Noblesse Oblige Tvb English Subtitles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
新加坡e 乐大赏singapore Entertainment Awards 2014 人气奖项投选
新加坡 e 乐大赏 Singapore Entertainment Awards 2014 人气奖项投选名单 Most Popular Categories (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 毕书尽 Bii 2 胡夏 Hu Xia 3 林俊杰 JJ Lin 4 杨宗纬 Aska Yang 5 萧敬腾 Jam Hsiao 6 罗志祥 Show Luo 7 黄鸿升 Alien Huang 8 周杰伦 Jay Chou 9 王力宏 Wang Lee Hom 10 严爵 Yen-J B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 A-Mei 2 蔡健雅 Tanya Chua 3 白安 Ann 4 戴佩妮 Penny Tai 5 丁当 Della Ding Dang 6 蔡依林 Jolin Tsai 7 孙燕姿 Stefanie Sun 8 杨丞琳 Rainie Yang 9 何韵诗 Denise Ho 10 田馥甄 Hebe Tien 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 孙燕姿 Stefanie Sun 2 蔡淳佳 Joi Chua 3 乔毓明 Ming Bridges 4 何维健 Derrick Hoh 5 黄义达 Huang Yida 6 蔡健雅 Tanya Chua 7 麦克疯 MICappella 8 插班生 The Freshman 9 Olivia Ong Olivia Ong 10 林俊杰 JJ Lin D. e 乐人气乐团 Most Popular Band 1 飞儿乐团 F.I.R 2 旺福 Won Fu 3 苏打绿 sodagreen 4 五月天 Mayday 5 MP 魔幻力量 Magic Power E. e 乐人气组合 Most Popular Group 1 Popu Lady Popu Lady 2 EXO-M EXO-M 3 Super Junior-M Super Junior-M 4 动力火车 Power Station 5 S.H.E S.H.E 2 F. e 乐人气华语 MV Most Popular Music Video (C-pop) 歌名 歌手 1 渺小 田馥甄 2 Come Back To Me Bii 毕书尽 3 其实都没有 杨宗纬 4 纯属意外 戴佩妮 5 再遇见 苏打绿 6 天使之翼 杨丞琳 7 黑暗骑士 林俊杰 8 爱投罗网 罗志祥 9 恋爱元气弹 Popu Lady 10 超有感 黄鸿升 G. -
Universidad Peruana De Ciencias Aplicadas Facultad
Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más. -
C NTENTASIA #Thejobsspace Pages 14, 15, 16
Bumper jobs issue C NTENTASIA #TheJobsSpace pages 14, 15, 16 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com New Warner TV debuts on 15 March iZombie leads launch schedule Turner unveils the new version of regional entertainment channel Warner TV on 15 March, three days ahead of the express premiere in Asia of iZombie, the brain-eat- ing zombie show inspired by DC Comics. The new Warner TV debuts with a re- worked logo and the tagline “Get Into It”. The new schedule is divided into three clear pillars – drama, action and comedy. More on page 3 Hong Kong preps for Filmart 2015 800 exhibitors, 30 countries expected Digital entertainment companies are ex- pected to turn out in force for this year’s 19th annual Hong Kong Filmart, which runs from 23-26 March. Organisers said in the run up to the market that about 170 digital companies would participate. About 18% of these are from Hong Kong. The welcome mat is also being rolled More on page 16 Facing facts in China Docu bosses head for Asian Side of the Doc About 600 delegates are expected in the Chinese city of Xiamen for this year’s Asian Side of the Doc (ASD), including the event’s first delegation from Brazil and more indie producers than ever. This year’s event (17-20 March) takes place against sweeping changes in Chi- More on page 18 9-22 March 2015 page 1. C NTENTASIA 9-22 March 2015 Page 2. -
Global Offering
IMPORTANT IMPORTANT: If you are in any doubt about any of the contents of this prospectus, you should seek independent professional advice. ERNEST BOREL HOLDINGS LIMITED 依 波 路 控 股 有 限 公 司 (Incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Number of Offer Shares in the Global Offering : 66,000,000 Shares (subject to the Over-allotment Option) Number of Hong Kong Offer Shares : 6,600,000 Shares (subject to adjustment) Number of International Offer Shares : 59,400,000 Shares (subject to adjustment and the Over-allotment Option) Maximum Offer Price : HK$3.46 per Offer Share, plus 1% brokerage, SFC transaction levy of 0.003%, and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars and subject to refund) Nominal Value : HK$0.01 per Share Stock Code : 1856 Sole Sponsor, Sole Global Coordinator, Sole Bookrunner and Sole Lead Manager Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus. A copy of this prospectus, having attached thereto the documents specified in the paragraph headed ‘‘ Documents Delivered to the Registrar of Companies and Available for Inspection’’ in Appendix V, has been registered by the Registrar of Companies in Hong Kong as required by Section 342C of the Companies (Winding Up and Miscellaneous Provisions) Ordinance (Chapter 32 of the Laws of Hong Kong). -
You're Hired (TV Series) Ðктьор ÑпиÑ
You're Hired (TV series) ÐÐ ºÑ‚ьор ÑÐ ¿Ð¸ÑÑ ŠÐº (Cast) Irene Wong https://bg.listvote.com/lists/film/actors/irene-wong-8261673/movies Mikako Leung https://bg.listvote.com/lists/film/actors/mikako-leung-17434093/movies Kelvin Chan https://bg.listvote.com/lists/film/actors/kelvin-chan-18574947/movies Brian Burrell https://bg.listvote.com/lists/film/actors/brian-burrell-4963233/movies Yue Chi Ming https://bg.listvote.com/lists/film/actors/yue-chi-ming-1652742/movies Cheng Fan Sang https://bg.listvote.com/lists/film/actors/cheng-fan-sang-13423447/movies Jonathan Lee https://bg.listvote.com/lists/film/actors/jonathan-lee-9205319/movies Charmaine Sheh https://bg.listvote.com/lists/film/actors/charmaine-sheh-2316321/movies GoGo Cheung https://bg.listvote.com/lists/film/actors/gogo-cheung-14608394/movies Katy Kung https://bg.listvote.com/lists/film/actors/katy-kung-6378514/movies Jason Pai https://bg.listvote.com/lists/film/actors/jason-pai-6676278/movies Wong Ching https://bg.listvote.com/lists/film/actors/wong-ching-7218759/movies Teresa Ha https://bg.listvote.com/lists/film/actors/teresa-ha-589739/movies Amy Ng https://bg.listvote.com/lists/film/actors/amy-ng-17279985/movies Kimmy Kwan https://bg.listvote.com/lists/film/actors/kimmy-kwan-8260652/movies Jayden Kau https://bg.listvote.com/lists/film/actors/jayden-kau-15905237/movies Agassi Cheng https://bg.listvote.com/lists/film/actors/agassi-cheng-9356653/movies Chan Wing Chun https://bg.listvote.com/lists/film/actors/chan-wing-chun-86448/movies Joey Mak https://bg.listvote.com/lists/film/actors/joey-mak-7187483/movies -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
First Rated Drama Beyond the Realm of Conscience Premiers on Astro WLT Casts Showed up at Malaysia to Greet Devoted Fans
Press Release 24th November, 2010 First Rated Drama Beyond the Realm of Conscience Premiers on Astro WLT Casts Showed Up at Malaysia To Greet Devoted Fans As the top-rating TVB drama in 2009, Beyond the Realm of Conscience’s main characters, storylines and dialogues captured most Hong Kong audiences’ hearts ever since its release. With its marvelous cast and script, this popular drama became the talk of the town last year. Premiering on Astro’s Wah Lai Toi (Channel 311) on the 30th of November at 9:30pm every Monday to Friday, four main characters, Moses Chan(Emperor Lee Yi), Susanna Kwan (Yuen Tsui Wan, Head of the Jewels), Selena Li (Concubine Yin) and Edwin Siu (Emperor Lee Chin) visited Malaysia on the 6th of November in promotion of this costume drama hit. Upon their arrival, the “Royal family” rushed to the press conference. Besides being interviewed by the enthusiastic Malaysian media, questions revolving Can’t Buy Me Love: a brand new costume comedy with the same casting as the former title, were also highly-anticipated and frequently mentioned. After