2015 Annual Report
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新加坡e 乐大赏singapore Entertainment Awards 2014 人气奖项投选
新加坡 e 乐大赏 Singapore Entertainment Awards 2014 人气奖项投选名单 Most Popular Categories (Open for public voting) A. e 乐人气男歌手 Most Popular Male Singer 1 毕书尽 Bii 2 胡夏 Hu Xia 3 林俊杰 JJ Lin 4 杨宗纬 Aska Yang 5 萧敬腾 Jam Hsiao 6 罗志祥 Show Luo 7 黄鸿升 Alien Huang 8 周杰伦 Jay Chou 9 王力宏 Wang Lee Hom 10 严爵 Yen-J B. e 乐人气女歌手 Most Popular Female Singer 1 张惠妹 A-Mei 2 蔡健雅 Tanya Chua 3 白安 Ann 4 戴佩妮 Penny Tai 5 丁当 Della Ding Dang 6 蔡依林 Jolin Tsai 7 孙燕姿 Stefanie Sun 8 杨丞琳 Rainie Yang 9 何韵诗 Denise Ho 10 田馥甄 Hebe Tien 1 C. e 乐人气本地歌手 Most Popular Local Singer 1 孙燕姿 Stefanie Sun 2 蔡淳佳 Joi Chua 3 乔毓明 Ming Bridges 4 何维健 Derrick Hoh 5 黄义达 Huang Yida 6 蔡健雅 Tanya Chua 7 麦克疯 MICappella 8 插班生 The Freshman 9 Olivia Ong Olivia Ong 10 林俊杰 JJ Lin D. e 乐人气乐团 Most Popular Band 1 飞儿乐团 F.I.R 2 旺福 Won Fu 3 苏打绿 sodagreen 4 五月天 Mayday 5 MP 魔幻力量 Magic Power E. e 乐人气组合 Most Popular Group 1 Popu Lady Popu Lady 2 EXO-M EXO-M 3 Super Junior-M Super Junior-M 4 动力火车 Power Station 5 S.H.E S.H.E 2 F. e 乐人气华语 MV Most Popular Music Video (C-pop) 歌名 歌手 1 渺小 田馥甄 2 Come Back To Me Bii 毕书尽 3 其实都没有 杨宗纬 4 纯属意外 戴佩妮 5 再遇见 苏打绿 6 天使之翼 杨丞琳 7 黑暗骑士 林俊杰 8 爱投罗网 罗志祥 9 恋爱元气弹 Popu Lady 10 超有感 黄鸿升 G. -
Property Investment
Cover Photo 封面圖片 Monti 逸瑆 Contents 2 Corporate Information 3 Corporate Profile 4 Chairman’s Statement 13 Financial Highlights 15 Management Discussion and Analysis 41 Summary of Financial Information 43 Particulars of Major Properties 49 Environmental, Social and Governance Report 76 Corporate Governance Report 94 Biographical Details of Directors 101 Report of the Directors 124 Shareholders’ Information 125 Independent Auditor’s Report 130 Consolidated Income Statement 131 Consolidated Statement of Comprehensive Income 132 Consolidated Statement of Financial Position 134 Consolidated Statement of Changes in Equity 136 Consolidated Statement of Cash Flows 140 Notes to Financial Statements Annual Report 2019 - 2020 LAI SUN DEVELOPMENT 1 Corporate Information PLACE OF INCORPORATION AUTHORISED REPRESENTATIVES Hong Kong Chew Fook Aun Chow Kwok Wor BOARD OF DIRECTORS SHARE REGISTRAR AND TRANSFER OFFICE Executive Directors Tricor Tengis Limited Level 54, Hopewell Centre Lam Kin Ngok, Peter, GBS (Chairman) 183 Queen’s Road East Chew Fook Aun (Deputy Chairman) Hong Kong Lau Shu Yan, Julius (Chief Executive Officer) NDEPENDENT UDITOR Lam Hau Yin, Lester (also alternate director to U Po Chu I A with effect from 19 June 2020) Ernst & Young Tham Seng Yum, Ronald (appointed on 19 August 2019) Certified Public Accountants Non-executive Directors PRINCIPAL BANKERS Agricultural Bank of China Limited Lam Kin Ming Bank of China (Hong Kong) Limited U Po Chu The Bank of East Asia, Limited China Construction Bank (Asia) Corporation Limited Independent Non-executive Directors DBS Bank Ltd. Hang Seng Bank Limited Ip Shu Kwan, Stephen, GBS, JP The Hongkong and Shanghai Banking Corporation Limited Lam Bing Kwan Industrial and Commercial Bank of China (Asia) Limited Leung Shu Yin, William Shanghai Pudong Development Bank Co., Ltd. -
Annual Returns to the Communications Authority Annual
