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Home , Environmental sculpture, Glenstone, Michael Heizer, Thomas Kellein, Virginia Dwan

G A G O S I A N

Michael Heizer Selected Bibliography

Selected Books and Catalogues:

2019 Fox, William. : The Once and Future Monuments. New York: Monacelli Press. 2017 Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Boston: MIT Press. Celant, Germano and Chiara Costa. : Dwan Gallery. Lausanne: Skira. 2015 Fine, Ruth E., Kara Vander Weg and Michael Heizer. Michael Heizer: Altars. New York: . 2014 Cameron, Dan. The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of . Kaz, Leonel, ed. Inusitada Coleção De Sylvio Perlstein. São Paolo: Museu de Arte de São Paolo Assis Chateaubriand. 2013 Allen, Gwen L., Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, et al. When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada. 2012 Lippard, Lucy R. and Jeff Khonsary. 4,492,040 (1969–74). Vancouver: New Documents 2010 Jensen, Susanne, Susanne Lenze, and Reinhard Onnasch. “Michael Heizer: Untitled.” In Nineteen Artists. : El Sourdog Hex; Bielefeld, : Kerber Verlag. 2011 Reifenscheid, Beate. Die Letzte Freiheit: Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. Milan: Silvana. 2010 Goldman, Judith. Robert & Ethel Scull: Portrait of a Collection. New York: Acquavella Gallery. Marcoci, Roxana, ed. The Original Copy: of , 1839 to Today. New York: Museum Of . 2009 Grabner, Roman, Thomas Kellein, and Felicitas von Richthofen. 1968: Die Große Unschuld. Cologne: DuMont. 2008 Semff, Michael. Künstler Zeichnen. Sammler Stiften, 250 Jahre Staatliche Graphische Sammlung München. Ostfildern, Germany: Hatje Cantz. Lara, Cathy, ed. MAXImin Maximum Minimization in Contemporary Art. Madrid: Fundación Juan March. Origins: September 13, 2008–July 26, 2009 at the Hudson Valley Center for Contemporary Art. Peekskill, NY: The Hudson Valley Center for Contemporary Art. 2007 Before and After . A Century of Abstract Tendencies in the DaimlerChrysler Collection. Madrid: Fundación Juan March. De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collection for the Dallas Museum of Art. New Haven, CT: Yale University Press. 2006 Berry, Ian and Jack Shear. Twice Drawn: Modern and Contemporary in Context. Satatoga Spring, NY: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College.

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2005 Von Rosen, Philipp. Outside and Inside the White Cube: Michael Heizer. : Verlag Silke Schriber. 2004 Solimano, Sandra. Attraversare Genova: Percorsi e Linguaggi Internazionali del Contemporaneo. Anni ’60 –’70. Milan: Skira. 2003 De Chassey, Eric. Minimal to the Max: The Brownstown Collection. West Palm Beach, FL: Norton Museum of Art. 2002 Fox, William L. Playa Works: The Myth of the Empty. Reno: University of Nevada Press. 2001 Homes, A.M., Tara McDonnell and Neil Watson. Burn: Artists Play with Fire. West Palm Beach, FL: Norton Museum of Art. 2000 Fox, William L. The Void, the Sign & the Grid. Salt Lake : University of Utah Press & Reno: University of Nevada Press. 1999 Fox, William L. Mapping the Empty: Eight Artists and Nevada. Reno: University of Nevada Press. 1997 Celant, Germano. Michael Heizer. Milan: Fondazione Prada. Celant, Germano. XLVII Esposizione Internazionale d'Arte: la Biennale di Venezia. Venice: Biennale di Venezia; Milan: Electra. 1994 Colpitt, Frances. Mapping. San Antonio: San Antonio Art Gallery, University of Texas. 1993 Albertazzi, Liliana. Différentes Natures: visions de l’Art Contemporain. Paris: Galerie Art 4 and Galerie de l’Esplanade. 1992 Taylor, Mark C. Michael Heizer: Double Negative. : The Museum of Contemporary Art. 1991 Van der Marck, Jan. Virginia Dwan. Art Minimal-Art Conceptuel, Earthworks, New York, les années 60–70. Paris: Galerie Montaigne. 1990 McGill, Douglas C. Effigy Tumuli: The Reemergence of Ancient Mound Building. New York: Harry N. Abrams, Inc. Amagasaki, Kikuko. Pharmakon ’90. Tokyo: Nippon Convention Center, Makuhari Messe. Whitney, David. Michael Heizer. London: Waddington Galleries Limited. 1989 de Lima-Green, Alison. For the Collector: Important 20th Century Sculpture. : Meredith Long & Company. Sundell, Nina Castelli. The Turning Point: Art and Politics in Nineteen Sixty-Eight. Cleveland: Cleveland Center for Contemporary Art. Crone, Rainer and David Moos. Objet, Objectif: Relecture des Choses dans La Sculpture Contemporaine. Paris: Galerie Daniel Templon. 20 Jahre Internationale Kunstmesse . Düsseldorf: Galerie Hans Mayer. 1988 Fine, Ruth E. Michael Heizer: New Sculpture. Nagoya: Akira Ikeda Gallery. Phillips, Lisa and Tom Armstrong. Vital Signs: Organic Abstraction from the Permanent Collection. New York: Whitney Museum of American Art. Friedman, Martin L, Douglas Dreishpoon, Peter W. Boswell, Donna Harkavy, et al. Sculpture Inside Outside. Minneapolis: . 1987 Kardon, Janet. 1967: At the Crossroads. Philadelphia: Institute of Contemporary Art, University of Pennsylvania. Scott, Wilford, W. American and Watercolors of the Twentieth Century: Selection from the Whitney Museum of American Art. Washington, D.C.: . 1986 Ackley, Clifford S. 70s into 80s: Now. Boston: Museum of Fine , Boston. Daniel, Malcolm and Sam Hunter. American Renaissance: and Sculpture since 1940. Fort Lauderdale, FL: Museum of Art

