DOCSLIB.ORG

O Canto Overtone Em Tuva – Um Panorama

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
O Canto Overtone Em Tuva – Um Panorama UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE ARTES CURSO DE PÓS-GRADUAÇÃO EM MÚSICA (PPGMU) O CANTO OVERTONE EM TUVA – UM PANORAMA Uberlândia 2020 ANA CAROLINA RODRIGUES DE MORAES O CANTO OVERTONE EM TUVA - UM PANORAMA Dissertação apresentada ao Programa de Pós-graduação em Música – Mestrado Acadêmico – do Instituto de Artes da Universidade Federal de Uberlândia como requisito para a obtenção do título de Mestre em Música. Área de concentração: Música, linha de pesquisa I: Processos analíticos, criativos, interpretativos e historiográficos em música. Orientador: Prof. Dr. Celso Luiz de Araujo Cintra. Uberlândia 2020 Dados Internacionais de Catalogação na Publicação (CIP) Sistema de Bibliotecas da UFU, MG, Brasil. M827c Moraes, Ana Carolina Rodrigues de, 1993- 2020 O Canto Overtone em Tuva [recurso eletrônico] : um panorama / Ana Carolina Rodrigues de Moraes. - 2020. Orientador: Celso Luiz de Araujo Cintra. Dissertação (mestrado) - Universidade Federal de Uberlândia, Programa de Pós-Graduação em Artes. Modo de acesso: Internet. Disponível em: http://doi.org/10.14393/ufu.di.2021.6002 Inclui bibliografia. Inclui ilustrações. 1. Arte. 2. Música. 3. Canto. I. Cintra, Celso Luiz de Araujo, 1969-, (Orient.). II. Universidade Federal de Uberlândia. Programa de Pós- Graduação em Artes. III. Título. CDU: 7 Rejâne Maria da Silva – CRB6/1925 SEIUFU - 2345740 - Ata de Defesa - Pós-Graduação.pdf Salvo no Dropbox • 6 de nov. de 2020 18:37 UNIVERSIDADEUNIVERSIDADE FEDERAL DE UBERLÂNDIA Coordenação do Programa de Pós-Graduação em Música Av. João Naves de Ávila, 2121, Bloco 1V, Sala 5 - Bairro Santa Mônica, Uberlândia-MG, CEP 38400-902 Telefone: (34)(34) 3239-4522 - www.ppgmu.iarte.ufu.br - [email protected] ATA DE DEFESA - PÓS-GRADUAÇÃO ProgramaPrograma dede PósPós-- MúsicaMúMúsicasica GraduaçãoGraduação em: DefesaDefesa de: DissertaçãoDissertação dede MestradoMestrado Acadêmico Data:Data: 2626 dede outubrooutubro de 2020 HoraHora de início: 14:4014:40 Hora de encerramento: 17:15 MatrículaMatrícula do Discente: 11822MUS00111822MUS001 NomeNome do Discente: AnaAna CarolinaCarolina RodriguesRodrigues dede MoraesMoraes TítuloTítulo do Trabalho: OO cantocanto overtoneovertone emem Tuva:Tuva: umum panoramapanorama ÁreaÁrea de concentração: MúsicaMúsica LinhaLinha de pesquisa: ProcessosProcessos analíticos,analíticos, criativos,criativos, interpretativosinterpretativos ee historiográficoshistoriográficos emem música ProjetoProjeto dede PesquisaPesquisa dede AA musicologiammusicologiausicologia comparadacomparada dede AlainAlain Daniélou:Daniélou: contribuiçõescontribuições parapara umum diálogodiálogo musical vinculação:vinculação: Reuniu-se via web conferência,conferência, a Banca Examinadora, designada pelo Colegiado do Programa de Pós-graduação em Música, assim composta: Professores(as) Doutores(as): Paulo José dede SiqueiraSiqueira Tiné (IA-UNICAMP), Jaqueline Soares Marques (IARTE-UFU), Celso Luiz de Araujo Cintra (IARTE(IARTE-UFU), orientador(a) do(a) candidato(a). Iniciando os trabalhos o(a) presidente da mesa, Dr(a). Celso Luiz de Araujo Cintra, apresentou a Comissão ExaminadoraEExamxaminadorainadora e o cacandidato(a),ndidato(a), agradeceu a presença do público, e concedeu ao DisDiscentecente a palavra para a exposição do seu trabalho. A duração da apresentação do Discente e o tempo de arguição e resposta foram conforme as normas do Programa. A seguir o senhor(a)senhosenhor(ar(a)) presidente concedeu a palavra, pela ordem sucessivamente, aos(às) examinadorexaminadores(as),es(as), que passaram a arguiarguirr o(a) candidatocandidato(a)candidato(a).