Minoan 'Horns of Consecration' with the Egyptian Symbol of the 'Horizon' Fig

Total Page:16

File Type:pdf, Size:1020Kb

Minoan 'Horns of Consecration' with the Egyptian Symbol of the 'Horizon' Fig 27 Mediterranean Archaeology and Archaeometry, Vol. 8, No. 1, pp. 27-47 Copyright © 2008 MAA Printed in Greece. All rights reserved. MINOAN ‘HORNS OF CONSECRATION’ REVISITED: A SYMBOL OF SUN WORSHIP IN PALATIAL AND POST-PALATIAL CRETE? Emilia Banou Department of History, Archaeology and Management of Cultural Commodities, Kalamata, University of Peloponnese, Greece Home Address: 8, Aghias Sophias st. 17123 Nea Smyrni, Athens Greece e-mail: [email protected] Received: 15/5/2007 Accepted: 3/10/2007 ABSTRACT In this article a previously proposed interpretation of Minoan ‘horns of consecration’ as a symbol of sun is reexamined. A clay model of ‘horns of consecration’ from the peak sanctuary of Petsophas, the results of astronomical research on Minoan peak sanctuaries, the idols of the so-called ‘Goddess with Upraised Arms” and a clay model of ‘horns of consecration’ from the Mycenaean cemetery of Tanagra are put forward as evidence for a possible adoption - or a parallel development under the influence of adjacent cultures - by the Minoans (and by the Mycenaeans, at least after 1400 B.C.) of religious notions related to the Egyptian symbols of the ‘mountain’ and the ‘horizon’, both connected with the Sun in Egyptian cosmology and religion. It is concluded that the ‘horns of consecration’ may represent a practical device as well as an abstract symbol of the Sun, a symbol of catholic importance, which embraced many aspects of Minoan religious activities as represented on Minoan iconography. KEYWORDS : Symbol of ‘mountain’, Symbol of ‘horizon’, peak sanctuaries, Goddess with Upraised Arms, bull, consecration, Minoan, Mycenaean. 28 EMILIA BANOU INTRODUCTION With this suggestion Hazzidakis threw doubt on the interpretation of In 1934, in the final publication of Evans (1901, 135), established by then, the Minoan villas at Tylissos, Joseph that the ‘horns of consecration’ Hazzidakis mentioned the discovery represented real bull horns. of four models of ‘horns of Hazzidakis was not the first to do consecration’. Driven by this find, he so. Already in 1904, Karo (127, suggested that Minoan ‘horns of Footnote 1) had denied the consecration’ might have derived from interpretation of Evans, without the Egyptian symbol of the ‘mountain’ discussing his reservations though; or the ‘horizon’, and thus have and in 1922, Gärte first associated the constituted the symbol of a Minoan Minoan ‘horns of consecration’ with sun deity. Such a deity, he continued, the Egyptian symbol of the may either not be represented in ‘mountain’. Driven by his conviction Minoan iconography, because its of the primary role of a female presence was considered evident by goddess of nature in Minoan religion, the Minoans, or it may be recognized however, he ascribed a different – and, on a seal coming probably from from his point of view, a wider - Chania and published by Evans meaning to them than that they had (Hazzidakis 1934, 101-3, Pini 1975, 156, acquired in Egyptian religion, namely Nr. 201). On this seal a male figure that of ‘land’ (81-2). The wearing a belt is depicted, floating interpretations of the aforementioned over ‘horns of consecration’ and scholars, however, did not exert any flanked by a winged goat and a influence on scholarship, which daemon (Fig. 1). continued to be dominated by the interpretation of Evans. In an article published in 1977, Powell questioned the established interpretation of the ‘horns of consecration’ as a symbolic representation of real bull horns afresh. After a short though comprehensive survey of the opinions expressed by different scholars, related one way or another to the interpretation given by Evans, he turned to an alternative approach, pointing out the similarity, observed already by Hazzidakis, between the Fig. 1. The seal from Chania with the Minoan ‘horns of consecration’ and depiction of a male figure floating over the Egyptian symbol of the ‘horizon’. horns of consecration (Pini 1975, no. 201) In Egypt, the horizon was conceived as the place from which the sun disk MINOAN ‘HORNS OF CONSECRATION’ REVISITED 29 rises between mountain peaks; and the referred to the same seal from Chania sign of the ‘horizon’ was composed by as Hazzidakis, to support his two pointed ends, interconnected at interpretation of the male figure the lower part, with a disc between depicted on it as Orion. In the second them (Fig. 2). case, in a very stimulating article, he clearly identifies the Egyptian symbol of the 'horizon' with Minoan horns of consecration and states that the latter was also used as an artificial device "to standardise the points where the solstices and equinox appeared yearly" (MacGillivray 2004, 33). Very recently, the possible connection of Minoan 'horns of consecration' with the Egyptian symbol of the 'horizon' Fig. 2. The Egyptian symbol of the reappeared in two instances ‘horizon’ (Wilkinson 1992, 134, fig. 1) (MacDonald 2005, 68-69, Moss 2005, 160, 210-213). In the former, it is merely referred to as a possibility; in Again, the attempt of Powell to the latter, it is more widely discussed direct attention to a different on the basis of general iconographic explanation of the ‘horns of similarities as well as in connection consecration’, being of a preliminary with the appearance of 'horns of character, has not exerted any consecration' on the headdress of a influence on scholarship, with only female idol from Gazi belonging to the two exceptions: Watrous (1998, 23) type of the 'Goddess with Upraised touched upon this suggestion while Arms' (see further below in this largely discussing the relations article), associated with the goddess between Crete and Egypt in the Hathor, and so, indirectly, with the beginning of the 2 nd millennium B.C.; Sun. and MacGillivray supported the same It seems, therefore, that the view in two instances, first, while interpretation of Minoan ‘horns of discussing the meaning of the consecration’ as a symbol with a Palaikastro kouros (2000, 129), and meaning similar to that ascribed to the secondly, while discussing the symbol of the ‘horizon’ by the significance of the Knossian labyrinth Egyptians deserves a fresh discussion in connection with astronomical with special reference to the observations made by the Minoans, interpretation proposed by who, he believes, used three different MacGillivray (2004); all the more so, calendars, a solar, a lunar and an that thirty years after the article of astral one, for the measurement of Powell, the origin and the significance time (2004, 331). In the first case of this important Minoan symbol indeed, MacGillivray (2000, 128, 169) 30 EMILIA BANOU remain obscure (Gesell 1985, 3, METHODOLOGY Marinatos 1993, 5). According to the aim stated above, I am going to investigate the OBJECTIVES probability of: 1) the existence and the first The aim of the present article is to appearance in the Minoan- trace the significance of Minoan ‘horns Mycenaean world of a symbol of consecration’ during the 2 nd similar to the Egyptian symbols of millennium B.C. back to parallels from the ‘mountain’ and the ‘horizon’; Egyptian cosmology and religion 2) the implications of this based on evidence from Minoan Crete probability for the character of (and Mycenaean Greece). It also Minoan religion. constitutes a working hypothesis, which, if tested on other aspects of Minoan religion, may provide a more The Egyptian paradigm cohesive picture of it than this we In Egyptian cosmology and religion, have today. the symbol of the ‘horizon’ (adjet) is A direct derivation of the Minoan closely related to the symbol of the symbol from the Egyptian one at that ‘mountain’ (djew), from an time is, however, not proposed, iconographic as well as a semantic point because the possibility of the Minoan of view: The two pointed ends of the nd symbol to have existed before the 2 former represent the two mountain millennium B.C. cannot be excluded; peaks, on the east (Bakhu) and on the Egypt, also, is not the only area in west (Manu), which support the sky, Eastern Mediterranean to search for a and resemble the mountain peaks probable origin of the symbol, surrounding the Nile valley from east although it offers the most firm and and west, respectively. By addition of lucid paradigm (see below). the solar disc between its pointed ends, Moreover, there is nothing to exclude the symbol of the ‘mountain’ is the possibility that the symbol, if transformed into the symbol of the adopted by the Minoans, may have ‘horizon’, from which the sun rises or incorporated local, semantic sets every day (Wilkinson 1992, 132- associations or dimensions (Hodder 134) (Fig. 2). 1995, 93-4), which have favored its The sun disk constitutes the acceptance; in other words, we may immediate symbol of the sun. The sun have to do with a free adaptation of an occupies a fundamental position in Egyptian symbol by the Minoans, as Egyptian pantheon since the Pre- Powell himself emphasized (1977, 73- dynastic period (Wilkinson, 1992 128- 4), or even of an idea circulating in the 129), through its successive Eastern Mediterranean in the first half associations with the gods Horus, Re of the 2nd millennium B.C. and and Amun. All three constituted consolidated in Crete during the popular variations of the Sun in the palace period. course of Egyptian history, according MINOAN ‘HORNS OF CONSECRATION’ REVISITED 31 to the religious or political power of The Minoan version different places of the Egyptian state The working hypothesis or of the preferences of its kings. underlying the present article Thus, in the period of the Middle requires, first of all, the dissociation of Kingdom (2035-1720 B.C.), Horus had Minoan ‘horns of consecration’ from already been fused with Re, who bull horns. This association goes back incorporated many aspects of him to the pioneers of prehistoric (Wilkinson 2003, 201).
