Bw = WAW + BETH ← Br = RESH + BETH ← Bt = TAW
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Hebrew Alphabet
BBH2 Textbook Supplement Chapter 1 – The Hebrew Alphabet 1 The following comments explain, provide mnemonics for, answer questions that students have raised about, and otherwise supplement the second edition of Basics of Biblical Hebrew by Pratico and Van Pelt. Chapter 1 – The Hebrew Alphabet 1.1 The consonants For begadkephat letters (§1.5), the pronunciation in §1.1 is the pronunciation with the Dagesh Lene (§1.5), even though the Dagesh Lene is not shown in §1.1. .Kaf” has an “off” sound“ כ The name It looks like open mouth coughing or a cup of coffee on its side. .Qof” is pronounced with either an “oh” sound or an “oo” sound“ ק The name It has a circle (like the letter “o” inside it). Also, it is transliterated with the letter q, and it looks like a backwards q. here are different wa s of spellin the na es of letters. lef leph leˉ There are many different ways to write the consonants. See below (page 3) for a table of examples. See my chapter 1 overheads for suggested letter shapes, stroke order, and the keys to distinguishing similar-looking letters. ”.having its dot on the left: “Sin is never ri ht ׂש Mnemonic for Sin ׁש and Shin ׂש Order of Sin ׁש before Shin ׂש Our textbook and Biblical Hebrew lexicons put Sin Some alphabet songs on YouTube reverse the order of Sin and Shin. Modern Hebrew dictionaries, the acrostic poems in the Bible, and ancient abecedaries (inscriptions in which someone wrote the alphabet) all treat Sin and Shin as the same letter. -
Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
Torah from JTS Worship, JTS
Exploring Prayer :(בלה תדובע) Service of the Heart This week’s column was written by Rabbi Samuel Barth, senior lecturer in Liturgy and Torah from JTS Worship, JTS. Simhat Torah: Which Way When the Circle Ends Bereishit 5774 The annual celebration of Simhat Torah brings great joy to so many of us of all generations, and it is a fitting and triumphant conclusion to the long and multifaceted season of intense Jewish observance and focus that began (a little before Rosh Hashanah) with Selichot. In Israel and in congregations observing a single day of festivals, Simhat Torah is blended with Shemini Atzeret, offering the intense experience in the morning of Hallel, Hakkafot (processions with dancing) and Geshem (the prayer for Rain). At the morning service of Simhat Torah there are four linked biblical readings (three from the Parashah Commentary Torah), and the relationship among them invites us to think about the flow of sacred text in a multidimensional context. The first reading is Vezot HaBrakha, the last chapters of Deuteronomy This week’s commentary was written by Dr. David Marcus, professor of Bible, containing the final blessings from Moses to the community—and the account of the death of Moses, alone with God on Mount Nebo. To receive the final aliyah after everyone else present JTS. has been called to the Torah is considered a great honor, and the person with this honor is called up with a special formula (a short version is presented in Siddur Sim Shalom for Shabbat Bereishit with a Capital Bet and Festivals, 215) that affirms, “May it be the will of the One Most Powerful to grant abundant blessings to [insert the name of the one called] who has been chosen to complete the Torah.” With this week’s parashah, we once again commence the cycle of reading the Torah from the first chapter of Genesis, which begins with the Hebrew word bereishit. -
ב Bet ה Heh ו Vav ט Tet י Yod ך מ Mem ם