(a).. Ultimada a arguição, que se desenvolveu dentro dos termos regimentais, a Banca, em sessão secreta, atribuiu o resultado finalfinal,, considerandoconsiderando o(a) candidato(a): Aprovado(a). Esta defesa faz parte dos requisirequisitostos necessários à obtenção do título de Mestre. O competentecompetente diplomadiploma será será expedido expedido após após cumprimento cumprimento dos dosdemais demais requisitos, requisitos, conforme conforme as normas as normas do Programa, do Programa, a legislação a legislação pertinente perti e anentene nte e a regulamentação interna da UFU. Nada maismamaisis havendohavendo a a tratar tratar foram foram encerrados encerrados os ostrabalhos. trabalhos. Foi Foi lavrada lavrada a presente a presente ata que ata apósque lidaapós e lidaachada e achada conforme conforme foi assi foinada assiassinada pelanada Banca pepelala Banca Examinadora. Documento assinado eletronicamente por Celso Luiz de Araujo Cintra, Presidente, em 26/10/2020, às 21:15,21:21:15,15, conconformeforme horário oficial de Brasília, com fundamento no art. 6º, § 1º, do Decreto nº 8.539, de 8 de outubro de 2015. Documento assinado eletronicamente por Jaqueline Soares Marques, Usuário Externo, em 28/10/2020, às 21:22, conformeconforme horário oficial dede Brasília, com fundamento no art. 6º, § 1º, do DecretoDe creto nº 8.539,8 .539, dede 88 dede ooutubro u tubro dede 201201520155. Documento assinado eletronicamenteeletronicamente por Paulo José de Siqueira Tiné, Usuário Externo, em 05/11/2020, às 15:16,15:16, conforme horário oficial de Brasília,Brasília, com fundamento no art. 6º, § 1º, do Decreto nº 8.539, de 8 de outubro de 2015. A autenticidade deste documento pode ser conferida no sitesite https://https://wtps://www.sei.ufu.br/sei/controlador_externo.php?tps://www.sei.ufu.br/sei/controlador_www.sei.ufu.br/sei/controlador_externo.php?ww.sei.ufu.br/sei/controlador_externo.php?externo.php? acao=documento_conferir&id_oracao=documento_conferir&id_orgao_acesso_externo=0gao_acesso_externo=0, informando o código verificador 2345740 e o código CRC 5BB67358. Referência: ProcessoProcesso nº 23117.063996/2020-12 SEI nº 2345740 Dedicatória Dedico esta pesquisa aos mestres espíritos de Tuva, que encontraram meios para me inspirar a contar suas histórias e propagar alguns de seus mistérios e formas de cantar tão únicas no mundo. Que a arte e os dons deles possam alçançar e inspirar outros assim como me inspirou. Agradecimentos Agradeço ao meu orientador Celso Cintra por todo o carinho, paciência e incentivo durante o processo de desenvolvimento desta dissertação. À FAPEMIG pela bolsa de estudos. À minha mãe Viviane por sempre tirar minhas dúvidas e me auxiliar com os aspectos técnicos desta pesquisa. Ao meu marido Pedro Paulo por ser minha luz e meu maior encorajador, sempre me ajudando nos momentos mais difíceis e nunca me deixando desistir. À minha gatinha Docinho pela companhia fiel, pelas lambidas, carinhos e eventuais passeios e sonecas no teclado em todas as tardes intermináveis de escrita. RESUMO Neste trabalho investigamos o canto overtone em Tuva, fazendo um breve panorama através de uma descrição histórica, social, religiosa e musical, objetivando contextualizar como tal canto veio a ser, seus alicerces. Posteriormente focamos nas técnicas vocais utilizadas nos mesmos. Tais técnicas são descritas minuciosamente com a ajuda de figuras e descrições anatômicas e fisiológicas que propiciam uma maior compreensão do processo fonatório envolvido na produção das sonoridades características do canto overtone praticado em Tuva. Palavras Chave: Música; canto; técnica vocal; canto overtone; música oriental; Tuva; ABSTRACT In this work we investigate the overtone singing in Tuva, making a brief overview through a historical, social, religious and musical description, aiming to contextualize how such singing came to be, its foundations and later focusing on the vocal techniques used in them. Such techniques are described thoroughly with the aid of figures, anatomical and physiological descriptions that provides a better understanding of the phonatory process involved in the production of the characteristic sounds of the overtone singing practiced in Tuva. Keywords: Music; singing; vocal technique; overtone singing; oriental music; Tuva; SUMÁRIO RESUMO ............................................................................................................................................... 