfm?a_key=3647 http://issuu.com/hillsboroparks/docs/fall2014completepdf https://www.facebook.com/Estacada/photos/a.890757677603693.1073741827.192587430754058/916795361666591/?type=1&th eater http://www.oregonlive.com/hillsboro/index.ssf/2014/08/mural_at_shute_park_library_ho.html http://www.racc.org/public- art/history-land-use-hillsdale http://publications.pmgnews.com/fpubs/wa-co-fall-arts-guide-2012/files/assets/seo/page4.html http://clackamasartsalliance.org/publicart/management-services/managed-projects/sunnyside-library/

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Marino Heidel Studios – Portland, OR – 503-381-8614 – Artspa.us

ENDORSEMENTS: “I think it’s (The Fabric of Nature and Industry Mural) Magnificent. It’s colorful, it’s cultural, it speaks to the region.” Jean Fox, MassDot’s South Coast Rail project manager 2015

“The mural (The Fabric of Nature and Industry) complements the design of the library, balances the concrete, creates a visual statement on campus and makes it inviting. It is a perfect mixture of science, technology, engineering and math all under the envelope of the arts.” Adrian Tio, Dean of Visual and Performing Arts, UMass Dartmouth 2015

Sculptural Suite: “Angelina and Joel worked with an advisory committee of community members on a public art piece installed in downtown Estacada. Their interaction with the committee was a joy to watch and committee members left meetings feeling energized. The duo have a warm and honest way of communicating that is very easy to work with. They were quick to address technical and aesthetic concerns and incorporate feedback while staying true to the intent of the project…exceeded expectations for the project.” Terra Wilcoxson Economic Development Manager City of Estacada 2014

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JIM HIRSCHFIELD and SONYA ISHII Chapel Hill, NC

Both of us have significant public art and planning experience. We have worked on a number and variety of projects ranging from public art plans to design team collaborations, from freestanding sculptures to sculptural environments. Together we are currently working on or have completed over 45 public works of art, with budgets ranging from $50,000 to $950,000. We know the requirements and importance of designing within a project’s timeline, working with all the constituents, and at the same time creating a successful project that offers the community a meaningful work of art.

We begin a project by researching the site’s community and environment. As we carry out our research, we look for a theme, something about a place that both inspires and directs our design; an inherent truth that lends itself to becoming visual metaphor.

We believe our work succeeds because it begins with a strong aesthetic design that engages the viewer. And once engaged, the viewer will discover hidden layers of information, mystery, and poetry within the work, providing the participant with a multifaceted and meaningful work to experience.

We have also worked in collaboration with architecture, landscape architecture, and engineering firms, ranging from large international firms to smaller local firms. We find the process of collaboration an energizing one, where individuals, working together, push the breadth and range of art possibilities

Top to bottom: Beads, 2005, Houston Airport; Meditation Room, 1998, Portland, OR; Recollections, 2007, Calgary, AB JIM HIRSCHFIELD and SONYA ISHII 312 Ridgecrest Dr., Chapel Hill, NC 27514 (919) 933-6169 [email protected]

MAJOR POSITIONS Advisory council member to the Public Art Network (PAN) at Americans for the Arts (HIRSCHFIELD) 2015 Professor; University of North Carolina, Carolina, Chapel Hill, NC (HIRSCHFIELD) 1988 - Present Public Arts Commissioner, Chapel Hill Arts Commission, Chapel Hill, NC (HIRSCHFIELD) 1994 - 1997 Consultants; Kingdom Art Plan, King County Arts Commission, Seattle, WA 1988 - 1989 Consultants; Public Art Plan, Seattle Arts Commission, Seattle, WA 1982 - 1984

MAJOR AWARDS and GRANTS Americans for the Arts’ 2010 Public Art Year in Review Best Public Art Works Americans for the Arts’ 2008 Public Art Year in Review Best Public Art Works Americans for the Arts’ 2003 Public Art Network Year in Review North Carolina Arts Council; Artist Fellowship 2000 Weiss Urban Livability Symposium Fellowship 1999 North Carolina Arts Council; Artist Fellowship 1996 North Carolina Arts Council; Project Grant 1995 Cultural Olympiad Regional Designation Award in the Arts 1994 Hettleman Prize for Artistic Excellence; Fellowship 1993 Institute for the Arts and Humanities; Fellowship 1993 Artist Fellowship; North Carolina Arts Council 1992 Artist Fellowship; North Carolina Arts Council 1992 North Carolina Arts Council; Fellowship, 1991 National Endowment for the Arts, Public Projects Grant through 1990 National Endowment for the Arts; Fellowship 1990 Institute for the Arts and Humanities; Fellowship 1990 Graham Foundation Award in the Visual Arts 1990 Allied Arts Foundation; Project Grant 1989 National Endowment for the Arts Regional Fellowship 1989 Artist Trust; Project Grant 1989 Art Matters Inc.; Individual Artist Grant 1988 King County Arts Commission; Individual Artist Grant 1988 Pollock Krasner Foundation; Artist Grant 1987 NEA/Rockefeller Foundation; Interdisciplinary Grant 1986 and/or; Individual Artist Grant 1984 National Endowment for the Arts; Planning Grant 1980

COMMISSIONS CATS Art-in-Transit, City LYNX Gold Line, Charlotte, NC 2016 Rosemont Station, Baltimore, MD, 2015 East Rosedale Roundabout, Fort Worth Texas, 2014 El Paso Transit Center, El Paso Texas, 3013 Interstate Bicycle/Pedestrian Bridge, Denver, CO 2012 LeBonheur Children’s Medical Center, Memphis, TN 2010 International Pain Center, Texas Tech University, Lubbock, TX 2009 Union High School Courtyard, Vancouver, WA 2009 Houston Airport System, Intercontinental Expansion System, Houston, TX 2008 Cary Art Center Renovation, Cary, NC 2007 (Design Team) Calgary Transit Station, Calgary, Alberta, Canada 2006 University of Maine, Orono Aubert Hall, Orono, ME 2005 Paseo del Norte Road Extension, Albuquerque, NM (Design Team-Design Team Leader) 2004 ImaginOn Library, Charlotte, NC 2003 Alum Rock Library, San Jose, CA 2003 Houston International Airport, Houston, TX 2001 Metro Transit Station, Cedar Riverside Station, Minneapolis, MN 2001 Grand Ave Overpass, Phoenix, AZ (Design Team-Artist) 2000 Anchorage Jail, Anchorage, AK 2000 Channelside and Ybor Transit Stations, Tampa, FL (Design Team-Artist) 2000 T. F. Green Airport Parking Garage, Providence, RI 2000 Bellevue Community College, Bellevue, WA 2000 Florida Atlantic University, Physical Science Bldg, Boca Raton, FL 1999 Middle Tennessee State University, Quadrangle Design Project, Murfreesboro, TN 1999 Meditation Room, Hope and Healing Center, Memphis, TN 1998 North Carolina School for the Arts, Sculptural Environment, Winston Salem, NC 1997 African Bridge, North Carolina Zoo, Asheboro, NC (Design Team-Artist) 1996 Meditation Room, Doernbecher Children’s Hospital, Portland, OR 1996 South Regional Library, Charlotte, NC (Design Team) 1996 Broward Streetscape Improvement, Ft. Lauderdale, FL (Design Team-Artist) 1996 City of Atlanta Detention Center, Atlanta, GA 1994 Southwest Arkansas Arts Council, Hope Redevelopment Project, Hope, AR 1993 Duke Medical Center; Obstetrics/Oncology Lightwell Environment; Durham, NC 1993 Public Art Works; On Site 1991, Railroads; San Rafael, CA 1991 Duke Medical Center; Outdoor Plaza; Durham, NC 1990 Duke Medical Center; Pediatrics and Obstetrics Outdoor Environment; Durham, NC 1989 Washington State Arts Commission, Glenn Terrell Mall, Design Team; Pullman, WA 1988 Massachusetts Council on the Arts; Bunker Hill College; Charlestown, MA 1986 Connemara Foundation; Connemara; Dallas, TX 1986 Downtown Seattle Transportation Project (DSTP) 1986 Jane Mears Junior High School, Municipality of Anchorage, Anchorage, AK 1985 Washington Arts Commission; Horizon Junior High School; Spokane, WA 1984 Bumbershoot Festival "Gates", Seattle Arts Commission, Seattle, WA 1984 Seattle Arts Commission, Public Art Study, Seattle, WA 1984 International Sculpture Conference; Lake Merrit BART Station; Oakland, CA 1983 Washington State Arts Commission; Snohomish High School; Snohomish, WA 1983 Tacoma/Pierce Civic Arts Commission; Art Bowl; Tacoma, WA 1982 Seattle Arts Commission; Rainier Square; Seattle, WA 1981 Seattle Arts Commission; Passage Point Parks; Seattle, WA 1978 PUBLIC ART PLANS Jim Hirschfield, Sonya Ishii, Moments Along the Trail, The Wake Forest Greenway and Park Art Master Plan, Wake Forest, NC (Currently in it final stage of review before publication) f Jim Hirschfield, Salisbury History and Art Trail Design Team Charette, Salisbury, NC 2004 Jim Hirschfield with his Public Art Classes 1998-2000, Chapel Hil Public Art Master Plan, Chapel Hill, 2000 Jim Hirschfield, Sonya Ishii, Jack Mackie, Public Art Master Plan for the Kingdome, Seattle, 1988 Jim Hirschfield, Larry Rouch, Artwork/Network, Seattle Arts Commission, Seattle, 1984 PAUL HOBSON San Diego, CA paulhobson.org

I provide municipal agencies with public art services focused on creating positive associations and strong connections between infrastructure assets and the communities they serve. My work creates links between neighborhoods, urban planners and those building municipal facilities. From a street-corner environmental remediation system to an emergency sewage storage pond the size of 10 football fields, my work and artistic solutions have effectively responded to municipal design challenges in financially appropriate and socially respectful ways.