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Linker, Kate and Howard Singerman. Individuals: A Selected History of Contemporary Art: 1943–1986. Los Angeles: The Museum of Contemporary Art. Heiferman, Marvin. The Real Big Picture. Flushing: Queens Museum of Art. 1985 Whitney, David. Michael Heizer: Dragged Mass Geometric. New York: Whitney Museum of American Art. Camfield, William A. Michael Heizer, 45°, 90°, 180°: A Sculpture for . Houston: Rice University. Metzger, Robert. A Second Talent: Painters and Sculptors Who Are Also Photographers. Ridgefield, CT: Aldrich Museum of Contemporary Art. Kuspit, Donald and Phyllis Tuchman. The Maximal Implications of the Minimal Line. Annandale-on-Hudson, NY: Edith C. Blum Art Institute, Bard College Center. 1984 Brown, Julia and Barbara Heizer. Michael Heizer: Sculpture in Reverse. Los Angeles: The Museum of Contemporary Art. Fine, Ruth E. Gemini G.E.L. Art and Collaboration. Washington, D.C.: National Gallery of Art. Bellman, David and Phyllis Lambert. Drawings by Sculptors: Two Decades of Non- Objective Art in the Seagram Collection. New York: J. E. Seagram. 1983 Parente, Janice and Phillis Stigliano. Sculpture: The Tradition in Steel. Roslyn Harbor: Nassau, New York: Nassau County Museum of Fine Art. Geldzahler, Henry. American Accents. Toronto, ON, Canada: Rothmans of Pall Mall Canada Limited. In Honor of de Kooning. New York: Xavier Fourcade Inc. 1982 Anderson, Richard E. PostMINIMALism. Ridgefield, CT: Aldrich Museum of Contemporary Art. Twenty American Artists: Sculpture 1982. San Francisco: San Francisco . 1981 Cathcart, Linda L. The Americans: The Landscape. Houston: Contemporary Arts Museum. Billeter, Erika. Mythos and Ritual. Zurich: Kunsthaus Zurich. 1980 Cowart, Jack. Currents 7: Michael Heizer. St. Louis, The St. Louis . Growdon, Marcia Cohn. Artists in the American Desert. Reno: Museum of Art. Kardon, Janet. Urban Encounters: Art Audience. Philadelphia: Institute of Contemporary Art. Monneret, Jean. L'Amérique aux Indépendants, 1944-1980: 91ème Exposition, Société des Artistes Indépendants. Paris: Grand-Palais des Champs-Elysées. 1979 Felix, Zdenek. Michael Heizer. Essen: Museum Folkwang; Otterlo: Kroller-Muller. Rorimer, Anne. Seventy-Third American Exhibition. Chicago: Art Institute of Chicago. 1978 Froment, Jean-Louis. Sculpture/Nature. Bordeaux, Centre d’Arts Plastiques Contemporains de Bordeaux. Bassett, Hilary D. Painting and Sculpture Today, 1978. Indianapolis: Indianapolis Museum of Art. 1977 Weiermair, Peter. Michael Heizer. Munich: Galerie im Taxispalais. Beardsley, John. Probing the Earth: Contemporary Land Projects. Washington D.C.: Hirshhorn Museum and Sculpture Garden. Armstrong, Tom. Barbara Haskell, Patterson Sims and Marcia Tucker. 1977 Biennial Exhibition: Whitney Museum of American Art. New York: Whitney Museum of American Art. 1976 Rose, Bernice. Drawing Now. New York: The Museum of Modern Art.

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Armstrong, Tom, Wayne Craven, Norman Feder, Barbara Haskell, Rosalind E. Krauss, Daniel Robbins, Marcia Tucker. 200 Years of American Sculpture. New York: Whitney Museum of American Art. 1975 Wedewer, Rolf and Rolf Ricke. USA Zeichnungen. Leverkusen: Städtisches Museum Schloss Morsbroich. 1974 Speyer, James. Seventy-First American Exhibition. Chicago: Art Institute of Chicago. Art Now ’74. Washington D.C.: The John F. Kennedy Center for the Performing Arts.SZ 1973 Solomon, Elke. American Drawings 1963–1973. New York: Whitney Museum of American Art. Ginsburg, Susan. 3D into 2D: Drawing for Sculpture. New York: New York Cultural Center in association with Fairleigh Dickinson University. 1972 Hefting, Paul H. and Rudi Oxenaar. Diagrams and Drawings. Otterlo: Rijksmuseum Kroller-Muller. Koefoed, Flemming, Cindy Nemser, Francois Pluchart, P. Adams Sitney, and . Projektion. Humlebæk, Denmark: Louisiana Museum of Modern Art. 1971 Heizer, Michael. Michael Heizer/Actual Size. Detroit: Detroit Institute of Arts. Earth, Air, Fire, Water: Elements of Art. Boston: Museum of Fine Art. Harten, Jurgen and Hans Strelow. Prospect ’71: Projection. Düsseldorf: Stadtische Kunsthalle. Fry, Edward J., Diane Waldman and Thomas M. Messer. Guggenheim International Exhibition 1971. New York: Solomon R. Guggenheim Museum. Colbert, Raul, Jorge Glusberg, Jorge de Luján Gutierrez, Luis Pazos, and Héctor Puppo. VII Biennale. Paris: Parc Floral de Paris. 1970 Schum, Gerry. : Long, Flanagan, Oppenheim, Smithson, Boezem, Dibbets, De Maria, Heizer. Hannover: Fernsehgalerie Gerry Schum. Pincus-Witten, Robert. Against Order/Chance and Art. Philadelphia: University of Pennsylvania, Institute of Contemporary Art. Prospect ’70. Dusseldorf: Kunsthalle. XXXV Exposizione internazionale d’arte di Venezia. Venice: Biennale di Venezia. Celant, Germano. Conceptual Art, Arte povera, Land Art. Torino: Galleria Civica d’Arte Moderna. McShine, Kynaston L. Information. Baltimore: Publication Press, Inc.; New York: Museum of Modern Art. 1969 de Wilde, Edy, Wim A.L. Beeren, Piero Gilardi and Harold Szeemann. Op Losse Schroeven. Amsterdam: Stedelijk Museum. Malen, Leonore. Letters. Loveladies, New Jersey: Long Island Beach Foundation of the Arts and Sciences. Szeemann, Harald. Live in Your Head: When Attitudes Become Form. Works, Concepts, Processes, Situations, Information. Bern: Kunsthalle Bern; London: ICA London Edition. Leering, Jean and Gerry Schum. Land Art: Long, Flanagan, Oppenheim, Smithson, Boezem, Dibbets, De Maria, Heizer, (for TV Germany Channel 1, April 1969). Hannover, Germany: Fernsehgalerie Gerry Schum Television Gallery. 1968 Ballaine, Jerry. Sculpture Annual. New York: Whitney Museum of American Art. Art on Paper. Greensboro: Weatherspoon Art Gallery, University of North Carolina. 1966 Tapie, Michel. 85th Annual Exhibition of the San Francisco Art Institute. San Francisco: San Francisco Museum of Art.

