The New Research of Tuva
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Новые Исследования Тувы Nomads in the Global Soundscape
Новые исследоваНия Тувы THE NEW RESEARCH OF TUVA www.nit.tuva.asia №2 2017 Novye issledovaniia Tuvy DOI: 10.25178/nit.2017.2.3 NOMADS IN THE GLOBAL Номады в глобальНом SOUNDSCAPE: сауНдскейпе: NEGOTIATING к вопросу об эстетике AESTHETICS IN в традициоННых POST-SOVIET TUVA’S музыкальНых TRADITIONAL MUSIC проектах PRODUCTIONS постсоветской тувы Robert O. Beahrs Роберт О. Бирс University of Pittsburgh, Университет Питтсбурга, USA США This article explo- С распадом советского государства, переходом к res some of the глобальному рыночному капитализму ансамбли фоль- relationships between клорных музыкантов из Республики Тыва (Российская ideology, aesthetics, Федерация) начали выезжать в заграничные туры. circulation, and agen- Представляя богатую традиционную музыкальную cy in productions of культуру своего региона, они сталкивались с новыми “traditional music” возможностями и интересами, с новой экономикой and “world music” и аудиторией. Очарованная горловым пением хөөмей made by musicians международная аудитория, тем не менее, была не- from Tuva, a Turkic- достаточно информирована о тувинской музыке и speaking republic in культуре. Более того, у самих тувинских музыкантов Inner Asia that is now и исследователей не было единого мнения о звучании a part of the Russian традиционной музыки или ее представления миру. Federation. This article contends that the conditions Хотя это и не было четко сформулировано, тувин- surrounding the dissolution of state socialism in ские музыканты, наряду с местными и иностранны- the former Soviet Union laid the groundwork for ми продюсерами и этномузыковедами, находились в the meaning and value of culture and identity in поиске «души» тувинской музыки — звукомузыкальной post-Soviet Tuva, including traditional music, to be чувствительности, которая отражала бы мировоз- renegotiated. -
Buddhism, Identity, and Class: Fairness and Favoritism in the Tyva Republic
Religion, Brain & Behavior ISSN: 2153-599X (Print) 2153-5981 (Online) Journal homepage: https://www.tandfonline.com/loi/rrbb20 Buddhism, identity, and class: fairness and favoritism in the Tyva Republic Benjamin Grant Purzycki & Valeria Kulundary To cite this article: Benjamin Grant Purzycki & Valeria Kulundary (2018) Buddhism, identity, and class: fairness and favoritism in the Tyva Republic, Religion, Brain & Behavior, 8:2, 205-226, DOI: 10.1080/2153599X.2016.1267031 To link to this article: https://doi.org/10.1080/2153599X.2016.1267031 View supplementary material Published online: 23 Mar 2017. Submit your article to this journal Article views: 160 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rrbb20 RELIGION, BRAIN & BEHAVIOR, 2018 VOL. 8, NO. 2, 205–226 https://doi.org/10.1080/2153599X.2016.1267031 Buddhism, identity, and class: fairness and favoritism in the Tyva Republic Benjamin Grant Purzyckia and Valeria Kulundaryb aDepartment of Human Behavior, Ecology and Culture, Max Planck Institute for Evolutionary Anthropology, Leipzig, Germany; bKyzyl Presidential Cadet School, Kyzyl, Republic of Tyva, Russia ABSTRACT ARTICLE HISTORY Current research suggests that commitment to moralistic, omniscient, and Received 30 June 2015 punitive gods may contribute to the evolution of cooperation. As they may Accepted 20 April 2016 curb antisocial behaviors that incur costly social repercussions, KEYWORDS supernatural punishment may help stabilize reciprocal relationships Buddhism; cooperation; among peers. One recent elaboration of this hypothesis posits that economic games; psychology commitment to such gods may boost prosociality to the point that it of religion; supernatural expands cooperation beyond one’s family and local community. -
Communist Crimes Communist
ROSZKOWSKI WOJCIECH WOJCIECH ROSZKOWSKI COMMUNIST CRIMES COMMUNIST A Legal and Historical Study COMMUNIST CRIMES Roszkowski.indd 1 6/28/18 10:35:42 AM INSTITUTE OF NATIONAL REMEMBRANCE COMMISSION FOR THE PROSECUTION OF CRIMES AGAINST THE POLISH NATION Wojciech Roszkowski COMMUNIST CRIMES A LEGAL AND HISTORICAL STUDY Roszkowski.indd 2 6/28/18 10:35:42 AM INSTITUTE OF NATIONAL REMEMBRANCE COMMISSION FOR THE PROSECUTION OF CRIMES AGAINST THE POLISH NATION Wojciech Roszkowski COMMUNIST CRIMES A LEGAL AND HISTORICAL STUDY Roszkowski.indd 3 6/28/18 10:35:42 AM Reviewers Katarzyna Banasik Patryk Pleskot Graphic design and cover Sylwia Szafrańska Editors Brien Barnett Piotr Chojnacki Proofreading Piotr Chojnacki Index Łukasz Rybak Typesetting Krzysztof Siwiec ISBN 978-83-8098-929-0 © Copyright by Instytut Pamięci Narodowej, 2016 Visit our websites: www.ipn.gov.pl www.ipn.poczytaj.pl Roszkowski.indd 4 6/28/18 10:35:42 AM Contents Chapter One Legal and Political Background ...........................7 Chapter Two Ideological Roots . 