Annual Returns to the Communications Authority Annual report on programming commitments of Year 2020 INDEX Independent local productions Annex 1 Independent local productions (All Channels) {5 pages) Total hours: 994.8 I Total hours of independent local productions: 994.8 Local productions Annex 2 Jade Channel {16 pages) Total hours: 4003.8 Annex 3 J2 Channel {3 pages) Total hours: 534.8 Annex4 TVB Finance & Information Channel (7 pages) Total hours: 2882.3 Annex 5 TVB News Channel {1 page) Total hours: 8784 Annex 6 Pearl Channel {2 pages) Total hours: 3890.2 ITotal hours of local productions: 20095.1 Independent I ,ocal Production (All Channels) Annex 1 Channel Title Airdate Duration Total Total in mins Episodes Hour Jade Joseph Koo Concert 20 12 2020/02/01 120 1 2.0 ;~~tl1tk§ffi ~~ gl$}~0§\ ~ Jimmy Lo 2016 Concert 2020/02/08 105 1 1.8 0 ~"',.OJ*§ffi~~fr!JfF=/\ii0 1lii" 1 [][]//,::mos s -&zra Lisa Wang, Adam Cheng, Kitaro 2011 Concert 2020/02/15 120 1 2.0 ~GJ>f)c · )J:BJJ¥: · ~~e~fJT~cJt)~o§~ Teresa Cheung Live 2020/02/22 120 1 2.0 ~)tH~~~___e;~~t~5~o§ ~ Lui Fong Live in Concert 2007 2020/02/29 120 1 2.0 g :JJ~:r~r:ey~x5~o§§ ~ 2020 Sam Hui Online Concert 2020/04112 60 1 1.0 2020§'f)tf{~[DJ#~~Online Concert ChiLam in Concert 2020/04/25 120 1 2.0 j~'=& ~P*'f\<;{*:9fs fyf;: / \ '.3:::. sA Rosanne Lui Live Orchestra Concert 2020/05/02 120 1 2.0 §i;3j(:§&~ijJi!Ji7(f§ 8 fffi}Xrg§t;~~U§ ~ Aaron Kwok Cheer Up & Dance Online Charity Concert 2020 2020/05/09 60 1 1.0 ¥~~tw§}~otJJ/lli3R:o~~___e~ og)~o§§ ~ Donald Cheung In Concert 2020/05/09 105 -
Television in Singapore: a Brief Introduction to Its Television Industry
-Journal of Arts, Science & Commerce ■E-ISSN2229-4686■ISSN2231-4172 TELEVISION IN SINGAPORE: A BRIEF INTRODUCTION TO ITS TELEVISION INDUSTRY Aaron Rao, Lecturer, School of IT, Digital Media & Mass Communication, TMC Academy, Singapore. ABSTRACT TV arrived in Singapore on 15 February 1963 and since its inaugural launch Singapore’s TV industry has undoubtedly developed over the years. In the context of the four theories of the press, it can be quickly concluded that Singapore’s TV industry is Authoritarian by its regulative nature. Despite being a democratic country, the freedom to express freely what is on one’s mind through the use of TV as a medium is still extremely restrictive. As a result, there are many reasons as to why Singapore’s TV industry is still moderately unadventurous, especially where censorship is concerned. As the TV industry in Singapore is operated and fully controlled by the government, the content that appears on TV is usually highly censored, scripted to precision in accordance with the MDA guidelines, non-offensive and contain the usage of propaganda. This paper seeks to give a brief insight into not only the history and transformation of Singapore’s television (TV) industry to what it is today, but also to better understand how the said country’s TV industry currently operates, and how their content is produced as well as the impacts it has around the region. Keywords: Singapore, Television, Ownership, Censorship, Regulation. International Refereed Research Journal ■www.researchersworld.com■Vol.–V, Issue – 3, July 2014 [56] -Journal of Arts, Science & Commerce ■E-ISSN2229-4686■ISSN2231-4172 INTRODUCTION: In the context of the four theories of the press, it can be quickly concluded that Singapore’s TV industry is Authoritarian by its regulative nature. -
Chris Graves
Christopher Graves President & Founder Ogilvy Center for Behavioral Science Christopher Graves was named founding President of the Ogilvy Center for Behavioral Science in 2017 after serving 12 years as Global Chairman, Global CEO, and Regional (APAC) CEO for Ogilvy Public Relations. He also served as a member of the Ogilvy & Mather Worldwide Board and Executive Committee. Graves joined Ogilvy after two decades in media and news, including 18 years with Dow Jones & The Wall Street Journal. He also headed all news & programming for the TV networks CNBC Asia and CNBC Europe. Christopher was awarded a prestigious Rockefeller Foundation Bellagio Residency in 2016 for his work in behavioral science in communications. He was elected life member to the Council on Foreign Relations in 2010, the most influential