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Selected Articles and Reviews:

2019 Davis, Ben. “The 100 Works of Art The Defined the Decade, Ranked.” Artnet, Dec 30. Ludel, Wallace. “Michael Heizer’s Effort to Move a 340-Ton Boulder Across L.A.” Artsy, Feb 20. 2018 Knight, Christopher. “An unprecedented new home for modern drawings opens in Houston.” , Nov 1. Lacy, Eric. “Where’s ‘Lansing’s Stonehenge,’ AKA Michael Heizers’s ‘This Equals That’.” Lansing State Journal, Oct 10. Smee, Sebastian. “The 10 pieces you must see at Glenstone.” , Oct 3. 2017 Rosenberg, Karen. “When Dealers, Too, Were Romantics.” , Sep 14. Tuchman, Phyllis. “How Do You Sell a Work of Art Built Into the Earth.” The New York Times, Jan 28. 2016 Battaglia, Andy. “Art That Puts Viewers Inside a Huge Man-Made Crater.” The Wall Street Journal, March 26-27, 2016, p. A17. Baude, Dawn-Michelle. “Mighty Land Artist Michael Heizer Reveals a Softer Side.” The Huffington Post, July 18. Brean, Henry. “Huge outdoor sculpture was dug into the Southern Nevada desert — VIDEO.” Las Vegas Review-Journal, September 18th. Celant, Germano. “I enlighten you with immensity.” L’Espresso, April 2016. Celant, Germano. “Ti illumino d'immenso.” L'Espresso, April 2016. Dawn-Michelle Baude, “‘City’ Artist Michael Heizer Reveals His Softer Side In McQ Prints Show.” Weekly, June, 29. Feeney, Mark. “‘Troublemakers’ takes documentary look at land art.” The Boston Globe, Jaunary 11. Friedrich, Heiner. “Michael Heizer.” Interview, March 24. Goodyear, Dana. “The Earth Mover.” The New Yorker, Vol. XCII, No. 26, August 29, 2016, p. 60-71. Miranda, Carolina A. “Photo tour Glenstone, the decade old private museum outside D.C. is bucolic and very blue chip.” Los Angeles Times, August 26. Scherstuhl, Alan. “‘Troublemakers’ Looks Back At The Land Artists Whose Work May Outlast Humanity.” The Village Voice, January 5. Smith, William S. “One to One.” Art in America, April 2016, p. 92-95. 2015 Burns, Charlotte. “Museums unite in campaign to save massive land art project.” The Art Newspaper, Mar. 18. Edgers, Geoff. “Artist Michael Heizer, in the Nevada desert for 43 years, returns to with a pair of $2 million rocks.” The Washington Post, May 12. Fargo, Jason. “Michael Heizer: ‘I’m a quiet man. I just make art’.” The Guardian, May 18. Govan, Michael and Brian O'Donnell. “Protect ‘City’ sculpture, Nevada habitat with national monument status.” Los Angeles Times, May 15. Heddaya, Mostafa. “The Long Fight for Michael Heizer’s ‘City’.” Blouin Artinfo, Apr. 1. Kimmelman, Michael. “Michael Heizer’s Big Work and Long View.” The New York Times, May 13. Miranda, Carolina A. “What’s behind the #ProtectCity campaign for artist Michael Heizer.” Los Angeles Times, Mar. 24. Peterson, Kristen. “Will Artist Michael Heizer’s ‘City’ Become a National Monument?” Las Vegas Weekly, Jan. 14.