the interview session, the stars made appearances at public ground event at 1Borneo at Kota Kinabalu to greet their long-awaiting local followers. Fans were participating in exciting stage games alongside their idols where winners got to walk away with attractive prizes. On top of that, all four of them were sharing about their experiences throughout the shooting of the drama and updated their fans on their recent happenings. The climax of the event was definitely the performances by songstress Susanna Kwan where she sang the themed song of the drama. -
Annual Report
Financial Highlights Turnover & Prot Attributable to Equity Holders of the Company 2011 2010 Change Turnover Profit Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$3.55 HK$3.04 17% Dividends per share 5,000 - Interim HK$0.45 HK$0.35 29% - Final HK$1.75 HK$1.65 6% 4,000 HK$2.20 HK$2.00 10% 3,000 HK$’mil HK$’mil Turnover HK$’ million HK$’ - Hong Kong terrestrial TV 2,000 broadcasting 2,858 2,533 13% - Programme licensing and 1,000 distribution 903 785 15% - Overseas satellite pay TV operations 389 372 5% 0 2007 2008 2009 2010 2011 - Taiwan operations 834 753 11% YEAR - Channel operations 252 330 -24% - Others activities 156 110 42% - Inter-segment elimination (183 ) (208 ) -12% Earnings & Dividends Per Share 5,209 4,675 11% Earnings per Share Dividends per Share Total expenses (2,968 ) (2,686 ) 10% 4 Share of losses of associates (58 ) (98 ) -41% 3.5 Profit attributable to equity holders 1,556 1,330 17% 3 31 December 31 December 2011 2010 2.5 HK$’mil HK$’mil 2 10% 8,033 Total assets 8,843 HK$ Total liabilities 1,741 1,545 13% 1.5 Total equity 7,093 6,488 9% 1 Number of issued shares 438,000,000 438,000,000 0% 0.5 Ratios 0 Current ratio 4.2 4.1 2007 2008 2009 2010 2011 Gearing 3.1% 4.0% YEAR 2011 Turnover by Operating Segment 2011 Reportable Segment Prot* by Operating Segment % relating to 2010 are shown in brackets % relating to 2010 are shown in brackets Programme Programme licensing and Hong Kong Hong Kong licensing and distribution terrestrial terrestrial distribution 15% (14%) TV TV 26% (26%) broadcasting -
Foundation Yearbook 2019
CONTENTS 004 Message from the Chairman 007 Message from the Headmaster 008 Board of Directors 010 Sub-committees 015 Total Funds Raised 016 Endowment Fund 017 Annual Giving 018 Our Projects 020 Investment Report 022 Tiers of Recognition 030 Reunion Class Gifts 036 DBS 150th Anniversary 047 Acknowledgement of Event Sponsors 002 I I 003 MESSAGE from THE CHAIRMAN I am incredibly proud and excited to chair DBS Foundation and witness the 150th Anniversary of the School. The Most Revd. DR. PAUL KWONG Archbishop of Hong Kong Funds raised through various programmes of the Foundation have provided the School with excellent resources to nurture boys and develop them to their full potential. I would like to extend my deepest gratitude to our directors and sub-committee members for their dedication and remarkable efforts throughout the year. I would also like to thank our Old Boys, parents and friends for their continued support and generous contribution. I hope you would enjoy reading this fifth Foundation report and pray that you would continue to support our work. 004 I Photo Credit: Diocesan Media Group of DBS MESSAGE from THE HEADMASTER RONNIE CHENG Class of '83 DBS has a long history of academic excellence and extra-curricular prowess, galvanised by a strong spirit connecting current and past students. We recognise and respect each other's differences within an environment which enables students to excel in their respective areas of strength. The generosity of our Old Boys, parents and friends of DBS, through their contribution to DBS Foundation, has provided the necessary resources which enable students to reach their full potential. -
