Faraway Wanderers 天涯客 | Tiān Yá Kè
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Oriental Adventures James Wyatt
620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. -
Portfolio Investment Opportunities in China Democratic Revolution in China, Was Launched There
Morgan Stanley Smith Barney Investment Strategy The Great Wall of China In c. 220 BC, under Qin Shihuangdi (first emperor of the Qin dynasty), sections of earlier fortifications were joined together to form a united system to repel invasions from the north. Construction of the Great Wall continued for more than 16 centuries, up to the Ming dynasty (1368–1644), National Emblem of China creating the world's largest defense structure. Source: About.com, travelchinaguide.com. The design of the national emblem of the People's Republic of China shows Tiananmen under the light of five stars, and is framed with ears of grain and a cogwheel. Tiananmen is the symbol of modern China because the May 4th Movement of 1919, which marked the beginning of the new- Portfolio Investment Opportunities in China democratic revolution in China, was launched there. The meaning of the word David M. Darst, CFA Tiananmen is “Gate of Heavenly Succession.” On the emblem, the cogwheel and the ears of grain represent the working June 2011 class and the peasantry, respectively, and the five stars symbolize the solidarity of the various nationalities of China. The Han nationality makes up 92 percent of China’s total population, while the remaining eight percent are represented by over 50 nationalities, including: Mongol, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Bouyei, Korean, Manchu, Kazak, and Dai. Source: About.com, travelchinaguide.com. Please refer to important information, disclosures, and qualifications at the end of this material. Morgan Stanley Smith Barney Investment Strategy Table of Contents The Chinese Dynasties Section 1 Background Page 3 Length of Period Dynasty (or period) Extent of Period (Years) Section 2 Issues for Consideration Page 65 Xia c. -
Glamorous Witchcraft: Gender and Magic in Teen Film and Television Screen.Oxfordjournals.Org
Downloaded from Glamorous witchcraft: gender and magic in teen film and television screen.oxfordjournals.org RACHEL MOSELEY This essay brings together two interests, first, teen films and television programmes and the ways in which they deal with a at Memorial University of Newfoundland on October 19, 2010 significant moment of identity formation, exploring and policing the borders of femininity, and second, representations of the witch and of magic in film and television. My focus is on the figure of the youthful or teenage female witch as a discursive site in which the relationship between feminism (as female power), and femininity has been negotiated in historically specific ways. Beginning with an exploration of the concept of 'glamour', and using it to address texts from Bewitched (US. tx 1964-72) to Charmed (US, tx 1998- ), through Came (Brian De Palma, 1976), The Craft (Andrew Fleming. 1996), Practical Magic (Griffin Dunne, 1998), Sabnna the Teenage Witch (US, tx 1996- ) and Buff)' the Vampire Slayer (US. tx 1997- ), I will argue that the representation of the teen witch is a significant site through which the articulation in popular culture of the shifting relationship between 1970s second-wave feminism, postfeminism in the 1990s and femininity can be traced. I begin by offering three related ideas on the subject of magic and femininity which inform this discussion. The first is a definition from The Oxford English Dictionarv: glamour sh. 1 Magic, enchantment, spell ... 2 a. A magical or fictitious beauty attaching to any person or object: a delusive or 1 R W Burchfield led I The Oxford alluring charm, b Charm, attractiveness; physical allure, esp. -
Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films Through Grotesque Aesthetics
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-10-2015 12:00 AM Who's the Fairest of Them All? Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films through Grotesque Aesthetics Leah Persaud The University of Western Ontario Supervisor Dr. Angela Borchert The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Leah Persaud 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Persaud, Leah, "Who's the Fairest of Them All? Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films through Grotesque Aesthetics" (2015). Electronic Thesis and Dissertation Repository. 3244. https://ir.lib.uwo.ca/etd/3244 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WHO’S THE FAIREST OF THEM ALL? DEFINING AND SUBVERTING THE FEMALE BEAUTY IDEAL IN FAIRY TALE NARRATIVES AND FILMS THROUGH GROTESQUE AESTHETICS (Thesis format: Monograph) by Leah Persaud Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Leah Persaud 2015 Abstract This thesis seeks to explore the ways in which women and beauty are depicted in the fairy tales of Giambattista Basile, the Grimm Brothers, and 21st century fairy tale films. -
Chinese Herbal Medicine for Chronic Urticaria and Psoriasis Vulgaris: Clinical Evidence and Patient Experience
Chinese Herbal Medicine for Chronic Urticaria and Psoriasis Vulgaris: Clinical Evidence and Patient Experience A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy Jingjie Yu BMed, MMed School of Health & Biomedical Sciences College of Science, Engineering and Health RMIT University August 2017 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; and, any editorial work, paid or unpaid, carried out by a third party is acknowledged. Jingjie Yu __________________ Date 21 August 2017 i Acknowledgements First, I would like to express my deepest gratitude to my parents, Mr Mingzhong Yu and Mrs Fengqiong Lv, for your endless love, encouragement and support throughout these years. I would also like to express my sincere appreciation to my supervisors, Professor Charlie Changli Xue, Professor Chuanjian Lu, Associate Professor Anthony Lin Zhang and Dr Meaghan Coyle. To my joint senior supervisor, Professor Charlie Changli Xue, thank you for providing me the opportunity to undertake a PhD at RMIT University. To my joint senior supervisor, Professor Chuanjian Lu, thank you for teaching me the truth in life and for the guidance you have given me since I stepped into your consultation room in our hospital seven years ago. To my joint associate supervisor Associate Professor Anthony Lin Zhang, I thank you for your continuous guidance and support during my study at RMIT University. -
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Anthraquinones Mireille Fouillaud, Yanis Caro, Mekala Venkatachalam, Isabelle Grondin, Laurent Dufossé
Anthraquinones Mireille Fouillaud, Yanis Caro, Mekala Venkatachalam, Isabelle Grondin, Laurent Dufossé To cite this version: Mireille Fouillaud, Yanis Caro, Mekala Venkatachalam, Isabelle Grondin, Laurent Dufossé. An- thraquinones. Leo M. L. Nollet; Janet Alejandra Gutiérrez-Uribe. Phenolic Compounds in Food Characterization and Analysis , CRC Press, pp.130-170, 2018, 978-1-4987-2296-4. hal-01657104 HAL Id: hal-01657104 https://hal.univ-reunion.fr/hal-01657104 Submitted on 6 Dec 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Anthraquinones Mireille Fouillaud, Yanis Caro, Mekala Venkatachalam, Isabelle Grondin, and Laurent Dufossé CONTENTS 9.1 Introduction 9.2 Anthraquinones’ Main Structures 9.2.1 Emodin- and Alizarin-Type Pigments 9.3 Anthraquinones Naturally Occurring in Foods 9.3.1 Anthraquinones in Edible Plants 9.3.1.1 Rheum sp. (Polygonaceae) 9.3.1.2 Aloe spp. (Liliaceae or Xanthorrhoeaceae) 9.3.1.3 Morinda sp. (Rubiaceae) 9.3.1.4 Cassia sp. (Fabaceae) 9.3.1.5 Other Edible Vegetables 9.3.2 Microbial Consortia Producing Anthraquinones, -