5 INTRODUÇÃO ..................................................................................................................................... 7 I. CONTEXTUALIZAÇÕES & DEFINIÇÕES DO OVERTONE ..................................................... 12 I.1- CONTEXTUALIZANDO...................................................................................................................................................... 12 I.2- O CANTO OVERTONE .............................................................................................................................................. 18 I.3- O CANTO OVERTONE NO OCIDENTE .................................................................................................................. 29 I.4- A VOZ FEMININA NO OVERTONE ........................................................................................................................ 35 I.5- OS CANTORES DE OVERTONE EM TUVA .......................................................................................................... 38 II. TUVA .............................................................................................................................................. 43 II.1- CARACTERÍSTICAS GEOGRÁFICAS ................................................................................................................. 44 II.2- CARACTERÍSTICAS HISTÓRICAS & SOCIAIS ................................................................. 47 II.3- CARACTERÍSTICAS RELIGIOSAS .....................................................................................
Load more

Recommended publications
  • The New Research of Tuva
    НОВЫЕ ИССЛЕДОВАНИЯ ТУВЫ THE NEW RESEARCH OF TUVA www.nit.tuva.asia №2 2020 Novye issledovaniia Tuvy DOI: 10.25178/nit.2020.2.2 История становления археографии Тувы Мая С. Маадыр Тувинский государственный университет, Российская Федерация В статье рассматриваются вопросы зарождения и развития в Туве практики подготов- ки и издания архивных документов. Источниковой базой послужили сборники архивных документов разных лет, в том числе подготовленные Национальным (до 07.04.2020 г. — Государственным) архивом Республики Тыва и Тувинским институтом гуманитарных, прикладных и социально-экономических исследований. Это издания, посвященные исто- рическим событиям, фактам и датам Тувы. История становления археографии в Туве насчитывает почти девяносто лет. Первые документальные публикации в Туве появились еще в 1930–1940-е гг. Следующий этап под- готовки и выпуска архивных документов — с середины 1950-х гг. — до 2000-х гг. Отме- чен значительный вклад В. А. Дубровского, директора Центрального архива Тувинской автономной области, первого археографа Тувы. С 2001 г. происходит заметный подъем археографической работы. Из 34 публикаций по археографии Тувы, 25 — приходятся на это время. Сборники документов, вышедшие в последующие годы, отличаются высоким уровнем археографической подготовки. Это можно увидеть в структуре, формулировке заголовков документов, в наличии развитого научно-справочного аппарата. Например, издание работы Е. А. Адамова «Урянхайский вопрос при Царском и Временном правительствах» (2007), двухтомного сборника «История города в Центре Азии» (2009, 2012), «История Тувинской Народной Республики в архивных документах. 1921–1944 гг. К 90-летию образования» (2011), «Собрания архивных документов по истории Тувы» в 4-х томах (2011, 2014) и др. Исследователям и всем интересующимся историей Тувы все эти публикации предоставляют обширный пласт до- кументальных источников. Они способствуют осмыслению многих вопросов истории региона и свидетельствуют о расширении научных связей учреждений Тувы с архивами и научными центрами России и соседней Монголии.
