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True Words, Silence, and the Adamantine Dance on Japanese Mikkyo and the Formation of the Shingon Discourse
Japanese Journal of Religious Studies 1994 21/4 True Words, Silence, and the Adamantine Dance On Japanese Mikkyo and the Formation of the Shingon Discourse Fabio R am b e lli This paper deals with Japanese esoteric Buddhism (Mikkyo), in particular the Shingon tradition, as it relates to the emergence of new and peculiar epistemological concerns. Through a discussion of the kenmitsu system outlined by Kuroda Toshio,the paper first situates Mikkyo within the reli gious and institutional framework of medieval Japan, underlining its lim- inal and heterological nature as both an institutionalized discourse and a reservoir of oppositional possibilities. The paper then analyzes the forma tion of Shingon orthodoxy as an attempt to systematize the Tantric field in Japan through a re-organization of preexisting religious doctrines and practices. Special attention is given to the actual articulation of the ken mitsu episteme and its orders of significance. Finally, the paper outlines some fundamental epistemological tenets of Mikkyo discourse. Though it focuses on Shingon discourse and orthodoxy, this paper confronts basic epistemic assumptions and discursive practices common to the multi farious forms of esoteric Buddhism in Japan. The purpose of this paper is to describe the discourse of Japanese esoteric Buddhism (particularly the Shingon 具百 tradition) as it developed in conjunction with the emergence of a distinctive form of philosophical reflection on signs and the formation of a corpus of An earlier draft of this essay, entitled “Kenmitsu Episteme and Mikkyo Heterology: On the Semiotic Doctrines and Practices in Medieval Japan,” was presented at the 45th Annual Meeting of the Association for A sian Studies, Los Angeles, March 1993. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
Nocturnal Sea Gazetteer
Chapter 1 Survey on the Expedition to The Nocturnal Sea 1 2 Chapter 2 Authors Commissioned drawings The Fraternity of Shadows Eleanor "Isabella" Ferron Oksana "lawerta" Romanova While we all heavily commented, edited, and made suggestions on each other's parts, the lead writers for particular sections were: Document compilation David: Liffe*, Easan's stats & new maps The Fraternity of Shadows Joël: Introduction, Vechor (the land), Île de la Joel: First document assembly & project Tempête*, both Interludes, Viktor's intro for coordination the Drowning Deep & Sea-claimed Stephen: The amazing PDF formatting you Nathan: Vechor (the people), Isle of Ravens* have in your hands & Dirac's text on the Drowning Deep* Sharon: Vechor (fauna & flora, sidebars) & In April 2007, we held a submissions contest Nebligtode* (Graben and Todstein) on the FoS forums for "sayings, rumors, adventure hooks and Dread Possibilities" of the Nocturnal Sea. The contest entries were Chris Nichols very interesting and most were selected for this Original concept of the Drowning Deep; plus book. Bravo to the author of the winning entry, the Somnanbulism spells, numerous ideas and Robert "Cure" Elliott, who chose the WotC suggestions throughout book Heroes of Horror as his prize. His winning entry can be found in the Deep's "As Heard in a Port" sidebar. * and this domain's related material in the Shipwreck ideas on Île de la Tempête came DM's appendix from these ENWorlders: Agent Oracle; And no, nobody wanted to convert the giant Ambros; Grymar; DJCupboard; Imagicka; starfish from Ship of Horror to 3rd Edition! ivocaliban; TheAuldGrump; Tonguez; Varianor Abroad; Whizbang Dustyboots. -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Religion, Cultural Diversity and Safeguarding Australia
Cultural DiversityReligion, and Safeguarding Australia A Partnership under the Australian Government’s Living In Harmony initiative by Desmond Cahill, Gary Bouma, Hass Dellal and Michael Leahy DEPARTMENT OF IMMIGRATION AND MULTICULTURAL AND INDIGENOUS AFFAIRS and AUSTRALIAN MULTICULTURAL FOUNDATION in association with the WORLD CONFERENCE OF RELIGIONS FOR PEACE, RMIT UNIVERSITY and MONASH UNIVERSITY (c) Copyright Commonwealth of Australia 2004 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth available from the Department of Communications, Information Technology and the Arts. Requests and inquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration, Intellectual Property Branch, Department of Communications, Information Technology and the Arts, GPO Box 2154, Canberra ACT 2601 or at http:www.dcita.gov.au The statement and views expressed in the personal profiles in this book are those of the profiled person and are not necessarily those of the Commonwealth, its employees officers and agents. Design and layout Done...ByFriday Printed by National Capital Printing ISBN: 0-9756064-0-9 Religion,Cultural Diversity andSafeguarding Australia 3 contents Chapter One Introduction . .6 Religion in a Globalising World . .6 Religion and Social Capital . .9 Aim and Objectives of the Project . 