New Collector Trends in Art & Finance
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Killing of William Browder
THE KILLING OF WILLIAM BROWDER THE KILLING OF WILLIAM BROWDER Bill Browder, the fa lse crusader for justice and human rights and the self - styled No. 1 enemy of Vladimir Putin has perpetrated a brazen and dangerous deception upon the Weste rn world. This book traces the anatomy of this deception, unmasking the powerful forces that are pushing the West ern world toward yet another great war with Russia. ALEX KRAINER EQUILIBRIUM MONACO First published in Monaco in 20 17 Copyright © 201 7 by Alex Krainer ISBN 978 - 2 - 9556923 - 2 - 5 Material contained in this book may be reproduced with permission from its author and/or publisher, except for attributed brief quotations Cover page design, content editing a nd copy editing by Alex Krainer. Set in Times New Roman, book title in Imprint MT shadow To the people of Russia and the United States wh o together, hold the keys to the future of humanity. Enlighten the people generally, and tyranny and oppressions of body and mind will vanish like the evil spirits at the dawn of day. Thomas Jefferson Table of Contents 1. Bill Browder and I ................................ ................................ ............... 1 Browder’s 2005 presentation in Monaco ................................ .............. 2 Harvard club presentation in 2010 ................................ ........................ 3 Ru ssophobia and Putin - bashing in the West ................................ ......... 4 Red notice ................................ ................................ ............................ 6 Reading -
Michael Heizer Selected Bibliography
G A G O S I A N Michael Heizer Selected Bibliography Selected Books and Catalogues: 2019 Fox, William. Michael Heizer: The Once and Future Monuments. New York: Monacelli Press. 2017 Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Boston: MIT Press. Celant, Germano and Chiara Costa. Virginia Dwan: Dwan Gallery. Lausanne: Skira. 2015 Fine, Ruth E., Kara Vander Weg and Michael Heizer. Michael Heizer: Altars. New York: Gagosian Gallery. 2014 Cameron, Dan. The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of Art. Kaz, Leonel, ed. Inusitada Coleção De Sylvio Perlstein. São Paolo: Museu de Arte de São Paolo Assis Chateaubriand. 2013 Allen, Gwen L., Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, et al. When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada. 2012 Lippard, Lucy R. and Jeff Khonsary. 4,492,040 (1969–74). Vancouver: New Documents 2010 Jensen, Susanne, Susanne Lenze, and Reinhard Onnasch. “Michael Heizer: Untitled.” In Nineteen Artists. Berlin: El Sourdog Hex; Bielefeld, Germany: Kerber Verlag. 2011 Reifenscheid, Beate. Die Letzte Freiheit: Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. Milan: Silvana. 2010 Goldman, Judith. Robert & Ethel Scull: Portrait of a Collection. New York: Acquavella Gallery. Marcoci, Roxana, ed. The Original Copy: Photography of Sculpture, 1839 to Today. New York: Museum Of Modern Art. 2009 Grabner, Roman, Thomas Kellein, and Felicitas von Richthofen. 1968: Die Große Unschuld. Cologne: DuMont. 2008 Semff, Michael. Künstler Zeichnen. Sammler Stiften, 250 Jahre Staatliche Graphische Sammlung München. Ostfildern, Germany: Hatje Cantz. Lara, Cathy, ed. -
George Soros
Click here for Full Issue of EIR Volume 23, Number 44, November 1, 1996 �ITffiInvestigation The secret financial network behind \vizard' George Soros by William Engdahl The dossier that follows is based upon a report released on . Following the crisis of the European Exchange Rate Oct. 1 by EIR's bureau 'in Wiesbaden, Germany, titled "A Mechanism of September 1992, when the Bank of England Profile of Mega-Speculator George Soros." Research was was forced to abandon efforts to stabilize the pound sterling, contributed by Mark Burdman, Elisabeth Hellenbroich, a little-known financial figure emerged from the shadows, to Paolo Raimondi, and Scott Thompson. boast that he had personally made over $1 billion in specula tion against the British pound. The speculator was the Hun Time magazine has characterized financier George Soros as garian-born George Soros, who spent the war in Hungary a "modem day Robin Hood," who robs from the rich to give under false papers working for the pro-Nazi government, to the poor countries of easternEurope and Russia. It claimed identifying and expropriating the property of wealthy fellow that Soros makes huge financial gains by speculating against Jews. Soros left Hungary afterthe war, and established Amer western central banks, in order to use his profits to help the ican citizenship after some years in London. Today, Soros is emerging post-communist economies of eastern Europe and based in New York, but that tells little, if anything, of who former Soviet Union, to assist them to create what he calls an and what he is. "Open Society." The Time statement is entirely accurate in Following his impressive claims to possession of a "Mi the first part, and entirely inaccurate in the second. -