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Sheets, Hilarie M. “From ‘City’ to the City.” The New York Times, Mar. 6, p. C20. Thomas, Roger P. “Letters: Protecting the ‘City’.” Las Vegas Review-Journal, Mar. 5. Wu, Su. “A New Documentary Sheds Light on the ‘Troublemakers’ of Land Art.” T Magazine, Apr. 4. ------. “Michael Heizer: Altars.” The Wall Street Journal, Mar. 14–15, p. A16. ------. “Who will save Michael Heizer’s City? Why does this storied work of land art need to be protected, before it is even finished?” Phaidon, Mar. 19. 2014 Bliss, Laura. “Quarried Away.” Los Angeles Magazine, vol 59, no. 5, (May 9), p. 32. Brean, Henry and Steve Tetreault. “Sen. Reid quietly moves to block development of 800,000 acres in central Nevada.” Las Vegas Review-Journal, Oct. 21. Bunker, Stephanie. “Off the Beaten Path: Renowned Modern Art In The Desert.” Moapa Valley Progress, Jan. 29, p. 19. Catsoulis, Jeannette. "." The New York Times, Nov. 14, p. C8. Heddaya, Mostafa. “US Senator Proposes Conservation Expanse for Michael Heizer’s Land Art.” Hyperallergic, Nov. 4. Heyman, Marshall. “Hamptons Art World Rocked.” The Wall Street Journal, Aug. 21, A18. Stoilas, Helen. “Move to Protect Heizer’s City from development.” The Art Newspaper, vol. 24, no. 262 (Nov), p. 1. Zella, Carmen. “Creating Connections with Nature via Art.” The Huffington Post, Feb. 23. ------. "Rollin' Rock: Culture in California." The Economist, Jan. 4–10, pp. 65–66. 2013 Castañeda, Luis. "Doubling Time." Grey Room 51, (Spring), pp. 12–39. Chianese, Robert Louis. “Levitated Mass.” American Scientist, July-Aug. p. 268. Davidson, Justin. “Artists Race Mortality With Eternal Monuments in American Desert.” Bloomberg, Sep. 12. Lindquist, Greg. “Descending Into the Abyss of Double Negative.” The Brooklyn Rail, (Sept. 2013), p. 43. Lord, Benjamin. "Expanding Fields, Narrowing Paths," X-TRA , v. 15, n. 2, (Winter), pp. 35-49. Scheib, Ronnie. “Film Review, 'Levitated Mass'.” Variety, Nov. 25. Vogel, Carol. “Inside Art: Sculpting for Gagosian.” The New York Times, Nov. 22 p. C24. Wright, Erin. “Levitated Mass: The Story of Michael Heizer’s Monolithic Sculpture.” Unframed (Los Angeles), June 19. 2012 Berardini, Andrew. “Michael Heizer’s Double Negative: A Journey to a Land Art Landmark.” LA Weekly, Aug. 16.

Finkel, Jori. “Michael Heizer's Calling is Set in Stone.” Los Angeles Times, May 25. Harcourt, Glenn. “Work-site-world: rethinking Michael Heizer through ends of the Earth.” X-TRA: Contemporary Art Quarterly, Winter, pp. 4–19. Jaffe, Ina. “340 Tons Of Art: ‘Levitated Mass’ To Rock L.A.” NPR, June 19. Knight, Christopher. “Art review: Michael Heizer has long been thinking big.” Los Angeles Times, July 31. Kudler, Adrian Glick. “LA’s Levitating 340 Ton Boulder Starts Its 3,500 Year Run.” Curbed (Los Angeles), June 25. Nagourney, Adam. “Lights! Cameras! (and Cheers) for a Rock Weighing 340 Tons.” The New York Times, Mar. 10. Stoilas, Helen. “Boulder is an LA Blockbuster.” Art Newspaper, Oct. p. 20.

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------. “‘Levitated Mass’ By Michael Heizer Unveiled at LACMA.” The Huffington Post, June 25. ------. “Michael Heizer’s ‘City’.” Greater Des Moines Foundation, Jan. 2. ------. “Michael Heizer’s rock begins to roll.” Phaidon, Mar. 1. 2011 Cooke, Erica. “Will double negative be a no show?” Art Newspaper, Oct. p. 24. Doss, Erika. “Public Art Chronicles: Michael Heizer's Effigy Tumuli.” Public Art Dialogue, v. 1, n. 2, (Sep), pp. 241–246. Goldman, Judith. “’My Sculpture in the Desert’ Robert C. Scull and Michael Heizer.” Archives of American Art Journal, Spring, pp 62–67. Nagourney, Adam. “340-Ton Sculpture Versus Immovable Bureaucracy.” The New York Times, Dec. 27. Nagourney, Adam, "How Do You Move a 340-Ton Artwork? Very Carefully," New York Times, Oct. 8. Vankin, Deborah. “LACMA set to roll away the stone.” Los Angeles Times, Sep. 22, p. D1. 2009 Foderaro, Lisa W. “A City Reborn As a Haven For Art.” The New York Times, Mar 29, p. NJ9. Knight, Christopher. “Michael Heizer’s ‘City’ may not glow in the dark.” Los Angeles Times, Feb. 28. Rosenthal, Brian. “Reno Museum has Little Space, Big Ideas.” Reno Gazette-Journal, Sep. 7. 2008 Britt, Douglas. “Sound, sculpture define space at Menil.” Houston Chronicle, May 2. Douglass, Arcy. “Revisiting Michael Heizer’s Double Negative.” Port (Portland, OR), Nov. 24. Margolies, Jane. “Art and Calm Just Up the Hudson.” The New York Times, Oct. 12, p.TR5. Stoilas, Helen. “Land Art: here today, gone tomorrow?” Art Newspaper, Oct. p. 31. 2007 Castro, Jan Garden, "New York: Michael Heizer: Pace Wildenstein," Sculpture, v. 26, n. 3, (Apr). Salus, Carol. “Michael Heizer: Sculpture in Time and Space.” Sculpture, Sep, pp. 50– 55. 2006 Turvey, Lisa. “Michael Heizer.” Artforum, vol. 45, no. 3, (Nov.) , p. 294. 2005 Kimmelman, Michael. “Art's Last, Lonely Cowboy.” The New York Times, Feb. 6, p. 33–41, 59, 72, 78. 2004 Boettger, Suzaan. “Behind the Earth Movers.” Art in America, Apr., p. 54–63. Cooke, Lynne, "New York: Michael Heizer," Burlington Magazine, v. 136, n. 1098, Sep., p. 648 Heartney, Eleanor. “Michael Heizer at Peter Freeman.” Art in America, Apr. p. 126. Landi, Ann. “Moving mountains, walking on water.” ARTNews, vol. 103, no. 6 (June), p. 84. Sturm, Daniel. “Heizer Sculpture Dumped in Field.” Sculpture, vol. 23, no. 2 (Mar.), p. 12. Taylor Mark C., "Letter from the Desert," ANY: Architecture in New York, n. 6, (May/June), pp. 52–55. 2003 Cotter, Holland. “Public Art Both Violent and Gorgeous.” The New York Times, Sep 14. Esplund, Lance. “Minimalism’s Mecca.” Modern Painters, Winter, p. 66–67. Howard, Risatti. “Michael Heizer’s Double Negative.” Sculpture, Dec. p. 18–19. Iles, Chrissie. “Best of 2003.” Artforum, Dec. pp 122–123. MacAdam, Barbara A. “Dia:Beacon,” ARTNews, Summer, p. 160.

