DOCSLIB.ORG

MEDIA FACTSHEET (15 Mar 2013) Singapore Unveils 320 Hours of Comedies, Entertainment Programmes and Documentaries at Hong Kong I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MEDIA FACTSHEET (15 Mar 2013) Singapore Unveils 320 Hours of Comedies, Entertainment Programmes and Documentaries at Hong Kong I MEDIA FACTSHEET (15 Mar 2013) Singapore unveils 320 hours of comedies, entertainment programmes and documentaries at Hong Kong International Film & TV Market (FILMART) The Media Development Authority of Singapore (MDA) will lead 37 Singapore media companies to the 17th edition of the Hong Kong International Film & TV Market (FILMART) where they will meet with producers, distributors and investors to promote their content, negotiate deals and network with key industry players from 18 to 21 March 2013. More than 320 hours of locally-produced content including films and TV programmes will be showcased at the 90-square-metre Singapore Pavilion at the Hong Kong Convention & Exhibition Centre (booth 1A-D01, Hong Kong Convention & Exhibition Centre Level 1, Hall 1A). The content line-up includes recent locally-released film comedies Ah Boys to Men and Ah Boys to Men 2, about recruits in the Singapore military directed by prolific Singapore director Jack Neo; Taxi! Taxi!, inspired by a true story of a retrenched microbiology scientist who turns to taxi driving; Red Numbers by first-time director Dominic Ow about a guy who has three lucky minutes in his miserable life according to a Chinese geomancer; and The Wedding Diary II, the sequel to The Wedding Diary, which depicts life after marriage. Also on show are new entertaining lifestyle TV programmes, from New York Festivals nominee Signature, a TV series featuring world-renowned architect Moshe Safdie and singer Stacey Kent; reality-style lifestyle series Threesome covering topics with Asian TV celebrities Utt, Sonia Couling and Nadya Hutagalung; to light-hearted infotainment décor home makeover show Project Dream Home and Style: Check-in, an interactive 360 content fashion lifestyle programme which uses social media to interact with viewers. Singapore-produced documentary works with globalised, cross-cultural themes will also be featured. Homestay, explores family togetherness, community spirit, racial and cultural harmony; Explore the Day follows a Muslim child in a different country, sun up to sun down in a playful cinéma vérité style; Salam Ramadhan explores how Muslims around the world usher in Ramadan, the month of fasting; while Halal Galore is a global food travelogue series on the dietary requirements of Muslim travellers in non-Muslim countries. A slew of upcoming feature-length films in development are also seeking business opportunities. These include Wa is for Wayang, a discovery of the mystical world of Chinese Opera by three underdog students; Little Medium Boy, a narrative about an 11-year-old child star medium who is hired to find a wife for a dead boy; and Building Waves which reflects the lives of four damaged souls who suffer loss from the reservoir of Singapore and find salvation through the waves of change. The list of participating Singapore companies at the Singapore Pavilion is at Annex A. For more details on the full list of film and TV content at the Singapore Pavilion, please see Annex B. You can also catch highlights of Singapore content at FILMART at www.youtube.com/MDASingapore Singapore Film Commission to promote SGFilm Channel to international audiences at FILMART The Singapore Film Commission will promote the recently launched SGFilm Channel (www.youtube.com/sgfilmchannel) to international audiences attending FILMART. This will extend the reach of Singapore short films beyond festivals. Kicking off its first year in 2013, the channel will showcase 40 short films with 10 new titles released for online viewing every quarter. Among the film offerings currently available are 10 festival works with heart-warming stories of family ties and friendships including Ah Ma (2007), a 14-minute short film by Anthony Chen which secured a “Special Mention” at the 60th Cannes Film Festival in 2007; and Keluar Baris (Homecoming) (2007) by Boo Junfeng whose debut feature film Sandcastle (2010) was invited to the International Critics’ Week at the Cannes Film Festival. Spotlight on Singapore veterans and up-and-coming film business executives Singapore’s participation will be headlined by a stellar line-up of veteran directors and producers, alongside up-and-coming film business executives, as they collaborate with internationally renowned talent for their latest works. Veteran director-producer Jack Neo whose comedy films carry social themes makes his comeback at the market. He holds a new record for Singapore’s best performing local movie at the box office with his latest film Ah Boys to Men 2 (2013) which has crossed the S$7 million mark at the local box office. Other veterans include Chan Pui Yin who has produced 17 features in her illustrious career with recent comedy film Taxi! Taxi!; Chai Yee Wei, who has directed horror and supernatural comedy Blood Ties (2009) and Twisted (2011) respectively, returns with That Girl in Pinafore, a coming-of-age film about teenage first love and the pain of dreams clashing with reality set against the backdrop of the rise and fall of Singapore folk songs in the early 90s; and writer-director Han Yew Kwang whose action comedy Qing Gong is one of the five finalists for the 2nd Annual Hong Kong Asia Financing Forum/Fox Chinese Film Development Award on the sidelines of FILMART. Former Miss Singapore Universe Eunice Olsen will produce and star in Oscar- nominated director Chhay Bora’s latest feature film 3.50. This multi-layered story crosses the narrative threads of a disgraced doctor, a foreign journalist, a taxi-driver, a street peddler and a prostitute, as they navigate the socio-economic tensions that allow poverty and its problems to flourish. Chhay Bora’s Lost Loves is Cambodia's official Oscar entry for the “Best Foreign Film” at the 2013 Academy Awards. Actress-turned-director Michelle Chong, whose film Already Famous (2011) was Singapore’s entry for the 2013 Academy Awards in the “Best Foreign Film” category, will direct and produce her sophomore title 3 Peas in a Pod in Australia, featuring ex- U-KISS boyband member Alexander Lee Eusebio from Korea and Calvin Chen a member of popular Taiwanese boyband Fahrenheit. Highlights of recent Singapore box office revenue and regional co-productions Singapore films continue to record a steady increase in revenue at the local box office. Last year, the revenue for Singapore’s top five films more than tripled to S$8.9 million (US$2.17 million) from S$2.7 million (US$7.15 million) in 20101. The top five grossing Singapore films last year were Ah Boys to Men, We Not Naughty, Dance Dance Dragon, Greedy Ghost and Imperfect. Singapore’s Scout Pictures and Hong Kong’s Imagine Nation Films are collaborating on Hong Kong-Singapore-Taiwan horror-suspense film co-production The Second Coming, which is Hong Kong director Herman Yau's (Ip Man: The Final Fight) stereoscopic 3D film debut. The project is funded by Hong Kong’s Film Development Fund and MDA’s Production Assistance grant2. Singapore’s Clover Films and Hong Kong’s Star Chinese Movies co-produced The Wedding Diary II and recently inked a regional distribution deal for Ah Boys to Men and Ah Boys to Men 2 covering Singapore, Malaysia, Indonesia, Brunei, Thailand, Vietnam, Cambodia, Myanmar, Laos, Philippines and Taiwan. Both films are slated to screen this year in Malaysia and Taiwan in March and April respectively. 1 Figures are compiled by the Singapore Film Commission from various sources based on estimates 2 Production Assistance funds media productions that contribute to Singapore’s media sector through hiring Singapore talent in credited roles and generating Singapore spend. It is part of the MDA grant schemes support productions across all media sectors, namely Animation, Broadcast, Film, Games, Interactive Media, Music and Publishing, from idea development to content production, providing access to international markets and talent development. See http://www.mda.gov.sg/Schemes/Pages/GrantSchemes.aspx for more information. Singapore Spend refers to a project's expenditure on the cost items incurred in Singapore or on Singaporeans (regardless of residence/location) or Permanent Residents (based in Singapore). This includes third-party costs incurred and paid directly to a Singapore business entity or Singaporeans overseas. Any goods and/or services supplied by a Singapore business entity must be substantially supplied, performed or value-added in Singapore. For media queries, please contact: Ephraim Loy Assistant Manager (Industry Communications) Communications Media Development Authority Mobile: +65 9726 3157 Email: [email protected] About Media Development Authority of Singapore (MDA) The Media Development Authority of Singapore (www.mda.gov.sg) promotes the growth of globally competitive film, television, radio, publishing, music, games, animation and interactive digital media industries. It also regulates the media sector to safeguard the interests of consumers, and promotes a connected society. MDA is a statutory board under the Ministry of Communications and Information (www.mci.gov.sg). Annex A List of Singapore Companies at FILMART 2013 S/N Name of Company Core Sector 1 18G Pictures Pte Ltd Film 2 Analog Robot Pte Ltd Film 3 Antares International Media Pte Ltd Distribution 4 August Pictures TV 5 Add Oil Films Film 6 Belsoe Entertainment Group Pte Ltd Media Services 7 Beton Brut Media Services 8 Big Machine Films Pte Ltd Film 9 Brainchild Pictures Film 10 Clover Films Pte Ltd Film 11 Catwalk Asia Holdings Pte Ltd Media Services 12 Cornerstone Pictures Film 13 Fly Entertainment Media Services 14
Load more

Recommended publications
  • Social Construction of Singapore's Humor Industry
