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Black and Blue: Police-Community Relations in Portland's Albina
LEANNE C. SERBULO & KAREN J. GIBSON Black and Blue Police-Community Relations in Portland’s Albina District, 1964–1985 It appears that there is sufficient evidence to believe that the Portland Police Department indulges in stop and frisk practices in Albina. They seem to feel that they have the right to stop and frisk someone because his skin is black and he is in the black part of town. — Attorney commenting in City Club of Portland’s Report on Law Enforcement, 1981 DURING THE 1960s, institutionalized discrimination, unemployment, and police brutality fueled inter-racial tensions in cities across America, including Portland, Oregon. Riots became more frequent, often resulting in death and destruction. Pres. Lyndon Johnson’s National Advisory Com- mission on Civil Disorders issued in early 198 what became known as the “Kerner Report,” which declared that the nation was “moving toward two societies, one black, one white — separate and unequal.”2 Later that year, the City Club of Portland published a document titled Report on Problems of Racial Justice in Portland, its own version of the national study. The report documented evidence of racial discrimination in numerous institutions, including the police bureau. The section “Police Policies, Attitudes, and Practices” began with the following statement: The Mayor and the Chief of Police have indicated that in their opinions the Kerner Report is not applicable to Portland. Satisfactory police-citizen relations are not likely to be achieved as a reality in Portland in the absence of a fundamental change in the philosophy of the officials who formulate policy for the police bureau. -
JOURNAL of the AMERICAN HORTICULTURAL SOCIETY, INC. July 1966 AMERICAN HORTICULTURAL SOCIETY
~GAZ.NE JOURNAL OF THE AMERICAN HORTICULTURAL SOCIETY, INC. July 1966 AMERICAN HORTICULTURAL SOCIETY 1600 BLA DENSBURG ROA D, N O RT H EAST / W ASHIN GTON, D. c. 20002 Fo r United H orticulture *** to accum ula te, inaease, and disseminate horticultural information Editorial Committee Directors T erms Expi?'i71 g 1966 FRANCIS DE V OS, Cha irman J. H AROLD CLARKE J O H N L. CREECH Washingtoll FREDERIC P. LEE FREDERIC P. LEE Maryland CARLTON P. LEES CO~ R A D B. LI NK Massachusetts R USSELL J. S EIBERT FREnERICK C . M EYER Pennsylvan ia D ONALD WATSON WILBUR H. YOUNGMAN H awaii T erms Ex pi?'ing 1967 MRS. ROBERT L. E MERY, JR. o [ficers Louisiana A. C. HILDRETH PRESIDENT Colorado D AVID L EACH J OH N H . '''' ALKER Pennsylvania A lexand?'ia, Vi?'ginia CHARLES C . MEYER New York F IR ST VICE· PRESIDENT MRS. STANLEY ROWE Ohio F RED C. CALLE Pill e M ountain, Geo?-gia T erms Expi?-ing 1968 F RANCIS DE V OS M aryland SECON D VI CE-PRESIDENT MRS. E LSA U. K NOLL TOM D . T HROCKMORTON California Des ili/oines, I owa V ICTOR RIES Ohio S TEWART D. " ' INN ACTI NG SECRETARY·TREASURER GRACE P. 'WILSON R OBE RT WINTZ Bladensburg, Maryland Illinois The A merican Horticultural Magazine is the official publication of the American Horticultural Society and is issued four times a year during the quarters commencing with January, April, July and October. It is devoted to the dissemination of knowledge in the science and art of growing ornamental plants, fruits, vegetables, and related subjects. -
Taking Th Long
UNIVERSITY OF ALASKA FAIRBANKS For alumni and friends of the University of Alaska Fairbanks Spring 2012 P.O. Box 757505 Fairbanks, AK 99775-7505 WW W.UAF.EDU CENTENNIAL Pictures from the past record our history, counting down the years to the centennial, 1917 – 2017. Далеко од куће UAF students from foreign countries carry 遥かなる故郷 their nations’ flags as they march down the steps at Wood Center during the 1984 Tomando el camino largo a casa Ceremony of Flags (see page 6 for related story). Some of the businesses listed on the left- hand banner are still around. The Soviet Union (top of banner, on right), of course, is not. अंत नाही हया पथास, तरीही नेई मज घरास Taking the long way home TM Photo courtesy of University Relations Collection, 96-063-172, Archives, University of Alaska Fairbanks. Journey of the seal stone • Arctic sage, rosemary and thyme • Position of privilege For alumni and friends of the University of Alaska Fairbanks Spring 2012 Далеко од куће 遥かなる故郷 Tomando el camino largo a casa अंत नाही हया पथास, तरीही नेई मज घरास Taking the long way home TM Journey of the seal stone • Arctic sage, rosemary and thyme • Position of privilege Letters to the editor What Tom O’Farrell, ’60, seems to be saying in his letter As an advocate of “think globally, eat locally” I was [fall 2011] regarding academic freedom [spring 2011] and heartened by the article “The Future of Alaska Food” in Project Chariot is that the facts according to AEC (since the spring 2011 edition of Aurora. -