11 Project Strategy . 13 Chapter Two Historical Perspectives: Till World War II . 21 The Beginnings of Aboriginal Spirituality . 21 Initial Muslim Contact . 22 The Australian Foundations of Christianity . 23 The Catholic Church and Australian Fermentation . 26 The Nonconformist Presence in Australia . 28 The Lutherans in Australia . 30 The Orthodox Churches in Australia . -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer Permalink https://escholarship.org/uc/item/9ck303t5 Author McGraw, Matthew Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Matthew Theismann McGraw December 2013 Dissertation Committee: Dr. John M. Ganim, Chairperson Dr. Deborah Willis Dr. Andrea Denny-Brown Copyright by Matthew Theismann McGraw 2013 The Dissertation of Matthew Theismann McGraw is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer by Matthew Theismann McGraw Doctor of Philosophy, Graduate Program in English University of California, Riverside, December 2013 Dr. John M. Ganim, Chairperson The supernatural, broadly defined as magic, marvels, wonders, and miracles, might at first seem to be wholly separate from material goods and the cultural practices surrounding material objects; miracles occur solely through divine grace, and magic would logically seem to involve making things happen without using physical force. Yet, in the depiction of the supernatural in medieval texts, miracles, marvels, wonders, and magic all depend in some way or another upon material goods. At the same time, the supernatural has a recursive effect upon materiality in the texts in this study; it functions as an amplifier of signification. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Read Book Swedish Folktales and Legends
SWEDISH FOLKTALES AND LEGENDS PDF, EPUB, EBOOK Lone Thygesen Blecher | 416 pages | 13 Aug 2004 | University of Minnesota Press | 9780816645756 | English | Minnesota, United States Swedish Folktales And Legends PDF Book Here as well are tales of ghosts and pestilent spirits, murdered babies who come back to haunt their parents, and legends in which the Sami are both persecuted by their enemies and cleverly resistant. Download The Greenwood Encyclopedia Of Folktales And Fairy Tales Q Z books , Provides alphabetically arranged entries on folk and fairy tales from around the world, including information on authors, subjects, themes, characters, and national traditions. Rowdy Geirsson rated it really liked it Nov 25, One of the reasons Norse mythology is such an integral part of modern culture in the English-speaking world could be that little was known about it outside the Nordic region until the 19th century. His mission is to enchant and drown people with his outstanding and fascinating fiddle. Skip to main content. That's especially true in Norway, which has a rich Norse mythology along with plenty of folk tales. Josefin L Sara Westman. Details if other :. The race of Scandinavian trolls was described as being stupid and slow, much like a bear in temperament; perhaps this is why trolls were rumored to keep them as pets. The King's stepmother objected and stole their babies, pinning the blame on the girl and eventually persuading the King to kill her. Sort order. Folk Tales. Maybe it would be better to just read the occasional story from this book. Interesting for an overview of folktales and legends for those who do not speak Scandinavian languages. -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Faraway Wanderers 天涯客 | Tiān Yá Kè