Throughout my history in public art I have designed, constructed and installed projects that capture and reflect the interests of host communities. My experience and success in public art have allowed me to use a wide variety of resilient media in varied and often unusual sites. I have also honed my skills in the politics of public art and community involvement. I am an effective advocate for my municipal clients and the private partners they employ to complete public works and capital improvement projects.

Over the past 30 years, I have served on 33 design teams made up of architects, landscape architects, engineers and other design professionals developing plans for parks, plazas, transportation, water/wastewater and other capital improvement projects. The success of these collaborations can be measured by the more than 15 recognition awards from organizations such as the Metropolitan Water District of Southern California and the National Ornamental and Miscellaneous Metals Association. I have also successfully worked with numerous government agencies and private developers with the goal of enhancing capital projects by creating site-specific artworks that articulate community identity and values.

Top to bottom: El Cajon Blvd Transit Plaza Gateway, 2006, San Diego, CA; Ceiling Node Light Sculpture, 2016, San Diego International Airport; Alex Baum Bicycle Bridge, 2003, Los Angeles, CA P A U L H O B S O N 2 8 6 1 I V Y S T R E E T S A N D I E G O C A 9 2 1 0 4 (6 1 9) 2 3 6 7 9 7 0 [email protected] www.paulhobson.org

SELECTED PUBLIC ART PROJECTS BY CHRONOLOGY

San Diego County Regional Airport Authority – 2016, “Untitled” – Light Sculpture Terminal 2 ceiling node

San Diego Association of Governments – 2015, Hillary Drive Direct Access Ramp. Design Team: Estrada Land Planning

City of Carlsbad, CA – 2014, swim and dive entry panels and mosaic pool towel bench and seat wall inlays for Alga Norte Community Park. Design Team: Wimmer Yamada and Caughey Landscape Architects, Architects Hanna Gabriel Wells. Award: 2014 Project of the Year Award, American Public Works Association San Diego and Imperial Counties Chapter

City of Escondido, CA - 2012, terrazzo tables, trellis furniture and mosaic fountain seat wall for Maple Street Pedestrian Plaza. Design Team: Schmidt Design Group. Award: 2013 Project of the Year Award, American Public Works Association San Diego and Imperial Counties Chapter

City of Palm Desert, CA – 2011, stained and sealed depictions of swim strokes and dive techniques are sandblasted into the pool decks at the Palm Desert Aquatics Center

Marriott San Diego Hotel and Marina - 2011, holographic finishes on aluminum, polycarbonate and programmable LED entry wall sculpture. Design Team: Martinez Cutri Architects, Randall Lamb Engineers

Sempra LNG, Ensenada, Mexico – 2009, glass tile mural for Casa Azul. Wimmer Yamada and Caughey, Landscape Architects and Sempra Energy

San Diego Association of Governments – 2009, Interstate 15 Bus Rapid Transit Stations Design Team Member: KTU+A Landscape Architects, Manuel Oncina, Architects. Awards: 2009 Project of the Year Award, American Society of Civil Engineers, San Diego Section, 2010 Project of the Year Award, American Public Works Association, San Diego and Imperial Counties Chapter

City of National City, CA – “Portals in Time” – 2007, National City Boulevard Streetscape and Fountain Plaza Promenade Improvement Project. Design Team: Project Design Consultants

City of Ventura, CA - 2007, Avenue Water Treatment Plant – Main gate and service gate. Design Team: Kennedy Jenks Consultants. Award: 2008 Top Job Award, National Ornamental and Miscellaneous Metals Association

City of San Diego, CA - 2006, El Cajon Boulevard Transit Plaza - El Cajon Boulevard at Interstate 15, San Diego, CA. Team: KTU+A Landscape Architects P A U L H O B S O N 2 8 6 1 I V Y S T R E E T S A N D I E G O C A 9 2 1 0 4 (6 1 9) 2 3 6 7 9 7 0 [email protected] www.paulhobson.org

City of San Diego, CA - 2005, “Fire Hose Frieze”- Fire Station Number 31 - Camino Rico and College Avenue, San Diego, CA. Design Team: Platt/Whitelaw Architects. Awards: American Society of Civil Engineers, 2005 Award of Merit, 2006 Honor Award, American Public Works Association, San Diego and Imperial Counties Chapter

City of Los Angeles Cultural Affairs Department - 2002, Alex Baum Bike Bridge. Los Feliz Boulevard at the Los Angeles River, Los Angeles, CA. Design Team: Bureau of Engineering

City of San Diego Park and Recreation Department - 1999, Carmel Valley Community Park, San Diego, CA. Design Team: KTU+A Landscape Architects and Platt/Whitelaw Architects. Award: California Park and Recreation Society, 1999 Award for Excellence for Facility Design in a Community

City of Carlsbad Arts Office - 1998, Leo Carrillo Ranch/Park Master Plan. Design Team: KTU+A Landscape Architects, Milford Wayne Donaldson, Architect. Awards: California Preservation Foundation Design Award for Leo Carrillo Ranch Master Plan, 1998. American Society of Landscape Architects, San Diego Chapter, Merit Award, 1999

San Diego Metropolitan Transit Development Board - 1996, Old Town Transit Station, San Diego, CA. Design Team: KTU+A Landscape Architects. Award: San Diego design community’s Orchids and Onions Awards, Orchid Award for Fine Art, 1997 GORDON HUETHER Napa, CA gordonhuether.com

My mission as an artist is honor the spirit of humanity by bringing beauty and meaning into the world through art. I learned art composition and appreciation at an early age from my father who was an artist and craftsman and I was drawn to the possibilities of having a lasting impact on the world through the creation of large-scale works of art. As I developed as an artist, I became inspired to investigate intellectual precepts and explore emotional depths. My work became about shaping a story and expressing an idea, not just creating an object of beauty.

I’ve long been fascinated by the interplay between light and glass and I explore the artistic possibilities of refraction and reflection in glass fabrications and dichroic glass. As my career progressed, I began exploring other media, moving between highly refined, polished materials like polished metals and then gritty, repurposed and salvaged materials like rusted steel and weathered wood. Salvaged and repurposed materials allow me to explore the effect of time and nature on man-made materials. My work looks to the forms, movement and colors of the environment and I select materials based on what is indigenous to the site’s architecture and landscape. I’ve learned to let the story I am telling lead me towards the right material.

When developing a concept for new public artwork, I endeavor to connect to the site by researching its history and culture; connect to the viewer by listening to the community and understanding their vision for the project; and finally, connect to the landscape and architecture surrounding the work by choosing materials that respond and engage with the location.

I am passionate about the process of creating art and humbled by the privilege of making art everyday. In a time when the speed and ease of technology robs of us daily personal interactions, experiencing art has the power to remind us of the importance of the human touch.

Top to bottom: Portal | Gathering Place, 2013, Toledo, OH; Aluminum Yucca, 2003, Albuquerque, NM; Poppy Jasper, 2015, Morgan Hill, CA; GORDON HUETHER | RÉSUMÉ art matters