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Risatti, Howard. “Michael Heizer’s Double Negative.” Sculpture, vol. 22, no. 10 (Dec.), pp. 18–19. Sturm, Daniel. “Heizer Sculpture Dismantled in Michigan.” Sculpture, vol. 22, no. 3 (Apr.), pp. 14–15. 2000 Keays, S. E. “Michael Heizer: Just the Facts.” The New York Times. Jan 16, p. AR6. Mullen, Frank. “Courthouse sculpture turning for better view. “ Reno Gazette-Journal, Jan. 8, p. A1. 1999 Kimmelman, Michael. “A Sculptor’s Colossus of the Desert.” The New York Times, Dec 12, pp. 1, 49. 1998 Rooks, Michael. “Landlocked and Ceremonial: Prairie Sculpture.” New Art Examiner, vol. 25, no. 8 (May), pp. 34–37. 1997 Chapperon, Alessia. “Il paesaggio come tavolozza.” Ville Giardini, no. 323 Mar. pp. 88–90. Parmesani, Loredana. “Michael Heizer.” Flash Art, Mar.-Apr. p. 117. Pinto, Roberto. “Michael Heizer at Fondazione Prada.” Art in America, vol. 85, no. 6 (June), pp. 119–120. 1996 ------. “Negative and Positive (And One Painting).” Grand Street, no. 57, pp. 65–75. Green, Tyler. “Save The Earthworks: The Intricacies of Conserving Land Art.” Modern Painters, vol. 9, Oct. pp. 36–38. 1995 Colman, David. “The Art Screen Scene.” Artforum, Sep., pp. 9–10. Rutledge, Virginia. “Monuments to Making.” Art in America, vol. 83, no. 7 (July), pp. 68–−71. 1994 Haden-Guest, Anthony. “Christmas in Spring: Art World Outlaw Opens Gallery With Heizer’s Pet Rocks.” New York Observer, May 16, 1994, pp. 1, 22. Kuspit, Donald. “Heizer, Michael.” Artforum, vol. 33, no. 3 (Nov.), p. 84. Tate, Greg. “White Line Forever.” The Village Voice, Aug 9, p. 16. 1992 Baker, Kenneth. “Expanding the Realms of Art.” San Francisco Examiner & Chronicle, Sep. 6. Chadwick, Susan. “MFA Shows Off Newly Acquired Art.” The Houston Post, June 25. 1991 Ballard, Jim. “’Prismatic Flake’ Arrives on Campus.” Scarlett, Dec. 13. Bouges, Maureen. “Huge Flake Sculpture Lands at UNL.” The Lincoln Star. Dec. 6. Ineck, Tom. “Renowned Sculptor to Dedicate Large-Scale Work at UNL Campus.” Lincoln Journal. Dec., pp. 1-2. MacMillan, Kyle. “UNL Shows New Work by Sculptor. Omaha World-Herald. Dec. 6., p. 15. ------. “The Explosion.” ARTNews, Summer, pp. 96–105. 1990 Greenberg, Jeanne. “Michael Heizer Breaking New Ground.” Splash Magazine (New York), (Winter), pp. 12–14. Hine, Hank. “Desert Song.” Artforum, Feb., pp. 119–122. Beom, Moon. Konggan/Space. June, pp. 154–160. 1988 Brenson, Michael. “Michael Heizer.” The New York Times, Apr 8, p. C32. Brenson, Michael. “Four Sculptors with Intense Visions.” The New York Times, Apr. 17, pp. H43−51. Heartney, Eleanor. “Michael Heizer at Knoedler.” Art in America, vol. 76, no. 10 (Oct.), pp. 199-200. 1987 Treib, Marc. “The Presence of Absence: Places by Extraction.” Places, vol. 4, no. 3 (Oct.), pp. 9–19. Treib, Marc. “Vocabulary Lesson III: Rock.” , May-June. p. 83. Weisang, Myriam. “Unnatural Acts.” High Performance, no. 4, pp. 40–42.

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------. “Keith Sonnier/Michael Heizer.” Arts, Feb., pp. 105–06.