Robert Longo
ROBERT LONGO Born in 1953 in Brooklyn, New York Lives in New York, New York EDUCATION 1975 BFA State University College, Buffalo, New York SELECTED ONE-PERSON EXHIBITIONS 2021 A House Divided, Guild Hall, East Hampton, New York 2020 Storm of Hope, Jeffrey Deitch, Los Angeles 2019 Amerika, Metro Pictures, New York Fugitive Images, Metro Pictures, New York When Heaven and Hell Change Places, Hall Art Foundation | Schloss Derneburg Museum, Germany 2018 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Deichtorhallen Hamburg Them and Us, Metro Pictures, New York Everything Falls Apart, Capitan Petzel, Berlin 2017 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Brooklyn Museum (cat.) Sara Hilden Art Museum, Tampere, Finland (cat.) The Destroyer Cycle, Metro Pictures, New York Let the Frame of Things Disjoint, Thaddaeus Ropac, London (cat.) 2016 Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Garage Museum of Contemporary Art, Moscow (cat.) Luminous Discontent, Galerie Thaddaeus Ropac, Paris (cat.) 2015 ‘The Intervention of Zero (After Malevich),’ 1991, Galerie Hans Mayer, Düsseldorf 2014 Gang of Cosmos, Metro Pictures, New York (cat.) Strike the Sun, Petzel Gallery, New York 2013 The Capitol Project, Aldrich Contemporary Art Museum, Ridgefield, Connecticut Phantom Vessels, Galerie Thaddaeus Ropac, Salzburg, Austria 2012 Stand, Capitain Petzel, Berlin (cat.) Men in the Cities: Fifteen Photographs 1980/2012, Schirmer/Mosel Showroom, Munich 2011 God Machines, Galerie Thaddaeus Ropac, Paris (cat.) Mysterious Heart Galería -
Donors 2015-2016 the Museum of Modern Art Moma PS1
Donors 2015-2016 The Museum of Modern Art MoMA PS1 1 Trustees of The Museum of Modern Art Jerry I. Speyer Glenn Dubin Joan Tisch Chairman John Elkann Edgar Wachenheim III Laurence Fink Leon D. Black Glenn Fuhrman Honorary Trustees Co-Chairman Kathleen Fuld Lin Arison Howard Gardner Mrs. Jan Cowles Marie-Josée Kravis Anne Dias Griffin Lewis B. Cullman President Mimi Haas H.R.H. Duke Franz of Bavaria Alexandra A. Herzan Maurice R. Greenberg Sid R. Bass Marlene Hess Wynton Marsalis Mimi Haas Ronnie Heyman Richard E. Oldenburg* Marlene Hess AC Hudgins Lord Rogers of Riverside Richard E. Salomon Jill Kraus Ted Sann Vice Chairmen Marie-Josée Kravis Gilbert Silverman Ronald S. Lauder Yoshio Taniguchi Glenn D. Lowry Thomas H. Lee Eugene V. Thaw Director Michael Lynne Khalil Gibran Muhammad *Director Emeritus Richard E. Salomon Philip S. Niarchos Treasurer James G. Niven Ex-Officio Peter Norton Glenn D. Lowry James Gara Daniel S. Och Director Assistant Treasurer Maja Oeri Michael S. Ovitz Agnes Gund Patty Lipshutz Ronald O. Perelman Chairman of the Board of MoMA PS1 Secretary David Rockefeller, Jr. Sharon Percy Rockefeller Sharon Percy Rockefeller David Rockefeller Richard E. Salomon President of the International Council Honorary Chairman Marcus Samuelsson Anna Deavere Smith Thomas R. Osborne Ronald S. Lauder Jerry I. Speyer Ann Schaffer Honorary Chairman Ricardo Steinbruch Co-Chairmen of The Contemporary Daniel Sundheim Arts Council Robert B. Menschel Alice M. Tisch Chairman Emeritus Gary Winnick Bill de Blasio Mayor of the City of New York Agnes Gund Life Trustees President Emerita Eli Broad Gabrielle Fialkoff Douglas S. -
Israel: Safra and Friends Are Under Pressure
Click here for Full Issue of EIR Volume 23, Number 3, January 12, 1996 Israel ness associate and Israeli businessman Jack Nasser. If Nasser were to win his case, Safra would lose control of FIBI, his only foothold inIsrael. According to legal sources close to the case, Nasser claims that he purchased a controlling interest in FIBI in 1986, and transferred ownership to the Safra brothers in 1990 as part of a deal with Edmond Safra. Nasser claims that he, Safra and friends in effect, fronted for the Safras in 1986, because the Safras could not buy the bank openly because of their partnership at are under pressure that time with American Express Corp. in the Geneva-based Trade Development Bank. The