Great Cloud of Witnesses.Indd
A Great Cloud of Witnesses i ii A Great Cloud of Witnesses A Calendar of Commemorations iii Copyright © 2016 by The Domestic and Foreign Missionary Society of The Protestant Episcopal Church in the United States of America Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction for sale of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Cover design and typesetting by Linda Brooks ISBN-13: 978-0-89869-962-3 (binder) ISBN-13: 978-0-89869-966-1 (pbk.) ISBN-13: 978-0-89869-963-0 (ebook) Church Publishing, Incorporated. 19 East 34th Street New York, New York 10016 www.churchpublishing.org iv Contents Introduction vii On Commemorations and the Book of Common Prayer viii On the Making of Saints x How to Use These Materials xiii Commemorations Calendar of Commemorations Commemorations Appendix a1 Commons of Saints and Propers for Various Occasions a5 Commons of Saints a7 Various Occasions from the Book of Common Prayer a37 New Propers for Various Occasions a63 Guidelines for Continuing Alteration of the Calendar a71 Criteria for Additions to A Great Cloud of Witnesses a73 Procedures for Local Calendars and Memorials a75 Procedures for Churchwide Recognition a76 Procedures to Remove Commemorations a77 v vi Introduction This volume, A Great Cloud of Witnesses, is a further step in the development of liturgical commemorations within the life of The Episcopal Church. These developments fall under three categories. First, this volume presents a wide array of possible commemorations for individuals and congregations to observe. -
Cairns Part E the Rainforest City Cairns Master Plan City Centre
CAIRNS PART E THE RAINFOREST CITY CAIRNS MASTER PLAN CITY CENTRE CAIRNS PART E THE RAINFOREST CITY CAIRNS MASTER PLAN CITY CENTRE August 2014 - Cairns Regional Council 119-145 Spence Street - PO Box 359 - Cairns - QLD 4870 Ph: (07)4044 3044 F: (07)4044 3022 E: [email protected] This document is available on the Cairns Regional Council website: www.cairns.qld.gov.au Acknowledgements This document would not have been possible without the collaborative efforts of a number of people and organisations. Cairns Regional Council would like to thank all contributors for their involvement, passion and valuable contributions to this section of the master plan. We would particularly like to thank Architectus for allowing us to use their material and imagery; and acknowledge their valuable contribution to the preparation of this document. References Cairns City Centre Master Plan Report October 2011 (Architectus) The Project Team includes the following Council officers: Brett Spencer Manager Parks and Leisure Helius Visser Manager Infrastructure Management Malcolm Robertson Manager Inner City Facilities Debbie Wellington Team Leader Strategic Planning Jez Clark Senior Landscape Architect Claire Burton Landscape Architect C CONTENTS 1.0 INTRODUCTION............................................ 10 1.1 What is the purpose of this document? ...................................10 1.2 What area does this document cover? ....................................10 1.3 Who will use this document?.....................................................12 1.4 -
FPL. Juno Beach, FL 33408-0420 • (561) 304-5795 (561) 691-7135 (Facsimile) E-Mail: [email protected]
FILED 1/10/2020 DOCUMENT NO. 00189-2020 FPSC - COMMISSION CLERK Maria Jose Moncada Senior Attorney Florida Power & Light Company 700 Universe Boulevard FPL. Juno Beach, FL 33408-0420 • (561) 304-5795 (561) 691-7135 (Facsimile) E-mail: [email protected] January 10, 2020 VIA HAND DELIVERY Mr. Adam Teitzman ,.. ~ Division of the Commission Clerk and Administrative Services c:- -~ ~ -A.J ' rn Florida Public Service Commission .. ,, c._ ,.-) 2540 Shumard Oak Blvd. ~ ~ r- :< -:e rn Tallahassee, FL 32399-0850 - - , <~ ~1 :._: C) rTl !.. } 0 Re: -- t' -,:, Docket No. 20190061-EI REDACTED r") == -{, I. u '-:-? C/) Dear Mr. Teitzman: .....:-- C) I enclose for filing in the above docket Florida Power & Light Company's ( 'FPL' s ') Request for Confidential Classification of Information Provided in the Deposition Transcript of William F. Brannen. The request includes Exhibits A, B (two copies), C and D. Exhibit A consists of Competitive Development Information confidential documents, and all the information that FPL asserts is entitled to confidential treatment has been highlighted. Exhibit B is an edited version of Exhibit A, in which the information FPL asserts is confidential has been redacted. Exhibit C is a justification table in support of FPL' s Request for Confidential Classification. Exhibit D contains a declaration in support of FPL's request. Please contact me if you or your Staff has any questions regarding this filing. COM_ AFD _ AP~. ECO _ ~~h 6 Maria J. Moncada GCL !OM CU< - Enclosure cc: Counsel for Parties of Record (w/ copy of FPL' s Request for Confidential Classification) BEFORE THE FLORIDA PUBLIC SERVICE COMMISSION In re: Petition for approval of FPL Solar Docket No: 20190061-EI Together Program and Tariff, by Florida Power & Light Company Date: January 10, 2019 FLORIDA POWER & LIGHT COMPANY'S REQUEST FOR CONFIDENTIAL CLASSIFICATION OF INFORMA1IONPROVIDEDINTIIEDEPOSIIION1RANSCRIPfOF WILLIAM F. -
The Social and Environmental Turn in Late 20Th Century Art
THE SOCIAL AND ENVIRONMENTAL TURN IN LATE 20TH CENTURY ART: A CASE STUDY OF HELEN AND NEWTON HARRISON AFTER MODERNISM A DISSERTATION SUBMITTED TO THE PROGRAM IN MODERN THOUGHT AND LITERATURE AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LAURA CASSIDY ROGERS JUNE 2017 © 2017 by Laura Cassidy Rogers. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial-Share Alike 3.0 United States License. http://creativecommons.org/licenses/by-nc-sa/3.0/us/ This dissertation is online at: http://purl.stanford.edu/gy939rt6115 Includes supplemental files: 1. (Rogers_Circular Dendrogram.pdf) 2. (Rogers_Table_1_Primary.pdf) 3. (Rogers_Table_2_Projects.pdf) 4. (Rogers_Table_3_Places.pdf) 5. (Rogers_Table_4_People.pdf) 6. (Rogers_Table_5_Institutions.pdf) 7. (Rogers_Table_6_Media.pdf) 8. (Rogers_Table_7_Topics.pdf) 9. (Rogers_Table_8_ExhibitionsPerformances.pdf) 10. (Rogers_Table_9_Acquisitions.pdf) ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Zephyr Frank, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Gail Wight I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ursula Heise Approved for the Stanford University Committee on Graduate Studies. Patricia J. -
Hour by Hour!
Volume 13 Issue 158 HIPFiSHmonthlyHIPFiSHmonthly March 2012 thethe columbiacolumbia pacificpacific region’sregion’s freefree alternativealternative ERIN HOFSETH A new form of Feminism PG. 4 pg. 8 on A NATURALIZEDWOMAN by William Ham InvestLOWER Your hourTime!COLUMBIA by hour! TIME BANK A NEW community RESOURCE by Lynn Hadley PG. 14 I’LL TRADE ACCOUNTNG ! ! A TALE OF TWO Watt TRIBALChildress CANOES& David Stowe PG. 12 CSA TIME pg. 10 SECOND SATURDAY ARTWALK OPEN MARCH 10. COME IN 10–7 DAILY Showcasing one-of-a-kind vintage finn kimonos. Drop in for styling tips on ware how to incorporate these wearable works-of-art into your wardrobe. A LADIES’ Come See CLOTHING BOUTIQUE What’s Fresh For Spring! In Historic Downtown Astoria @ 1144 COMMERCIAL ST. 503-325-8200 Open Sundays year around 11-4pm finnware.com • 503.325.5720 1116 Commercial St., Astoria Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm Why Suffer? call us today! [ KAREN KAUFMAN • Auto Accidents L.Ac. • Ph.D. •Musculoskeletal • Work Related Injuries pain and strain • Nutritional Evaluations “Stockings and Stripes” by Annette Palmer •Headaches/Allergies • Second Opinions 503.298.8815 •Gynecological Issues [email protected] NUDES DOWNTOWN covered by most insurance • Stress/emotional Issues through April 4 ASTORIA CHIROPRACTIC Original Art • Fine Craft Now Offering Acupuncture Laser Therapy! Dr. Ann Goldeen, D.C. Exceptional Jewelry 503-325-3311 &Traditional OPEN DAILY 2935 Marine Drive • Astoria 1160 Commercial Street Astoria, Oregon Chinese Medicine 503.325.1270 riverseagalleryastoria.com -
Dick Polich in Art History
ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship. -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
View PDF for This Newsletter
Newsletter No. 152 September 2012 Price: $5.00 Australasian Systematic Botany Society Newsletter 152 (September 2012) AUSTRALIAN SYSTEMATIC BOTANY SOCIETY INCORPORATED Council President Vice President Peter Weston Dale Dixon National Herbarium of New South Wales Royal Botanic Gardens Sydney Royal Botanic Gardens Sydney Mrs Macquaries Road Mrs Macquaries Road Sydney, NSW 2000 Sydney, NSW 2000 Australia Australia Tel: (02) 9231 8171 Tel: (02) 9231 8111 Fax: (02) 9241 2797 Fax: (02) 9251 7231 Email: [email protected] Email: [email protected] Treasurer Secretary Frank Zich John Clarkson Australian Tropical Herbarium Dept of National Parks, Recreation, Sport and Racing E2 building, J.C.U. Cairns Campus PO Box 156 PO Box 6811 Mareeba, QLD 4880 Cairns, Qld 4870 Australia Australia Tel: +61 7 4048 4745 Tel: (07) 4059 5014 Fax: +61 7 4092 2366 Fax: (07) 4091 8888 Email: [email protected] Email: [email protected] Councillor (Assistant Secretary - Communications Councillor Ilse Breitwieser Pina Milne Allan Herbarium National Herbarium of Victoria Landcare Research New Zealand Ltd Royal Botanic Gardens PO Box 40 Birdwood Ave Lincoln 7640 South Yarra VIC 3141 New Zealand Australia Tel: +64 3 321 9621 Tel: (03) 9252 2309 Fax: +64 3 321 9998 Fax: (03) 9252 2423 Email: [email protected] Email: [email protected] Other Constitutional Bodies Public Officer Hansjörg Eichler Research Committee Annette Wilson Bill Barker Australian Biological Resources Study Philip Garnock-Jones GPO Box 787 Betsy Jackes Canberra, ACT 2601 Greg Leach Australia Nathalie Nagalingum Christopher Quinn Affiliate Society Chair: Dale Dixon, Vice President Papua New Guinea Botanical Society Grant application closing dates: Hansjörg Eichler Research Fund: ASBS Website on March 14th and September 14th each year. -
LEE KELLY 1932 Born, Mccall, Idaho. 1959 BFA, Pacific Northwest
LEE KELLY 1932 Born, McCall, Idaho. 1959 BFA, Pacific Northwest College of Art Selected Exhibitions 2019 If Trees Could Walk, Elizabeth Leach Gallery, Portland, OR 2018 Six Decades, Elizabeth Leach Gallery, Portland, OR 2017 Winter Garden at Muktinath, Elizabeth Leach Gallery, Portland, OR Lee Kelly: Sculpture and Print, Bend Art Center, Bend, OR 2016 Eunice Parsons at 100, group exhibition, 12 x 16 Gallery, Portland, OR 2015 Observatory at Jaipur, Elizabeth Leach Gallery, Portland, OR 2014 Pavilion, Elizabeth Leach Gallery, Portland, OR 2012 Atacama, Elizabeth Leach Gallery, Portland, OR PNCA Juried Alumni Exhibition, Feldman Gallery, Portland, OR 2011 Maquettes, Elizabeth Leach Gallery, Portland, OR The Shape of the Problem, Elizabeth Leach Gallery, Portland, OR 2010 Chrome, Elizabeth Leach Gallery, Portland, OR Linda Hodges Gallery, Seattle, WA Retrospective Exhibition, Portland Art Museum, Portland, OR Goddess Revisited, Elizabeth Leach Gallery, Portland, OR 2009 Reflections of Khajuraho. Elizabeth Leach Gallery, Portland, OR 2008 Doubtful Sound, Elizabeth Leach Gallery, Portland, OR 2007 Kyoto 8, Elizabeth Leach Gallery, Portland, OR Lee Kelly: Civic Sculpture, B-Street Gallery, Portland, OR 2006 Incidents of Travel, Elizabeth Leach Gallery, Portland, OR 2005 2D From 3D, Elizabeth Leach Gallery, Portland, OR pARTners: Considerations Rather Than Constraints, Kirkland Arts Center, Kirkland, WA 25 Years of Drawing in The Art Gym, Art Gym Marylhurst University, Portland, OR Icarus Revisited: Recent Sculpture, Elizabeth Leach Gallery, Portland, OR 2004 23+ on 9th, Elizabeth Leach Gallery, Portland, OR 2002 Paintings and Sculptures from the Revolution 1958-1964, Savage Gallery, Portland, OR 1998 Memory 99 Outdoor Sculpture, Leland Iron Works and Elizabeth Leach Gallery, Portland, OR Recent Wall Sculptures, Oregon State University, Corvallis, OR Ships of Renewal and Other New Work, Elizabeth Leach Gallery, Portland, OR 1997 New Work, Elizabeth Leach Gallery, Portland, OR 1995 Career retrospective, Marylhurst College, Marylhurst, OR.