    [Show full text]
  • LCSH Section K
    K., Rupert (Fictitious character) Motion of K stars in line of sight Ka-đai language USE Rupert (Fictitious character : Laporte) Radial velocity of K stars USE Kadai languages K-4 PRR 1361 (Steam locomotive) — Orbits Ka’do Herdé language USE 1361 K4 (Steam locomotive) UF Galactic orbits of K stars USE Herdé language K-9 (Fictitious character) (Not Subd Geog) K stars—Galactic orbits Ka’do Pévé language UF K-Nine (Fictitious character) BT Orbits USE Pévé language K9 (Fictitious character) — Radial velocity Ka Dwo (Asian people) K 37 (Military aircraft) USE K stars—Motion in line of sight USE Kadu (Asian people) USE Junkers K 37 (Military aircraft) — Spectra Ka-Ga-Nga script (May Subd Geog) K 98 k (Rifle) K Street (Sacramento, Calif.) UF Script, Ka-Ga-Nga USE Mauser K98k rifle This heading is not valid for use as a geographic BT Inscriptions, Malayan K.A.L. Flight 007 Incident, 1983 subdivision. Ka-houk (Wash.) USE Korean Air Lines Incident, 1983 BT Streets—California USE Ozette Lake (Wash.) K.A. Lind Honorary Award K-T boundary Ka Iwi National Scenic Shoreline (Hawaii) USE Moderna museets vänners skulpturpris USE Cretaceous-Paleogene boundary UF Ka Iwi Scenic Shoreline Park (Hawaii) K.A. Linds hederspris K-T Extinction Ka Iwi Shoreline (Hawaii) USE Moderna museets vänners skulpturpris USE Cretaceous-Paleogene Extinction BT National parks and reserves—Hawaii K-ABC (Intelligence test) K-T Mass Extinction Ka Iwi Scenic Shoreline Park (Hawaii) USE Kaufman Assessment Battery for Children USE Cretaceous-Paleogene Extinction USE Ka Iwi National Scenic Shoreline (Hawaii) K-B Bridge (Palau) K-TEA (Achievement test) Ka Iwi Shoreline (Hawaii) USE Koro-Babeldaod Bridge (Palau) USE Kaufman Test of Educational Achievement USE Ka Iwi National Scenic Shoreline (Hawaii) K-BIT (Intelligence test) K-theory Ka-ju-ken-bo USE Kaufman Brief Intelligence Test [QA612.33] USE Kajukenbo K.
    [Show full text]
  • CORE STRENGTH WITHIN MONGOL DIASPORA COMMUNITIES Archaeological Evidence Places Early Stone Age Human Habitation in the Southern
    CORE STRENGTH WITHIN MONGOL DIASPORA COMMUNITIES Archaeological evidence places early Stone Age human habitation in the southern Gobi between 100,000 and 200,000 years ago 1. While they were nomadic hunter-gatherers it is believed that they migrated to southern Asia, Australia, and America through Beringia 50,000 BP. This prehistoric migration played a major role in fundamental dispersion of world population. As human migration was an essential part of human evolution in prehistoric era the historical mass dispersions in Middle Age and Modern times brought a significant influence on political and socioeconomic progress throughout the world and the latter has been studied under the Theory of Diaspora. This article attempts to analyze Mongol Diaspora and its characteristics. The Middle Age-Mongol Diaspora started by the time of the Great Mongol Empire was expanding from present-day Poland in the west to Korea in the east and from Siberia in the north to the Gulf of Oman and Vietnam in the south. Mongols were scattered throughout the territory of the Great Empire, but the disproportionately small number of Mongol conquerors compared with the masses of subject peoples and the change in Mongol cultural patterns along with influence of foreign religions caused them to fell prey to alien cultures after the decline of the Empire. As a result, modern days Hazara communities in northeastern Afghanistan and a small group of Mohol/Mohgul in India, Daur, Dongxiang (Santa), Monguor or Chagaan Monggol, Yunnan Mongols, Sichuan Mongols, Sogwo Arig, Yugur and Bonan people in China are considered as descendants of Mongol soldiers, who obeyed their Khaan’s order to safeguard the conquered area and waited in exceptional loyalty.