latter recognized the Arab boycott ofIsrael and refused to enter the Israeli market. By by Dean Andromidas 1990, Safra had dissolved his partnership with American Express and, according to the agreement with Nasser, took In the last week of December, IsraeliInterior Minister Haim control of FIBI shares in an mutually agreed upon arrange Ramon barred entry into Israel of seven U. S. -based right ment arbitrated by Geneva-based lawyer Charles Junod. Nas wing extremists. Among those barred were five members of ser now claims that Junot did not act as a neutral mediator, the outlawed Jewish Defense League, as well as Bizad but purely in Safra's interest. Junot is currently a member of Cohen, who was excluded for "supporting extremist organi the board of directors of Republic National Bank Switzer zations that have been outlawed inIsrae l. -
40Th FREE with Orders Over
By Appointment To H.R.H. The Duke Of Edinburgh Booksellers London Est. 1978 www.bibliophilebooks.com ISSN 1478-064X CATALOGUE NO. 366 OCT 2018 PAGE PAGE 18 The Night 18 * Before FREE with orders over £40 Christmas A 3-D Pop- BIBLIOPHILE Up Advent th Calendar 40 with ANNIVERSARY stickers PEN 1978-2018 Christmas 84496, £3.50 (*excluding P&P, Books pages 19-20 84760 £23.84 now £7 84872 £4.50 Page 17 84834 £14.99 now £6.50UK only) 84459 £7.99 now £5 84903 Set of 3 only £4 84138 £9.99 now £6.50 HISTORY Books Make Lovely Gifts… For Family & Friends (or Yourself!) Bibliophile has once again this year Let us help you find a book on any topic 84674 RUSSIA OF THE devised helpful categories to make useful you may want by phone and we’ll TSARS by Peter Waldron Including a wallet of facsimile suggestions for bargain-priced gift buying research our database of 3400 titles! documents, this chunky book in the Thames and Hudson series of this year. The gift sections are Stocking FREE RUBY ANNIVERSARY PEN WHEN YOU History Files is a beautifully illustrated miracle of concise Fillers under a fiver, Children’s gift ideas SPEND OVER £40 (automatically added to narration, starting with the (in Children’s), £5-£20 gift ideas, Luxury orders even online when you reach this). development of the first Russian state, Rus, in the 9th century. tomes £20-£250 and our Yuletide books Happy Reading, Unlike other European countries, Russia did not have to selection. -
KHB Pressrelease Prize of the Boettcherstraße 2014
PRESS RELEASE Bremen, July 2014 Prize of the Böttcherstraße in Bremen 2014 Kunsthalle Bremen, Am Wall 207, 28195 Bremen, Germany, http://www.kunsthalle-bremen.de/home-en/ Exhibition date s: 19 July to 5 Oc tober 2014 Press conference: Thursday, 17 July 2014, 11.00 Opening: Friday, 18 July 2014, 19.00 Award ceremony: Sunday, 21 September 2014, 11.00 Contact: Dr Eva Hausdorf (Curator), Julia Bunnemann (Assistant Curator) TTThisThis year tthehe “Kuns“Kunstpreistpreis der Böttcherstraße in Bremen” (Prize of the BöttcheBöttcherstraßerstraße in BremenBremen)) will be awarded for the 44th time and is celebrating its 60th anniversary. From 19 July to 5 October 2014, thethethe Kunsthalle Bremen will preprepresentpre sent ten young and promipromisingsing positions ininin contemporcontemporaryary art. In recent weeksweeks,,,, distinguished curators such as Mario Codognato, Hans Ulrich Obrist and Susanne Pfeffer have nominated ten artists from the GermanGerman----speakingspeaking areaarea.... The Prize of the Böttcherstraße in Bremen is among the leading and highest awards in the field of contemporary art in Germany. The competition features 30,000 Euro in prize money and, in 2014, it will be held for the 44th time and celebrate its 60th anniversary. Since 1985 the prize has been presented in the Kunsthalle Bremen with the support of the Donors’ Circle (Stifterkreis) of the Kunstverein in Bremen (Bremen Art Association). They have also made possible the purchase of a work by each of the prize’s winners. The Kunsthalle Bremen has thus been able to expand its collection through significant works by Martin Honert, Ólafur Elíasson, Wolfgang Tillmans, Tino Sehgal, Ulla von Brandenburg and Thea Djordjadze, among others. -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Marianne Stockebrand Respect Nature Was of the Highest Order
