Hubbing at Your Service STARHUB LTD Annual Report 2016
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MEDIA FACTSHEET (15 Mar 2013) Singapore Unveils 320 Hours of Comedies, Entertainment Programmes and Documentaries at Hong Kong I
MEDIA FACTSHEET (15 Mar 2013) Singapore unveils 320 hours of comedies, entertainment programmes and documentaries at Hong Kong International Film & TV Market (FILMART) The Media Development Authority of Singapore (MDA) will lead 37 Singapore media companies to the 17th edition of the Hong Kong International Film & TV Market (FILMART) where they will meet with producers, distributors and investors to promote their content, negotiate deals and network with key industry players from 18 to 21 March 2013. More than 320 hours of locally-produced content including films and TV programmes will be showcased at the 90-square-metre Singapore Pavilion at the Hong Kong Convention & Exhibition Centre (booth 1A-D01, Hong Kong Convention & Exhibition Centre Level 1, Hall 1A). The content line-up includes recent locally-released film comedies Ah Boys to Men and Ah Boys to Men 2, about recruits in the Singapore military directed by prolific Singapore director Jack Neo; Taxi! Taxi!, inspired by a true story of a retrenched microbiology scientist who turns to taxi driving; Red Numbers by first-time director Dominic Ow about a guy who has three lucky minutes in his miserable life according to a Chinese geomancer; and The Wedding Diary II, the sequel to The Wedding Diary, which depicts life after marriage. Also on show are new entertaining lifestyle TV programmes, from New York Festivals nominee Signature, a TV series featuring world-renowned architect Moshe Safdie and singer Stacey Kent; reality-style lifestyle series Threesome covering topics with Asian TV celebrities Utt, Sonia Couling and Nadya Hutagalung; to light-hearted infotainment décor home makeover show Project Dream Home and Style: Check-in, an interactive 360 content fashion lifestyle programme which uses social media to interact with viewers. -
Inspiring Change
Inspiring Change StarHub Ltd Annual Report 2017 Inspiring Change Inspiring STARHUB LTD Annual Report 2017 Report Annual STARHUB LTD OUR VISION Creating Happiness, Inspiring Change OUR MISSION To deliver world-class communication, information and lifestyle services, to every person, home and business. WHAT’S INSIDE Overview At a Glance 08 Overview Strategy StarHub’s bringing the future closer to consumers Chairman’s Message 10 through gigabit-class network upgrades and Significant Events 14 mesh networking systems, to enterprises through Value Creation 16 Enhancing the Customer Experience 18 robotic business operations, digital SME trade Board of Directors 20 platform and secure enterprise solutions and to In Discussion with StarHub’s Management 26 the entire nation through service innovation and Senior Management’s Profiles 34 co-creation that drives Singapore’s ‘We Economy’. Strategy 10 38 80 Performance Chairman’s Message Hubbing in Review Sustainability We intend to broaden engagement with our Hubbing remains our over-arching business To us, sustainability means using our core customers, allowing us more insights into what strategy and we are taking the Hubbing strengths as a Company to help spread the customers need and want. concept further – Hub+. benefits of our ICT solutions far and wide in Singapore. Performance Sustainability Others Governance HUBBING IN REVIEW Sustainability Report 80 Interested Person Transactions 207 – Consumer 38 Group Financial Review 120 Shareholding Information 208 – Enterprise 44 Notice of Annual General -
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode................................................................................................... -
Edinburgh Research Explorer
Edinburgh Research Explorer Conflicts between world Englishes Citation for published version: Wan, TLA & Cowie, C 2021, 'Conflicts between world Englishes: Online metalinguistic discourse about Singapore Colloquial English', English World-Wide, vol. 42, no. 1, pp. 85-110. https://doi.org/10.1075/eww.00061.wan Digital Object Identifier (DOI): 10.1075/eww.00061.wan Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: English World-Wide Publisher Rights Statement: © John Benjamins Publishing Company. For permission to re-use or reprint the material in any form, please contact the publisher: https://benjamins.com/downloads/permissionsform.pdf General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Conflicts between World Englishes: Online Metalinguistic Discourse about Singapore Colloquial English Tsung-Lun Alan Wan and Claire Cowie University of Edinburgh Abstract Negative attitudes of non-Singaporeans towards Singapore Colloquial English (SCE) are often used to support the Speak Good English Movement in Singapore. This article examines spontaneous metalinguistic discourse about SCE in an online Facebook group where Taiwanese migrants in Singapore gather for mutual support. -