    [Show full text]
  • Tuvan Throat Singing): Preliminary Evaluations from Training Seminars Vladislav Matrenitsky Un-Hun School of Healing Throat Singing
    International Journal of Transpersonal Studies Volume 31 | Issue 2 Article 13 7-1-2012 Transpersonal Effects of Exposure to Shamanic Use of Khoomei (Tuvan Throat Singing): Preliminary Evaluations from Training Seminars Vladislav Matrenitsky Un-Hun School of Healing Throat Singing Harris L. Friedman University of Florida Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Anthropology Commons, Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Matrenitsky, V., & Friedman, H. L. (2012). Matrenitsky, V., & Friedman, H. L. (2012). Transpersonal effects of exposure to shamanic use of Khoomei (Tuvan throat singing): Preliminary evaluations from training seminars [Research note]. International Journal of Transpersonal Studies, 31(2), 111–117.. International Journal of Transpersonal Studies, 31 (2). http://dx.doi.org/10.24972/ ijts.2012.31.2.111 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Special Topic Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. RESEARCH NOTE Transpersonal Effects of Exposure to Shamanic Use of Khoomei (Tuvan Throat Singing): Preliminary Evaluations from Training Seminars Vladislav Matrenitsky Harris L. Friedman
    [Show full text]
  • An Interdisciplinary Survey of South Siberia
    Alexis Schrubbe REEES Upper Division Undergraduate Course Mock Syllabus Change and Continuity: An Interdisciplinary Survey of South Siberia This is a 15 week interdisciplinary course surveying the peoples of South-Central Siberia. The parameters of this course will be limited to a specific geographic area within a large region of the Russian Federation. This area is East of Novosibirsk but West of Ulan-Ude, North of the Mongolian Border (Northwest of the Altai Range) and South of the greater Lake-Baikal Region. This course will not cover the Far East nor the Polar North. This course will be a political, historical, religious, and anthropological exploration of the vast cultural landscape within the South-Central Siberian area. The course will have an introductory period consisting of a brief geographical overview, and an historical short-course. The short-course will cover Steppe history and periodized Russian history. The second section of the course will overview indigenous groups located within this region limited to the following groups: Tuvan, Buryat, Altai, Hakass/Khakass, Shor, Soyot. The third section will cover the first Russian explorers/fur trappers, the Cossacks, the Old Believers, the Decembrists, and waves of exiled people to the region. Lastly, the final section will discuss contemporary issues facing the area. The objective of the course is to provide a student with the ability to demonstrate an understanding of the complex chronology of human presence and effect in South-Central Siberia. The class will foster the ability to analyze, summarize, and identify waves of influence upon the area. The overarching goal of the course is to consider the themes of “change” versus “continuity” in regard to inhabitants of South Siberia.
    [Show full text]
  • Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
    Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on.
    [Show full text]
  • The Music of Tuva
    The Music of Tuva THE TINY REPUBLIC OF TUVA is a giant when it comes to mastery of the human voice. The ancient tradition of throat singing (xöömei in Tuvan) developed among the nomadic herdsmen of Central Asia, people who lived in yurts, rode horses, raised yaks, sheep and camels, and had a close spiritual relationship with nature. WHERE IS TUVA? Tuva (sometimes spelled Tyva) sits at the southern edge of Siberia, with Mongolia to its south. Over the centuries, Tuva has been part of Chinese and Mongolian empires, and shares many cultural ties with Mongolia. Early in the 20th century it came under Russian influence, and in 1944 it became part of the Soviet Union. Tuva is now a member of the Russian Federation. A UNIQUE CONCEPT OF SOUND. The Tuvan way of making music is based on appreciation of complex sounds with multiple layers. Whereas the western cellist aims to produce a focused, pure tone, the Tuvan igil player enjoys breaking the tone into a spray of sounds and textures. Absolute pitch is less important than richness of texture. Multiple sonorities are heard together as an inseparable whole. This idea may be illustrated by an anecdote about a respected Tuvan musician who was demonstrating the igil, a bowed instrument with two strings tuned a fifth apart. When asked to play each string separately, he refused, saying it wouldn’t make any sense. The only meaningful sound was the combination of the two pitches played together. TUVAN THROAT SINGING. Despite what the term might suggest, throat singing does not strain the singer’s throat.