Monster Manual
CREDITS MONSTER MANUAL DESIGN MONSTER MANUAL REVISION Skip Williams Rich Baker, Skip Williams MONSTER MANUAL D&D REVISION TEAM D&D DESIGN TEAM Rich Baker, Andy Collins, David Noonan, Monte Cook, Jonathan Tweet, Rich Redman, Skip Williams Skip Williams ADDITIONAL DEVELOPMENT ADDITIONAL DESIGN David Eckelberry, Jennifer Clarke Peter Adkison, Richard Baker, Jason Carl, Wilkes, Gwendolyn F.M. Kestrel, William W. Connors, Sean K Reynolds Bill Slavicsek EDITORS PROOFREADER Jennifer Clarke Wilkes, Jon Pickens Penny Williams EDITORIAL ASSITANCE Julia Martin, Jeff Quick, Rob Heinsoo, MANAGING EDITOR David Noonan, Penny Williams Kim Mohan MANAGING EDITOR D&D CREATIVE DIRECTOR Kim Mohan Ed Stark CORE D&D CREATIVE DIRECTOR DIRECTOR OF RPG R&D Ed Stark Bill Slavicsek DIRECTOR OF RPG R&D ART DIRECTOR Bill Slavicsek Dawn Murin VISUAL CREATIVE DIRECTOR COVER ART Jon Schindehette Henry Higginbotham ART DIRECTOR INTERIOR ARTISTS Dawn Murin Glen Angus, Carlo Arellano, Daren D&D CONCEPTUAL ARTISTS Bader, Tom Baxa, Carl Critchlow, Brian Todd Lockwood, Sam Wood Despain, Tony Diterlizzi, Scott Fischer, Rebecca Guay-Mitchell, Jeremy Jarvis, D&D LOGO DESIGN Paul Jaquays, Michael Kaluta, Dana Matt Adelsperger, Sherry Floyd Knutson, Todd Lockwood, David COVER ART Martin, Raven Mimura, Matthew Henry Higginbotham Mitchell, Monte Moore, Adam Rex, Wayne Reynolds, Richard Sardinha, INTERIOR ARTISTS Brian Snoddy, Mark Tedin, Anthony Glen Angus, Carlo Arellano, Daren Waters, Sam Wood Bader, Tom Baxa, Carl Critchlow, Brian Despain, Tony Diterlizzi, Larry Elmore, GRAPHIC -
100% Crunch: Zombies
RAGING SWAN PRESS 100% CRUNCH: ZOMBIES Sample file GM’S R ESOURCES 100% Crunch: Skeletons $5.99 100% Crunch: Zombies $5.99 ragingswan.com Antipaladins $3.99 Bandits of the Rampant Horror $3.99 [email protected] Barroom Brawl $1.99 Caves & Caverns $10.99 Free PDFs: With Raging Swan’s Free Cultists of Havra Zhoul $4.99 PDF promotion with every purchase of Dark Oak $4.99 a print product, you can claim free Dark Waters Rising $5.99 PDFs to value of the purchased item. Dungeon Dressing: Altar $1.99 Dungeon Dressing: Pits $1.99 Dungeon Dressing: Pools $1.99 ragingswan.com/freepdfs.com Dungeon Dressing: Secret Doors $1.99 Dungeon Dressing: Stairs $1.99 Dual Format PDFs: Dual Format PDF Dungeon Dressing: Statues $1.99 products contain two versions of the Dwellers Amid Bones $3.99 same file: one designed for printing Fellowship of the Blackened Oak $3.99 Frost Giant Pirates of the Icy Heart $3.99 and use on a normal computer; the Gibbous Moon $2.99 other optimised for use on mobile Portentous Dreams $1.99 devices such as iPads. Random Hill Encounters $3.99 Random Marsh Encounters $3.99 ragingswan.com/screenpdfs.com Random Woodland Encounters $3.99 Random Woodland Encounters II $3.99 Random Urban Encounters $3.99 Scions of Evil $13.99; print $19.99 Shadowed Keep on the Borderlands $9.99; print $13.99 So What’s For Sale, Anyway? $3.99 So What’s For Sale, Anyway? II $3.99 So What’s For Sale, Anyway? III $3.99 So What’s For Sale, Anyway? IV $3.99 So What’s For Sale, Anyway? V $3.99 So What’s It Called, Anyway? -
Mrs. Hag the Crashing Brooms 2 Mrs