SELECTED PUBLIC ART COMMISSIONS 2016 Salt Lake County District Attorney’s Office Building Commissioned by: Salt Lake County 2015 Salt Lake City International Airport Commissioned by: Salt Lake City Department of Aviation Fort Lauderdale-­‐Hollywood International Airport -­‐ Terminal 1 Commissioned by: Broward County Public Art Program Iliff Rapid Transit Station and Parking Structure Commissioned by: City of Aurora, Art in Public Places In Honor of the Memorial Fallen, Sculpture, Oklahoma City Police Headquarters Commissioned by: Oklahoma City Office of Arts & Cultural Affairs 2014 9/11 Memorial Sculpture Commissioned by: American Canyon Fire Department Hoops, Oregon State University -­‐ Basketball Practice Facility Commissioned by: Or egon State Arts Commission The Nature of Life, Martinez Courthouse Commissioned by: Judicial Council of California, Arts in am the Courthouse Progr Rockland County Office Building Commissioned by: Rockland County Art in Public Places Tarantula and Poppy Jasper, Morgan Hill Parking Facility Commissioned by: City of ; Morgan Hill F+H Construction Wards Corner Gateway Commissioned by: City of Norfolk 2013 Hatcher Road Streetscape Project Commissioned by: City of , Phoenix AZ Portal, Universit y of Toledo Roundabout Commissioned by: University of Toledo 2012 A-­‐Round Oakland, BART Oakland Coliseum Connector Station Commissioned by: Bay Area Rapid Transit Authority Aureole, Centennial Plaza Sculpture Commissioned by: City of , Peoria AZ High Wire Travelers, Raleigh-­‐Durham International Airport Commissioned by: Raleigh -­‐Durham International Airport Oklahoma State University -­‐ Henry Belmon Research Center Commissioned by: Oklahoma Art in Public Places 2011 A is for Allen, arkway Exchange P Median Enhancement Commissioned by: City of Allen, TX 2010 The Canyon, Salt Lake City International Airport -­‐ TRAX Station Commissioned by: Salt Lake City; Utah Transit Authority Desert Light, Sun Tran Bus Storage ility & Maintenance Fac Commissioned by: Tucson Pima Arts Council Houston Police Department, Midwest Police Station Commissioned by: Houston Arts Alliance; City of Houston Kansas City Police Department -­‐ South Patrol Station Commissioned by: Kansas , City MO 2009 9/11 Memorial Commissioned by: City of Napa LBJ Presidential Library Commissioned by: LBJ Presidential , Library Austin, TX LBJ School of Public Affairs Commissioned by: University of Texas at Austin 2008 Jack London Square Commissioned by: City of Oakland; Jack London Square Partners O Wave, Ovation Condominiums, St. Petersburg, FL Commissioned by: JMC Communities Red Eye, East Village Parking Facility Commissioned by: Kansas , City MO Municipal Art Commission 2007 Desert Mosaic, Tucson Justice Court, Municipal Court Complex Commissioned by: Tucson Pima Arts Council Gotta Go, Jacksonville International Airport Awarded by: Jacksonville International Airport Arts Commission Mountain Range and River of Light, John Muir Medical Center Commissioned by: John Muir Health Foundation; City of Walnut Creek Texas Tech University -­‐ School of Law Commissioned by: Texas Tech University, Lubbock, TX 2006 The Bridge Homeless Assistance Center Commissioned by: Dallas County; Overland Partners Vessel and Waves, Sacramento Regional County Sanitation District Commissioned by: Sacramento Metropolitan Arts Commission 2005 Go, Go, Foothills Go, Recreation & Aquatics Center Commissioned by: Glendale , AZ Arts Commission Napa Courthouse Commissioned by: The Historical Society Salt Palace Convention Center Commissioned by: Salt Lake County, UT 2004 Arena Parking Structure Commissioned by: City of , Stockton CA Issaquah Transit Center Commissioned by: Sound Transit Board, Issaquah, WA San Jose Fire Department Station 17 Commissioned by: City of , San Jose CA San Mateo Public Library Commissioned by: City of , San Mateo CA 2003 Over Houston, William P. Hobby Airport Commissioned by: Houston Airport System 2002 Aluminum Yucca, Gateway East Project Commissioned by: City of ; Albuquerque New Mexico Arts Denver International Airport -­‐ Child Care Center Commissioned by: Denver International Airport Public Art Program Equity Playground Fantastico Commissioned by: City ; of Napa Napa Valley Arts Council 2001 BART San Bruno Station Commissioned by: Bay Area Rapid Transit Authority Sacramento Midtown Parking Garage Commissioned by: Sacramento Metropolitan Arts Commission; City of Sacramento SEPTA Frankford Transportation Center Commissioned by: Philadelphia Arts ssion Commi EDUCATION 1990-­‐92 Life Center Collaborative Project with Professor hreiter, Johannes Sc Napa, CA 1986 Pilchuck Glass School, Stanwood, WA 1980-­‐82 Apprenticeship at Universal Glass Studio, Blieskastel, Germany

2 LEE IMONEN Dexter, OR leeimonen.com

My work is centered on the relationships between people and the objects and spaces with which they surround themselves. This focus often highlights the tenuous interdependence between humanity and the material world in which we live. Through complex manipulation of various media, the work is intended to create a reflective space for the viewer to understand their relationship to the sculptural object, the spaces they inhabit and their role as consumers in the broader world.

I begin each artwork as a research project; a specific opportunity for understanding a place, material, culture or organization in a more comprehensive way. I am motivated to reshape the way in which the public and art interface. My goal is to shift the direction of public work away from sculpture that is simply placed in the public realm, to work that not only engages the public, but equally speaks of its environment. My research process begins by looking at the site through a series of lenses: History, Purpose, and Site/Media. I begin with site visits, photography, and researching historical archives. Equally important is meeting with members of the community. I want to know how a community sees itself, and projects itself to the world. The last lens is that of understanding the space and intent of the site. This knowledge is informed through dialogues with the architects, and planners for the community. The result of these gathering sessions informs the scope of the work, to help identify issues of proper placement, scale, and media within the site. It is through assimilating this information that a vision for the work develops.

In my work, I move fluidly from one media to another. It is this love of material and of finding the right solution that I seek to foster in my studio practice. I believe that the outcome for each project is determined by the concepts developed throughout the research phase. In this way, the work is uniquely responsive to the needs of the community and sense of place. Whether indoors or out, the materials, aesthetics, and concept are determined through the process and result in a specifically appropriate resolution through the work.

Top to bottom: Integral Framework, 2014, Bend, OR; Sampo, 2003, Salem, OR; Bountiful, 2010, Eugene, OR Lee C. Imonen 81262 Lost Creek Rd. Dexter, OR 97431 Day 541.463.5412 Eve.541.937.2238 [email protected] Education MFA in Sculpture, 1996, University of Oregon, Eugene, Oregon 97403 Bachelor of Arts, 1994, Willamette University, Salem, Oregon 97301

Academia Instructor, 2000-Present, Lane Community College, Eugene, Oregon Instructor, fall 1999, Pacific Northwest College of Art, Portland, Oregon

Collections Tri-Met: Portland/Milwaukee Lightrail ,Trolley Trail Sculpture. Completion 2014 Oregon Institute of Technology, Oregon Percent For Art, Klamath Falls, Oregon City of Eugene, Eugene,Oregon. Delta Ponds Eastern Oregon University percent for art, La Grande, Oregon North Mall Office Building, Oregon Percent for Art Commission, Salem, Oregon City of Inami, Toyama Prefecture, Japan City of Eugene Parks Department, Percent for Art Commission. Eugene, Oregon Portland Art Museum, permanent collection Big Rock Garden Sculpture Park, City of Bellingham, Bellingham, Washington St. Louis University, St. Louis, Missouri H. Lay, Louisiana, Missouri

Publications Modern Steel Construction, August 2012, What’s cool in Steel article Sculpture Magazine, January/February 2008, Feature article Art in America, 2007-2008 Annual Guide, Public Art, p.56 Connections, Oregon Arts Commission, 2006 Sunset Magazine, June 2005 Sculpture Magazine, January/February 1999 Sculpture Magazine, (photo) January 2000 Sculpture Magazine, October 2000 American Craft, (photo) February 2001

Selected Exhibitions 2016 Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon 2015 “Confluence”, Lucinda Parker and Lee Imonen. Port of Portland, PDX. 2015-16 “ROT” Corvallis Art Center 2015, Corvallis, OR. World Forestry Center 2016, Portland OR LCC Faculty Show, Central Oregon Community College, Bend, OR. 2014 “The Meaning of Wood” Lower Columbia Community College,South Puget Sound Community College, Seattle Convention Center 2013 “Object Stories” Portland Art Museum, Portland OR 2012 Bellwether regeneration Bellevue 2012, Bellevue WA Rootbound: Heaven and Earth 4, COCA , Seattle Washington Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon 2011 Northwest Stone Sculpture Invitational, Lane Community College, Eugene, OR 2008 “clear Cut” Portland Art Museum, Portland, Oregon “Sculpted Green” Bellevue Invitational, Bellevue, Washington “Natural Cycles” Tryon Creek Park, Portland, Oregon 2007 Lane Community College Outdoor Sculpture Invitational, Eugene, Oregon West Edge Sculpture Invitational, Seattle, Washington Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon Westcott Bay Reserve Outdoor Sculpture Invitational, Roche Harbor, Washington 2006 West Edge Sculpture Invitational, Seattle, Washington 2005 DIVA “Artists who Teach”, Eugene, Oregon Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon 2004 Lake Oswego Outdoor Sculpture Invitational, City of Lake Oswego, Oregon Gallery Artists Exhibition, Foster-White Gallery. Seattle, Washington Hult Center 30th Anniversary Exhibition, Eugene, Oregon 2001 Lake Oswego Outdoor Sculpture Invitational, City of Lake Oswego, Oregon Portland Art Museum, Works from the Collection, Portland, Oregon Redmond Outdoor Sculpture Invitational, City of Redmond, Washington “Bridges” Corvallis Art Center, DaVinci Days, Corvallis, Oregon 2000 “Small Works” Margo Jacobson Gallery, Portland, Oregon Northwest Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon Redmond Outdoor Sculpture Invitational, City of Redmond, Washington Big Rock Sculpture Park Invitational, Bellingham, Washington Maryhill Museum of Art, Outdoor Sculpture Invitational, Goldendale, Washington 1999 Portland Art Museum, Recent Acquisitions, Portland, Oregon 1998 North American Sculpture Exhibition, Foothills Art Center, Golden, Colorado. Juror: Jesus Morales Northwest Outdoor Sculpture Invitational, Clackamas Community College, Clackamas, Oregon 1997 Oregon Biennial, Portland Art Museum, Portland, Oregon Schneider Museum of Art, Ashland, Oregon University of Oregon Museum of Art, Eugene, Oregon Hallie Ford Museum of Art, Salem, Oregon Pacific Northwest Annual, Bellevue Art Museum, Bellevue, Washington “The Garden Show”, Portland Institute for Contemporary Arts, Portland, Oregon 1996 16th Annual Northwest International Art Competition, Whatcom Museum of History and Art, Bellingham, Washington