    [Show full text]
  • The Fight for the Republic in China
    The Fight For The Republic In China B.L. Putnam Weale The Fight For The Republic In China Table of Contents The Fight For The Republic In China.....................................................................................................................1 B.L. Putnam Weale........................................................................................................................................1 PREFACE......................................................................................................................................................1 CHAPTER I. GENERAL INTRODUCTION...............................................................................................2 CHAPTER II. THE ENIGMA OF YUAN SHIH−KAI...............................................................................10 CHAPTER III. THE DREAM REPUBLIC.................................................................................................16 CHAPTER IV. THE DICTATOR AT WORK............................................................................................22 CHAPTER V. THE FACTOR OF JAPAN.................................................................................................27 CHAPTER VI. THE TWENTY−ONE DEMANDS...................................................................................33 CHAPTER VII. THE ORIGIN OF THE TWENTY−ONE DEMANDS....................................................50 CHAPTER VIII. THE MONARCHIST PLOT...........................................................................................60
    [Show full text]
  • Downloaded340090 from Brill.Com09/30/2021 10:01:22PM Via Free Access Milk, Game Or Grain for a Manchurian Outpost 241
    INNER ASIA �9 (�0�7) �40–�73 Inner ASIA brill.com/inas Milk, Game or Grain for a Manchurian Outpost Providing for Hulun Buir’s Multi-Environmental Garrison in an Eighteenth-Century Borderland David Bello History Department, Washington & Lee University, USA [email protected] Abstract The long record of imperial China’s Inner Asian borderland relations is not simply multi-ethnic, but ‘multi-environmental’. Human dependencies on livestock, wild ani- mals and cereal cultivars were the prerequisite environmental relations for borderland incorporation. This paper examines such dependencies during the Qing Dynasty’s (1644–1912) establishment of the Manchurian garrison of Hulun Buir near the Qing border with Russia. Garrison logistics proved challenging because provisioning in- volved several indigenous groups—Solon-Ewenki, Bargut and Dagur (Daur)—who did not uniformly subsist on livestock, game or grain, but instead exhibited several, sometimes overlapping, practices not always confined within a single ethnicity. Ensuing deliberations reveal official convictions, some of which can be traced back to the preceding Ming Dynasty (1368–1644), regarding the variable effects of these prac- tices on the formation of Inner Asian military identities. Such issues were distinctive of Qing borderland dynamics that constructed ‘Chinese’ empire not only in more diverse human society, but also in more diverse ecological spheres. Keywords Hulun Buir – Solon – Dagur – Bargut – agro-pastoral – hunting – Qing dynasty – Manchuria – borderland – environmental relations … © koninklijke brill nv, leiden, ���7 | doi �0.��63/���050�8-��Downloaded340090 from Brill.com09/30/2021 10:01:22PM via free access Milk, Game or Grain for a Manchurian Outpost 241 Han farm and fight, so they are worn out and cowardly; the northern bar- barians just herd and hunt, so they are energetic and brave.