Level 6 Level 6 Monster Academy The Mystery of the Crashing Brooms 2 The Mystery of Mrs. Hag the Crashing Brooms 2 Mrs. Hag Copyright © 2016 by Little Fox Co., Ltd. All rights reserved. en paused in the hallway to check his class “It looks great,” answered the goblin. “But you Bschedule. His first class was Cooking in room missed your fourth eye completely.” 103. Ben sighed and floated down the hall and into “Cooking class?” thought Ben. “I don’t want room 103. He saw a zombie sitting alone at a table. to learn to cook!” “Hi,” said Ben. “Can I sit here?” Around him lockers slammed and feet thudded The zombie stared silently at Ben. as other monsters hurried to their classes. Ben felt uncomfortable. “Maybe he doesn’t “How does my eye makeup look?” Ben heard like me,” he thought. There hadn’t been any a purple monster ask a goblin. “My mom says I zombies at his old school—mostly just other put way too much on.” ghosts. 1 2 A witch sat down at the table. Ben recognized seat.” her from his homeroom. She had flowing black “Uh-oh,” Ben thought, sitting down. He was hair and was dressed all in black. Even her going to have to watch his thoughts when this fingernails were painted black. witch was around. The witch smiled at Ben. “Zombies just like to Ben sneaked another look at the witch. Her stare. It doesn’t mean he doesn’t like you.” eyes were green and flecked with gold. She was “What?” Ben thought, startled. -
Popular Songs and Ballads of Han China
Popular Songs and Ballads of Han China Popular Songs and Ballads of Han China ANNE BIRRELL Open Access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the author. Derivative works and commercial uses require per- mission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824880347 (PDF) 9780824880354 (EPUB) This version created: 17 May, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. © 1988, 1993 Anne Birrell All rights reserved To Hans H. Frankel, pioneer of yüeh-fu studies Acknowledgements I wish to thank The British Academy for their generous Fel- lowship which assisted my research on this book. I would also like to take this opportunity of thanking the University of Michigan for enabling me to commence my degree programme some years ago by awarding me a National Defense Foreign Language Fellowship. I am indebted to my former publisher, Mr. Rayner S. Unwin, now retired, for his helpful advice in pro- ducing the first edition. For this revised edition, I wish to thank sincerely my col- leagues whose useful corrections and comments have been in- corporated into my text. -
The Children's Bridge Monthly Update - January 27Th, 2017
The Children's Bridge Monthly update - January 27th, 2017 Share: Please Note: This email is being delivered via an email address used exclusively for distribution purposes. Please DO NOT reply to this email even though this is now the MONTHLY UPDATE it will still be distributed through the [email protected] email address as many spam filters have approved this address. January 27th, 2017 Statutory Holiday Closure - Family Day February 20, 2017 The Children's Bridge Offices will be closed on Monday February 20, 2017 for Family Day. We wish you all a very Happy Family Day and hope you enjoy some winter sports together on this day! Lunar New Year Celebrations! CHINA - Chinese New Year Greetings: 1. 新年好 / 新年好 (Xīnnián hao) 'New Year goodness!' In Mandarin: /sshin-nyen haoww/ In Cantonese: /sen-nin haow/ 2. 恭喜发财 / 恭喜發財 (Gōngxi fācái) 'Happiness and prosperity!' In Mandarin: /gong-sshee faa-tseye/ In Cantonese: Kunghei fatchoy /gong-hey faa-chwhy/ -------------- KOREA - Korean New Year Greetings: saehae bok mani badeuseyo ( Hangul : 새해 복 많이 받으세요 ), or "Please receive good fortune for the New Year" Known as Seollal, Korean New Year is the first day of the lunar Korean calendar. https://myemail.constantcontact.com/...onthly-update---January-27th--2017.html?soid=1105067466003&aid=o0RwFwYxuAQ[11/6/2019 12:09:39 PM] The Children's Bridge Monthly update - January 27th, 2017 It is the most important of the traditional Korean holidays. It consists of a period of celebrations, starting on New Year's Eve. The Korean New Year holidays last three days. Lunar New Year is January 28, 2017.