foreign policy think tank in the US. Graves served two terms as chairman of the industry association, PR Council, and as a trustee of the Institute for Public Relations where he co-founded their behavioral insights initiative. Christopher is an active and highly-rated public speaker. He appears as a guest expert on television news, and as a guest anchor on CNBC. He has chaired sessions with world leaders and CEOs at the World Economic Forum (Davos and Summer Davos in China) for more than a decade. He has also been a speaker at the United Nations, SXSW, The Clinton Global Initiative, the World Islamic Economic Forum, and has keynoted hundreds of summits and corporate meetings. Leading two completely sold out sessions at SXSW Awards include: a Rockefeller Foundation Bellagio Residency; ESOMAR World Congress top prize; Marketing Research Society Grand Prix; four WPP Atticus Awards including the Grand Prix (for thought leadership); ICCO Hall of Fame; Campaign Asia Hall of Fame; Top 25 Innovator (Holmes Report); Agency of the Year, Asia Pacific PR Professional of the Year, Asia Pacific Consultancy of the Year; a news EMMY nomination and more than a dozen awards from The New York Film and Television Festivals and the Asian Television Awards. -
First Rated Drama Beyond the Realm of Conscience Premiers on Astro WLT Casts Showed up at Malaysia to Greet Devoted Fans
Press Release 24th November, 2010 First Rated Drama Beyond the Realm of Conscience Premiers on Astro WLT Casts Showed Up at Malaysia To Greet Devoted Fans As the top-rating TVB drama in 2009, Beyond the Realm of Conscience’s main characters, storylines and dialogues captured most Hong Kong audiences’ hearts ever since its release. With its marvelous cast and script, this popular drama became the talk of the town last year. Premiering on Astro’s Wah Lai Toi (Channel 311) on the 30th of November at 9:30pm every Monday to Friday, four main characters, Moses Chan(Emperor Lee Yi), Susanna Kwan (Yuen Tsui Wan, Head of the Jewels), Selena Li (Concubine Yin) and Edwin Siu (Emperor Lee Chin) visited Malaysia on the 6th of November in promotion of this costume drama hit. Upon their arrival, the “Royal family” rushed to the press conference. Besides being interviewed by the enthusiastic Malaysian media, questions revolving Can’t Buy Me Love: a brand new costume comedy with the same casting as the former title, were also highly-anticipated and frequently mentioned. After the interview session, the stars made appearances at public ground event at 1Borneo at Kota Kinabalu to greet their long-awaiting local followers. Fans were participating in exciting stage games alongside their idols where winners got to walk away with attractive prizes. On top of that, all four of them were sharing about their experiences throughout the shooting of the drama and updated their fans on their recent happenings. The climax of the event was definitely the performances by songstress Susanna Kwan where she sang the themed song of the drama. -
2016 Annual Report
FINANCIAL HIGHLIGHTS Revenue and Prot Attributable to 2016 2015 Change Equity Holders of the Company Revenue (Continuing operations) Prot Attributable to Equity Holders of the Company Performance 6,000 Earnings per share HK$1.14 HK$3.04 -62% Dividends per share 5,000 - Interim HK$0.60 HK$0.60 – - Final – HK$2.00 -100% 4,000 HK$0.60 HK$2.60 -77% 3,000 HK$’mil HK$’mil HK$’ million HK$’ Revenue 2,000 - Hong Kong TV broadcasting 2,707 3,105 -13% - Hong Kong digital new media 1,000 business 230 170 35% - Programme licensing and 0 distribution 1,019 951 7% 2012 2013 2014 2015 2016 - Overseas pay TV operations 169 186 -9% YEAR - Channel operations 90 105 -14% Earnings & Dividends# Per