    Intercultural Communication Studies XIX: 1 2010 Lin & Tan How Cultural and Linguistic Pluralism Shape Humor: Social Construction of Singapore’s Humor Industry Trisha T. C. Lin & Phoebe Shu Wei Tan, Nanyang Technological University This study views Singapore’s humor industry through the theoretic lenses of social construction. It aims to examine the unique characteristics of Singapore humor and investigate how Singapore’s rojak culture (Chua, 1998) and social actors (content creator, market/audience, and government/policy) have shaped the trajectory of the humor industry. Data were collected through interviews with TV comedy producers, stand-up comedians, and theatre practitioners, as well as through three-month-long observation of local comedy scenes. Thematic data analysis (Miles & Huberman, 1994) was used to analyze transcribed interviews, observational field notes, and second-hand documents. The findings show Singapore humor is characterized by over-the-top visuals, frequent use of “Singlish” and Chinese dialects, satires of current affairs, and influences from western culture. The fear of failure, mianzi (Hwang, Francesco & Kessler, 2003), is Singapore’s cultural trait that hinders the development of Singapore’s humor industry. Its humor content creation relies on a formulaic approach, in order to cater for the perceived needs of mainstream audiences. Moreover, the content censorship, which serves as a crucial means to maintain order and harmony in this multicultural and multiracial society, still restricts creativity in humor creation and partially accounts for the lackadaisical Singapore humor industry. Humor is an innately complicated social phenomenon which can be found universally in all cultures, and plays a central, necessary part in social life (Billig, 2005).
    [Show full text]
  • 08/09 Annual Report
    08/09 ANNUAL REPORT 510 Thomson Road #12-05/06 SLF Building Singapore 298136 Tel: (65) 6354 8154 Fax: (65) 6258 3161 Email: [email protected] Website: www.ncpg.org.sg About the National Council on Problem Gambling The National Council on Problem Gambling (NCPG) is an independent council comprising 20 members with expertise and experience in public CONTENT communications and media, psychiatry and psychology, and counselling and legal services. Its terms of references are to: • Provide advice and feedback to the Ministry of Community Development, Youth and Sports (MCYS) on public education programmes to promote public awareness on Section problem gambling. Chairman’s Message 01 • Decide on funding applications 01 for preventive and rehabilitative programmes. Section • Assess and advise the The NCPG at a Glance 03 Government on the 02 effectiveness of treatment, counselling and rehabilitative Section programmes. Key Milestones 07 • Decide on the applications for exclusion of persons 03 from casinos. Section 04 Year in Review 12 Section 05 Looking Ahead 19 Section 06 Annexes 21 SECTION 1 Several public consultation exercises were conducted to seek public and stakeholders’ views on the casino exclusion measures. The Casino Control (Problem Gambling – Chairman’s Message Exclusion Orders) Rules 2008 was gazetted in December 2008 and the Family Casino Exclusion was implemented in April 2009. Casino Self Exclusion and the Third-Party Casino Exclusion on undischarged bankrupts and recipients of Public Assistance and Special Grant will be implemented by end 2009. This year, we welcomed practitioners from the social, community and education sectors once more at the second Singapore Problem Gambling Conference held in August.
    [Show full text]
  • Imaginary M/Other in the Assassin and the Grandmaster
    Concentric: Literary and Cultural Studies 45.2 September 2019: 27-54 DOI: 10.6240/concentric.lit.201909_45(2).0002 “I Revolt, Therefore We Are to Come”: Imaginary M/Other in The Assassin and The Grandmaster Yuh-yi Tan Center for General Education National Taipei University of Business, Taiwan Abstract This study puts forward a critical investigation of two chivalrous swordswomen, Nie Yinniang in The Assassin (2015) and Gong Er in The Grandmaster (2013), applying Julia Kristeva’s writing on “intimate revolt,” a psychoanalytic concept that deals with a revival of inner psychic experience based on timelessness. In the triadic relationship of female subjectivity among the self, mother, and imaginary father, the characters constantly question themselves while facing life-and-death dilemmas. Their self-questioning reinvents heterogeneous visual images of the maternal to create the strengthened vitality of female empowerment. Yinniang’s “multiple maternal identity” disorder is tinged with Asperger’s syndrome, but the spell of difficult verbal communication is eventually broken through her inner probing of the archaic past that triggers a renewal of her psychic life. Lacking access to maternal care, Wong Kar-wai’s Gong Er identifies with the imaginary father. Coupled with her father Gong Baosen and his successor Ip Man, she doubles herself as a father-mother conglomerate and reclaims her father’s name. Whereas Yinniang’s external-and-internal transformation silently redirects energy from external maternal figures that are reborn from the interior, Gong Er’s internal-and-external maternal eroticism is reproduced from the inside to contend with the paternal hegemony. They both, however, retrieve the forgotten zone of the body in lost time to find their future recalled by the imaginary father/other.