priest / TYK / 1 Faraway Wanderers 天涯客 | Tiān Yá Kè by priest priest / TYK / 2 Translators: Ch 1 - 30 | Vee / sparklingwater | https://sparklingwatertrans.wordpress.com/projects/faraway-wanderers/ Ch 31 - 67 | @wenbuxing | https://drive.google.com/drive/folders/1- MtoURYXKHMq1LAsq1S0Z5CkRdjgImyH Ch 68 - end | Chichi | https://chichilations.home.blog/category/faraway-wanderers/ JJWXC novel page: http://www.jjwxc.net/onebook.php?novelid=912073 priest / TYK / 3 Farewell to the Imperial Court Volume One. Freely Travelling the World with Wine in Abundance Volume Two. After One Stepped Down, Another Would Step Up Volume Three. She has sewn gold thread on wedding robes for other girls Final Volume. Gratitude, Resentment, Affection, Hatred Extras priest / TYK / 4 Farewell to the Imperial Court Chapter 1 - Tian Chuang Plum blossoms flourished in the courtyard, falling everywhere on the ground, on the snow that was yet to melt, blending together at first glance. The petals were blown around the yard leisurely by the wind. Dusk fell like a curtain, and on the eaves the moon was as cold as water. At the far back of the small courtyard, half hidden by the plum blossom tree was a corner gate, looking like it had been there for a long time. Guarded by two well-built men steeled in armors and weapons, inside the door was a distinctly large space. The veranda was narrow and cramped, towering over a stone-paved path which led into a pitch-black prison. The atmosphere was somber and heavy with the stench of death. The faint smell of the blossoms was seemingly cut off by the door, unable to reach this place at all. -
Chinese Herbal Medicine for Chronic Urticaria and Psoriasis Vulgaris: Clinical Evidence and Patient Experience
Chinese Herbal Medicine for Chronic Urticaria and Psoriasis Vulgaris: Clinical Evidence and Patient Experience A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy Jingjie Yu BMed, MMed School of Health & Biomedical Sciences College of Science, Engineering and Health RMIT University August 2017 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; and, any editorial work, paid or unpaid, carried out by a third party is acknowledged. Jingjie Yu __________________ Date 21 August 2017 i Acknowledgements First, I would like to express my deepest gratitude to my parents, Mr Mingzhong Yu and Mrs Fengqiong Lv, for your endless love, encouragement and support throughout these years. I would also like to express my sincere appreciation to my supervisors, Professor Charlie Changli Xue, Professor Chuanjian Lu, Associate Professor Anthony Lin Zhang and Dr Meaghan Coyle. To my joint senior supervisor, Professor Charlie Changli Xue, thank you for providing me the opportunity to undertake a PhD at RMIT University. To my joint senior supervisor, Professor Chuanjian Lu, thank you for teaching me the truth in life and for the guidance you have given me since I stepped into your consultation room in our hospital seven years ago. To my joint associate supervisor Associate Professor Anthony Lin Zhang, I thank you for your continuous guidance and support during my study at RMIT University. -
Sarasvatī. Riverine Goddess of Knowledge. from the Manuscript
Marburg Journal of Religion: Volume 14, No. 1 (May 2009) Author: Catherine Ludvik Year: 2007 Title: Sarasvatī. Riverine Goddess of Knowledge. From the Manuscript-carrying Vīṇā-player to the Weapon-wielding Defender of Dharma Series: Brill's Indological Library Publisher: Brill City: Leiden and Boston Number of Pages: xviii + 374 pp, 25 photographic illustrations Price: 170 US$ ISBN: 978 90 04 158146 Review: Sarasvatī is the name of an Indian deity who was taken up into Buddhist tradition and carried along into East Asia as far as Japan, where she is generally known as Benzaiten. In a way, therefore, this impressive book serves two sets of readers, first and foremost Indologists – hence its place in an indological series – but also those who are interested in the wider history of Buddhism or more generally of Asian religions. The later part of the work offers a study of relevant parts of the Buddhist Sutra of Golden Light, of which the Chinese versions represent a major source, even for the Indian developments. While ancient Indian studies are notorious for their uncertainties there is an extreme example here when we read concerning the Ṛg Veda that "Although composed sometime after 1750 B.C.E. … it dates from about the twelfth century B.C.E.." (p.9). Once that typically indological statement has been digested however, the analysis of relevant parts of the Vedas is extremely instructive. Ludvik takes issue with earlier studies (notably by Gonda) and works out a convincing sequence for the initial development of Sarasvatī from the imagery of a flowing river to an identification with "speech" (Vāc), the latter being crucial for the correct performance of ritual.