This talk was first given in the German original in Septem- ber 2011 at the Pinakothek der Moderne, Munich, then in its English translation in Marfa on May 12, 2012, and is here pub- lished in a slightly edited version. To speak of “The Whole Judd” is of course an incredible decla- ration and one that can only be justified as a headline. Never- theless, I intend to move beyond the stereotype of the “artist of boxes” in order to outline a more complex figure. Donald Judd was highly productive, and in many diferent areas. He started out as a painter, moved on to three-dimen- sional objects, made prints throughout his life, drew prolifi- cally, wrote exhibition reviews and essays, practiced architec- ture (although he didn’t call himself an architect because he didn’t have a license) and renovated first his own building in New York and subsequently his residence in Marfa, Texas, and finally founded a museum—the Chinati Foundation—also in Marfa. In addition to the completed architectural projects there are a large number of unrealized ones that exist only in the form of sketches and plans. He designed furniture, which he considered part of his architecture. The first pieces were made purely for personal use because nothing suitable was available for purchase in West Texas; later the range of designs was expanded to include tableware, textiles, jewelry, and so on. Finally, Judd also ranched, and in this capacity served as a guardian of the landscape. He purchased large parcels of land not far from Marfa and kept only a small number of cattle because the land had been overgrazed and needed to rest. -
“Just What Was It That Made U.S. Art So Different, So Appealing?”
“JUST WHAT WAS IT THAT MADE U.S. ART SO DIFFERENT, SO APPEALING?”: CASE STUDIES OF THE CRITICAL RECEPTION OF AMERICAN AVANT-GARDE PAINTING IN LONDON, 1950-1964 by FRANK G. SPICER III Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. Ellen G. Landau Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May, 2009 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Frank G. Spicer III ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Dr. Ellen G. Landau (signed)_______________________________________________ (chair of the committee) ________________________________________________Dr. Anne Helmreich Dr. Henry Adams ________________________________________________ Dr. Kurt Koenigsberger ________________________________________________ ________________________________________________ ________________________________________________ December 18, 2008 (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents List of Figures 2 Acknowledgements 7 Abstract 12 Introduction 14 Chapter I. Historiography of Secondary Literature 23 II. The London Milieu 49 III. The Early Period: 1946/1950-55 73 IV. The Middle Period: 1956-59: Part 1, The Tate 94 V. The Middle Period: 1956-59: Part 2 127 VI. The Later Period: 1960-1962 171 VII. The Later Period: 1963-64: Part 1 213 VIII. The Later Period: 1963-64: Part 2 250 Concluding Remarks 286 Figures 299 Bibliography 384 1 List of Figures Fig. 1 Richard Hamilton Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) Fig. 2 Modern Art in the United States Catalogue Cover Fig. 3 The New American Painting Catalogue Cover Fig. -
MUSEUM ART Winter Issue 2019
& MUSEUM ART Winter Issue 2019 SPECTRUM MIAMI & RED DOT MIAMI Security. Integrity. Discretion. STORAGE MOVING SHIPPING INSTALLATION London | Paris | Côte d’Azur | New York | Los Angeles | Miami | Chicago | Dubai +44 (0) 208 023 6540 [email protected] www.cadogantate.com 47059 LEX Cadogan Tate A4 Page Advert V2.indd 1 17/06/2019 15:18 CONTENTS 12 ART DUE DILIGENCE PANEL 14 The Ritossa Family Office Summit Dubai under the patronage of Sheikh Ahmed Al Maktoum ART ON BOARD Art on board Superyachts 04 24 SPECTRUM MIAMI & RED DOT MIAMI Modigliani and His Muses Cover image: Artblend - Timothy Rives Rash II CEO & Editor Siruli Studio WELCOME Modigliani Institute in Korea ART & MUSEUM Magazine and will also appear at many of the largest finance, banking and Family MAGAZINE Office Events around the World. Welcome to Art & Museum Magazine. This Media Kit. - www.ourmediakit.co.uk publication is a supplement for Family Office Magazine, the only publication in the world We recently formed several strategic dedicated to the Family Office space. We have partnerships with organisations including 16 a readership of over 46,000 comprising of some The British Art Fair and Russian Art of the wealthiest people in the world and their Week. Prior to this we have attended and advisors. Many have a keen interest in the arts, covered many other international art fairs some are connoisseurs and other are investors. and exhibitions for our other publications. Many people do not understand the role of We are very receptive to new ideas for a Family Office. This is traditionally a private stories and editorials.