    [Show full text]
  • Cinémathèque Quarterly Vol. 2: April June 2017
    Cinémathèque Quarterly Vol. 2: April_June 2017 About National Museum of Singapore Cinematheque The National Museum of Singapore Cinematheque Contents focuses on the presentation of film in its historical, cultural and aesthetic contexts, with a strong emphasis on local and regional cinema. Housed in the museum's 247-seat Gallery Theatre, the National Museum of 4 Editorial Note Singapore Cinematheque offers new perspectives on film through a year-round series of screenings, thematic showcases, and retrospectives. 5 Feedback Mechanisms: On Film and The City Design: Studio Vanessa Ban, assisted by Kong Wen Da Printer: First Printers, Singapore 24 “To Each His or Her Own Ambition”: A Concise Distributed by the National Museum of Singapore History of the Chong Gay Organisation in Singapore NMS: Wong Hong Suen, Kathleen Ditzig, Hannah Yeo Stephanie Yeo, Olivia Lim 38 5 × 5: Alex Oh × Rennie Gomez © 2017 National Museum of Singapore All rights reserved Published in Singapore by 44 Young Critic’s Pick — Review of Kelvin Tong's National Museum of Singapore, an institution of National Heritage Board. Grandma Positioning System by Mary Ann Lim The views and positions expressed in this publication are those of the authors only and are not representative 46 Young Critic’s Pick — Review of Jack Neo's of the editorial committee or publisher. The National Museum of Singapore shall not be held liable for any The Girl and Boo Junfeng's Parting: Nostalgia and damages, disputes, loss, injury or inconvenience arising in connection with the contents of this publication. Space in Singapore by Ho Xiu Lun 2 All rights reserved.
    [Show full text]
  • Bsc (Honours) Tourism Management
    Faculty of Organisation and Management BSc (Honours) Tourism Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan Name Chan Po Kei Student No 91203295 Month Year April 2009 Sheffield Hallam University Faculty of Organisation and Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan FULL NAME Chan Po Kei STUDENT No 91203295 Supervisor: Dr. Connie Mok In partial fulfilment of the requirements for the degree of Bachelor of Science in Tourism Management. Month Year April 2009 Acknowledgments I would like to express my sincere appreciation to my dissertation supervisor, Dr. Connie Mok for her guidance, patience and valuable advice given during the whole process of completing this study. I become relaxed and confident of my dissertation after she shared her self-experience and expression to me. I am pleased with the support and encouragement of my family and friends. I would like to thank Pako, Nick, Yan, Redness, Karen, William, Mayumi, Tracy and Gary. I would also like to thank every participant of the focus groups. They provided useful and valuable information and ideas for the primary research. Abstract It is believed that films or television dramas might have an impact on tourism by encouraging tourists to visit the places or attractions which were screened (Riley and Van Doren 1992, Busby and Klug 2001). Although there has been an increasing trend of tourism research about film-induced tourism, its focus was mostly on specific sites in western countries.
    [Show full text]
  • FLM201 Film Genre: Understanding Types of Film (Study Guide)
    Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode...................................................................................................