Solo Exhibitions 2012 Public Projects/Private Thoughts Lane Community College Gallery, Eugene, OR 2002 Foster White Gallery, Seattle, Washington 2001 Lane Community College, Campus Gallery, Eugene, Oregon 2000 Fairbanks Gallery, Oregon State University, Corvallis, Oregon Foster White Gallery, Seattle, Washington Margo Jacobson Gallery, Portland, Oregon 1997 American Institute of Architects, Portland Branch, Portland, Oregon BOORA Architects, Portland, Oregon

Honors and Awards Finalist - Port of Portland Headquarters, Portland, Oregon Finalist - Eugene Depot Percent for Art. Eugene, Oregon US Representative: 2003 Inami International Wooden Sculpture Camp. Inami, Japan. Juror’s Award, 2000 Sculpture Invitational, Big Rock Sculpture Park, Bellingham, Washington Juror’s Award, 2nd Prize, 1998 North American Sculpture Exhibition, Golden, Colorado Juror’s Award, 1997 Pacific Northwest Annual, Bellevue Art Museum, Bellevue, Washington CHRISTOPHER JANNEY Lexington, MA janneysound.com

Trained as an architect and jazz musician, I have been working on permanent interactive installations for over thirty years. Titled "Urban Musical Instruments," these are a series of landmark works in public buildings, airports, libraries, outdoor parks and plazas that combine interactive technology, architecture, light and sound.

As my work is about a synaesthetic experience, I often focus on creating a soothing sound-score for the environment at the site of the piece. These sound-scores are often composed of an ever-changing pattern of melodic instruments- marimbas, flutes and strings- mixed with environmental sounds indigenous to the area of the site. The result is a “sonic oasis” where people are immersed within this sound as they move through or relax in this space.

My work strives to develop a place of “creative rest;” this is achieved through a synthesis of colored glass, natural light shadows, interactive soothing sound-scores all combining to create an “urban oasis.” Recently, I have created permanent artworks for public spaces that use a combination of interactive electronics, colored glass and sound integrated with the steel and concrete of the building.

Structurally, my approach is often to bring the scale of the structure down to the scale of the pedestrian, making the architecture of the building or environment more accessible. My efforts are to find the “hidden music” in the existing structure to reveal in the architecture.

Trained as an architect and jazz musician, I have been designing and building permanent interactive installations for over thirty years. These are a series of landmark works in public buildings, airports, libraries, parks and plazas in the United States and Europe. My work often combines colored structural glass, aluminum, light, and where appropriate, sound and interactive elements.

With regard to the collaborative process, my training both as an architect and a musician have prepared me well for collaborative situations in both design and construction; I am interested to make the whole design greater than the sum of the individual perspectives.

Top to bottom: Circling, 2005, DFW Airport, Irving, TX; Touch My Building: DancePlace, 2015, Washington, DC; Shadow Boxing, 2007, Ft. Lauderdale, FL RESUME-Christopher Janney, 75 Kendall Road, Lexington, MA, 02421 U.S.A. Ph- (781) 862-6413 [email protected] www.janneysound.com

EDUCATION 6/78 M.S. Environmental Art/Design, Massachusetts Institute of Technology 1/74-9/74 Dalcroze School of Music, New York, N.Y., scholarship student 6/73 BA, Architecture/Visual Arts, Princeton University, 1973, magna cum laude 6/65-9/76 Private percussion/theory studies and performance, 12 years – NY, MA, DC

PROFESSIONAL EXPERIENCE 3/80- President, PhenomenArts, Inc., Environmental Arts and Design, 1/87- Artistic Director, The Institute for Performance Sculpture, Inc. Advisory Board; George Martin, Otto Piene, Martha Schwartz, Sara Rudner, Peter Sellars 1/05- 6/06 Visiting Professor, Pratt Institute, School of Architecture, Brooklyn, NY 9/91- 6/04 Visiting Professor of Architecture, The Cooper Union School, New York, NY 6/95-6/00 Council Member, CIES, Fulbright Foundation, Washington, DC 9/00-6/01 Visiting Professor- Graduate School of Design, Harvard University, Cambridge, MA 9/92-6/97 Research Affiliate, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge, MA 1/95-6/95 Visiting Professor, Rhode Island School of Design, Providence, RI 7/80-9/90 Fellow, Senior Consultant- Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge, MA 1/87-6/87 Visiting Artist, Sound/Performance, S.U.N.Y., Purchase, N.Y. 9/84-6/85 Visiting Artist, Massachusetts College of Art, Boston, MA 4/74-9/76 Technical Staff, The Plastics Factory, New York, N.Y. Clients included: Merce Cunningham Dance Company; Mimi Garrard Dance Company; Michael Graves, Architect (1972); Clement Meadmore, sculptor. 7/72-7/73 Member/Designer, Haus-Rucker-Co., Inc., New York, N.Y.

MAJOR EXHIBITIONS, INSTALLATIONS, PERFORMANCES (partial list) 2014 SONIC GATES: OK CITY- Winning Commission, Oklahoma International Airport, OK SONICSHADOW: MLK - Winning Commission, Cambridge Arts Council, MA 2013 HEARTBEAT: American Heart/DC Chapter, Building Museum, Washington, DC SOUNDSTAIR: SAN JOSE, San Jose Museum, San Jose, CA SONIC GARDEN: WITTE- Commission, WITTE Museum, San Antonio, TX SONIC FOREST/UK- Summer Tour, Glastonbury, Wireless, Electric Daisy Carnival WHAT IS A HEART?: Guild Hall, w/The Persuasions, East Hampton, NY 2012 SONIC RINGS- (Installation) UK Olympics, Bournemouth, UK w/ AUCB. SONIC FIREFLIES- (permanent installation), Revel Resort, Atlantic City, NJ BEYONCE/REVEL- (commissioned score) Opening weekend, Atlantic City, NJ LIGHT WAVES: ATLANTA, (permanent installation), Atlanta International Airport, GA SOUNDSTAIR; MASSMUTUAL, (Installation) Springfield, MA SONIC PASS: Scottsdale- (Installation) Scottsdale, AZ 2011 HARMONIC CONVERGENCE: Miami International Airport, Miami, FL SOUNDSTAIR; Children’s Hospital Boston, Boston, MA SOUNDSTAIR: MIT 150- SoundStair featured as one of 150 objects for the anniversary celebration at MIT 2010 HARMONIC FUGUE- Hendrix College, Conway, Arkansas 2009 PARKING IN COLOR-, Ft. Worth Convention Center Parking Structure, Ft. Worth, TX 2008 SONIC FOREST: ZARAGOZA- Worlds Fair, Zaragoza, Spain 2006 SONIC FOREST- US/UK TOUR- Dogwood, Knoxville, TN/ Bonnaroo, Manchester, TN,/ Hyde Park Calling, London, England/ Download, Nottingham, England/Lowlands Festival, Holland HARMONIC PASS: Denver- Southmoor Tunnel, Denver., CO VISUAL MUSIC PROJECT- Berklee College of Music, Boston, MA ARCHITECTURE OF THE AIR- Book Published by Sideshow Media LLC, New York, NY TOUCH MY BUILDING:BAC- Exhibition, Boston Architectural College, Boston, MA RAINBOW COVE GREEN and RED- Interactive, glass & sound environment, Logan Airport, Boston, MA 2005 CIRCLING- Dallas-Ft. Worth Airport, Irving, TX SONIC FOREST: Bonnaroo – (performance),Bonnaroo Music Festival, Manchester, TN DAVID’S WAY - permanent sound/light installation, Dallas, Texas Christopher Janney - Resume, page !2

2004 RESONATING FREQUENCIES, Dialogues on Architecture and Music -Creator/Curator, with DJ Spooky, Philip Glass, Thom Mayne, Laurie Anderson, Moby and Bernard Tschumi, The Great Hall, Cooper Union, NY SONIC FOREST - Union Square, New York, as part of New Sound/New York Festival HYATTSVILLE HORN SECTION - Dedication, permanent sound sculpture, Hyattsville, MD

AWARDS AND GRANTS (Partial List) Americans for the Arts Award, 2012 1st Place, Solutia World of Color International Competition, 2012 Award Of Excellence, International Parking Institute - 5/08 Meet The Composer/NYC Grant- 1/05 Marlene Nathan Meyerson Family Foundation Grant, 1/04 City of Cincinnati, “Key to the City”, 11/02 Thomas Edison Award, General Electric, 1996 Sound Designer of the Year, LDI/Theater Arts Magazine, 1995 PPG Foundation Grant, Pittsburgh, PA, 1st Prize, “Philly Sound Park” animation, American Society of Landscape Architects, 1994 Mary Flager Charitable Trust, w/S. Rudner, 1993 National Endowment for the Arts Grant, Design Category, 1991 Massachusetts Cultural Council Grant, 1991 Massachusetts Artists Foundation Fellowship, 1988 Pennsylvania State Arts Council Grant, 1987 Gyorgy Kepes Prize, M.I.T., 1986 M.I.T. Council on the Arts, 1979, 1981, 1982, 1985, 1986 N.E.A. Grant, Interarts Category, w/J. Brigham, 1984 N.E.A. Grant, Dance Category, w. S. Rudner, 1983