Exercise 1A: Writing the Hebrew Square Script Using the examples at the right, practice writing out the Hebrew characters on the lines provided for you. Be sure to accurately reflect the position of the letter in relation to the base line. Boxes are used to indicate final forms. Letter Name aleph א aleph bet ב bet gimel ג gimel dalet ד dalet heh ה heh vav ו vav zayin ז zayin .het ח ḥet tet ט tet yod י kaph כ yod ך kaph final kaph lamed ל mem מ lamed ם mem 3 Exercise 1A: Writing tHe Hebrew SquAre Script final mem Letter Name nun נ ן nun final nun samek ס samek ayin ע pe פ ayin ף pe final pe tsade צ ץ tsade final tsade qoph ק qoph resh ר resh שׂ sin sin shin ׁש shin tav ת tav NAme: __________________________________________________ Exercise 1A: Writing tHe Hebrew SquAre Script 4 Exercise 1B: Reading Proper Names In this exercise you will practice identifying the Hebrew consonants by reading familiar proper names. Write the English name in the space to the left of the Hebrew name. Since the alphabet has no vowels, you will have to provide vowel sounds to recognize each word. Start by trying an “a” vowel between each con- sonant. The “a” vowel is the most common vowel in Hebrew and, while it will not always be the correct one, it should help you recognize these names. לבן Laban יעקב אסתר אברהם עבדיה יצחק יחזקאל יׂשראל דוד רבקה נחמיה נבכדנאזר ירבעם ירדן מרדכי מׁשה דברה גלית יׁשמעאל עׂשו 5 Exercise 1B: ReAding Proper NAmes Exercise 1C: Hebrew Cursive (Optional) Using the examples shown, practice writing out the cursive Hebrew characters on the lines provided for you. -
Cosmic Ray Composition and Spectra : Progress Since Aspen 05
Cosmic Ray Composition and Spectra : Progress since Aspen 05 Gaurang B. Yodh UC Irvine In this talk I outline my take on the question of composition from about 1 TeV to the highest energies. Important point I emphasize is to separate what has been measured and what has been interpreted and how the two are intertwined. First I review direct measurments near the top of the atmosphere: What is definite and what is not resolved: Then I discuss the measurements in the energy range between about 10 TeV and 10 PeV : EAS and ACT measurements What is the status of current measurements on the composition ? What are some of the problems to be resolved. Finally I what are the problems in understanding the experimental results and model interpretations. I start by showing a compilation of results by Horandel (2006) to indicate that the present state is complex to say the least. Then I show recent results from the CREAM experiment and compare them to existing results from JACEE, RUNJOB and other balloon experiments. After that I summarize the situation at higher energies where all our experiments are indirect. The talk is meant to stimulate discussions and generate ideas as to how to improve the current unresolved state of affairs. Bird's eye view of Spectra of Cosmic Rays Composition of Cosmic Rays Detailed view of spectra: Large scatter in ' measured ' quantities due to: Systematics in energy determination and in shower simulations. Horandel: astro-ph/0702370v1 I. Measurements above the atmosphere: CREAM CREAM: COSMIC RAY ENERGETICS AND MASS CREAM III: Instrument assembly at Maryland Two LDB flights to date: Average depth 3.9 gm/cm^2 CREAM I: 2004-05 42 days CREAM II: 2005-06 28 days Acceptance: 2.2 m^2 sr Excellent charge resolution. -
A Critique of L2/18-276
A Critique of L2/18-276 Abe Meyers* November 30, 2018 Contents 1 Introduction 1 2 Multiple incompatible representations 2 2.1 <gimel-daleth-yodh> + <shin> vs <aleph-heth> + <aleph-heth> 3 2.2 <Fixed-aleph> + <gimel-daleth-yodh> vs <fixed-gimel-daleth-yodth> + <aleph> ............................. 3 2.3 <gimel-daleth-yodth> + <gimel-daleth> vs <samekh> . 3 2.4 <pe> vs <sadhe> ......................... 4 3 Miscellaneous issues 4 3.1 Joining of <aleph-heth> ..................... 5 3.2 Missing alternate form of <gimel-daleth-yodh> . 5 3.3 Inclusion of <HE> ......................... 5 3.4 Joining of <zayin> ........................ 5 3.5 Old lamedth . 5 4 The dogma of shape-shifting and the problem of good-enough 5 5 Bibliography 6 1 Introduction It has been a source of delight that after a dormant period of four years, since the submission of my proposal to encode Book Pahlavi in the Unicode *abraham.meyers AT orientology DOT ca 1 standard, there has been some renewed activity in the community. The recent preliminary proposal by Dr. Anshuman Pandey (L2/18-276) might therefore signal a resurgence of activities towards the noble goal of encoding of Book Pahlavi in the Unicode standard. I started reading the work of Dr. Pandey with enthusiasm and in antic- ipation of further improvement and suggestions and perhaps discovery of new characters. It was indeed pleasant to see a relatively thorough classica- tion of the visual joining of the stem of the characters of Book Pahlavi, while taking the base-line into consideration. Such studies will be very benecial for the future type designers of Book Pahlavialthough I have doubts about the applicability of this study to the level of abstraction pertaining to the Unicode standard. -
