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April 2017 Introduction

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April 2017 Introduction April 2017 Introduction The Regional Arts & Culture Council (RACC) established the Design Team Roster as an on-line resource that can be used by anyone seeking an artist for a project – community groups, business or property owners, schools, architecture firms, private developers or other public art programs. The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. The intent of the roster is to provide users a range of artistic styles from which to select an artist that fits the needs of a particular project -- creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. These artist have demonstrated skills, experience and interest in commissioned projects. As you review this roster, please read the artists’ statement and view details of up to three past projects to get a feel for their work. You are strongly encouraged to visit the artists’ websites and social media outlets to further explore their practice. Please note that there are two different PDF versions you can view/download with the larger PDF containing artists’ resumes. Questions? Contact Public Art Managers: Kristin Calhoun [email protected] | 503.823.5101 Peggy Kendellen [email protected] | 503.823.4196 Cover artists clockwise from upper left: Anne Marie Karlsen, Lawndale, CA, 2008; Adam Kuby, Aberdeen, WA, 2013; Norie Sato, San Francisco, CA, 2011; Napoleon Jones-Henderson, Bruce C. Boiling Municipal Building, Boston, 2015 MARYJO ANDERSON Nehalem, OR mjandersonsculpture.com I am interested in spatial relationships, materials and human interactions within public spaces. I am interested in producing work that has energy, meaning, metaphor and multiple layers of understanding. The collaborative lends itself to work that has sincerity and integrity. I believe art should not mimic architecture but enhance architecture, that public art need not please everyone but rather respect the diversity of a community. Although primarily a stone sculptor, I have spent many years working with other art forms and materials such as bronze, cast iron and temporal installations. I believe in making art that provides access and insight into the human experience - artwork that elicits personal emotion while at the same time speaks to a public audience. Since 2003 I have been exploring the role of smaller more intimate presentations of art in the public arena, a result of my continuing research of niches in public spaces in Italy. I have experience working with landscape architects, architects and committees on designs for urban space Top to bottom: To Scale the Scales of Justice, 2010, Salem, OR; Eyrie, 2013; La Grazia, 2011 M.J. ANDERSON – SCULPTOR PO BOX 400, NEHALEM,OR 97131 Tel 503-801-1928 Email: [email protected] WEBSITE: www.mjandersonsculpture.com BORN Portland, Oregon 1953 EDUCATION Portland State University, B.A. with Honors 1977 SELECTED COMMISSIONS 2015 Jeff & Lara Sanderson, Private Residence 2010-2011 Noosa Botanic Gardens Stone Sculpture Bequest, Queensland, Australia 2009-2010 Justice Center, Oregon Arts Commission Percent for Art, Salem, OR 2006 Wellspring Medical Center, Silverton Hospital, Woodburn, OR 2004-2005 Church of the Resurrection, Solon, Ohio “Witness: Women of the Resurrection” 2005 Invited Artist, International Sculpture Symposium, Maroochy Regional Bushland Botanic Garden, Queensland, Australia Sept23 - Oct 9 2000 Seattle University School of Law, Sculpture Commission for the Law Library 1998/1999 Regional Children’s Center, Outdoor Sculpture Elements, RACC, Troutdale OR 1994 Commission of Altar Panels, St. James Cathedral, Seattle, WA 1994 Consultant to St. James Cathedral & Bumgardner Architects for a marble immersion baptismal font, font restoration and flooring, Seattle, WA AWARDS 2011 Career Opportunity Grant from the Oregon Arts Commission and The Ford Family Foundation Jordan Schnitzer Printmaking Residency, Sitka Center for Art & Ecology 2007 All Oregon Art Annual, Oregon State Fair, Second Award Professional 2006 Individual Artist Fellowship Award from the Oregon Arts Commission 2003 Two month Fellowship Award in Civita di Bagnoregio, Italy through NIAUSI --- the Northwest Institute of Architecture & Urban Studies in Italy 1993 Pollock-Krasner Foundation Grant & “Money for Women” Barbara Deming Memorial Fund SELECTED SOLO EXHIBITIONS 2015 Elizabeth Leach Gallery, Acqua Pietricata, Portland, OR 2013 Davidson Galleries, Ancient Atmosphere, Seattle, WA 2012 Rowboat Gallery, Recent work, Pacific City, OR 2011 Ut Sculptura Poesi, Torano, Italy 2012 Figurative, Davis and Cline Gallery, Ashland, OR 2009 Davidson Galleries, The Probability of Resemblance, Seattle, WA Summer 2009 2007, 2005 Davidson Galleries, Seeking Equilibrium & Recent Sculpture Seattle, WA 2005, 2003 Alysia Duckler Gallery, Geology of Gender, Duet Between Figure & Form Portland, OR 2003 Northwest Museum of Art, Five Part Invention, La Conner, WA The Art Gym, Marylhurst University, The Skin of the Stone, Marylhurst, OR 2002 Froelick Adelhart Gallery, Passion & Penance, Portland, OR SELECTED GROUP EXHIBITIONS 2013-2017 McMinnville Oregon, Art Downtown, Outdoor Sculpture. 