Recommended publications
  • Pavlopetri, an Underwater Bronze Age Town in Laconia
    Pavlopetri, an Underwater Bronze Age Town in Laconia Author(s): Anthony Harding, Gerald Cadogan and Roger Howell Reviewed work(s): Source: The Annual of the British School at Athens, Vol. 64 (1969), pp. 113-142 Published by: British School at Athens Stable URL: http://www.jstor.org/stable/30103334 . Accessed: 25/01/2013 06:05 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. British School at Athens is collaborating with JSTOR to digitize, preserve and extend access to The Annual of the British School at Athens. http://www.jstor.org This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions Vatika Plain 3 NORTH tp ,rcP E~o Pet i~aaa~~aaa~: ,b nE kL hphod 4'0 Poriki Isles LEa Ano~ 50 VA T KA BAY "d; SSi Nt. a00, Saracenf'koSaraceniko Bay "- ovo(i1" -M 4w0 4co a50 sea depthsin fathoms 0 km 1 2 3 t 5 6 sea miles 1 2 3 0 FIG. I. PAVLOPETRI, ELAPHONISOS AND THE BAY OF M.W. 3o . 496,. This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions tika Plain NORTH NE L VAT KA BAY Mt.
    [Show full text]
  • Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
    i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods.
    [Show full text]
  • The Aegean Chapter Viii the Decorative
    H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939).
    [Show full text]
  • Hydromechanism and Desalination of Coastal Karst Aquifers: Theory and Cases Hidromehanizem in Razslanitev Obalnih Kraških Vodonosnikov: Teorija in Primeri
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZRC SAZU Publishing (Znanstvenoraziskovalni center - Slovenske akademije znanosti... COBISS: 1.01 HYDROMECHANISM AND DESALINATION OF COASTAL KARST AQUIFERS: THEORY AND CASES HIDROMEHANIZEM IN RAZSLANITEV OBALNIH KRAŠKIH VODONOSNIKOV: TEORIJA IN PRIMERI Marko BREZNIK1,2, & Franci STEINMAN1,3 Abstract UDC 556.114.5:627.8.034 Izvleček UDK 556.114.5:627.8.034 Marko Breznik & Franci Steinman: Hydromechanism and de- Marko Breznik & Franci Steinman: Hidromehanizem in razs- salination of coastal karst aquifers: Theory and Cases lanitev obalnih kraških vodonosnikov: Teorija in primeri Brackish water of coastal karst aquifers is useless. Desalination Somornica obalnih kraških vodonosnikov je neupora- methods are: interception method to capture fresh water in bna. Načini razslanjevanja so: prestrezanje sladke vode v karst massif, isolation and rise-spring-level methods to prevent kraški gmoti, izolacija vodonosnika in dvig gladine izvira za sea water inflow and reduced pumping of fresh water in dry preprečenje vtoka morske vode, ter zmanjšanje črpanja sladke periods. Four typical cases explain these methods. vode v sušnih obdobjih. Te načine pojasnjujejo štirje tipični Key words: coastal karst aquifers, desalination, methods, cases. primeri. Ključne besede: obalni kraški vodonosniki, razslanjevanje, načini, primeri. Introduction In the Ice ages were the differences between the scientists believe that the Azore islands’ anticyclone with lowest mean temperatures of the cold periods and the sunny weather has extended towards the Mediterranean. highest ones of the warm periods 5 degrees Celsius. Precipitations in the Portorož town have decreased by These differences between the lowest ones of the Ice ages 14%, during the last 50 years (Kajfež-Bogataj 2006).
    [Show full text]
  • Regional Settlement Patterns, Exchange Systems and Sources of Powerin Crete at the End of the Late Bronze Age: Establishing a Connection
    REGIONAL SETTLEMENT PATTERNS, EXCHANGE SYSTEMS AND SOURCES OF POWERIN CRETE AT THE END OF THE LATE BRONZE AGE: ESTABLISHING A CONNECTION by EUSABETTA BORGNA 1. - INTRODUCTION The traditional debate on the end of the Bronze Age and the transition to the Iron Age in Crete has been fuelled in recent years by new contributions adopting new theoretical perspectives and specific fieldwork practices, such as in particular regional surveys '. The purpose of this paper is to integrate certain recent indications with the preliminary results of a research project based on the analysis of the material culture coming from a single Late Bronze Age Cretan site, namely Phaistos in south-central Crete (Borgna 2001; 2003b, with literature). The data to be placed into a broader framework will, hopefully, serve to furnish a pattern for both the regional distribution of the population and the socio-economic relationships among the settlements and districts of Crete at the close of the Late Bronze Age. Some observations emerging from the scholarly dicussion arising out of a specific Cretan perspective, together with an Aegean Mediterranean view, have provided the investigation with theoretical premises and analytical basis. These can be summarized as follows: - In opposition to a generalizing explanation for Dark Age Crete, D. Haggis (1993; 2001; 2002) has reiterated the usefulness of a contextual analysis aiming at focusing on diversified regional realities. Furthermore, he has applied the concept of socio-economic "integration" to cultural frameworks and population layouts which, during the development of Minoan societies and in particular in the Prepalatial period, were unaffetcted by the control of central authorities.
    [Show full text]
  • The Master of Animals in Old World Iconography
    The Master of Animals in Old World Iconography Edited by DEREK B. COUNTS and BETTINA ARNOLD BUDAPEST 2010 With the generous support of the Center for Etruscan Studies, University of Massachusetts, Amherst Cover illustrations Glauberg Schnabelkanne. Landesamt für Denkmalpfl ege Hessen, Wiesbaden Volume Editor ERZSÉBET JEREM ISBN 978-963-9911-14-7 HU-ISSN 1215-9239 © The Authors and Archaeolingua Foundation All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without requesting prior permission in writing from the publisher. 2010 ARCHAEOLINGUA ALAPÍTVÁNY H-1250 Budapest, Úri u. 49 Copyediting by Julia Gaviria Desktop editing and layout by Rita Kovács Printed by Prime Rate Kft The Aegean Master of Animals: The Evidence of the Seals, Signets, and Sealings JANICE L. CROWLEY Finding the Aegean Master The most often illustrated examples in Aegean art showing the animal world and indicating humans’ power over it are the scenes of animal attack and the hunt on the fi ne inlaid niello daggers, the ornamented weapons, and the gold work from the Shaft Graves at Mycenae and in the wall paintings of the great palaces of the Late Bronze Age (LBA, all dates here follow the chronology in Olga Krzyszkowska’s seminal work, Aegean Seals: An Introduction, 2005). To these can be added representations of the Mistress and Master of Animals and fantastic creatures like the griffi n and sphinx on gold and ivory ornaments and some seals. However, when all the known seal evidence is taken into account, the picture changes enormously.
    [Show full text]
  • An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
    THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4.
    [Show full text]
  • The Story of the Great Archaeological Discoveries in Crete and Greece
    th e story of th e great archaeological discoveries in Crete and Greece CHAPTER I HOMER' AND THE HISTORIANS I AM going to assume that not all readers of this book will be specialists in Greek epic poetry or the prehistoric civilizations of the Aegean. Many perhaps will be in that vague but happy state of half-knowledge which I enjoyed before I was drawn down into the vortices of Homeric research. This is, they may know their Homer, either in the original or in one of those excellent modem transla~ons (such as that made by Mr. E. V. Rieu and publisheq in the Penguin series), they may have a working knowledge of Greek classical history and may recall that at some time in the last century someone dug up "Homer's Troy" and "Homer's Mycenae", and thus proved to every­ one's delight that the·Iliad and the Odyssey were "true". If only the facts were as simple as that! But, alas, they are not. On the other hand, even readers who have not yet read the great epic poet of Greece will be familiar with the stories, be 21 they history or legend, which Homer wove into his poems. They will have heard how the Trojan Prince, Paris, stole the lovely Helen from her husband, Menelaus of Sparta, of how ' Menelaus and his brother Agamemnon, "King of Men", led the Achaean host to Troy and laid siege to it for ten years, The wrath of Achilles; the slaying of the Trojan hero, Hector; the stratagem of the Wooden Horse, planned by the cunning Odysseus, which led to the sack of Priam's city; the long return home of the much-enduring Odysseus, the Wanderer­ all these are part of Eutope's rich heritage oflegend.
    [Show full text]
  • Kamaraki : Hainospilios “Grotte Du Hors La Loi” Καμαρακι Χαiνοσπηλιοσ
    KAMARAKI : HAINOSPILIOS “GROTTE DU HORS LA LOI” ΚΑΜΑΡΑΚΙ ΧΑIΝΟΣΠΗΛΙΟΣ Synonymes et autres transcriptions : Chainospilios, Xainospilio ; ancien nom Marmarospilios, appelé également Labyrinthos Kamarakiou ou Spilia ; Situation : près de la route Heraklion / Anogia, après Tylissos, à droite entre le carrefour pour Astiraki et le village de Gonies, près du hameau de Kamaraki, au lieu-dit Asfentamou kefali ; municipalité de Malevizi ; Unité régionale d'Heraklion. Cartes topographiques Anavasi – 1/ 25 000 Mount Idha (Psiloritis), 1/ 30 000, Psiloritis (Mt Ida) et 1/ 100 000 Iraklio – Rethimno. Carte géomorphologique - 1/50 000 massif du Mont Ida (Crète) - Association Française de Karstologie. Accès : – en bus KTEL, ligne Heraklion (station routière Chania Porta) / Anogia – arrêt pour Kamaraki, sur la route principale (28 km d'Heraklion = +/- 35 min ; 9 km d'Anogia = +/- 15 min) ; – en voiture directement jusqu'au parking de la grotte (panneaux) Altitudes : Kamaraki 530 m ; grotte d'Hainospilios 545 m. Longueur et durée de la marche d'approche : - arrêt de bus → hameau de Kamaraki = 2 km (½ h) puis 200 m (5 min) jusqu'à la grotte ; - en véhicule → parking aménagé = entrée de la grotte. Avertissement : depuis 2016, pour des raisons de protection et de sécurité la cavité est munie d'une porte barreaudée. Les personnes qui souhaitent visiter la cavité doivent s'adresser au kafenion de Kamaraki ou aux clubs de spéléologie d'Heraklion pour obtenir la clef. L'exploration se fait à ses risques et périls comme indiqué d'ailleurs sur un panneau à l'entrée de la cavité. Durée de visite de la grotte : compter ½ h à 1 h pour la première galerie, partie la plus facilement accessible.