MAJOR INTERVIEWS AND PUBLICATIONS (Partial List) “The Airport as Museum”, Wall Street Journal, 9/13 "Conversation: Sound Artist Christopher Janney, PBS News Hour, 10/10 "Public Art: Greenways, Sonic Trees and Waterways", Art New England, C.Temin, 6/09 "Architecture of The Air", Hear and Now, NPR, 5/09 "Architecture of The Air", Alumni Profie, MIT School of Architecture & Planning 1/09 "HeartBeat", Daily Planet, Discovery Channel CANADA, 1/09 "Mr. Multimedia", MIT Review, 1/08 "Architecture of the Air: The Sound and Light Environments of Christopher Janney", Sideshow Media, 2007 "Architecture of the Air", Hear and Now, NPR, 5/07 “Hear Color, See Sound”, Metropolis Magazine 11/07 “Sculpting in Sound, Building in Harmony”, The Chronicle of Higher Education, 8/04 “Extreme Homes”, HGTV, 1/02 “Sense and Sensibilities”, Architectural Digest, 8/02 “Heartbeat”, ABC Discovery, 1/98 Architectural Record, 11/95, 5/02, 2/03, 6/04 “Public Art In Review”, Art In America, 8/02 “An Ear for Art”, CBS Sunday Morning, 10/96 “Light Waves”, cover/feature, Architectural Record, Lighting Supplement, 11/95 “The Drum of Time”-Tropicultural Prod. for PBS, Miami, FL, 6/98 CNN-12/9/93, 1/6/94 The Boston Globe, 5/78, 9/79, 10/83, 1/93, 5/98 The Washington Post, 3/36, 5/90 “Future Watch”-CNN, 8/90 National Public Radio, 3/86, 10/87, 5/80, 3/90, 4/90, 4/93, 7/95, 8/02 The New York Times, 9/86, 10/84, 7/90 NAPOLEON JONES-HENDERSON Statesboro, GA roxburyrhapsody.tumblr.com

For over three decades I have conceived and fabricated a number of large and small commissions that have enhanced the environments in which they are located. Some are in large transportation facilities, schools, board rooms, institutions and private homes. In addition to the aforementioned, I have created works that address the public landscape where people just walk about and generally get on with their daily lives.

The creation of a work that will enrich and enliven the landscape/facility should engage the community’s residents from its inception to the unveiling. They are in fact the co- collaborators of this entire enterprise. I have always engaged as many individuals as have wished to participate in the creative process of concept to fabrication. Never has there been anything except a satisfying outcome.

Usually I seek to include schools and institutions within the given community to gather and review my conceptual ideas and from that generate possibilities of further conceptual development into a final project design. This may involve short workshops or projects with schools, discussions with businesses in the area of immediate impact, churches and civic organizations.

My overarching concern is to create a work that will inspire and enliven the community landscape, open the hearts and minds of the people of that community in such a manner that they sense an ownership of the entire process and the subsequent work. Additionally, of equal concern I endeavor to embody my work with what I call “visual music”: a syncopated rhapsody of colors shapes, symbols and rhythms that stimulate the senses and illuminate its environment .

Usually I seek to include schools and institutions within the given community to gather and review my conceptual ideas and from that generate possibilities of further conceptual development into a final project design. This may involve short workshops or projects with schools, discussions with businesses in the area of immediate impact as well as churches and civic organizations. Especially important is collaborations with architects, engineers and contractors attached to the project.

Top to bottom: Procession of the Ancients, 1997, Providence, RI; Dialogia Series, 1987, Boston, MA: Roxbury Rhapsody, 2015, Boston, MA Napoleon Jones-Henderson BENNU ARTS, LLC 609 N. Kevin Court Statesboro, GA 30461 617-989-1191 (studio) 803-348-8746 (cell) [email protected]

Education: 2005 Maryland Institute College of Art, Master of Fine Arts Degree, Baltimore, MD 1974 Northern Illinois University, Master of Arts; Candidate, DeKalb, IL. 1971 Art Institute of Chicago, Bachelor of Fine Arts Degree, Chicago, IL. 1963 The Sorbonne, Student Continuum, Student and Artist Center, Paris, France 1963 Continuous Independent Study, research, writing, curating, and collecting of art

Awards: 2015 Brother Thomas Fellowship; Boston Foundation-Pucker Gallery, Boston, MA 2011 Elmcrest School workshop, Syracuse, NY 2007-8 Ford Foundation: Artist in Residence Fellow, CFAC, Syracuse University, Syracuse, NY 2007 Tougaloo Art Colony, Artist in Resident, Tougaloo College, Tougaloo, MS 2005 Walters Art Museum, Merit of Honor Award, Baltimore, MD 2005 Artist in Residence, McDonogh School, Owings Mills, MD 2005 Artist in residence in Print Making, Towson University, Baltimore, MD 2005 Artist workshop City Springs Elementary School, Baltimore, MD 2005 Walters Art Museum, Traveling Fellowship Award, Honorable mention, Baltimore, MD 2005 Official Citation, The Senate of Maryland, Senator Verna L. Jones 2005 Certificate of Recognition, Maryland Institute College of Art 2004 Artist workshop Diggs Johnson YMCA After School Program, Baltimore, MD 1999 Mayor of Boston, “Award of Recognition for Outdoor Sculpture Exhibit” 1999 Tri-Ad Veterans League, inc. “Award for Cultural Contributions” 1999 Massachusetts State Senate, “Omical Citation for Cultural Excellence”

Commissions: Boston Arts Commission, Bruce C. Bolloing Municipal Building, Roxbury, MA ($ 90,000) CFAC, Syracuse Uni. Dept of African American Studies, Syracuse, NY: 2009 ($ 5,000) DC Commission on the Arts, Finalist Anacostia Public Art Commission, Washington, DC 2006 McDonogh School, Owings Mills, MD: 2005 ($ 10,000) Sarasota Library Finalist Public Art Commission, Sarasota, FL. 2005 ($ 55,000) Dining Table with Enamel insets, Private, Jamaica Plain, MA: 2000 ($ 55,000) O’Donnell School, Boston Public Schools, East Boston, MA: 1996 ($ 12,000) Rode Island Convention Center Authority, Providence, R. I.: 1996 ($ 55,000) Tapestry Scenery for Play "African Tapestry" Boston, MA: 1994 (Pro Bono) Mather School, Boston Public Schools, Dorchester, MA: 1991 ($ 5,000) Dimock Community Health Center, Roxbury, MA: 1991 ($ 5,000) Massachusetts Port Authority, Black Falcon Cruise Terminal, Boston, 1989 ($ 57,000) Happy Hollow School, Wayland, MA: 1987 ($ 5,000) New England Life Insurance Co., Boston, MA.: 1987 ($ 5,000) Roxbury Community College, Mass. Per Cent for the Arts, Roxbury, MA: 1986 ($ 35,000) Hartsfield International Airport, Department of Cultural Affairs, Atlanta, GA.: 1982 ($ 25,000) Columbia Council, Palmetto Tree Project, Columbia, SC. 1999 ($ 2,000) City of Boston, Parks and Recreation Department, "Living Room Project" and First Night at Boston City Hall Plaza, Boston Commons & Mattapan, MA. 1999 – 2000 ($ 5,000)

Publications: Drum Magazine, University. of Massachusetts, Amherst, MA 250 Years of Afro-American Presence in Massachusetts 250 Years of Afro-American Art, Linn Lgoe Fiber Arts Magazine Black Arts: Ancestral Legacy, Regina Perry, author Uncommon Beauty in Common Objects, National Afro-American Museum, Wilberforce, OH. Art African American, Dr. Semella Lewis, author Weavers Study Guide, Else Regenstiner, author Celebrating African Identity, Politics and Icons of Representation, National Council on Education for the Ceramic Art The Flying Needle, Council of American Embroiders Elements of African Religion that allow for the Transplant of Islam, Napoleon Jones-Henderson National Black Arts Catalog, 1996 National Juried Exhibition Trans-African Artists Exhibition Catalog, Art Atrium II Gallery Jazz..."a Montage of a Dream”, American Jazz Museum, Dr. Semella Lewis, author International Review of African American Art, Hampton University Celebrating African Identity: Politics and Icons of Representation, Nikiru Nzegwu, author Volatile Alliances, Africus Johannesburg Biennale 1995, South Africa New Art Examiner, 1994 AFRICOBRA: The First Twenty Years, Nexus Contemporary Art Center, Atlanta, GA.1990