    [Show full text]
  • Ip Man from Wikipedia, the Free Encyclopedia
    Ip Man From Wikipedia, the free encyclopedia [2] Ip Man, also known as Yip Man, (Chinese: 葉問; 1 October 1893 – 2 December 1972), was a Chinese martial artist, and a master Ip Man teacher of Wing Chun. He had several students who later became martial arts masters in their own right. His most famous student was Bruce Lee. Contents 1 Early life 2 Life in Hong Kong 3 Death and legacy 4 In popular culture 5 Martial arts lineage Born 1 October 1893 Foshan, 6 References Guangdong, Qing China Died 2 December 1972 Early life (aged 79) Mong Kok, Ip Man was born to Yip Oi-dor and Wu Shui. He grew up in a wealthy family in Foshan, Guangdong, and received a traditional Chinese Kowloon, Hong education. His elder brother was Yip Kai-gak, his elder sister was Yip Wan-mei and his younger sister was Yip Wan-hum.[3] Kong[1] Throat cancer [4][5] Ip started learning Wing Chun from Chan Wah-shun when he was 7. Chan was 64 at the time, and Ip became Chan's last student. Other Yip Man, Due to his teacher's age, Ip learned most of his skills and techniques from Chan's second eldest disciple, Wu Chung-sok (吳仲素). Chan names Yip Kai-man, lived three years after Ip's training started and one of his dying wishes was to have Wu continue teaching Ip. Ye Wen At the age of 16, Ip moved to Hong Kong with help from his relative Leung Fut-ting. One year later, he attended school at St.
    [Show full text]
  • Edinburgh Research Explorer
    Edinburgh Research Explorer Conflicts between world Englishes Citation for published version: Wan, TLA & Cowie, C 2021, 'Conflicts between world Englishes: Online metalinguistic discourse about Singapore Colloquial English', English World-Wide, vol. 42, no. 1, pp. 85-110. https://doi.org/10.1075/eww.00061.wan Digital Object Identifier (DOI): 10.1075/eww.00061.wan Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: English World-Wide Publisher Rights Statement: © John Benjamins Publishing Company. For permission to re-use or reprint the material in any form, please contact the publisher: https://benjamins.com/downloads/permissionsform.pdf General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Conflicts between World Englishes: Online Metalinguistic Discourse about Singapore Colloquial English Tsung-Lun Alan Wan and Claire Cowie University of Edinburgh Abstract Negative attitudes of non-Singaporeans towards Singapore Colloquial English (SCE) are often used to support the Speak Good English Movement in Singapore. This article examines spontaneous metalinguistic discourse about SCE in an online Facebook group where Taiwanese migrants in Singapore gather for mutual support.
    [Show full text]
  • Qigong Tai Chi Chun Yuen Wing Chun
    WHAT IS WING CHUN? INSTRUCTOR Wing Chun is one of the most popular Christine Barbier is an authorised instructor Chinese martial arts. Originally a fighting of the Tse Qigong Centre which was skill, today it is used for self defence, founded in 1990 by Master Tse to offer personnel development, health benefits and genuine and traditional Chinese skills rarely fun. found in the west (www. tseqigongcentre. com). Master Tse has spent over 30 years The skill is based on the principle of using an training with some of the most famous and opponent’s energy in order to control and venerated teachers in China. overcome them. It does not require strength or power, instead using sensitivity and WEEKLY CLASSES footwork in order to be effective. It is suitable for both women and men whatever their Wednesdays natural build and energy. Qigong: 6.30pm – 7.30pm Tai Chi: 7.30pm – 8.30pm Regular practice of Wing Chun helps Wing Chun: 7.30pm – 8.30pm develop relaxation, strong legs, self Chun Yuen: 7.30pm – 8.30pm Qigong confidence and mental strength. Its principles can be applied in everyday The Bodywork Centre, 4 Eastgate, Hexham, situations to solve problems and deal with NE46 1BH. Tai Chi stress. Tel: 07786 175 883 www.northeastqigong.co.uk ORIGINS OF WING CHUN Chun Yuen Beginners are welcome at any time. Classes The Wing Chun skill comes from the are suitable for all levels of fitness. No Buddhist southern Shaolin temple some 400 special equipment is required, just Wing Chun years ago. It is named after a lady (Yim Wing comfortable clothing and footwear.