    [Show full text]
  • Akü Amader / Sayi 8 1 Afyon Kocatepe Üniversitesi
    AKÜ AMADER / SAYI 8 AFYON KOCATEPE ÜNİVERSİTESİ AKADEMİK MÜZİK ARAŞTIRMALARI DERGİSİ Cilt IV / Sayı 8 / Haziran 2018 ISSN: 2149-4304 AFYON KOCATEPE UNIVERSITY ACADEMIC MUSIC RESEARCH JOURNAL Volume IV / Issue 8 / June 2018 Cihan IŞIKHAN Midi Dönüştürücü Yazılımların Başarı Karşılaştırması ve Matlab’de Müzik Analizi Emel Funda TÜRKMEN Koro Eğitiminde Dalcroze Yöntemi’nin Müziksel Aslı PANCAR Algı ve Bilgilenme Öğrenme Alanı Açısından Değerlendirilmesi Filiz YILDIZ Amatör Keman Eğitimini Destekleyici Teori ve Solfej Eğitimi “CAKA (Cihat Aşkın ve Küçük Arkadaşları) Modeli” Melike ÇAKAN Ses Eğitiminde Kullanılan Nefes ve Ses Gülnihal GÜL Egzersizlerinin Konuşma Bozukluklarının Giderilmesinde Kullanılabilirliği Bensu KİTİRCİ Palyatif Bakım Ünitelerinde Uygulanan Müzik Terapi Çalışmaları Üzerine Bir Araştırma Fakı Can YÜRÜK Sanatçı Adayı Üstün Yetenekli Çocukları Olan Ailelerin Karşılaştığı Sorunlar Üzerine Bir Araştırma Ezginur KÜÇÜKDÜRÜM Teori Eksenli Disiplinlerarası Bir Çalışma Tuva Gırtlaktan Söyleme Stillerinin Analiz Sonuçları 1 AKÜ AMADER / SAYI 8 AFYON KOCATEPE ÜNİVERSİTESİ AKADEMİK MÜZİK ARAŞTIRMALARI DERGİSİ Cilt IV / Sayı 8 / Haziran 2018 ISSN: 2149-4304 AFYON KOCATEPE UNIVERSITY ACADEMIC MUSIC RESEARCH JOURNAL Volume IV / Issue 8 June 2018 Sahibi / Owner Afyon Kocatepe Üniversitesi adına Devlet Konservatuvarı Müdürü Prof. Dr. Uğur TÜRKMEN Editörler / Editors Prof. Dr. Uğur TÜRKMEN Dr. Öğr. Üyesi Duygu SÖKEZOĞLU ATILGAN Yardımcı Editörler / Co-Editorials Doç. Çağhan ADAR Arş. Grv. Safiye YAĞCI Öğr. Elm. Filiz YILDIZ Yayın Kurulu
    [Show full text]
  • Officials and Officialdom in the Middle of the 19Th and Beginning of the 20Th Centuries in the Social Structure of Tannu-Tuva
    Journal of Siberian Federal University. Humanities & Social Sciences 2 (2017 10) 168-176 ~ ~ ~ УДК 929.733 Officials and Officialdom in the Middle of the 19th and Beginning of the 20th Centuries in the Social Structure of Tannu-Tuva Salimaa S. Khovalyg* Tuvan State University 36 Lenina Str., Kyzyl, Tuva Republic, 667000, Russia Received 24.10.2016, received in revised form 14.12.2016, accepted 10.01.2017 The article describes a social structure of the traditional Tuvan society at the turn of the 19th and Beginning of the 20th Centuries. The author analyzes historical conditions for the formation of different classes and a special place occupied by officialdom. Officialdom of Tuva as an integral part of the traditional Tuvan society and the administrative system of the Qing Empire in the Central Asian region was formed and existed on the basis of a targeted government policy in the field of public administration. A study of formation and development of the officialdom as a whole is a new trend in historiography of Tuva. The research of the topic will provide an opportunity to fully explore the issue of formation and evolution of the managerial staff structure and can be very useful in solving problems of the management system at the present stage primarily in the national republics. Keywords: ambyn-noyon, khoshun, ugerda, state apparatus, official, state management, tabunan (efu) – an imperial son in law, historiography, bugude-darga, class, social structure. DOI: 10.17516/1997-1370-0017. Research area: national history. Introduction short period of time there has been a change of Today, marking a 95-year anniversary of several eras before the eyes of contemporaries, creation of the People’s Republic of Tuva and which was characterized by significant social summarizing the economic and social development changes that led to a completely different form in Tuva, we inevitably turn back to the issue of of society and state.
