Hāritī Notebook. Slide 23, Condensed Visual Classroom Guide to Daikokuten Iconography in Japan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
True Words, Silence, and the Adamantine Dance on Japanese Mikkyo and the Formation of the Shingon Discourse
Japanese Journal of Religious Studies 1994 21/4 True Words, Silence, and the Adamantine Dance On Japanese Mikkyo and the Formation of the Shingon Discourse Fabio R am b e lli This paper deals with Japanese esoteric Buddhism (Mikkyo), in particular the Shingon tradition, as it relates to the emergence of new and peculiar epistemological concerns. Through a discussion of the kenmitsu system outlined by Kuroda Toshio,the paper first situates Mikkyo within the reli gious and institutional framework of medieval Japan, underlining its lim- inal and heterological nature as both an institutionalized discourse and a reservoir of oppositional possibilities. The paper then analyzes the forma tion of Shingon orthodoxy as an attempt to systematize the Tantric field in Japan through a re-organization of preexisting religious doctrines and practices. Special attention is given to the actual articulation of the ken mitsu episteme and its orders of significance. Finally, the paper outlines some fundamental epistemological tenets of Mikkyo discourse. Though it focuses on Shingon discourse and orthodoxy, this paper confronts basic epistemic assumptions and discursive practices common to the multi farious forms of esoteric Buddhism in Japan. The purpose of this paper is to describe the discourse of Japanese esoteric Buddhism (particularly the Shingon 具百 tradition) as it developed in conjunction with the emergence of a distinctive form of philosophical reflection on signs and the formation of a corpus of An earlier draft of this essay, entitled “Kenmitsu Episteme and Mikkyo Heterology: On the Semiotic Doctrines and Practices in Medieval Japan,” was presented at the 45th Annual Meeting of the Association for A sian Studies, Los Angeles, March 1993. -
English Index of Taishō Zuzō
APPENDIX 2: TEXTS CITED FROM THE TZ. TZ. (Taisho Zuzobu) is the iconographic section of the Taisho edition of the Chinese Tripitaka. The serial numbers of the Hobogirin are given in brackets. Volume 1 1. (2921) Hizoki ‘Record kept secretly’: 1. Kukai (774-835). 2. Mombi (8th cent.). 2. (2922) Daihi-taizd-futsu-daimandara-chu - Shoson-shuji-kyoji-gydso-shoi-shosetsu-fudoki ‘Observations on the bljas, symbols, forms, and disposition of the deities in the Garbhadhatu-mandala’, by Shinjaku (886-927). 3. (2923) Taizo-mandara-shichijushi-mon ‘Seventy-four questions on the Garbhadhatu’, by Shinjaku (886-927). 4. (2924) Ishiyama-shichi-shu ‘Collection of seven items at Ishiyama’, by Junnyu (890-953). The seven items are: Sanskrit name, esoteric name, blja, samaya symbol, mudra, mantra and figure. 5. (2925) Kongokai-shichi-shu ‘Collection of seven items of the Vajradhatu’, by Junnyu (890-953). 6. (2926) Madara-shd ‘Extract from mandala’, by Ninkai (955-1046). No illustration. 7. (2927) Taizo-sambu-ki ‘Note on three families of the Garbhadhatu’ by Shingo (934-1004). 8. (2928) Taiz5-yogi ‘Essential meaning of the Garbhadhatu’, by Jojin (active in 1108). No illustration. 9. (2929) Ryobu-mandara-taiben-sho ‘Comparison of the pair of mandalas’, by Saisen (1025-1115). No illustration. 10. (2930) Taizokai-shiju-mandara-ryaku-mo ndo ‘Dialogue on the fourfold enclosures of the Garbhadhatu’, by Saisen (1025-1115). No illustration. 11. (2931) Kue-hiyo-sho ‘Extract of the essentials of the nine mandalas’, author unknown. 12. (2932) Ryobu-mandara-kudoku-ryakusho ‘Extract on the merit of the pair of mandalas’, by Kakuban (1095-1143). -
Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image
5 (2018) Article 6: 250–311 Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image CHRISTOPH ANDERL Department of Languages and Cultures, Ghent University, Belgium This contribution to Entangled Religions is published under the Creative Commons Attribution 4.0 International Public License (CC BY 4.0 International). The license can be accessed at https://creativecommons.org/licenses/by/4.0/legalcode. © 2018 Christoph Anderl Entangled Religions 5 (2018) http://dx.doi.org./10.13154/er.v5.2018.250–311 Christoph Anderl Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image1 CHRISTOPH ANDERL Ghent University ABSTRACT In the propagation and spread of Buddhism throughout Asia, jātaka