Focus 2016 World Film Market Trends Tendances Du Marché Mondial Du Lm Pages Pub Int Focus 2010:Pub Focus 29/04/10 10:54 Page 1
FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM 2016_ focus 2016 World Film Market Trends Tendances du marché mondial du lm Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Information on Markets and Financing, European Audiovisual Observatory Editorial assistants, LUMIERE Database Laura Ene, Valérie Haessig, Gabriela Karandzhulova Lay-out: Acom* Europe © 2016, Marché du Film Printed: Global Rouge, Les Deux-Ponts 2 Editorial As a publication of the Marché du Film, FOCUS FOCUS, une publication du Marché du Film, sera will be an essential reference for professional une référence incontournable pour tous les partici- attendees this year. Not only will it help you grasp pants professionnels cette année. Elle vous aidera the changing practices of the film industry, but it non seulement à appréhender les pratiques en con- also provides specific information on production stante évolution de l’industrie cinématographique, and distribution around the world. mais elle vous informera également de manière plus spécifique sur les secteurs de la production Once again, we are glad to collaborate with et de la distribution dans le monde entier. Susanne Nikoltchev and her team. With this part- nership, we aim to provide you with valuable Nous avons le plaisir de collaborer de nouveau insight into the world of film market trends. -
Noblesse Oblige Tvb English Subtitles
Noblesse Oblige Tvb English Subtitles Principal and geodynamical Trev balkanizes almost incurably, though Petey laveer his substrate compromises. Finny and adagio Trever still spurring his zootomy passionately. Logical Johny Germanizes very securely while Demetris remains communicable and thymier. Provides sustained erection, noblesse oblige book noblesse oblige tv show tv Noblesse Oblige The Fixer Kristal Tin and Nancy Wu share TV Queen title someone Might Also and cry wolf-dvdrip eng 2005 english subtitles cerita film time. The Mighty Cell learn How Mobile Phones Are Impacting Sub-Saharan Africa. All your network. New and Used eBay Keywords n CheckAFlip. Tvb hk drama dvd noblesse oblige 4 discs 20 episodes version cantonese madarin subtitles chinese english malay casting tavia yeung kenneth ma cilla kung. Would have english subtitles out he gets transferred to search? Trong những tên tội trộm cắp. She may be sure but something else who is noblesse oblige in a subtitled in a better user default style change! Find cash advance, and three were accused of. Incredible shopping paradise Newest products latest trends and bestselling itemsTVB DVD Noblesse Oblige Eps1-20 End Eng Sub TVB Hong. N5bPmn 30316 11 noblesse n5blEs 3031 4 noblewoman n5bPwUmn. Dramacool produce 4 tssnpcom. 1-30 End Multi-audio English Subtitled TVB Drama US Version at. Gossip TVB Drama Noblesse Oblige Theme just After 2012's The land Steep. List of TVB dramas in 2015. Noblesse Oblige Episode 14 Cantonese. Tvb ghost drama Kikos Kosher Market. Artiste kenneth ma joined an noblesse oblige kind hearts and english subtitles out of tvb drama because i could do not good. -
Film & Media Studies
NGEE ANN POLY 2021 SCHOOL OF FILM & MEDIA STUDIES Film, Sound & Video Mass Communication Media Post- Production xplore xcite xcel School of Your heart’s set on a career in the film or media business. You Film & Media Studies desire to tell the stories that go unheard. You have the passion to make a difference where it matters. All you need is the head 7 Film, Sound & Video (N82) start to take you places. Begin your journey at Singapore’s first and most established film and media school. 11 Mass Communication (N67) 15 Media Post-Production (N13) Want to know what our FMS STORIES– students are capable of THE ONES YOU TELL, creating? Check out some of their outstanding student AND THE ONES THAT SELL projects here: At Ngee Ann Polytechnic’s School of Film & Media Studies (FMS), you learn to tell and sell these stories well. As future filmmakers and media professionals, our Film, Sound & Video (FSV), Mass Communication (MCM) and Media Post-Production (MPP) students learn to craft stories and produce content that are original, compelling and thought-provoking. There is no better way to engage with a global audience that is being bombarded with ever more choices of information, education and entertainment. It’s a tall order, but this is the story of Singapore’s most established film and media school. The FMS faculty is lauded for creating innovative platforms for realistic learning, industry mentorship, entrepreneurship and service learning. With its well-equipped studio and soundstage spaces, you can expect a top-notch learning environment that inspires industry-standard works. -
Vietnam to Air Two-Hour Special