Epigraphic Notes on the 'Amman Citadel Inscription
7 Epigraphic Notes on the 'Amman Citadel Inscription [1969] In 1969 Professor Siegfried H. Hom published the tury BCE, in the inscription of King Yaril).<azar4 of Beth important Ammonite inscription from the citadel of an <Ammon, as well as sporadically in contemporary and cient Rabbath <Ammon, modem <Amman. 1 We wish to later Aramaic. However, the same simplified f:,,et is found comment (I) on the script of the inscription and its date, in the Mesha< Inscription regularly and appears not infre and (II) on certain of the readings in the text. quently in Hebrew scripts of the eighth (Samaria Ostraca) and seventh centuries BCE (the Yabneh-yam Inscrip I. tion). 5 $ade is unique. The long leg is characteristic of The script of the <Amman Citadel Inscription be ninth-century Aramaic, eighth-century Phoenician. 6 longs to the series of Aramaic lapidary scripts of the 1Alep in the <Ammonite script has most archaic traits. ninth century BCE. It shares with these scripts a number The downstroke breaks only a short distance through the of traits which differentiate them from contemporary lower horizontal. Elsewhere such forms are characteristic Phoenician (including the early Hebrew scripts of Gezer only of the tenth-century and earlier Phoenician texts, and the Moabite Stone). The tail (right down-stroke) of and in the ninth century, uniquely in the 1aleps of the dalet is already developed; it will develop more slowly in Honeyman and Nora Phoenician texts. The vertical Phoenician and Hebrew. The letter he in the <Amman in downstroke slants well to the right of the point of the hor scription tends to a rounded semicursive Aramaic form. -
L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
China's Place in Philology: an Attempt to Show That the Languages of Europe and Asia Have a Common Origin
CHARLES WILLIAM WASON COLLECTION CHINA AND THE CHINESE THE GIFT Of CHARLES WILLIAM WASON CLASS OF IB76 1918 Cornell University Library P 201.E23 China's place in phiiologyian attempt toI iPii 3 1924 023 345 758 CHmi'S PLACE m PHILOLOGY. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023345758 PLACE IN PHILOLOGY; AN ATTEMPT' TO SHOW THAT THE LANGUAGES OP EUROPE AND ASIA HAVE A COMMON OKIGIIS". BY JOSEPH EDKINS, B.A., of the London Missionary Society, Peking; Honorary Member of the Asiatic Societies of London and Shanghai, and of the Ethnological Society of France, LONDON: TRtJBNEE & CO., 8 aito 60, PATEENOSTER ROV. 1871. All rights reserved. ft WftSffVv PlOl "aitd the whole eaeth was op one langtta&e, and of ONE SPEECH."—Genesis xi. 1. "god hath made of one blood axl nations of men foe to dwell on all the face of the eaeth, and hath detee- MINED the ITMTIS BEFOEE APPOINTED, AND THE BOUNDS OP THEIS HABITATION." ^Acts Xvil. 26. *AW* & ju€V AiQionas fiereKlaOe tij\(J6* i6j/ras, AiOioiras, rol Si^^a SeSafarat effxarot av8p&Vf Ol fiiv ivffofievov Tireplovos, oi S' avdv-rof. Horn. Od. A. 22. TO THE DIRECTORS OF THE LONDON MISSIONAEY SOCIETY, IN EECOGNITION OP THE AID THEY HAVE RENDERED TO EELIGION AND USEFUL LEAENINO, BY THE RESEARCHES OP THEIR MISSIONARIES INTO THE LANGUAOES, PHILOSOPHY, CUSTOMS, AND RELIGIOUS BELIEFS, OP VARIOUS HEATHEN NATIONS, ESPECIALLY IN AFRICA, POLYNESIA, INDIA, AND CHINA, t THIS WORK IS RESPECTFULLY DEDICATED. -
The Mystery of the Hebrew Language the Symbolism of the Hebrew