    [Show full text]
  • The Problems of Oriental Studies Journal Readers
    ÏÐÎÁËÅÌÛ THE PROBLEMS ÂÎÑÒÎÊÎÂÅÄÅÍÈß OF ORIENTAL STUDIES غðèºò ìºñüºëºëºðå ¹ 1 (67) Íàó÷íûé æóðíàë Journal of the Humanities, (ãóìàíèòàðíîãî, ñîöèàëüíî-ýêîíîìè÷åñêîãî Socioeconomic, Political è ïîëèòèêî-ïðàâîâîãî íàïðàâëåíèé) and Legal Studies Èçäàåòñÿ ñ ôåâðàëÿ 1995 ã. êàê «ßäêÿð» («Íàñëåäèå»), First published in February 1995 as The Yadkyar (The Heritage), ñ ñåíòÿáðÿ 2008 ã. ñîâðåìåííîå íàçâàíèå. since September 2008 under the present title. Âûõîäèò 1 ðàç â êâàðòàë Published quartely Ó÷ðåäèòåëè: Founders: Àêàäåìèÿ íàóê Academy of Sciences of the Republic Ðåñïóáëèêè Áàøêîðòîñòàí (Óôà) of Bashkortostan (Ufa) Áàøêèðñêèé ãîñóäàðñòâåííûé óíèâåðñèòåò Bashkir State University (Ufa) (Óôà) Áàøêèðñêèé ãîñóäàðñòâåííûé M. Akmulla Bashkir State Pedagogical ïåäàãîãè÷åñêèé óíèâåðñèòåò University (Ufa) èì. Ì. Àêìóëëû (Óôà) Ãëàâíûé ðåäàêòîð: Editor-in-Chief: Èøìóõàìåò Ãèëüìóòäèíîâè÷ Ishmukhamet G. Galyautdinov, Prof. Dr.Sc. Ãàëÿóòäèíîâ, äîêòîð ôèëîëîãè÷åñêèõ íàóê, (Philology), Associate Member of the Academy of ïðîôåññîð, ÷ëåí-êîððåñïîíäåíò ÀÍ ÐÁ Sciences of the Republic of Bashkortostan Îòâåòñòâåííûé ðåäàêòîð: Executive Editor: Ìèíèãóëü Ãàëèåâíà Âàëååâà Minigul G. Valeyeva © ÃÁÍÓ «Àêàäåìèÿ íàóê Ðåñïóáëèêè Áàøêîðòîñòàí» © ÃÀÓ ÐÁ ÍÈÊ «Áàøêèðñêàÿ ýíöèêëîïåäèÿ» © Ðåäàêöèÿ æóðíàëà «Ïðîáëåìû âîñòîêîâåäåíèÿ», 2015 Ïîëíîòåêñòîâàÿ âåðñèÿ âûïóñêà ðàçìåùåíà â Íàó÷íîé ýëåêòðîííîé áèáëèîòåêå (ÍÝÁ) www.elibrary. ru Èçäàíèå çàðåãèñòðèðîâàíî â Ìåæäóíàðîäíîé áàçå äàííûõ Ulrichs Periodicals Directory àìåðèêàíñêîãî èçäàòåëüñòâà Bowker. Æóðíàë çàðåãèñòðèðîâàí â Ôåäåðàëüíîé ñëóæáå ïî íàäçîðó â ñôåðå ñâÿçè, èíôîðìàöèîííûõ òåõíîëîãèé è ìàññîâûõ êîììóíèêàöèé. Ñâèäåòåëüñòâî î ðåãèñòðàöèè ÏÈ ¹ ÔÑ7744557 îò 8 àïðåëÿ 2011 ãîäà. Ïîäïèñíîé èíäåêñ â êàòàëîãå «Ïî÷òà Ðîññèè» 10347. Ïîäðîáíîñòè íà ñàéòå: www.pvanrb.ru 2 Ðåäàêöèîííûé ñîâåò Editorial Council Ì.À. Àþïîâ, äîêòîð ïîëèòè÷åñêèõ íàóê, ïðîôåññîð, Ìansur À. Ayupov, Prof. Dr.Sc. (Political Science), Associate ÷ëåí-êîððåñïîíäåíò ÀÍ ÐÁ (ïðåäñåäàòåëü; Óôà) Member of the Academy of Sciences of the Republic of Bashkortostan as Chairman (Ufa) Ð.Ì.
    [Show full text]