Representative Exhibitions: AfriCOBFRA: Now-Works on Paper; HEARNE Fine Art Gllery, Little Rock, AK 2016 Roxbury Community College; Violenec Transformed 2015-2016 Harvey V, Gantt Center, AfriCOBRA Now: An Aesthetic Reflection, Charlotte, NC 2015 Violence Transformed. RCC Gallery, Roxbury, MA 2015 Community Folk Arts Center, “AfriCOBRA; Liberated Images” Syracuse University, Syracuse, NY 2008 David Lusenhop Gallery, NY NBFA NYC, NY 2008 King Arts Complex, “Living Legends”, Columbus, OH 2007 Hampton University Museum: AfriCOBRA: Revolutionary Images” Hampton Uni.: Hampton, VA 2007 Community Folk Arts Center, Syracuse University, Syracuse, NY 2006 Museum of Afro-American Art and Culture, Philadelphia, PA 2006 Rhode Island College, Providence, RI 2006 Mainstreets Columbia, Columbia, SC 2006 Everlasting Creations Salon, Baltimore, MD 2005 Maryland Federation of Artists, Baltimore, MD 2005 Anacostia Museum and Center, Washington DC 2005 McDonogh School, Owings Mills, MD; 2005 Thesis Exhibition, Maryland Institute College of Art, Baltimore, MD.: 2005 Loyola College, Baltimore, MD 2005 Maryland Federation of Artists, Baltimore, MD 2004 Kuumba Fine Arts Gallery, Shreveport, LA 2004 Thomas & Hall Gallery, Dallas, TX. 2002 South Dallas Cultural Center, Dallas, TX. 2002-03 Bass Museum of Art, Miami, Fl. 2002 Wright Mus. Of African Amer. Hist., Detroit, Mi. 2001 Herbert F. Johnson Museum of Art, "Blackness in Color: Expressions of the Black Arts Movement" Cornell University, Ithaca, NY. 2000 William Mallory Sr. Gallery: Art Consortium's African American Museum Cincinnati, OH. 2000 Jubilation; Celebrating African Textile Traditions, “Convergence 2000”, Cincinnati, S. C. Arts Commission, Governor's Awards for the Arts Exhibition, Columbia, SC. 2000

http://roxburyrhapsody.tumblr.com/

References: available upon request

NJH 2-7-2016 ANNE MARIE KARLSEN Los Angeles, CA annemariekarlsen.com

Since 1992 I have successfully completed twenty-seven public art commissions in various locations around the United States. The budgets have ranged from $10,000 up to $275,000. I have worked variously as a solo lead artist, design team lead artist, and a public art consultant.

My images invite the use of imagination in the viewer. I am interested in the notion that my work can flip flop between abstraction at a distance, and representation when seen up close. Each viewer is able to discover different “reads” of the image from different vantage points.

I am fascinated by the interrelationships between science, music, art, architecture, history and natural phenomenon. In each discipline, certain forms, symmetries, patterns and structures clearly evidence a connectivity and interrelationship. This is apparent throughout the natural world, both visible and invisible.

My artistic style is well suited for both pedestrian and distance viewing, and is metamorphic by nature. It is adaptable to various site-specific concerns including interior / exterior locations, and includes both two and three- dimensional work. I undertake various types of site specific research, often engaging local community resources to develop a relevant and resonant body of visuals. My completed commissions demonstrate fluidity in a wide range of materials and methods. These include a variety of ceramic processes, glass and stone mosaic, handmade float glass, baked porcelain enamel and etched metals.

I am organized, responsible and experienced with collaborative situations. I believe I have the unique combination of qualifications, experience, and enthusiasm required for successful completion of public artwork.

As the lead artist on a design team, I have successfully collaborated with many national recognized architectural firms, developers, arts commissions, art consultants, engineers, contractors, city planning commissions, lighting designers, city attorneys, subcontractors and fabricators. I am fully aware of the complexity of this type of collaboration, and feel I have significant experience in this area.

Top to bottom: Subdivisions, 2008, Lawndale, CA; Six Elevator Doors, 2002, Sacramento, CA; Wheels, 2010, Santa Monica, CA ANNE MARIE KARLSEN 8000 vicksburg avenue, los angeles, california, 90045 [email protected] • www.annemariekarlsen.com •FLIPWERKS•ph: 310.670.1776 • fx:310.670.1786 • m:310.592.8459