    [Show full text]
  • Steadfast & Vibrant
    Steadfast & Vibrant CapitaMall Trust Annual Report 2013 Steadfast & Vibrant CapitaMall Trust (CMT) remains dedicated to delivering sustainable results across its portfolio of quality shopping malls. Since listing, CMT’s portfolio has steadily grown. This ensures that Unitholders and investors can rely on CMT for steady returns. CMT is focused on owning shopping malls that are vibrant and in close proximity to public transport. They are predominantly located in suburban areas as well as in Singapore’s bustling downtown core. CMT has been unwavering in its commitment to maintaining strong and rewarding partnerships with tenants. Together with the tenants, CMT continues to deliver results based on the creation and off ering of entertaining and relevant lifestyle shopping experiences that serve shoppers’ aspirations and needs. Clarity Clarity enables us to enhance organisational performance through operational excellence and eff iciencies. Corporate Profile 03 Contents Financial Highlights 04 Letter to Unitholders 06 Year in Brief 14 Corporate Governance & Sustainability Trust Structure 18 Organisation Structure 19 Board of Directors 20 Trust Management Team 30 Property Management Team 31 Corporate Governance 32 Enterprise Risk Management 48 Investor & Media Relations 52 Unit Price Performance 54 Sustainability 57 People & Talent Management 62 Business Portfolio Review Details Growth Strategies 66 Portfolio at a Glance 106 Operations Review 68 Portfolio Summary 108 Financial Review 76 Portfolio Details 110 Capital Management 81 CapitaRetail
    [Show full text]
  • Adult Movies the Dark Knight VR FIC DAR Adult Limitless VR FIC LIM
    Adult movies The dark knight VR FIC DAR Adult Limitless VR FIC LIM Adult Anonymous VR FIC ANO Adult Big miracle VR FIC BIG Adult Being Flynn VR FIC BEI Adult The cabin in the woods VR FIC CAB Adult ET (Extra Terrestrial) VR FIC ET Adult Extremely loud & incredibly close VR FIC EXT Adult Exam VR FIC EXA Adult Ghost town VR FIC GHO Adult Ironclad VR FIC IRO Adult John Carter VR FIC JOH Adult The Lincoln lawyer VR FIC LIN Adult The lady VR FIC LAD Adult Life as we know it VR FIC LIF Adult Miral VR FIC MIR Adult Men in Black VR FIC MEN Adult Men in Black II VR FIC MEN Adult The mummy VR FIC MUM Adult Salmon fishing in the Yemen VR FIC SAL Adult Twilight zone the movie VR FIC TWI Adult The woman in black VR FIC WOM Adult We need to talk about Kevin VR FIC WE Adult Furry vengeance VR FIC FUR Adult The hunger games VR FIC HUN Adult Avengers VR FIC AVE Adult The dark knight rises VR FIC DAR Adult Wuthering heights VR FIC WUT Adult Taken 2 VR FIC TAK Adult Argo VR FIC ARG Adult The way back VR FIC WAY Adult Trouble with the curve VR FIC TRO Adult Avengers VR FIC AVE Adult American Gangster VR FIC AME Adult Bully VR FIC BUL Adult Albert Nobbs VR FIC ALB Adult Beasts of the southern wild VR FIC BEA Adult Shirin Farhad VR FIC SHI Adult Talaash the answer lies within VR FIC CAR Adult Bedtime Stories VR FIC BED Adult Bewitched VR FIC BEW Adult The dictator VR FIC DIC Adult Life of Pi VR FIC LIF Adult The Hobbit : An Unexpected Journey VR FIC HOB Adult The Best Exotic Marigold Hotel VR FIC HOB Adult Anna Karenina VR FIC ANA Adult Rabbit Hole VR FIC RAB
    [Show full text]
  • Extra 2288 – a Thousand Artifacts from the 1820S
    10.04.2015 fri AP PHOTO Macau Daily Times | Edition 2288 | 10 Apr 2015 ROYAL YACHT OF HAWAII RECOVERED A THOUSAND ARTIFACTS FROM THE 1820S A shipwreck chaser found artifacts from the first luxury ocean-going yacht built in the United States in 1816, which sunk 191 years ago off the Movies: Get hard Hawaiian coast. The discovery Books: A scourge of vipers by bruce desilva will shed more light on the Music: What's real by waters history of the 1820s X3 Wine: The heart of oak Food: A zen state of mind X2 PÁTIO DA ILUSÃO illusion DRIVE IN Sandy Cohen, AP Entertainment Writer pe, teaching him how to fight ET ARD PLAYS and encouraging him to prac- 'G H ' tice oral sex on men. AP PHOTO The first yields some laughs WITH STEREOTYPES as the 6-foot-3 Ferrell uses the diminutive Hart as a barbell. But forced sex isn't WITH MIXED SUCCESS funny, no matter who's doing the forcing or the gender of the parties involved. "Get hile the stereotypes he has ever met — and asks Hard" traffics in other crude Win "Get Hard" may be for help to prepare for 10 humor involving more than gross exaggerations, its cha- years in maximum security. one look at Farrell's naked racters live in the real wor- Darnell has no jail experien- tush and a tiring amount of ld: A place where the chasm ce, but he agrees because he puns on the film's title. between rich and poor is vast needs money to buy a home Darnell knows one real ex- and growing; where black in a better school district for con, his cousin Russell (an men are disproportionately his little girl.
    [Show full text]