G A G O S I A N Michael Heizer Selected Bibliography Selected Books and Catalogues: 2019 Fox, William. Michael Heizer: The Once and Future Monuments. New York: Monacelli Press. 2017 Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Boston: MIT Press. Celant, Germano and Chiara Costa. Virginia Dwan: Dwan Gallery. Lausanne: Skira. 2015 Fine, Ruth E., Kara Vander Weg and Michael Heizer. Michael Heizer: Altars. New York: Gagosian Gallery. 2014 Cameron, Dan. The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of Art. Kaz, Leonel, ed. Inusitada Coleção De Sylvio Perlstein. São Paolo: Museu de Arte de São Paolo Assis Chateaubriand. 2013 Allen, Gwen L., Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, et al. When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada. 2012 Lippard, Lucy R. and Jeff Khonsary. 4,492,040 (1969–74). Vancouver: New Documents 2010 Jensen, Susanne, Susanne Lenze, and Reinhard Onnasch. “Michael Heizer: Untitled.” In Nineteen Artists. Berlin: El Sourdog Hex; Bielefeld, Germany: Kerber Verlag. 2011 Reifenscheid, Beate. Die Letzte Freiheit: Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. Milan: Silvana. 2010 Goldman, Judith. Robert & Ethel Scull: Portrait of a Collection. New York: Acquavella Gallery. Marcoci, Roxana, ed. The Original Copy: Photography of Sculpture, 1839 to Today. New York: Museum Of Modern Art. 2009 Grabner, Roman, Thomas Kellein, and Felicitas von Richthofen. 1968: Die Große Unschuld. Cologne: DuMont. 2008 Semff, Michael. Künstler Zeichnen. Sammler Stiften, 250 Jahre Staatliche Graphische Sammlung München. Ostfildern, Germany: Hatje Cantz. Lara, Cathy, ed. MAXImin Maximum Minimization in Contemporary Art. Madrid: Fundación Juan March. Origins: September 13, 2008–July 26, 2009 at the Hudson Valley Center for Contemporary Art. Peekskill, NY: The Hudson Valley Center for Contemporary Art. 2007 Before and After Minimalism. A Century of Abstract Tendencies in the DaimlerChrysler Collection. Madrid: Fundación Juan March. De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collection for the Dallas Museum of Art. New Haven, CT: Yale University Press. 2006 Berry, Ian and Jack Shear. Twice Drawn: Modern and Contemporary Drawings in Context. Satatoga Spring, NY: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College. W W W . G A G O S I A N . C O M G A G O S I A N 2005 Von Rosen, Philipp. Outside and Inside the White Cube: Michael Heizer. Munich: Verlag Silke Schriber. 2004 Solimano, Sandra. Attraversare Genova: Percorsi e Linguaggi Internazionali del Contemporaneo. Anni ’60 –’70. Milan: Skira. 2003 De Chassey, Eric. Minimal to the Max: The Brownstown Collection. West Palm Beach, FL: Norton Museum of Art. 2002 Fox, William L. Playa Works: The Myth of the Empty. Reno: University of Nevada Press. 2001 Homes, A.M., Tara McDonnell and Neil Watson. Burn: Artists Play with Fire. West Palm Beach, FL: Norton Museum of Art. 2000 Fox, William L. The Void, the Sign & the Grid. Salt Lake City: University of Utah Press & Reno: University of Nevada Press. 1999 Fox, William L. Mapping the Empty: Eight Artists and Nevada. Reno: University of Nevada Press. 1997 Celant, Germano. Michael Heizer. Milan: Fondazione Prada. Celant, Germano. XLVII Esposizione Internazionale d'Arte: la Biennale di Venezia. Venice: Biennale di Venezia; Milan: Electra. 1994 Colpitt, Frances. Mapping. San Antonio: San Antonio Art Gallery, University of Texas. 1993 Albertazzi, Liliana. Différentes Natures: visions de l’Art Contemporain. Paris: Galerie Art 4 and Galerie de l’Esplanade. 1992 Taylor, Mark C. Michael Heizer: Double Negative. Los Angeles: The Museum of Contemporary Art. 1991 Van der Marck, Jan. Virginia Dwan. Art Minimal-Art Conceptuel, Earthworks, New York, les années 60–70. Paris: Galerie Montaigne. 1990 McGill, Douglas C. Effigy Tumuli: The Reemergence of Ancient Mound Building. New York: Harry N. Abrams, Inc. Amagasaki, Kikuko. Pharmakon ’90. Tokyo: Nippon Convention Center, Makuhari Messe. Whitney, David. Michael Heizer. London: Waddington Galleries Limited. 1989 de Lima-Green, Alison. For the Collector: Important 20th Century Sculpture. Houston: Meredith Long & Company. Sundell, Nina Castelli. The Turning Point: Art and Politics in Nineteen Sixty-Eight. Cleveland: Cleveland Center for Contemporary Art. Crone, Rainer and David Moos. Objet, Objectif: Relecture des Choses dans La Sculpture Contemporaine. Paris: Galerie Daniel Templon. 20 Jahre Internationale Kunstmesse Basel. Düsseldorf: Galerie Hans Mayer. 1988 Fine, Ruth E. Michael Heizer: New Sculpture. Nagoya: Akira Ikeda Gallery. Phillips, Lisa and Tom Armstrong. Vital Signs: Organic Abstraction from the Permanent Collection. New York: Whitney Museum of American Art. Friedman, Martin L, Douglas Dreishpoon, Peter W. Boswell, Donna Harkavy, et al. Sculpture Inside Outside. Minneapolis: Walker Art Center. 