and avadāna narratives played a decisive role, both in the form of texts and iconographical representations. In this paper I will focus on another set of narratives which enjoyed great popularity in the Dūnhuáng area during the later Tang and Five Dynasties period, dealing with historical projections concerning the origin and transmission of Buddhism. In this stories, “Auspicious Statues” (ruìxiàng 瑞像) play a key role. These “living” statues were thought to have moved from Indian monasteries to Khotan and other regions, serving as agents of the transmission of the Dharma in these areas. Besides reflecting religious key concern during that period, the historical narratives on the spread of Buddhism also give witness to the close diplomatic and family relations between Dunhuang and the Kingdom of Khotan during that period. KEY WORDS Mogao caves; Auspicious Statues; 瑞像; Khotan; Dunhuang; Buddhist narratives; transmission of Buddhism; localization of Buddhism; Oxhead Mountain; 牛頭山 1 This paper was presented at the workshop “Ancient Central Asian Networks. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Bibliotheca Buddhica, XIX. Tibetan Translation of Dharmakīrti's Sa
130 REVIEWS OF BOOKS a skull (or a dish) fixed on my head." Then another man let another skull fall, saying: "This has just fallen from your head." The ascetic realized the fact and was healed, because his imagination was dispelled." (p. 473.) Haraprasad Sastrl states that the Tibetan translators of the Catuhsataka are Mafijunatha and Thivanimmathappa ; according to the Pekinese Tanjur (Mdo, xviii), Suksmajana and Ni ma grags ( = ni mma thap pa). The commentary has been translated by the same translators (Tanjur, Mdo, xxiv), but Haraprasad has Ratnavajra. He might be mistaken : Suksmajana was the son of Sajjana, son of Mahajana, son of Ratnavajra. Where many names occur in a colophon it is often difficult to unravel the tangle. The complete title of Deva's treatise is Bodhisattvayogdcdra Catuhsataka (not CatuhsatiJcd). The phrase Yogdcdra, " practice of Yoga, meditative and spiritual endeavour," belongs to both Vehicles. The word bodhisattva implies that the author deals with the Yoga as practised by a "future Buddha" ( = bodhisattva), that is a follower of the great Vehicle. Later—for instance in Tibetan and Brahmanic works—the phrase Yogdcdra was used as a synonym of Vijndna[mdtra]vddin or Cittamatravadin, " main- tainer of the existence of consciousness (or thought) alone," one of the two branches of the great Vehicle, a change which seeing to .be due to the importance of the Vijnanavadin treatise Yogacarydbhiirni (Mdo-hgrel, vol. xiv and foil.). The "treatise in four hundred verses" is really in 400 verses,, not in 375, as stated by Haraprasad Sastri. Dr. F. W. Thomas kindly informs me that, in the India Office's copy, the chapters vii, viii, xi, xii all contain twenty-five verses (not 23, 24, 14, 14). -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
The Mystery of Wealth and the Role of Divinities: the Economy in Pre-Modern Japanese Fiction and Practice
The Mystery of Wealth and the Role of Divinities: The Economy in Pre-Modern Japanese Fiction and Practice FABIO RAMBELLI University of California, Santa Barbara [email protected] Keywords: Buddhist economics, Buddhist literature, merit-making, general economy, Buddhist and Shinto relations, Buddhist temple economic activities DOI: https://dx.doi.org/10.15239/hijbs.02.02.06 Abstract: This article presents an overview of the economic dimen- sions of premodern Japanese Buddhism—both economic ideas and activities—by focusing on representative primary sources and im- portant secondary scholarship. It opens with a discussion of econom- ic activities in which temple-shrines and their personnel were directly engaged in. Next, in order to find some type of theorization for those practices, it examines a number of popular stories from medieval and early modern Japan (some of which are still circulating today as children’s tales) that deal with the origin of wealth. It problematizes their underlying economic thought, including examples of resistance to dominant ideas about production and wealth. Finally, the paper offers some considerations on the ‘general economy’ of premodern Japanese Buddhism. Hualin International Journal of Buddhist Studies, 2.2 (2019): 163–201 163 164 FABIO RAMBELLI uddhist institutions were important economic hubs in medieval Band early modern Japan, as in other Buddhist countries. Still, it is somewhat surprising that normative canonical texts do not offer any specific teachings about the economy beyond superficial consider- ations about generosity, merit-making, and karmic retribution. One must look instead at specific economic practices and texts elucidating them (narratives, legal documents, etc.)—materials that were part of the ‘practical canon’ of Buddhism. -