EDUCATION TEACHING POSITIONS M. F. A. University of Wisconsin – Madison 1986 - Present Santa Monica College M. A. University of Wisconsin – Madison 1989 - 1998 University of California at Los Angeles B. F. A. Michigan State University 1979 - 1985 University of California at Los Angeles PUBLIC ART COMMISSIONS 2016 HARMONY OF THE SEAS, Royal Caribbean Cruise Lines, ICArt, Mariangela Capuzzo Art Consultant, Miami, FL $83,000 2013 SOUTH LOS ANGELES ANIMAL SERVICES, CHESTERFIELD SQUARE, Cultural Affairs Department, Los Angeles, CA $130,000 2012 CASE RESIDENCE HALL / MICHIGAN STATE UNIVERSITY, Michigan State Public Arts Committee $90,000 METRO ORANGE LINE EXTENSION / NORDHOFF STATION, Los Angeles Metropolitan Transit Authority / Metro Art Design Only $16,000 LONG BEACH TRANSIT BUS STOP SHELTER, Department of Cultural Affairs, Long Beach California, $40,000 2011 TWENTY-NINTH STREET CROSSINGS COMMUNITY CENTER, Los Angeles County Redevelopment Agency, Los Angeles, CA $100,000 2010 SANTA MONICA PLACE, Santa Monica Arts Commission, Santa Monica, CA $125,000 ALLURE OF THE SEAS, Royal Caribbean Cruise Lines, ICArt, Mariangela Capuzzo Art Consultant, Miami, FL $100,000 ACTON / AGUA DULCE PUBLIC LIBRARY, Los Angeles County Arts Commission, Agua Dulce, CA $68,000 2009 OASIS OF THE SEAS, Royal Caribbean Cruise Lines, ICArt, Mariangela Capuzzo Art Consultant, Miami, FL $100,000 LOS ANGELES COUNTY LIBRARY, PLAYA VISTA BRANCH, Department of Cultural Affairs, Los Angeles, CA $35,000 LOS ANGELES CITY FIRE DEPARTMENT, WOODLAND HILLS STATION, Department of Cultural Affairs, Los Angeles, CA $43,000 PAVILIONS MARKET, West Hollywood Arts Commission, West Hollywood, CA $110,000 EAST VALLEY HEALTH CENTER, West Covina, CA, Beatrix Barker Arts Consultant $45,000 2008 LAWNDALE PUBLIC LIBRARY, Los Angeles County Arts Commission, Lawndale, CA $71,000 RAYMOND RENAISSANCE, Pasadena Arts Commission, Pasadena, CA $58,000 2006 CHICAGO TRANSIT AUTHORITY, KEDZIE BROWN LINE STATION, Chicago, IL $78,000 FBI HEADQUARTERS, 2111 Roosevelt Building, 1% for the Arts, Chicago, IL. Dirk Lohan / Lohan Anderson Architects, Erica Behrens Art Consultant $130,000 CITY OF BURBANK, 1% for the Arts, Burbank / Lance Residential Development, Burbank, CA $50,000 2801 PALM CANYON, PALM CANYON TOWNHOMES, 1% for the Arts, Palm Springs, CA Jay Reynolds / OJMR Architects, $10,000 2004 CITY OF LONG BEACH / Department of Public Works, Commissioned to develop the Public Art Program for the Redevelopment of Ocean Avenue, Long Beach, CA, Patricia Smith, Landscape Architect 2003 CASA BLANCA FAMILY LEARNING CENTER, City of Riverside, Riverside, CA $90,000 SUN VALLEY PUBLIC LIBRARY, Cultural Affairs Department, Los Angeles, CA $20,000 2002 AMGEN CORPORATION, Thousand Oaks, CA, Tamara Thomas, Art Consultant $15,000 prints CALIFORNIA STATE CAPITAL / EAST END EDUCATION COMPLEX, Sacramento, CA, Tamara Thomas, Art Consultant $18,000 design only PASEO COLORADO DEVELOPMENT, Pasadena Arts Commission, Pasadena, CA, Tamara Thomas, Art Consultant $180,000 TRAILSIDE ELEMENTARY SCHOOL, Municipality of Anchorage, Museum of Art and History, Anchorage, AK. $90,000 2001 NORTH HOLLYWOOD RED LINE SUBWAY STATION, Metropolitan Transportation Authority, Los Angeles, CA. $250,000 1999 CITY OF WEST HOLLYWOOD, Commissioned to develop and write the Public Art Program for the Redevelopment of Santa Monica Blvd. PLAYA PACIFIC DEVELOPMENT, Culver City Redevelopment Agency , Culver City, CA. $275,000 PUBLIC ARTS HONORS 2011 Americans for the Arts: Public Arts Network: Best Public Art of 2011, Santa Monica Place Parking Structure 2009 Americans for the Arts: Public Arts Network: Best Public Art of 2009, Lawndale Public Library 2009 Mark Ridley Thomas, County of Los Angeles Board of Supervisors Commendation for Award Winning Artwork 2001 Art in America: Best Public Art of 2001, North Hollywood Red Line Subway Station 1999 Westside Design Forum Award, Santa Monica Boulevard Redevelopment Project FELLOWSHIPS 2010 INTERNATIONAL FELLOWSHIP / SCHOLAR IN RESIDENCE, Kunstlerhaus, Stadt Salzburg, Salzburg, Austria. 2007-10 SAM FRANCIS / MARTIN SOSIN CHAIR OF EXCELLENCE, Santa Monica College Department of Art, Santa Monica, California 2006 INTERNATIONAL FELLOWSHIP / ARTIST IN RESIDENCE, Kunstlerhaus, Stadt Salzburg, Salzburg, Austria. 2005 INTERNATIONAL FELLOWSHIP / ARTIST IN RESIDENCE, Kunstlerhaus, Stadt Salzburg, Salzburg, Austria. 2005 FELLOWSHIP / ARTIST IN RESIDENCE, Virginia Center for the Creative Arts, Sweet Briar, Virginia. 1996 SCHOLAR IN RESIDENCE Grant, Elaine and Albert Borchard Foundation, Chateau de la Bretesche, Brittany, France. SOLO EXHIBITIONS 2010 “New Work” Anne Marie Karlsen, Gammelbrygge, Senjafestivalen, Gryllefjord, NORWAY 2007 “New Work” Anne Marie Karlsen, DRESCHER PHOTO GALLERY, Santa Monica, California 2001 “New Work” Anne Marie Karlsen, PETE AND SUSAN BARRETT GALLERY, Santa Monica, California 1994 EXECUTIVE LIFE BUILDING, Curated by Donna Stein, Los Angeles, California 1982-9 NEWSPACE, Los Angeles, California TWO / THREE PERSON EXHIBITIONS 2002 “Cut and Paste” , PIERCE COLLEGE GALLERY, Los Angeles, California 2001 “Combination & Mutation”, Susan Silton and Anne Marie Karlsen, PASADENA COLLEGE ART GALLERY, Pasadena, California. 1995 “In Whack”, Curated by Noel Korten, BARNSDALL MUNICIPAL ART GALLERY, Los Angeles, California GROUP EXHIBITIONS 2012 “Translations / Artists of the Metro Orange Line” The Art Gallery, Los Angeles Valley College, Valley Glen, CA 2006 “New Acquisitions,” MULVANE MUSEUM OF ART, Topeka, Kansas KARLSEN/2 2006 “Joni Gordon, 33 Years at Newspace, 1973-2006: ‘Good to Go,’” NEWSPACE, Los Angeles, California 2004 “New Faculty Work”, PETE AND SUSAN BARRETT GALLERY, Santa Monica, California 2003 “New Faculty Work”, PETE AND SUSAN BARRETT GALLERY, Santa Monica, California 2000-2002 “Group Exhibition,” PETE AND SUSAN BARRETT GALLERY, Santa Monica, California 2000 “Santa Monica College Printmakers,” MODERN ART GALLERY, Santa Monica, California 1998 “Trends in Printmaking,” CREATIVE ARTS CENTER GALLERY, Burbank, California 1997 “Muse [x] Editions,” SANTA MONICA MUSEUM OF ART, Santa Monica, California “Southern California Perspectives in Prints / Pressing Engagements,”L.A. HARBOR COLLEGE FINE ARTS GALLERY, Wilmington, California “Los Angeles Printmaking Society 15th National Exhibition”, LABAND ART GALLERY, Loyola Marymount University, Los Angeles, California. Curated by Gordon L. Fuglie 1996 “L. A. Current: The Female Perspective”, ARMAND HAMMER MUSEUM OF ART, Los Angeles, California “Thought Works @ L.A.”, ART CENTER OF BATTLE CREEK, Battle Creek, Michigan “Aftershocks”, ARTWORKS, BERGAMOT STATION, Santa Monica, California 1995 “L.A. Current: Works On Paper”, ARMAND HAMMER MUSEUM OF ART, Los Angeles, California “Los Angeles Printmaking Society 13th National Exhibition”,LABAND ART GALLERY, Loyola Marymount University, Los Angeles, California. Curated by Elizabeth A.T. Smith “Jonathan Borofsky, Anne Marie Karlsen, Robbie Conal, Barbara Kasten: Seurat Grows Up - Computer Generated Paintings,” MAINE COAST ARTISTS, Rockport, Maine. 1994 “Contemporary and Beyond”, ARMAND HAMMER MUSEUM, Los Angeles, California PERMANENT COLLECTIONS KULTURVERWALTUNG STADT SALZBURG, Salzburg, Austria THE BROOKLYN MUSEUM, New York, New York MUSEUM OF FINE ARTS, Boston, Massachusetts FOGG ART MUSEUM, Harvard University, Cambridge, Massachusetts MILWAUKEE MUSEUM OF ART, Milwaukee, Wisconsin ELVEHJEM MUSEUM OF ART, Madison Wisconsin CARNEGIE INSTITUTE MUSEUM OF ART, Pittsburg, Pennsylvania J. PATRICK LANNON FOUNDATION, Palm Beach, Florida CITY OF SANTA MONICA ART BANK, CITY HALL, Santa Monica, California THE MCCORY CORPORATION, New York, New York RALEIGH ENTERPRISES, Los Angeles, California JAMES LODGE AND ASSOCIATES, Irvine California CALIFORNIA STATE UNIVERSITY, Long Beach, California VISUAL ARTS CENTER, Anchorage, Alaska MINT MUSEUM, Charlotte, North Carolina TEXAS TECH UNIVERSITY, Lubbock, Texas UNIVERSITY OF SOUTH DAKOTA, Vermillion, South Dakota ILLINOIS STATE UNIVERSITY, Normal, Illinois UNIVERSITY OF WISCONSIN, Madison, Wisconsin KANKAKEE COMMUNITY COLLEGE, Kankakee, Illinois UNIVERSITY OF WISCONSIN MEMORIAL UNION COLLECTION,Madison, Wisconsin GRUNWALD CENTER FOR THE GRAPHIC ARTS, UCLA / ARMAND HAMMER MUSEUM, Los Angeles, California

CATALOGS, BOOK & PORTFOLIO PUBLICATIONS 2013 “Red Cedar Reflections” MUSES: A MAGAZINE OF THE COLLEGE OF LETTERS AND ARTS AT MICHIGAN STATE UNIVERSITY ARCHITECTURE, GLASS, ART: FRANZ MAYER OF MUNICH, MAYERISCHE HOFKUNSTANSTALT, edited by Gabriel Mayer. 2010 “Jump on the Horse and Ride: Exploring the Art in Public Spaces of CAL Alumna Anne Marie Karlsen,” MUSES: A MAGAZINE OF THE COLLEGE OF LETTERS AND ARTS AT MICHIGAN STATE UNIVERSITY 2003 CAPITOL EAST END COMPLEX / STATE PUBLIC ART PROGRAM CATALOG, INTERACTIVE DVD INTERVIEW, Suzanne Muchnic. Beverly Voran, METROPOLITAN TRANSIT AUTHORITY BROCHURE, Beverly Voran 2000 15th NATIONAL BIENNIAL EXHIBITION OF THE LOS ANGELES PRINTMAKING SOCIETY EXHIBITION CATALOG 1999 PROGRESSIVE PRINTMAKERS: WISCONSIN ARTISTS AND THE PRINT RENAISSANCE, Author: Warrington Colescott. 1998 ART OF THE X FILES. A full color book featuring the artwork of sixty Los Angeles and New York artists. 1997 MUSE X EDITIONS, A suite of four iris jet prints in editions of thirty five. Curated by Irit Krygler. THOUGHT WORKS @ LA / IMAGES FROM THE AFTERSHOCKS PORTFOLIO EXHIBITION CATALOG, Jeanne S.M. Wilette 1996 LOS ANGELES PRINTMAKING SOCIETY 13TH NATIONAL EXHIBITION CATALOG, Elizabeth A.T. Smith 1995 AFTERSHOCKS: JOSEPHINE PRESS / CHRISTOPHER JOHN GALLERY, Santa Monica, California. IN WHACK EXHIBITION CATALOG, Noel Korten CONTEMPORARY COLLAGE: EXTENSIONS, EXHIBITION CATALOG, Mindy Lorenz