------. “The Presence of Absence: Places by Extraction.” Places, July-Sep., pp. 9– 19. 1986 Berkson, Bill. “ Sites.” Art in America, vol. 74, no. 7 (July), pp. 76–−79. Blake, Susan. “The Art of Reclamation: Michael Heizer Digs .” New Art Examiner, Jan. pp. 32–33. Borger, Irene. “Buying a Piece of the Rock.” The Wall Street Journal, Apr. 15, pp. 32- 33. Bourdon, David. “Working with Earth, Michael Heizer Makes Art as Big as All Outdoors.” Smithsonian, Apr., pp. 68–74, 76–77. Deitz, Paula. “Heizer Makes Art on the Land.” London Financial Times, Mar. 6, p. 29. Hindry, Ann. “Michael Heizer ou le rhapsode panetaire.” Artstudio, no. 3. (Winter), pp. 156-165. Kertess, Klaus. “Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil.” Artforum, vol. 24, no. 6 (Feb.) pp. 32–33. Munro, Eleanor. “Art in the Desert.” The New York Times, Dec. 14. Sweet, David. “Earth in the Works.” Art & Auction, June, pp. 72, 74–76. Thorson, Alice. “A Paragon of Art in the 80’s.” ARTnews, vol. 85, no. 1 (Jan. 1986), pp. 11-12. 1985 Amaya, Mario. “Land Reform: New Monuments by Michael Heizer.” Studio International, vol. 198, no. 1009 (Aug.), pp. 18−21. Bourdon, David. “Art… He Makes the Earth Move.” Vogue, Aug. p. 75. Colby, Joy. “’Dragged Mass’ Returns in Cardboard.” Detroit News, June 30, p, 4K. Fogarty, David. “From Mine-Ravaged Wasteland to Work of Art.” The Christian Science Monitor, Dec. 13, 1985, p. 32. Glueck, Grace. “Art: At the Whitney, Michael Heizer Work” The New York Times, June 28, p. C22. Hale, Nathan Cobot. “Heizer at Whitney.” Art World, vol. 9, no. 10 (Summer), p. 3. Klein, Frederick C. “Moving Earth for Art’s Sake.” The Wall Street Journal, June 12., p. 28. McGill, Douglas C. “Coast Museum Acquires ‘Earthworks,’” The New York Times, Dec. 12, p. C17. McGill, Douglas C. “Illinois Project to Turn Mined Land into Sculpture.” The New York Times, June 3, p. C17. McGuigan, Cathleen. “Michael Heizer.” Newsweek, June 17, 1985, p. 60. Roberts, Wade. “Mound Sculpture Gives Town a Lift.” Sunday Sun-Times, 9 June., p. 87. Shapiro, Harriet. “It May Be Dirty Work, But Sculptor Michael Heizer Breaks New Ground Indoors and Out.” People, Aug 19, pp. 107–9. Small, Michael. “The Beat Goes On, but Famous Artists Are the Top Draw at Area, New York’s Super Nightclub.” People, May 27, pp. 109–110. Smith, Wes. “Earth Moving Man Really Digs Mound Art.” Chicago Tribune, Oct. 30., pp. 1-2. ------. “Artist Known for Works Created in the Nevada Desert.” The New York Times, June 3, p. C17. ------. “Corporate Culture: Gallery Guide, Michael Heizer.” Inc., June, p. 135. 1984 Everett, John. “Environmental Sculpture.” Houston Chronicle, Dec 11.

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Fujie, Atsushi. “Michael Heizer’s Environmental Sculpture 45°, 90°, 180°/Geometric Extraction.” Journal Shunzyu, Aug., pp. 15–18. Raynor, Vivien. “Sculpture.” The New York Times, Aug . 3. Schiener, Ellis. “Artist Earthen Sculptures to Reclaim Abandoned Illinois Mine.” Arizona Republic, Feb. 26. 1983 Cohen, Ronny. “New Editions: Michael Heizer.” ARTNews, vol. 82, no.8 (Oct.), pp. 86– 87. Linker, Kate. “Michael Heizer.” Artforum, vol. 21, no. 9 (May), pp. 100–101. Raynor, Vivien. “Art: Show of Sculptures by Heizer at Fourcade.” The New York Times, Nov. 4, p. C21. Westfall, Stephen. “Michael Heizer.” Arts Magazine, vol. 57, no. 10 (June), p. 42. 1982 Atkins, R. “Sculpture on the Grand Scale.” Studio International, vol. 195, no. 995 (June), pp. 10–15. Crone, Rainer. “Prime Objects in Art: Scale, Shape, Time. Creations by Michael Heizer in the Deserts of Nevada.” The Yale Architectural Journal, vol. 19, pp. 14–35. Dreyfuss, John. “Wells Fargo Tower Invites Those on Foot.” Los Angeles Times, Sep. 3, pp. 1, 10–12. Gabriel, Betram. “Works on Earth.” Horizon (Tuscalossa, AL), Jan.–Feb., pp. 42–48. Nochlin, Linda. “Sculpture’s New Wave.” Vogue, vol. 172, no. 8 Aug. p. 44. Russell, John. “Michael Heizer.” The New York Times, May 21, p. C22. Smith, Roberta. “Abstract Extractions.” The Village Voice, June 8, p. 83. 1981 Dickson, Joanne. “Oakland, Michael Heizer, ‘Platforum,’ Estuary Park.” Artforum, vol. 19, no. 8 (Apr.), pp. 74–75. Hopkins, A. D. “Michael Heizer: Avant-Garde Artist at Home in Nevada.” Las Vegas Review-Journal, Sep. 27, p. 5J. Kahn, Barry. “This Equals That.” Monthly Detroit, (Apr), pp. 70–72. Kalil, Susie. “Michael Heizer.” ARTNews, vol 80, no. 5, (May), p. 149. Murdock, Robert M. “The Public Pulse: Capitol Sculpture Impressive in Lansing.” Grand Rapids Press, March 1. Wortz, Melinda. “Monoliths and : Michael Heizer.” Images and Issues, vol. 2, no. 1, (Summer), pp. 32–33. Yau, John. “Sculpture as Archaeology.” Vogue, vol. 171, no. 8 (Aug.) pp. 290–293, 347. 1980 Foster, Hal. “Michael Heizer.” Artforum, vol. 17, no. 11 (Sep.) p. 65. Horne, Jed. “A New Stonehenge in Nevada.” Quest, no. 80 (Sep.) pp. 72–77. Miro, Marsha. “Sculpture Has Critics Seeing Red.” Detroit Free Press, Sep.18, pp. 1C, 8C. Northwood, Bill. “An Oakland Landmark Grows in the Desert.” Oakland Tribune, Sep. 14. Raynor, Vivien. “Michael Heizer.” The New York Times, April 25, p. C18. Shere, Charles. “’Platform’ Takes its Place in Estuary Park.” Oakland Tribune, Dec. 10. Zimmer, William. “Michael Heizer.” Soho Weekly News, May 21. 1979 Cain, Charlie. “Milliken Promotes ‘Alka Seltzer’ Art.” Detroit News, Feb. 22, p. 4B. Campbell, R. M. “Michael Heizer: No Extraneous Comment.” The Seattle Post- Intelligencer, Aug. 24. Kangas, Matthew. “Michael Heizer at Richard Hines.” Argus (Seattle), Sept. 21, pp. 4- 5. Kramer, Hilton. “Sculpture on the Streets.” The New York Times, July 15, pp. D25. Larson, Kay. “New Landscape in Art.” The New York Times Magazine, May 13. Marzorati, Gerard. “A Heizer for the Met…” SoHo Weekly News, July 5. 1978 Baker, Kenneth. “A Living Puzzle.” The Christian Science Monitor. Mar. 14.