Share - Other activities 191 129 48% - Inter-segment elimination (196) (191) 2% Earnings per Share Dividends# per Share 4,210 4,455 -5% 4.5 HK$’mil HK$’mil 4 Segment (loss)/profit* 3.5 - Hong Kong TV broadcasting (71) 551 N/A 3 - Hong Kong digital new media business (29) 41 N/A 2.5 - Programme licensing and HK$ 2 distribution 444 410 8% - Overseas pay TV operations (40) (30) 31% 1.5 - Channel operations 2 18 -87% 1 - Other activities 27 11 151% 0.5 - Corporate support (33) – N/A - Inter-segment elimination 1 (1) N/A 0 2012 2013 2014 2015 2016 301 1,000 -70% YEAR # excluding special dividend Total expenses∆ 3,888 3,439 13% 2016 Revenue by Operating Segment Profit attributable to equity holders 500 1,331 -62% % relating to 2015 are shown in brackets 31 December 31 December Hong Kong TV 2016 2015 broadcasting HK$’mil HK$’mil 63% (69%) Total assets 12,357 9,113 36% -
C Ntentasia 2015
2-15 november C NTENTASIA 2015 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.contentasiasummit.com Malaysia’s Prodigee turbocharges Asian content agenda WebTVAsia drives digital growth Malaysian media/entertainment group, Prodigee Media, has turbocharged its global content creation and distribution initiatives, aiming, among other things, to drive a billion views a month to its online entertainment platform WebTVAsia by this time next year. Story on page 5 Keshet boosts Asia biz Pudney leads regional push out of Hong Kong Keshet International is turbocharging its Asia business with a new office in Hong Kong and expanded regional ambi- tions driven on the ground by former Sparks|Eccho Group Asia head Gary Pudney. Story on page 6 Hopster ups Asia rights Bob the Builder, Thomas & Friends head for Asia Kids online platform Hopster has acquired India and Southeast Asia rights to kids properties Bob the Builder and Thomas & Friends. The new rights come as the U.K.- based global platform ramps up its Asia presence, supported on the ground by former BBC/Nickelodeon boss Christine Leo-McKerrow. Story on page 2 C NTENTASIA 2-15 november 2015 Page 2. Palia to head Viacom18 Hopster ups Asia rights youth entertainment Bob the Builder, Thomas & Friends head for Asia India’s Viacom18 has ap- Kids online platform Hopster has acquired India and pointed Ferzad Palia as Southeast Asia rights to classic kids properties Bob Bob the Builder the head of youth en- the Builder and Thomas & Friends. tertainment. The role The new rights come as the U.K.-based global involves MTV as well as platform ramps up its Asia presence, supported indie platform Pepsi MTV on the ground in Asia Pacific by former BBC/ Indies. -
Circular Is Important and Requires Your Immediate Attention
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION. If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer or other registered institution in securities, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in eSun Holdings Limited (the “Company”), you should at once hand this circular and the accompanying form of proxy to the purchaser(s), or the transferee(s) or to the licensed securities dealer or other registered institution in securities, bank or other agent through whom the sale or transfer was effected for transmission to the purchaser(s) or the transferee(s). This circular appears for information purposes only and does not constitute an invitation or offer to acquire, purchase or subscribe for securities of the Company. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. eSun Holdings Limited (Incorporated in Bermuda with limited liability) (Stock Code: 571) POSSIBLE VERY SUBSTANTIAL ACQUISITION AND NOTICE OF SPECIAL GENERAL MEETING Capitalised terms used in the lower portion of this cover page shall have the same respective meanings as those defined in the section headed “Definitions” in this circular. A letter from the Board is set out on pages 7 to 23 of this circular. -