1987 Kardon, Janet. 1967: At the Crossroads. Philadelphia: Institute of Contemporary Art, University of Pennsylvania. Scott, Wilford, W. American Drawing and Watercolors of the Twentieth Century: Selection from the Whitney Museum of American Art. Washington, D.C.: National Gallery of Art. 1986 Ackley, Clifford S. 70s into 80s: Printmaking Now. Boston: Museum of Fine Arts, Boston. Daniel, Malcolm and Sam Hunter. American Renaissance: Painting and Sculpture since 1940. Fort Lauderdale, FL: Museum of Art W W W . G A G O S I A N . C O M G A G O S I A N Linker, Kate and Howard Singerman. Individuals: A Selected History of Contemporary Art: 1943–1986. Los Angeles: The Museum of Contemporary Art. Heiferman, Marvin. The Real Big Picture. Flushing: Queens Museum of Art. 1985 Whitney, David. Michael Heizer: Dragged Mass Geometric. New York: Whitney Museum of American Art. Camfield, William A. Michael Heizer, 45°, 90°, 180°: A Sculpture for Rice University. Houston: Rice University. Metzger, Robert. A Second Talent: Painters and Sculptors Who Are Also Photographers. Ridgefield, CT: Aldrich Museum of Contemporary Art. Kuspit, Donald and Phyllis Tuchman. The Maximal Implications of the Minimal Line. Annandale-on-Hudson, NY: Edith C. Blum Art Institute, Bard College Center. 1984 Brown, Julia and Barbara Heizer. Michael Heizer: Sculpture in Reverse. Los Angeles: The Museum of Contemporary Art. Fine, Ruth E. Gemini G.E.L. Art and Collaboration. Washington, D.C.: National Gallery of Art. Bellman, David and Phyllis Lambert. Drawings by Sculptors: Two Decades of Non- Objective Art in the Seagram Collection. New York: J. E. Seagram. 1983 Parente, Janice and Phillis Stigliano. Sculpture: The Tradition in Steel. Roslyn Harbor: Nassau, New York: Nassau County Museum of Fine Art. Geldzahler, Henry. American Accents. Toronto, ON, Canada: Rothmans of Pall Mall Canada Limited. In Honor of de Kooning. New York: Xavier Fourcade Inc. 1982 Anderson, Richard E. PostMINIMALism. Ridgefield, CT: Aldrich Museum of Contemporary Art. Twenty American Artists: Sculpture 1982. San Francisco: San Francisco Museum of Modern Art. 1981 Cathcart, Linda L. The Americans: The Landscape. Houston: Contemporary Arts Museum. Billeter, Erika. Mythos and Ritual. Zurich: Kunsthaus Zurich. 1980 Cowart, Jack. Currents 7: Michael Heizer. St. Louis, The St. Louis Art Museum. Growdon, Marcia Cohn. Artists in the American Desert. Reno: Sierra Nevada Museum of Art. Kardon, Janet. Urban Encounters: Art Architecture Audience. Philadelphia: Institute of Contemporary Art. Monneret, Jean. L'Amérique aux Indépendants, 1944-1980: 91ème Exposition, Société des Artistes Indépendants. Paris: Grand-Palais des Champs-Elysées. 1979 Felix, Zdenek. Michael Heizer. Essen: Museum Folkwang; Otterlo: Rijksmuseum Kroller-Muller. Rorimer, Anne. Seventy-Third American Exhibition. Chicago: Art Institute of Chicago. 1978 Froment, Jean-Louis. Sculpture/Nature. Bordeaux, Centre d’Arts Plastiques Contemporains de Bordeaux. Bassett, Hilary D. Painting and Sculpture Today, 1978. Indianapolis: Indianapolis Museum of Art. 1977 Weiermair, Peter. Michael Heizer. Munich: Galerie im Taxispalais. Beardsley, John. Probing the Earth: Contemporary Land Projects. Washington D.C.: Hirshhorn Museum and Sculpture Garden. Armstrong, Tom. Barbara Haskell, Patterson Sims and Marcia Tucker. 1977 Biennial Exhibition: Whitney Museum of American Art. New York: Whitney Museum of American Art. 1976 Rose, Bernice. Drawing Now. New York: The Museum of Modern Art. W W W . G A G O S I A N . C O M G A G O S I A N Armstrong, Tom, Wayne Craven, Norman Feder, Barbara Haskell, Rosalind E. Krauss, Daniel Robbins, Marcia Tucker. 200 Years of American Sculpture. New York: Whitney Museum of American Art. 1975 Wedewer, Rolf and Rolf Ricke. USA Zeichnungen. Leverkusen: Städtisches Museum Schloss Morsbroich. 1974 Speyer, James. Seventy-First American Exhibition. Chicago: Art Institute of Chicago. Art Now ’74. Washington D.C.: The John F. Kennedy Center for the Performing Arts.SZ 1973 Solomon, Elke. American Drawings 1963–1973. New York: Whitney Museum of American Art. Ginsburg, Susan. 3D into 2D: Drawing for Sculpture. New York: New York Cultural Center in association with Fairleigh Dickinson University. 1972 Hefting, Paul H. and Rudi Oxenaar. Diagrams and Drawings. Otterlo: Rijksmuseum Kroller-Muller. Koefoed, Flemming, Cindy Nemser, Francois Pluchart, P. Adams Sitney, and Robert Smithson. Projektion. Humlebæk, Denmark: Louisiana Museum of Modern Art. 1971 Heizer, Michael. Michael Heizer/Actual Size. Detroit: Detroit Institute of Arts. Earth, Air, Fire, Water: