A Discussion of the House and Planning As the Links Between Societies and Civilizations : 7000 B.C
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Pavlopetri, an Underwater Bronze Age Town in Laconia
Pavlopetri, an Underwater Bronze Age Town in Laconia Author(s): Anthony Harding, Gerald Cadogan and Roger Howell Reviewed work(s): Source: The Annual of the British School at Athens, Vol. 64 (1969), pp. 113-142 Published by: British School at Athens Stable URL: http://www.jstor.org/stable/30103334 . Accessed: 25/01/2013 06:05 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. British School at Athens is collaborating with JSTOR to digitize, preserve and extend access to The Annual of the British School at Athens. http://www.jstor.org This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions Vatika Plain 3 NORTH tp ,rcP E~o Pet i~aaa~~aaa~: ,b nE kL hphod 4'0 Poriki Isles LEa Ano~ 50 VA T KA BAY "d; SSi Nt. a00, Saracenf'koSaraceniko Bay "- ovo(i1" -M 4w0 4co a50 sea depthsin fathoms 0 km 1 2 3 t 5 6 sea miles 1 2 3 0 FIG. I. PAVLOPETRI, ELAPHONISOS AND THE BAY OF M.W. 3o . 496,. This content downloaded on Fri, 25 Jan 2013 06:05:23 AM All use subject to JSTOR Terms and Conditions tika Plain NORTH NE L VAT KA BAY Mt. -
Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
The Aegean Chapter Viii the Decorative
H. J. Kantor - Plant Ornament in the Ancient Near East, Chapter VIII: The Decorative Flora of Crete and the Late Helladic Mainland SECTION II: THE AEGEAN CHAPTER VIII THE DECORATIVE FLORA OF CRETE AND THE LATE HELLADIC MAINLAND In the midst of the sea, on the long island of Crete, there dwelt a people, possessors of the fabulous Minoan culture, who are known to have had trade relations with Egypt, and with other Near-Eastern lands. Still farther away towards the north lies the Mainland of Greece, a region that proved itself to be a very hospitable host to the graft of Minoan culture. Before the close of the LH period the ceramic results of this union were to be spread over the Near East in great profusion and it becomes necessary to define the extent of Aegean influence on those traditions of Near-Eastern art that lie within the scope of our topic. Before this is possible a concise summary of the plant ornamentation of the Aegean must be presented.1 This background forms a necessary basis without which the reaction of Aegean plant design on the main development of our story, be it large or small, cannot be determined. 1 A great deal of interest and work has been devoted to the study of Minoan decorative art almost since the beginning of its discovery, and full advantage of this has been taken in the preparation of the present survey. The chief treatments of the subject are as follows: Edith H. Hall, The Decorative Art of Crete in the Bronze Age (Philadelphia, 1907); Ernst Reisinger, Kretische Vasenmalerei vom Kamares bis zum Palast-Stil (Leipzig, Berlin, 1912); Diederich Fimmen, Die Kretisch-Mykenische Kulture (Leipzig, Berlin, 1924), Alois Gotsmich, Entwicklungsgang der Kretischen Ornamentik, Wein, 1923); Frederich Matz, Frühkretische Siegel (Berlin, 1928), covering a much wider field than is indicated by the title; Georg Karo, Die Schachtgräber von Mykenai (Munchen, 1939). -
The Lighting of God's Face During Solar Stands in The
Mediterranean Archaeology and Archaeometry, Vol. 18, No 3, (2018), pp. 225-246 Copyright © 2018 MAA Open Access. Printed in Greece. All rights reserved. DOI: 10.5281/zenodo.2543786 THE LIGHTING OF GOD’S FACE DURING SOLAR STANDS IN THE APOLLO TEMPLE DELPHI Vlachos, A.1, Liritzis, I.1 and Georgopoulos, A.2 1University of the Aegean, Dept of Mediterranean Studies, Lab of Archaeometry, 1 Demokratias Str, Rhodes 85132, Greece 2National Technical University of Athens, School of Rural & Surveying Engineering, Dept of Topography, Iroon Polytechniou 915773 Zografos, Athens, Greece Received: 01/07/2018 Accepted: 25/11/2018 Corresponding author: I. Liritzis ([email protected]) ABSTRACT The direction of solar light and how it relates with the Apollo Temple in Delphi is investigated. Following up earlier investigation of defining the time to delivering an oracle and the historical reported position of a golden Apollo statue in the rear of the main structure (opisthodomos, adyton or Temple‘s sanctum) the sun lighting the statue‘s face during selected solar stands is virtually constructed. Based on both ancient and con- temporary sources, an accurately-oriented 3D model of the Temple was created, which incorporated win- dows in the sanctum area. A light and shadow study followed to establish the movement of shadows and presence of sunlight around and inside the Temple, during the important days for the ancient cult. It is shown that the shining of God‘s golden statue would have been possible, through windows, giving a dis- tinct impression of Apollo‘s presence in Delphi especially during his absence in the three winter months to the hyperborean lands between winter solstice and spring equinox. -
Greece • Crete • Turkey May 28 - June 22, 2021
GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Cutting-Edge Technology and Know-How of Minoans/Mycenaeans During Lba and Possible Implications for the Dating of the Trojan War
TAL 46-47 -pag 51-80 (-03 GIANNIKOS):inloop document Talanta 05-06-2016 14:31 Pagina 51 TALANTA XLVI-XLVII (2014-2015), 51 - 79 CUTTING-EDGE TECHNOLOGY AND KNOW-HOW OF MINOANS/MYCENAEANS DURING LBA AND POSSIBLE IMPLICATIONS FOR THE DATING OF THE TROJAN WAR Konstantinos Giannakos In the present paper, the material evidence, in LBA, both for the technological level of Minoan/Mycenaean Greece, mainland-islands-Crete, and the image emerging from the archaeological finds of the wider area of Asia Minor, Land of Ḫatti, Cyprus, and Egypt, are combined in order to draw conclusions regard- ing international relations and exchanges. This period of on the one hand pros- perity with conspicuous consumption and military expansion, on the other hand as well of decline and degradation of power are considered in relation with the ability of performing overseas raids of Mycenaean Greeks. The finds of the destructions’ layers in Troy VI/VIIa are examined in order to verify whether one of these layers is compatible to the Trojan War, while an earlier dating is pro- posed. The results are compared with the narrative of ancient literature in order to trace compatibilities or inconsistencies to the archaeological finds. Introduction Technology and its ‘products’, when unearthed by archaeologists, are irrefutable witnesses to the technological level of each era and place. Especially the cut- ting-edge technology and, more in general, an advanced know-how are, in my opinion, of decisive importance, since “Great Powers” use them in order to increase wealth and military superiority. The evaluation of archaeological finds, cutting-edge technology, and advanced know-how of each era could result in conclusions regarding the nature of international trade and relation- ships, and can also be brought in connection with evidence from ancient litera- ture. -
Late Bronze Age Harbours in the Aegean
118 Late Bronze Age Harbours · Eugenia Loizou Late Bronze Age Harbours in the Aegean Towards another theoretical approach Eugenia Loizou Abstract – Harbours and ports have always attracted the archaeological interest as places of economical, social and cultural interaction. Their study can give a better insight into the activities of the past cultures and the processes that took place in the broader harbour area. Prehistoric harbours though, in contrast with the ancient ones, leave scarce remains and have been less investigated. In this paper, the archaeological evidence of the Late Bronze Age harbours of the Aegean is presented and discussed and some problematization on the finds is also exposed. Moreover, a new theoretical approach on the study of the Bronze Age Aegean harbours is attempted. It is suggested that the Bronze Age harbours should be examined under the notion of the dynamic seascape and considered as ac - tive cultural landscapes with sociopolitical implications. These qualities can be found on the architectural and urban development of the settlement and especially on the structures that consist with an Aegean harbour-town. Inhalt – Natürliche und künstliche Häfen haben als Stätten der wirtschaftlichen, gesellschaftlichen und kulturel- len Wechselwirkung stets das archäologische Interesse angezogen. Ihr Studium kann bessere Einblicke in die Tätigkeiten vergangener Kulturen und in die Prozesse, die im weiteren Hafengebiet abliefen, bieten. Vor ge - schichtliche Häfen jedoch hinterlassen im Gegensatz zu den antiken dürftige Reste und sind weniger erforscht. In diesem Beitrag werden die archäologischen Zeugnisse spätbronzezeitlicher Häfen der Ägäis vorgelegt und diskutiert und einige mit den Funden verbundene Probleme aufgezeigt. Darüber hinaus wird ein neuer theoretischer Ansatz für das Studium bronzezeitlicher ägäischer Häfen versucht. -
The Master of Animals in Old World Iconography
The Master of Animals in Old World Iconography Edited by DEREK B. COUNTS and BETTINA ARNOLD BUDAPEST 2010 With the generous support of the Center for Etruscan Studies, University of Massachusetts, Amherst Cover illustrations Glauberg Schnabelkanne. Landesamt für Denkmalpfl ege Hessen, Wiesbaden Volume Editor ERZSÉBET JEREM ISBN 978-963-9911-14-7 HU-ISSN 1215-9239 © The Authors and Archaeolingua Foundation All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without requesting prior permission in writing from the publisher. 2010 ARCHAEOLINGUA ALAPÍTVÁNY H-1250 Budapest, Úri u. 49 Copyediting by Julia Gaviria Desktop editing and layout by Rita Kovács Printed by Prime Rate Kft The Aegean Master of Animals: The Evidence of the Seals, Signets, and Sealings JANICE L. CROWLEY Finding the Aegean Master The most often illustrated examples in Aegean art showing the animal world and indicating humans’ power over it are the scenes of animal attack and the hunt on the fi ne inlaid niello daggers, the ornamented weapons, and the gold work from the Shaft Graves at Mycenae and in the wall paintings of the great palaces of the Late Bronze Age (LBA, all dates here follow the chronology in Olga Krzyszkowska’s seminal work, Aegean Seals: An Introduction, 2005). To these can be added representations of the Mistress and Master of Animals and fantastic creatures like the griffi n and sphinx on gold and ivory ornaments and some seals. However, when all the known seal evidence is taken into account, the picture changes enormously. -
The Origin of the Etruscans
The Origin of the Etruscans Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<i>59 koninklijke nederlandse akademie van wetenschappen Mededelingen van de Afdeling Letterkunde, Nieuwe Reeks, Deel 66 no. i Deze Mededeling werd in verkorte vorm uitgesproken in de vergadering van de Afdeling Letterkunde, gehouden op ii februari 2002. Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<2>59 r.s.p. beekes The Origin of the Etruscans Koninklijke Nederlandse Akademie van Wetenschappen, Amsterdam, 2003 Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<3>59 isbn 90-6984-369-2 Copyright van deze uitgave ß 2003 Koninklijke Nederlandse Akademie van Wetenschap- pen, Postbus i9i2i, i000 GC Amsterdam Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm of op welke wijze dan ook, zonder voorafgaande schriftelijke toestemming van de rechthebbende, behoudens de uitzonderingen bij de wet gesteld Druk: PlantijnCasparie Heerhugowaard bv Het papier van deze uitgave voldoet aan 1 iso-norm 9706 (i994) voor permanent houd- baar papier Bestand: m:/share/Akademie/9505i38_LetMed_Beekes/02-Binnenwerk.3d ^ Pagina i<4>59 The Origin of the Etruscans ‘dass jene Polemik ... jetzt praktisch ... an einem toten Punkt gelangt ist.’ F. Falchetti - Antonella Romualdi, Die Etrusker (Stuttgart 200i), p. i2. contents Introduction 7 i. The prehistory of the Lydians i0 i.i. Me·iones i0 i.2 Ma·sas i0 i.3 Ancient testimonies i3 i.4 Other evidence i7 i.5 The linguistic position of Lydian 20 i.6 Historical considerations 2i i.7 Conclusion 23 2. The origin of the Etruscans 24 2.i The Etruscans came from the East 24 2.2 The TyrseŒnoi in classical times 37 2.3 Ancient testimonies 4i 2.4 Historical considerations 44 3. -
An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4. -
26. Athenian Agora
26. Athenian Agora Archaic through Hellenistic Greek 600-150 BCE Plan Video at Khan Academy: https://www.khanacademy.org/humanities/ancient-art- civilizations/greek-art/classical/v/athenian-agora Archaic, Classical,and Hellenistic Eras From the 6th and until the 1st century BCE the heart of the government and the judiciary, as a public place of debate, as a place of worship, and as marketplace, played a central role in the development of the Athenian ideals, and provided a healthy environment where the unique Democratic political system took its first wobbly steps on earth. During this time, the Agora's political, cultural, and economic influence shaped some of the most important decisions undertaken in the shaping of what we commonly call today Western Civilization. Well structured arguments by the likes of Socrates and Plato echoed in its streets, the courts and prisons enforced Athenian laws, its Mint spread the dominant Athenian drachma coins throughout the Aegean, the Prytanes determined political affairs in the Tholos, and randomly selected Athenian citizens prepared the laws for the assembly in the Bouleuterion. With a little imagination and knowledge, one can imagine the hustle and bustle of its streets with merchants of all kinds tending their benches in the shade of the Stoas and under cloth tents, with ox cart wheels creaking through the Panathenaic way, and with citizens convening in small groups under the shade of small trees. Horses, stray dogs, citizens, metics, slaves, visitors and foreigners--albeit very rarely women--mingled and loitered in the grounds, attentive ears listened to sailor tales from foreign lands, hoplites relayed news from the fronts, and philosophers debated the fine points of arete oblivious to the cacophony rising all around from the energetic artisan workshops.