2014-2016 Arts Downtown, outdoor sculpture exhibit, Lake Oswego, Oregon (& 2005, 2001) 2016, 2012 Clackamas Community College Sculpture Invitational, Oregon City, OR 2012 Stone Sculpture, Lane Community College, Eugene, OR 2011 Velocity, Museum of Northwest Art, Summer Group Exhibition Il Linguaggio della Materia, Carrara Marble Week, Carrara, Italy Life Still Life, show with painter John VanDreal, Cannon Gallery of Art, Western Oregon University, Monmouth, Or 2004 Survey in Stone, Portland Community College, ( Sylvan campus), Portland, OR 2000 Millennium show, Olga Dollar Gallery, San Francisco, CA 1999 Frauensicht:Mannsbilder, Babenhausen, Darmstaadt, Germany TEACHING 2016 Northwest Stone Sculptors Summer Symposium, Suttle Lake, OR 2015,2012,2005 Northwest Stone Sculptors Summer Symposium, Camp Brotherhood, WA 2003-2005 Marylhurst University, Art Faculty, Sculpture and 3-D Design 1999 -2010 Summer Sculpture Workshops, Sitka Center for Art & Ecology, Oregon Coast 1998, 1999 Haystack Summer Session, Portland State University, Cannon Beach, OR 1995-1996 Oregon Stone Sculptors Symposium, Silver Falls, OR SELECTED COLLECTIONS: -Portland Art Museum -Veterans Administration Women’s Clinic, Portland, OR -Hallie Ford Museum, Salem, OR -Clackamas Community College, Oregon City, OR -Noosa Botanic Gardens, QLD. Australia -Maroochydore Bushland Botanic Gardens, QLD. Australia -Town of La Conner, Washington -Museum of Northwest Art, La Conner, WA -Emanuel Hospital, Portland, OR -Providence Hospital, Portland, OR -Nordstrom Administration Headquarters, Seattle, WA - Caesar’s Palace, La Vegas, NV JILL ANHOLT Vancouver, BC jillanholt.ca Throughout my 18 years of practice, I have created more than 30 works in public spaces ranging from smaller scale functional works with modest budgets to large-scale highly integrated civic works with budgets of $1.5-$3.2M in cities throughout Canada and the US. My installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. My work also explores the way that the body relates to and inhabits space and how human perception is transformed by position and movement. Understanding and working with context and multiple scales of engagement are my strengths. And, synthesizing the many complex layers of a site into a conceptual framework further embodies meaning for the work. My art installations try to engage people who encounter them not only as spectators, but often also as participants in the work in some way. Environmental sustainability plays a generative role in the conceptual development, form and material expression of my art installations. For every project I undertake, I begin with an intimate reading of the site, and then expand my observations to ever-widening arcs of investigation that include explorations of historical, geographical, cultural, and environmental layers. The concept, form, materiality and experiential qualities of my work emerge from these very site-specific beginnings. Top to bottom: Clearing, 2015, Aberdeen, WA; Lost Stream Found, 2013, North Vancouver, BC; Line of Work, 2009, Vancouver, BC Jill Anholt Curriculum Vitae Jill Anholt is a visual artist based in Vancouver, B.C. who has been creating site specific works in the public realm since 1998. Anholt’s practice ranges from complex integrated works in parks, pedestrian walkways and transit stations to small scale installations in buildings and public plazas across North America. Her installations explore the relationship between nature and infrastructure, body and place; revealing layers of personal and cultural memory and experience. Environmental sustainability plays a generative role in the conceptual development, form and material expression of many of her works. In addition to her art practice, Jill is an instructor at Emily Carr University of Art and Design in Vancouver. Public Art Commissions Refined [in progress] $420,000 Charged Line [2014] $185,000 South False Creek, Vancouver BC South Calgary Emergency Response Station, Calgary AB A large sculptural work of white concrete, tumbled recycled glass and LED A series
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