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Cain, Charlie. “Milliken Promotes ‘Alka Seltzer’ Art.” The Detroit News, Feb. 22, p. 4B Gert, Gliewe. “Pyramiden-bauer in der Wüste von Nevada.” TZ, Jan. 25, p. 14. Morschel, Jürgen. “Versuch einer Kapazitätserweiterung des Kunstwerks—Zu Earthworks, Bildern und Objekten von Michael Heizer.” Kunstforum International, no. 25 (Jan.), pp. 132-45. Rein, Ingrid. “Galerie am Promendeplatz—Michael Heizer.” Pantheon, nol. (Apr.–Jun.), pp. 163-64. Treib, Marc. “Traces upon the Land: The Formalistic Landscape.” Architectural Association Quarterly, vol. 9, no. 2, (Apr.) pp. 28–39. Weier-Clarke, Laura. “Earthworks: Williamson Country’s Living Tapestry.” The Williamson Sunday Sun, Sep. 10, pp. 1, 14. 1977 Auping, Michael .”Michael Heizer: The Ecology and Economics of ‘Earth Art’?” Artweek, June 18, p. 1. Baker, Kenneth. “Michael Heizer at Fourcade.” Art in America, vol. 65, no. 8 (Sept.- Oct.), p. 117. Beardsley, John. “Earthworks Renaissance.” Landscape Architecture, vol. 8, no. 30 (June). Campbell, R.M. “Heizer’s Sculpture Spirits.” The Seattle Post-Intelligencer, Jan 6., p. A15. Cooper, David. “Art Adds its Touch to Public Places.” Detroit Free Press, May 21. Gruen, John. “Michael Heizer: You Might Say I’m in the Construction Business.” ARTNews, no. 16, (Dec.), pp. 96–99. Hess, Thomas B. “Ceremonies of Measurement.” New York Magazine, March 21, pp. 60-62. Hinterberger, John. “Common Man Laughs at $80,000 Rocks.” The Seattle Times, Jan. 8, p. A7. Howett, Catherine. “New Directions in .” Landscape Architecture, vol. 8, no. 28 (Jan.), pp. 38–46. King, Mary. “The Whitney Cleans Up Its Act for the ’77 Biennial.” St. Louis Post- Dispatch, March 6, p. 5B. Ratcliff, Carter. “New York Letter: Michael Heizer.” Art International, vol. 21 (July– Aug.), pp. 75–76. Schwartz, Ellen. “New York Reviews: Michael Heizer.” ARTNews, vol. 76, no. 7 (Sep), p. 146. Tarzan, Deloris. “What Those Big Rocks Mean to Seattle.” The Seattle Times, Jan. 12. Zimmer, William. “Heizer’s Circles.” Soho Weekly News, vol. 4, no. 34 (May 26–June 1). ------. “Rocks by any other Name…” The Seattle Times, Jan. 23. 1976 Alloway, Lawrence. “Site Inspection.” Artforum, vol. 15, no. 2 (Oct.), pp. 49–55. Andre, Michael. “New York Reviews: Michael Heizer.” ARTNews, vol. 20, no. 8 (Special European Issue), (Oct.), pp. 114–15.

Baker, Elisabeth C. “Artworks on the Land.” Art in America, vol. 64, no. 1 (Jan.–Feb.), pp. 92–96. Campbell, R.M. “Who Makes Decisions on Public Art?” Seattle Post-Intelligencer, June 13, p. H5. Gottschalk, Earl C. Jr. “Earthshaking News from the Art World: Sculpturing the Land.” The Wall Street Journal, Sep. 10, pp. 1–2, 19. Russell, John. “Art: Heizer’s Sculptural World.” The New York Times, May 14, p. 67. Van der Marck, Jan. “Letter to the Editor.” The New York Times, Jan. 11, p. 31.