Sōtō Zen in Medieval Japan
Soto Zen in Medieval Japan Kuroda Institute Studies in East Asian Buddhism Studies in Ch ’an and Hua-yen Robert M. Gimello and Peter N. Gregory Dogen Studies William R. LaFleur The Northern School and the Formation of Early Ch ’an Buddhism John R. McRae Traditions of Meditation in Chinese Buddhism Peter N. Gregory Sudden and Gradual: Approaches to Enlightenment in Chinese Thought Peter N. Gregory Buddhist Hermeneutics Donald S. Lopez, Jr. Paths to Liberation: The Marga and Its Transformations in Buddhist Thought Robert E. Buswell, Jr., and Robert M. Gimello Studies in East Asian Buddhism $ Soto Zen in Medieval Japan William M. Bodiford A Kuroda Institute Book University of Hawaii Press • Honolulu © 1993 Kuroda Institute All rights reserved Printed in the United States of America 93 94 95 96 97 98 5 4 3 2 1 The Kuroda Institute for the Study of Buddhism and Human Values is a nonprofit, educational corporation, founded in 1976. One of its primary objectives is to promote scholarship on the historical, philosophical, and cultural ramifications of Buddhism. In association with the University of Hawaii Press, the Institute also publishes Classics in East Asian Buddhism, a series devoted to the translation of significant texts in the East Asian Buddhist tradition. Library of Congress Cataloging-in-Publication Data Bodiford, William M. 1955- Sotd Zen in medieval Japan / William M. Bodiford. p. cm.—(Studies in East Asian Buddhism ; 8) Includes bibliographical references (p. ) and index. ISBN 0-8248-1482-7 l.Sotoshu—History. I. Title. II. Series. BQ9412.6.B63 1993 294.3’927—dc20 92-37843 CIP University of Hawaii Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources Designed by Kenneth Miyamoto For B. -
Puzzles May Be Printed to Solve, and Nothing in This Intro Relates to the Puzzles Beyond That Which Does So Overtly
HERE COMES THE SUN The strife between Amaterasu, Japanese goddess of the sun, and her brother Susano-o, god of storms, nally became so great that Amaterasu took mournful refuge in a deep cave. Though many deities, Shinto and Buddhist alike, cajoled and pleaded with her, she refused to emerge. The ancient land suered in darkness, as the rice elds withered and the people froze. Finally, the mirthful old goddess Uzume devised a plan: a beautiful mirror was hung by the cavern's entrance, and Uzume danced drunkenly, inspiring raucous revelry among the assembled gods. Poking her head out of the cave to see what was going on, Amaterasu became happily entranced by her own dazzling reection. The cave sealed behind her, she remained outside, and light and joy were returned to the land. At least for a moment. Unfortunately, Susano-o chose that moment to sneeze loudly, and the resulting lightning bolts leveled a swath of Amaterasu's sacred elds and several of her attendants. With a shriek, Amaterasu burst into tears and ducked through a previously unnoticed back entrance into the cave, sealing it behind her and vowing never to come out again. The gods laid gifts outside Amaterasu's cave, but none would entice her to emerge. "When the sun goddess is miserable, so is the entire world," murmured Omoikane, god of wisdom. "We must do everything in our power to __________!" What? Dear Solvers, When you’ve arrived at your nal answer, please send it to me at markhalpin3 at gmail dot com to score a place on the Leaderboard. -
The Buddha and His Emaciated Demons Claudine Bautze-Picron