    [Show full text]
  • Die Minoischen Villen Kretas. Ein Vergleich Spätbronzezeitlicher Fund- Und Siedlungsplätze
    Sebastian Adlung Die Minoischen Villen Kretas. Ein Vergleich spätbronzezeitlicher Fund- und Siedlungsplätze Sebastian Adlung Die Minoischen Villen Kretas Ein Vergleich spätbronzezeitlicher Fund- und Siedlungsplätze Hamburg University Press Verlag der Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky IV Zugl.: Dissertation, Universität Hamburg, 2018 u. d. T. Die Minoischen Villen Kretas. Ein Vergleich spätbronzezeitlicher Fund- und Siedlungsplätze BIBLIOGRAFISCHE INFORMATION DER DEUTSCHEN NATIONALBIBLIOTHEK Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über https://portal.dnb.de abrufbar. ONLINE-AUSGABE Die Online-Ausgabe dieses Werkes ist eine Open-Access-Publikation und ist auf den Verlagswebseiten frei verfügbar. Die Deutsche Nationalbibliothek hat die Online-Ausgabe archiviert. Diese ist dauerhaft auf dem Archivserver der Deutschen Nationalbibliothek (https://portal.dnb.de) verfügbar. DOI https://doi.org/10.15460/HUP.HHD.007.205 PRINTAUSGABE ISBN 978-3-943423-78-5 Lizenz Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Das Werk steht unter der Creative-Commons-Lizenz Namensnennung 4.0 International (CC BY 4.0, https://creativecommons.org/ licenses/by/4.0/legalcode.de). Ausgenommen von der oben genannten Lizenz sind Teile, Abbildungen und sonstiges Drittmaterial, wenn anders gekennzeichnet. Schrift Alegreya. Copyright 2011: The Alegreya Project Authors (https://github.com/huertatipografica/
    [Show full text]
  • 10098494.Pdf
    THE ISLANDS OF KARPATHOS, SAROS AND KASOS IN THE NEOLITHIC AND BRONZE AGES Emmanuel Melas Thesis submitted for the Ph. D. Degree Bedford College University of London ProQuest Number: 10098494 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10098494 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The theoretical objective of this thesis is of a synthetic nature, for it makes an effort to build up a picture of human activity on the islands concerned, that is their social, economic and cultural evolution in Pre­ historic times. However, the method followed is largely analytical, since archaeological data are combined with results from other disciplines in order to reconstruct the Prehistory of these islands, no matter how incomplete and unambitious this may be. A total of 71 Prehistoric sites have been identified so far. Most of them are on elevated locations near the coast and date from Middle Minoan III to Late Minoan I. Late and Final Neolithic occupation is also represented by numerous sites, whereas the scantiness of Early Bronze Age sites may be attributed to the deficiency of surface investigation and lack of strati­ graphy.
    [Show full text]
  • The Entrance Kerameikos Argos Olympia Delphi the Entrance
    The entrance Kerameikos Argos Olympia Delphi The entrance King's Cross Station, london KEQ«p.1ELXO; (~I1.15Z*:R:Wf KERAMEI KOS) i!~J!Ml!-a<J ~IWL, 1±~*Wf~:R:fU (8 e!J!crto%A.TJ £ THEM I sTeeLEs , 0:7Gf!is2s 460~) ~ritWHML ~I5'~1MiffH'l::!:l ~' ~~~m;:J'~lJrfJ±~, ~IVgi!I[~~'(£;$;sq--~o KERAMEIKOS MUSEUM GRAVE STELES SFINX FOUND NEAR SACRED GATE, IN 2002 KtQO:p..tEU(O~ P l lt~ElJS S TREET ( ~JJJ.il:*Ji!:;WT KERAM El KOS) Siltff:T OF TOM'BS bROMOS ... 111.L: L Eltl l) ~NOS R.IVc'R MlJSf:lJM vr....,R.Eb biPYLON TE POMPf:ION S~ C R.E b 'W~Y f:'RMOlJ it-JEMIS T O C LE~N SiR.EEi W~L L THE "'THEMISTOCLEAN WALL0 (478-477 BC) CROSSED THE AREA OF KERAMEIKOS IN A N·S DIRECTION. CITY WALLS OF ATHENS AFTER THE DEVASTATION WROUGHT ON THEIR CITY BY THE PERSIANS, THE ATHENIANS WERE INTENT ON REBUILDING AND ENLARGING THEIR CITY WALLS. HEARING OF THEIR PLANS, THE SPARTANS OBJECTED, ON THE GROUNDS THAT NO PLACE NORTH OF THE ISTHMUS SHOULD BE LEFT WHICH THE PERSIANS MIGHT BE ABLE TO USE AS A FORTRESS. THEMISTOCLES CAME UP WITH A CUNNING PLAN. HE TRAVELED TO SPARTA, INFORMING THEM THAT HE COULDN'T NEGOTIATE UNTIL THE REST OF THE A T HENIAN DELEGATION ARRIVED. MEANWHILE, THE DELEGATION ITSELF WAS INSTRUCTED TO WAIT IN ATHENS UNTIL THE WALLS WERE HIGH ENOUGH TO PROTECT THE CITY. WHEN NEWS REACHED SPARTA THAT THE WALLS WERE STILL BEING BUILT, THEMISTOCLES SUGGESTED THAT THE SPARTANS SHOULD SEND THEIR OWN ENVO Y S TO SEE FOR THEMSELVES, RATHER THAN RELYING ON RUMOUR.
    [Show full text]