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1975 Bailly, Jean-Christophe. “L’espace, ville ouverte.” XX Siecle, no. 3 (Dec.), pp. 121–27. Celant, Germano. “Heizer: Complex One.” Domus, no. 527 (Mar.), pp. 48–49. Glozer, Laszlo. “Am Rand der Wüste—Phoenix, Las Vegas und Land Art.” Süddeutsche Zeitung, March 8–9, p. 85. Ratcliff, Carter. “Michael Heizer at Fourcade/Droll.” Art Spectrum, vol. 1, no.1 (Jan.), p. 81. 1974 Ager, Susan. “35-Ton Granite Artwork Stoned to Death.” Detroit Free Press. Bell, Jane. “Positive and Negative: New by Michael Heizer.” Arts Magazine, vol. 49, no. 2 (Nov.), pp. 55–57. Bongartz, Roy. “Earth Art.” The Nation, vol. 217, no. 22 (Dec. 24), pp. 699–700. Canavier, Elena Karina. “Michael Heizer.” Artweek, Mar. 16, p. 4. Davis, Douglas. “The Earth Mover.” Newsweek, Nov. 18, p.113. Glueck, Grace, "Earth Artist Keeps a Foot in the Gallery," New York Times, Dec. 1, p. D37. Herrera, Hayden. “Michael Heizer Paints a Picture.” Art in America, vol. 62, no. 10 (Nov–Dec), pp. 92–94. Hess, Thomas B. “December Madness.” New York Magazine, Dec. 23, pp. 65–66. 1973 Bongartz, Roy. “Earth Art.” The Nation. June, pp. 95–97. Davis, Douglas. “The Earth Mover.” Newsweek, Nov. 18, p.113. Stanton, Will. “Grand What? And Other Great Works of Earth Art.” The Atlantic, vol. 220, no. 6 (June), pp. 95–97. Vincent, Bill. “Stalking the Double Negative on Mormon Mesa.” The Nevadan (Sunday Edition), July 15, p. 6. 1972 Celant, Germano. “Heizer.” Casabella, vol. 36, no. 367, (July), pp. 26–30. Crone, Rainer. “Amerikanische Skulpturen – Michael Heizer und die Land Art.” National Zeitung, (Oct.), p. 3. Tomkins, Calvin. “Onward and Upward with the Arts: Maybe a Quantum Leap.” The New Yorker, no. 51, (Feb.), pp. 42–67. 1971 Deschamps, Madeleine. “Earthworks.” Jardin des Arts, vol. 18, no. 202 (Sept.), pp. 3– 4. Friedman, Bruce J. “Dirty Pictures.” Esquire, vol. 75, no. 5 (May), pp. 112–115. Goltz, Gene. “Art Patron Snubs Institute for Removing Earthwork.” Detroit Free Press, April 9, p. 1. Hickey, Dave. “Earthscapes, Landworks, and Oz.” Art in America, vol. 59, no. 5 (Sep.– Oct.), pp. 40–49. Waldman, Diane. “Holes without History.” ARTNews, vol. 70, no. 4 (May), pp. 44–48, 66–67. 1970 Alloway, Lawrence. “Art.” The Nation, Jan. 26, p. 92. Baker, Kenneth. “Article 1 – No Title.” The Christian Science Monitor, Dec. 1, p. 12. Bongartz, Roy. “It’s Called Earth Art Land Boulderdash. “ The New York Times Magazine, Feb 1. pp. 16–17, 22–30. Leider, Philip. “How I Spent My Summer Vacation, or, Art and Politics in Nevada, Berkeley, San Francisco and Utah.” Artforum, vol. 9, no.1 (Sept.), pp. 40–49. Rosenberg, Harold. “The Art World: De-Aestheticization.” The New Yorker, Jan. 24, pp. 62–67. Strelow, Hans. “Die Galerie in der Wüste, Land Art in Nevada.” Frankfurter Allgemeine Zeitung, Aug 15. 1969 Bourdon, David. “What on Earth.” Life, no 16., Apr. 25, pp. 80–86. Heizer, Michael. “The Art of Michael Heizer.” Artforum, vol. 8, no. 5 (Dec.) pp. 32–39. Junker, Howard. “Down to Earth.” Newsweek, no 12, Mar. 24, p. 101.

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Müller, Grégoire. “Michael Heizer.” Arts Magazine (New York), vol. 44, no. 3 (Dec.– Jan.), pp. 42–45. Müller, Grégoire. “Rift.” Life, Dec. 26, pp 94–95. Nivers, K. “Earthworks.” Art in America, vol. 57, no. 3 (May), pp. 33–34. Scull, Robert. “Pop Art’s Glitter.” The Washington Post. Apr. 11. Sharp, Willoughby. “Discussion with Heizer, Oppenheim, Smithson,” Avalanche, no. 1 (Fall), pp. 48–71. Wijers, Louwrien. “Modebeeld Van De Kunst.” Algemeen Handelsblad Van Zaterdag, Mar. 15. Wilson, William. “Don’t Know Trenches but We Know What We Like.” Los Angeles Times, July 27, pp. 16–19. 1968 Glueck, Grace. “Moving Mother Earth.” The New York Times, Oct. 6, p. D38. Hutchinson, Peter. “Earth in Upheaval.” Arts Magazine, vol. 43, no. 2 (Nov.), pp. 19–21. Junker, Howard. “The New Sculpture: Getting Down to the Nitty Gritty.” The Saturday Evening Post, Oct. 10, p. 42. Sanders, Jacquin. “Art Out of Hand,” San Francisco Sunday Examiner and Chronicle, Dec. 1. Smithson, Robert. “A Sedimentation of the Mind: Earth Projects.” Artforum, vol. 7, no. 1 (Sep.), p. 44. Tillim, Sidney. “Earth Works and the New Picturesque.” Artforum, vol. 7, no. 4 (Dec.), pp. 42–45.

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