Inspiring Change
Inspiring Change StarHub Ltd Annual Report 2017 Inspiring Change Inspiring STARHUB LTD Annual Report 2017 Report Annual STARHUB LTD OUR VISION Creating Happiness, Inspiring Change OUR MISSION To deliver world-class communication, information and lifestyle services, to every person, home and business. WHAT’S INSIDE Overview At a Glance 08 Overview Strategy StarHub’s bringing the future closer to consumers Chairman’s Message 10 through gigabit-class network upgrades and Significant Events 14 mesh networking systems, to enterprises through Value Creation 16 Enhancing the Customer Experience 18 robotic business operations, digital SME trade Board of Directors 20 platform and secure enterprise solutions and to In Discussion with StarHub’s Management 26 the entire nation through service innovation and Senior Management’s Profiles 34 co-creation that drives Singapore’s ‘We Economy’. Strategy 10 38 80 Performance Chairman’s Message Hubbing in Review Sustainability We intend to broaden engagement with our Hubbing remains our over-arching business To us, sustainability means using our core customers, allowing us more insights into what strategy and we are taking the Hubbing strengths as a Company to help spread the customers need and want. concept further – Hub+. benefits of our ICT solutions far and wide in Singapore. Performance Sustainability Others Governance HUBBING IN REVIEW Sustainability Report 80 Interested Person Transactions 207 – Consumer 38 Group Financial Review 120 Shareholding Information 208 – Enterprise 44 Notice of Annual General -
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
2016 Interim Report
FINANCIAL HIGHLIGHTS Revenue Continuing operations Six months ended 30 June 2016 2015 Change 1st Half 2nd Half 6,000 Performance Earnings per share HK$0.69 HK$2.62 -74% 5,000 Interim dividend per share HK$0.60 HK$0.60 - 4,000 HK$’mil HK$’mil 3,000 Revenue HK$’ million HK$’ - Hong Kong TV broadcasting 1,235 1,386 -11% 2,000 - Hong Kong digital new media business 84 72 +16% - Programme licensing and distribution 532 483 +10% 1,000 - Overseas pay TV operations 84 93 -10% - Channel operations 46 55 -18% 0 2012 2013 2014 2015 2016 - Other activities 75 42 +78% YEAR - Inter-segment elimination (92 ) (100 ) -9% 1,964 2,031 -3% Prot Attributable to Equity Holders Total expenses* (1,678 ) (1,570 ) +7% of the Company Profit attributable to equity holders 302 1,148 -74% 1st Half 2nd Half 2,000 30 June 31 December 2016 2015 1,800 HK$’mil HK$’mil 1,600 1,400 Total assets 8,345 9,113 -8% 1,200 Total liabilities 1,033 1,277 -19% Total equity 7,312 7,836 -7% 1,000 Number of issued shares 438,000,000 438,000,000 HK$’ million HK$’ 800 600 Ratios 400 Current ratio 7.7 8.8 200 Gearing - 3.0% 0 2012 2013 2014 2015 2016 * excluding non-recurring expenses YEAR Revenue by Operating Segment Reportable Segment Prot by Operating Segment % relating to 1st half of 2015 are shown in brackets % relating to 1st half of 2015 are shown in brackets Hong Kong TV Programme Hong Kong TV Programme broadcasting licensing and broadcasting licensing and 62% (67%) distribution 13% (52%) distribution 24% (20%) 92% (48%) Overseas pay TV Overseas pay TV Hong Kong operations Hong Kong