Apocalypse Prophesied From Eden to the New Jerusalem: God’s Plan for Humanity The Mystery of the Hebrew Language Appendix The beginning of language on earth can be traced back to John 1:1, which states: In the beginning was the Word, and the Word was with God, and the Word was God. (NRSV) When Adam and Eve lived in the Garden of Eden, God revealed to them the basic structure of the original language. At that time man lacked direct experience so he needed to be taught how to think and function in order to deal with his environment. His mind was in some ways like that of a newborn baby. The creative process of developing the human mind was not finalized in the Garden. It will continue throughout the cycles of human habitation of the earth. The finished product (a human being from God's perspective) can only come to his full potential by being born on the other side of reality after his earthly life is through. After programming, for example, a computer usually must be shut down and restarted. Similarly, people must die and then be resurrected in order to become a finished product in accordance with God's full pleasure and intent. However, because God does not want preprogrammed robots, He gave us free will. Many human beings will reject eternal life by rejecting God. Since they do not choose to conform to His image, they will remain dead and eventually be eliminated in the lake of fire. Only those made holy and clean by the blood of Jesus Christ will remain to live forever. -
Contents Origins Transliteration
Ayin , ע Ayin (also ayn or ain; transliterated ⟨ʿ⟩) is the sixteenth letter of the Semitic abjads, including Phoenician ʿayin , Hebrew ʿayin ← Samekh Ayin Pe → [where it is sixteenth in abjadi order only).[1) ع Aramaic ʿē , Syriac ʿē , and Arabic ʿayn Phoenician Hebrew Aramaic Syriac Arabic The letter represents or is used to represent a voiced pharyngeal fricative (/ʕ/) or a similarly articulated consonant. In some Semitic ع ע languages and dialects, the phonetic value of the letter has changed, or the phoneme has been lost altogether (thus, in Modern Hebrew it is reduced to a glottal stop or is omitted entirely). Phonemic ʕ The Phoenician letter is the origin of the Greek, Latin and Cyrillic letterO . representation Position in 16 alphabet Contents Numerical 70 value Origins (no numeric value in Transliteration Maltese) Unicode Alphabetic derivatives of the Arabic ʿayn Pronunciation Phoenician Hebrew Ayin Greek Latin Cyrillic Phonetic representation Ο O О Significance Character encodings References External links Origins The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had the shape of a circle or oval, clearly representing an eye, perhaps ultimately (via Proto-Sinaitic) derived from the ır͗ hieroglyph (Gardiner D4).[2] The Phoenician letter gave rise to theGreek Ο, Latin O, and Cyrillic О, all representing vowels. The sound represented by ayin is common to much of theAfroasiatic language family, such as in the Egyptian language, the Cushitic languages and the Semitic languages. Transliteration Depending on typography, this could look similar .( ﻋَ َﺮب In Semitic philology, there is a long-standing tradition of rendering Semitic ayin with Greek rough breathing the mark ̔〉 (e.g. -
Section a Alphabet and Vocabulary
BLF 1: The Hebrew Alphabet Section A Alphabet And Vocabulary © 2000-2015 Timothy Ministries Page A - 1 BLF 1: The Hebrew Alphabet HBRW Th lphbt s hrd t mstr; Rdng bck t frnt's dsstr. Nlss h's rd the clssfds, whr trth, bbrvtd hds, th wld-b rdr f the Bbl, prsntd wth th txt, s lbl t trn nd rn wth shrks nd hwls- th Hbrw Scrptrs hv n vwls! AN ALEPH-BET SONG G C G Am G D G G C G Am G D G Aleph Bet Gimel Dalet, Hey Vav (Hey Vav), Zay'n Het Tet, Yod Kaf Lamed, Mem Nun (Mem Nun) a b g d h w h w z j f y k l m n m n G C G C G Am G D G Am G D G Samech Ay'n Pe, Tsade Qoph Resh, Shin Tav (Shin Tav) Shin Tav (Shin Tav). s [ p x q r v t v t v t v t Aleph Bet Gimmel Dalet, Hey Vav (Hey Vav), Zay'n Het Tet, Yod Kaf Lamed, Mem Nun (Mem Nun) Samech Ay'n Pey, Tsade, Qoph, Resh, Shin Tav (Shin Tav) Shin Tav (Shin Tav). © 2000-2015 Timothy Ministries Page A - 2 BLF 1: The Hebrew Alphabet Alphabet Chart: Letter Name Pronunciation Print Block Script 1 Aleph Silent letter a a . 2 Bet B as in Baal, B ·b V as in Vine b b 3 Gimel G as in Gehenna g g 4 Dalet D as in Delilah d d 5 Hey H as in Hallelujah h h 6 Vav V as in Vanity w w 7 Zayin Z as in Zion z z 8 Het* CH as in BaCH j t 9 Tet T as in Talent f f 10 Yod Y as in Yiddish y y K as in Kish ] .