The Buddha and his Emaciated Demons Claudine Bautze-Picron To cite this version: Claudine Bautze-Picron. The Buddha and his Emaciated Demons. Berliner Indologische Studien, 2010, 19, pp.87-122. hal-00550258 HAL Id: hal-00550258 https://hal.archives-ouvertes.fr/hal-00550258 Submitted on 25 Dec 2010 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Berliner The Buddha and His Emaciated Demons Indologische Studien Claudine Bautze-Picron The present paper emerged out of a study bearing on images of the emaciated herausgegeben von Buddha from Southeast Bangladesh and Burma (BAUTZE-PICRON 2008). Klaus Bruhn und Gerd J.R. Mevissen This aspect refers to a long period of the life of the future Buddha when, after having left the city of his forefathers and renounced the throne, he abandoned his royal garments and cut his long hair, withdrew in the forest . and practised severe penance during six years. After having practically 19 2010 reached the shore of death, ˜åkyamuni took the decision to resume taking food and was thus ‘reborn’. While researching this topic, it appeared that this very particular type of representation was not particularly privileged in South Asia: The most fa- mous examples were produced in the North West probably between the se- cond and the fourth century; two further examples are observed in the eighth- century art of Kashmir, and later twelfth-century examples are observed in Southeast Bangladesh. -
Panthéon Japonais
Liste des divinités et des héros des légendes et de la mythologie japonaises Divinité Kami (m) Kami (f) Esprit Bouddhisme Monstre Animal Humain Acala Déité bouddhique du mikkyo, maître immuable associé au feu et à la colère; il est l'un des cinq rois du savoir. Agyo-zo Dans le bouddhisme japonais, Agyo-zo et Ungyo-zo se tiennent à la porte des édifices pour les protéger. Aizen myo-o Déité du bouddhisme japonais qui purifie les hommes des désirs terrestres et les libère de l'illusion. Il est représenté en rouge vif (passion), avec trois yeux, six bras et un air irritée, Il tient à la main un arc et des flèches ou un crochet. Ajisukitakahikone ou Aji-Shiki ou Kamo no Omikami Kami de l'agriculture, de la foudre et des serpents. Il créa la montagne Moyama dans la province de Mino en piétinant une maison de deuil parce qu'on l'avait pris pour le défunt. Akashagarbha Un des treize bouddhas de l’école tantrique japonaise Shingon Ama no Fuchigoma Cheval mythique de Susanoo qui est décrit dans le Nihon-Shoki . Ama no Kagaseo Autre nom de Amatsu Mikaboshi le kami du mal Ame no Tajikarao Kami des exercices physiques et de la force brutale qui dégagea l'entrée de la grotte où Amatersu s'était réfugiée. Amakuni Forgeron légendaire qui forgea le tachi, l'épée courbe ancêtre de Takana. Ama no Zako Monstrueuse kami née des vomissures de Susanoo Amaterasu Kami du soleil et reine des Hautes Plaines Célestes Amatsu mikaboshi Kami du mal Ame no Oshido Mimi Fils d'Amaterasu qui refusa d'aller gouverner la terre qu'il trouvait trop pleine de cMhaos. -
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J
The Development of Kaji Kito in Nichiren Shu Buddhism Kyomi J. Igarashi Submitted in Partial Fulfillment of the Prerequisite for Honors in Religion April 2012 Copyright 2012 Kyomi J. Igarashi ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Kodera for his guidance and all that he has taught me throughout my four years at Wellesley College. I could not have written this thesis or taken on this topic of my interest without his encouragement and words of advice. I would like to acknowledge the Religion Department for funding me on my trip to Japan in December 2011 to do research for my thesis. I would also like to thank Reverend Ekyo Tsuchida for his great assistance and dedication during my trip to Japan in finding important information and setting up interviews for me, without which I could not have written this thesis. I am forever grateful for your kindness. I express my gratitude to Reverend Ryotoku Miyagawa, Professor Akira Masaki and Professor Daijo Takamori for kindly offering their expertise and advice as well as relevant sources used in this thesis. I would also like to acknowledge Reverend Honyo Okuno for providing me with important sources as well as giving me the opportunity to observe the special treasures exhibited at the Kuonji Temple in Mount. Minobu. Last but not least, I would like to extend my appreciation to my father, mother and younger brother who have always supported me in all my decisions and endeavors. Thank you for the support that you have given me. ii ABSTRACT While the historical and religious roots of kaji kito (“ritual prayer”) lay in Indian and Chinese Esoteric Buddhist practices, the most direct influence of kaji kito in Nichiren Shu Buddhism, a Japanese Buddhist sect founded by the Buddhist monk, Nichiren (1222-1282), comes from Shingon and Tendai Buddhism, two traditions that precede Nichiren’s time.