REVIEWS AND PUBLICATIONS Aug. 7, 2010 “Hvofor Senjafestivalen, Lars Torbjørn Stenholdt?” Birger Caspersen, FOLKBLADET, Tromso, Norway Aug. 6, 2010 “Åpning av Senjafestivalen,” Ronny Trœlvik, FOLKBLADET Tromso, Norway (photo) Aug. 5, 2010 “Kunstutstilling i Gryllefjord,” Ronny Trœlvik, FOLKBLADET Tromso, Norway (photos) May 7, 2010 “Kunstenerelite til Senjafestivalen,” Reidar Ingebrigtsen, FOLKBLADET Tromso, Norway (photo) Feb. 22, 2010 “2010 Reception for the Arts Invitation” WEST HOLLYWOOD CITY COUNCIL/ARTS AND CULTURAL AFFAIRS (photo) Dec. 2009 “The Constant Library,” Bette-Lee Fox, LIBRARY JOURNAL (photo) Nov. 30, 2009 “Birds and Planes Mix it Up in Karlsen’s Library Windows,” Suzanne Muchnic, LOS ANGELES TIMES CULTURE MONSTER, http://latimesblogs.latimes.com/culturemonster/2009/11/anne-marie-karlsen-at-playa-vista-library.html Nov. 19 2009 “Reception for Artist Anne Marie Karlsen at Playa Vista Branch Library November 21st,” THE ARGONAUT Aug. 7, 2009 “Completed Projects,” PASADENA CULTURAL AFFAIRS DIVISION ww2.cityofpasadena.net/arts/public_art_program.asp - July 10, 2009 “Americans for the Arts Recognizes Glass Artist Anne Marie Karlsen’s Creation,” DECORATIVE GLASS MAGAZINE (photo) July 10, 2009 “Library’s Glass Wall is like a History Book,” Melissa Hecksher, THE DAILY BREEZE (photos) June 23, 2009 “SoCal Public Art Projects Shine in National Awards,” Suzanne Muchnic, LOS ANGELES TIMES (photo) June 20, 2009 “America’s Best Public Arts Projects,” AMERICANS FOR THE ARTS, http://ww3.artsusa.org/news/afta_news/2009.asp April 2009 “Westchester Resident Creates Glass Wall for Lawndale Library.” HOMETOWN NEWS (photos) Sept. 13, 2006 “FBI Dedicates 10-Story HQ on Westside,” Jeff Coen, CHICAGO TRIBUNE (photo) Sept. 13, 2006 “FBI Dedicates New Outpost on Westside,” Natasha Korecki, CHICAGO SUN TIMES June 2001 “Best Public Art of 2001” ART IN AMERICA LARRY KIRKLAND Washington, D.C. larrykirkland.com

I believe that carefully conceived public art installations and environments can begin to make places of meaning within a community. Art can celebrate the qualities that make one place different from another. It can honor a past event or person that has particular meaning to a community. The best of public art can challenge, delight, educate and illuminate. And most of all it creates a sense of civic ownership in the space. Pride of place means we build for the future.

Each public art opportunity begins by listening. Through individuals and focus groups I gain an understanding of the challenges and goals of a community. This process allows us to explore the history and culture of a community and the current focus of their research. Research further expands my knowledge. I engage in a concurrent analysis of potential opportunities within the facility design and construction. In the past, given a cooperative design and construction team, I have found opportunities to stretch our art budget by adding aesthetic value to existing materials in the construction budget or by manipulating forms and materials within the design.

From past experience I know that a careful analysis of a building design, an understanding of how the facility will be used, prediction of future growth and change, and a realistic budget projection, all contribute to the final decision for where art can be most effective in enhancing the building for those who use it.

My material explorations have expanded as my practice has. My first public works were made of textile, expanding into woven metals and over the years engaged with carved and engraved stone, glass, bronze and steel. My background is in craft and design so my work strives to be well made, well thought out and integrated into a place.

I collaborate with writers, poets, engineers, lighting and water designers, historians and artisans skilled in a particular craft to realize the ideas and concepts for a permanent art install

Top to bottom: El Intercambio, 2008, El Paso, TX; Around About Aerial, 2010, Pasadena, CA; Steps, 2010, Bethlehem, PA LARRY KIRKLAND STUDIO

5721 UTAH AVENUE, NW WASHINGTON, DC 20015 P: (202)244-8489 F: (202)244-1705 E: [email protected]

BORN: 1950 Port Hueneme, California

EDUCATION: 1974 M.F.A., Design, University of Kansas, Honors 1972 B.S., Environmental Design, Oregon State University, Honors

PROFESSIONAL: 2006-13 Council Member Public Art Network of Americans for the Arts 1998-2014 Peer Review Member for Design Excellence, U.S. General Services Administration 2003 Panelist, Americans for the Arts Conference, Portland, Oregon 1996 Speaker, Public Art Conference, Scottsdale, Arizona 1995 Design Team, New Jersey Transit, Hudson-Bergen Line Master Plan 1994 Keynote Speaker, Southeastern Sculptors Conference 1993 Community Arts Panel, Federal Courthouse, Portland, Oregon 1992 Visual Arts Advisory, Western States Arts Federation 1984-93 Advisor, Board of Directors, Oregon School of Arts and Crafts, Portland, Oregon 1987-91 Co-Founder, ART/AIDS, Long Term Care Funding Organization, for those with HIV Juror, Oregon Convention Center, Percent for Art Program Juror, American Institute of Architects Design Excellence, Oregon 1988 Juror, Louisiana Council on the Arts, Visual Arts Fellowships 1974-76 Associate Professor, Department of Art, Oregon State University 1972-74 Lecturer, University of Kansas, Department of Design

AWARDS: 1996 Distinguished Alumni Fellowship, Oregon State University 1989 Alumni in Residence, College of Liberal Arts, Oregon State University 1982 Fellowship, National Endowment for the Arts

COLLABORATIONS: 20014 Plaza design National Center for Civil and Human Rights with Fluidity Design 2005-13 Disabled Veterans Memorial, Washington D.C. with Michael Vergason

2004 Denver Children’s Hospital, Colorado with Zimmer Gunsul Frasca Partnership 2002 World War II Memorial, Pittsburgh, PA, with Design Workshop 2000 Denver Civic Center Office Complex, Colorado, with David Owens Tryba Architects, and artists Robert Murase and Donald Lipski 1999 National Institutes of Health Clinical Center, Bethesda, MD with Zimmer Gunsul Frasca Architects National Academy of Science, Washington, D.C. with The Smith Group Architects and Don Merkt, Artist American Red Cross, Washington, D.C. with Shalom Baranes, Associates, Architects 1999 College of Science, Rochester Institute of Technology, with Bohlin, Cywinsky Jackson Architects Baptist / Nemours Children’s Hospital, Jacksonville, Florida, with artist Christine Bourdette 1996 Portland State University, Urban Center Project, Portland, Oregon Thomas Hacker Associates, Walker / Macy Associates California Museum of Science and Technology, Zimmer Gunsul Frasca Partners, Architects 1995 New Jersey Transit, Hudson-Bergen Line, Master Plan, Parsons-Brinkerhoff 1993 Rancho Santa Margarita, California, Town Center and Urban Park Walker / Macy 1989-93 Great West Life Center, Denver, Colorado, Civitas The Story Garden, Waterfront Park, Portland, Oregon, Walker/Macy

COMMISSIONS: 2015 National Center for Civil and Human Rights, Atlanta, Georgia 2014 American Veterans Disabled for Life Memorial, Washington DC Association of American Medical Colleges, Washington DC San Carlos Medical Center, California 2013 Sunnyvale Medical Center, Palo Alto Medical Foundation Southwestern Pennsylvania World War II Memorial 2012 Student Center, The Richard Stockton College of New Jersey Providence Children’s Hospital, Portland, Oregon 2011 Federal Courthouse, Las Cruzes, New Mexico Westgate Community Park, Pasadena, CA 2010 Science Building, Richland Community College, Dallas, Texas Kierland Crossing, Scottsdale, Arizona STEPS, Lehigh University, Bethlehem, PA 2009 Children’s Garden, Brookville Academy at Cranbrook, Birmingham Hills, Michigan with Walker/Macy Landscape Architects 2008 Paul Foster School of Medicine, Texas Tech University, El Paso College of BioMedical Engineering, University of Texas, Austin Frisco Soccer Park, Frisco, Texas 2007 Town of Chapel Hill, Town Operations Center and Transit Headquarters Children’s Hospital, Denver, Colorado 2006 College of Science, Phase 2, Winona State University 2005 Children’s Library and Theater, Charlotte, North Carolina Main Library, Jacksonville, Florida 2004 College of Science, Winona State University, Minnesota Texas Tech University, Lubbock, Texas 2003 American Red Cross National Headquarters, Washington D.C. The Community College of Philadelphia, Pennsylvania Washington D.C. Convention Center Rowan University, College of Engineering, Glassboro, New Jersey 2002 National Research Council of the National Academies of Science Washington, D.C. Pennsylvania Station, New York City, New Jersey Transit Denver Civic Center Office Building, Colorado The World, ResidenSea The Gordon and Betty Moore Foundation, San Francisco, California 2001 Portland International Airport, Oregon Civil Rights Garden, Atlantic City, New Jersey 1999 United States Federal Courthouse, Sacramento, California 1998 Baptist / Nemours Children’s Hospital, Jacksonville, Florida Hong Kong Station, Mass Transit Railway (MTR, Hong Kong) Life Technologies, Rockville, Maryland California Science Center, Los Angeles, California Rochester Institute of Technology, New York Iwate University, Marioka, Japan 1997 Celebrity Cruise Lines, Papenburg, Germany Multnomah County Central Library, Portland, Oregon Royal Caribbean Cruise Lines, Saint Nazaire, France 1996 Internal Revenue Service, New Carrollton, Maryland Bellevue Public Library, Washington 1995 Bausch and Lomb Headquarters, Rochester, New York Kansai Aeroplaza, Kansai Airport, Japan Scottsdale Public Library, Arizona Human Services Department, Santa Cruz, California Mira Mesa Library, San Diego, California 1994 Rutgers University, Camden, New Jersey United Parcel Service, Atlanta, Georgia 1993 Great West Life Center, Denver, Colorado Waterfront Park, Portland, Oregon Physicians Pavilion, Oregon Health Sciences University, Portland Page 2 of 3