Gender Trouble in Hongkong Cinema Tammy Cheung Et Michael Gilson
Document généré le 28 sept. 2021 10:00 Cinémas Revue d'études cinématographiques Journal of Film Studies Gender Trouble in Hongkong Cinema Tammy Cheung et Michael Gilson Le nouveau cinéma chinois Résumé de l'article Volume 3, numéro 2-3, printemps 1993 Cet article fait le point sur le cinéma contemporain de Hongkong en se penchant plus particulièrement sur des questions entourant les URI : https://id.erudit.org/iderudit/1001198ar représentations de personnages féminins et masculins. Les films, la société et DOI : https://doi.org/10.7202/1001198ar la culture du Hongkong d’aujourd’hui commencent à peine à s’intéresser à la réalité gaie et lesbienne, et, dans une certaine mesure, au féminisme. Comment Aller au sommaire du numéro les différents types de personnages féminins sont-ils présentés dans le cinéma contemporain de Hongkong? Comment le concept traditionnel chinois de « mâle » diffère-t-il de celui que nous connaissons en Occident? La popularité récente de personnages transsexuels dans plusieurs films est aussi examinée. Éditeur(s) Les auteurs soutiennent que des représentations stéréotypées de personnages Cinémas féminins, masculins et homosexuels prédominent dans l’industrie cinématographique de Hongkong et que les représentations positives de gais et de lesbiennes y sont le plus souvent absentes. ISSN 1181-6945 (imprimé) 1705-6500 (numérique) Découvrir la revue Citer cet article Cheung, T. & Gilson, M. (1993). Gender Trouble in Hongkong Cinema. Cinémas, 3(2-3), 181–201. https://doi.org/10.7202/1001198ar Tous droits réservés © Cinémas, 1993 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
Download PDF File Format Form
Quality Services for Quality Life Annual Report 2018-2019 Contents Pages 1. Foreword 1-4 2. Performance Pledges 5-6 3. Vision, Mission & Values 7-8 4. Leisure Services 9-56 Leisure Services 9 Recreational and Sports Facilities 10-28 Recreational and Sports Programmes 29-35 Sports Subvention Scheme 36-38 2018 Asian Games and Asian Para Games in Indonesia 39-40 The 7th Hong Kong Games 41-42 Sports Exchange and Co-operation Programmes 43 Horticulture and Amenities 44-46 Green Promotion 47-52 Licensing 53 Major Recreational and Sports Events 54-56 5. Cultural Services 57-165 Cultural Services 57 Performing Arts 58-62 Cultural Presentations 63-69 Contents Pages Festivals 70-73 Arts Education and Audience-Building Programmes 74-80 Carnivals and Entertainment Programmes 81-84 Cultural Exchanges 85-91 Film Archive and Film and Media Arts Programmes 92-97 Music Office 98-99 Indoor Stadia 100-103 Urban Ticketing System (URBTIX) 104 Public Libraries 105-115 Museums 116-150 Conservation Office 151-152 Antiquities and Monuments Office (AMO) 153-154 Major Cultural Events 155-165 6. Administration 166-193 Financial Management 166-167 Human Resources 168-180 Information Technology 181-183 Facilities and Projects 184-185 Outsourcing 186-187 Environmental Efforts 188-190 Public Relations and Publicity 191-192 Public Feedback 193 7. Appendices 194-218 Foreword The LCSD has another fruitful year delivering quality leisure and cultural facilities and events for the people of Hong Kong. In its 2018-19 budget, the Government announced that it would allocate $20 billion to improve cultural facilities in Hong Kong, including the construction of the New Territories East Cultural Centre, the expansion of the Hong Kong Science Museum and the Hong Kong Museum of History, as well as the renovation of Hong Kong City Hall.