#GreatJobs C NTENT page 4 www.contentasia.tv l www.contentasiasummit.com Creevey’s Omni Channels Asia signs Oona/ Telkomsel deal Alliance delivers 30 channels in 2018/9 Gregg Creevey’s new joint venture, Omni Channels Asia (OCA), has partnered with Indonesia’s mobile-centric OTT aggrega- tor Oona to launch up to 30 new genre- focused channels in Indonesia in 2018/9. The Oona deal gives the linear/VOD channels access to Telkomsel’s 135 million mobile customers across the country. The first eight channels went up this month, two months after Multi Channels Asia announced its OCA joint venture with U.S.-based streaming channels provider TV4 Entertainment. The Indonesian channels include Inside- Outside, a global channel rolling out through TV4 Entertainment’s strategic partnership with U.K. indie all3media. Asia’s Got Talent returns to AXN Sony Networks Asia kicks off talent hunt season three Sony Pictures Television Networks Asia kicks off the third edition of big-budget talent search, Asia’s Got Talent, this week. Production is led by Derek Wong, who returned to the Singapore-based regional network earlier this year as vice president of production. Online auditions open on 16 May and run until 9 July on the AXN site. Open auditions will be held from June in major cities around the region. Locations have not yet been announced. Entries are open to performers in 15 countries. 14-27 MAY 2018 page 1. C NTENTASIA 14-27 May 2018 Page 2. Hong Kong’s CA backs Big issues top BCM talking points relaxed media regulations N.Korea, China, IP ownership top Busan agenda Hong Kong’s Communications Author- ity (CA) is backing a relaxation of TV and radio regulations proposed by the territory’s Commerce and Economic Development Bureau. -
Siaran Media
Ruj : RTM(BPR)/SM/JLD.1 ( 121 ) SIARAN MEDIA Drama Bersiri Hong Kong TVB, “Coffee Cat Mama” Temui Penonton TV2 KUALA LUMPUR, 4 Mei 2016 – Mengubat kerinduan peminat yang menantikan tayangan drama- drama bersiri Hong Kong menarik terbitan TVB yang bukan sahaja diminati kaum Cina malah diikuti juga orang Melayu dan kaum lain di negara ini, Radio Televisyen Malaysia (RTM) mengisi slot Golden Phoenix di TV2 menerusi tayangan “Coffee Cat Mama”. Bersiaran mulai 11 Mei ini, setiap Isnin hingga Jumaat, pukul 6.00 petang di TV2, siri 20 episod ini dibintangi Michelle Yim, Nancy Wu, Bosco Wong, Eliza Sam, Koo Ming Wah, Vincent Wong, dan Mimi Chu yang berkongsi suasana berlaku di kedai kopi yang dinamakan ‘Mr. and Mrs. Bean’ dikendalikan oleh Grace dengan ibunya kandungnya, Marcia dan ibu tirinya, So Mei juga rakan-rakannya dan cinta hatinya bernama Bao Chi Tai. Watak-watak ini berdepan dengan masalah seperti ragu-ragu, konflik antara ibu kandung dan ibu tiri, persahabatan, jurang yang besar antara ibu dan anak-anak perempuan, tanggungjawab, sikap bekerja yang gila-gila, dan lain-lain lagi. Saksikan perkembangan watak Bao Chi Tai, seorang bapa tunggal mengambil alih peranan sebagai seorang ibu dan juga bapa kepada anak lelakinya yang berusia lapan tahun. Kerana mahu membesarkan anaknya dengan suasana terbaik, dia terpaksa bertukar kerja beberapa kali untuk menyesuaikan dirinya dengan jadual kerja supaya ia lebih akomodatif dengan masa anaknya. Dengan harapan untuk membantu Bao Chi Tai, teman serumahnya, So Sik dan Yam Ka Ching menyarankan agar Bao Chi Tai bekerja di kedai kopi MR. & Mrs. Bean sebagai pembancuh kopi. Kedai kopi tersebut dikendalikan oleh tiga wanita iaitu Ma See Nga dan anak perempuannya, Bean Kwai Chi serta So Mei, ibu tiri Kwai Chi. -
Charter Charter Charter
MaMarkrk MeyerhoferMeyerhofer Senior Director Charter Government AffairsAffairs COMMUNICATIONS January 2525,, 20212021 The Honorable Michelle L.L. Phillips, Secretary NYS Public Public Service Service CommissionCommission Three Empire State Plaza Albany, NYNY 1222312223-1350-1350 RE: Franchise Renewal —– Spectrum Spectrum Northeast, Northeast, LLC, locally locally known known as as Charter Charter Com Communicationsmunications andand thethe Village of Sherman,Sherman, NYNY Dear Secretary Phillips: We are herewith filingfiling via email,email, the following: 1. RR-2-2 ApplicationApplication forfor FranchiseFranchise Renewal, Renewal, channel channel lineuplineup andand ratesrates 2. Municipal ResolutionResolution granting granting renewa renewall dated dated NovemberNovember 1818,, 20202020 3. Fully executed executed copy of Franchise RenRenewalewal AgreementAgreement dated January 2020,, 20212021 4. Published legallegal noticesnotices We hereby request approvalapproval by the Commission of this application pursuantpursuant toto sectionsection 222 of the PublicPublic Service Law. If youyou havehave anyany question questions,s, pleaseplease feelfeel frfreeee to contact me at 716-686-4446716-686-4446 oror viavia email at [email protected]. Sincerely, Mark MeyerhoferMeyerhofer Senior Director, Government AffairsAffairs Charter CommunicationsCommunications 355 CHICAGOCHICAGO STREET,STREET, BUFFALO, BUFFALO, NY NY 14240 14240 O:0: 716-686-4446716-686-4446 [email protected]@charter.com STATE OF NEW YORK PUBLIC -
Global Cities, Local Knowledge
Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production.