33 Chapter Three Early Communist Aggressions ...........................65 Chapter Four The Communist Revolution Goes Worldwide..............109 Chapter Five From Theory to Practice ...............................149 Chapter Six Communism against Religion . 199 Chapter Seven Communism against Nationality ........................251 Chapter Eight Western Perspectives . .275 List of Abbreviations ..................................307 Personal Index of Names...............................309 Roszkowski.indd 5 6/28/18 10:35:42 AM Roszkowski.indd 6 6/28/18 10:35:42 AM Chapter One Legal and Political Background Basic Point of Reference Any consideration of what is a crime and what is not should start with considering the sources of law. Until fairly recently, the Euro-Atlantic civiliza- tion formally opposed the way life had been treated in other civilizations. -
Новые Исследования Тувы Nomads in the Global Soundscape
Новые исследоваНия Тувы THE NEW RESEARCH OF TUVA www.nit.tuva.asia №2 2017 Novye issledovaniia Tuvy DOI: 10.25178/nit.2017.2.3 NOMADS IN THE GLOBAL Номады в глобальНом SOUNDSCAPE: сауНдскейпе: NEGOTIATING к вопросу об эстетике AESTHETICS IN в традициоННых POST-SOVIET TUVA’S музыкальНых TRADITIONAL MUSIC проектах PRODUCTIONS постсоветской тувы Robert O. Beahrs Роберт О. Бирс University of Pittsburgh, Университет Питтсбурга, USA США This article explo- С распадом советского государства, переходом к res some of the глобальному рыночному капитализму ансамбли фоль- relationships between клорных музыкантов из Республики Тыва (Российская ideology, aesthetics, Федерация) начали выезжать в заграничные туры. circulation, and agen- Представляя богатую традиционную музыкальную cy in productions of культуру своего региона, они сталкивались с новыми “traditional music” возможностями и интересами, с новой экономикой and “world music” и аудиторией. Очарованная горловым пением хөөмей made by musicians международная аудитория, тем не менее, была не- from Tuva, a Turkic- достаточно информирована о тувинской музыке и speaking republic in культуре. Более того, у самих тувинских музыкантов Inner Asia that is now и исследователей не было единого мнения о звучании a part of the Russian традиционной музыки или ее представления миру. Federation. This article contends that the conditions Хотя это и не было четко сформулировано, тувин- surrounding the dissolution of state socialism in ские музыканты, наряду с местными и иностранны- the former Soviet Union laid the groundwork for ми продюсерами и этномузыковедами, находились в the meaning and value of culture and identity in поиске «души» тувинской музыки — звукомузыкальной post-Soviet Tuva, including traditional music, to be чувствительности, которая отражала бы мировоз- renegotiated. -
O Canto Overtone Em Tuva – Um Panorama
UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE ARTES CURSO DE PÓS-GRADUAÇÃO EM MÚSICA (PPGMU) O CANTO OVERTONE EM TUVA – UM PANORAMA Uberlândia 2020 ANA CAROLINA RODRIGUES DE MORAES O CANTO OVERTONE EM TUVA - UM PANORAMA Dissertação apresentada ao Programa de Pós-graduação em Música – Mestrado Acadêmico – do Instituto de Artes da Universidade Federal de Uberlândia como requisito para a obtenção do título de Mestre em Música. Área de concentração: Música, linha de pesquisa I: Processos analíticos, criativos, interpretativos e historiográficos em música. Orientador: Prof. Dr. Celso Luiz de Araujo Cintra. Uberlândia 2020 Dados Internacionais de Catalogação na Publicação (CIP) Sistema de Bibliotecas da UFU, MG, Brasil. M827c Moraes, Ana Carolina Rodrigues de, 1993- 2020 O Canto Overtone em Tuva [recurso eletrônico] : um panorama / Ana Carolina Rodrigues de Moraes. - 2020. Orientador: Celso Luiz de Araujo Cintra. Dissertação (mestrado) - Universidade Federal de Uberlândia, Programa de Pós-Graduação em Artes. Modo de acesso: Internet. Disponível em: http://doi.org/10.14393/ufu.di.2021.6002 Inclui bibliografia. Inclui ilustrações. 1. Arte. 2. Música. 3. Canto. I. Cintra, Celso Luiz de Araujo, 1969-, (Orient.). II. Universidade Federal de Uberlândia. Programa de Pós- Graduação em Artes. III. Título. CDU: 7 Rejâne Maria da Silva – CRB6/1925 SEIUFU - 2345740 - Ata de Defesa - Pós-Graduação.pdf Salvo no Dropbox • 6 de nov. de 2020 18:37 UNIVERSIDADEUNIVERSIDADE FEDERAL DE UBERLÂNDIA Coordenação do Programa de Pós-Graduação em Música Av. João Naves