GCSE STUDENT SUPPORT BOOKLET 1 Key Dates 14Th May = Pre Released Material
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Sydney Program Guide
Page 1 of 50 Sydney Program Guide Sun Feb 21, 2021 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 AMAZING FACTS PRESENTS WS PG The Law of the Lamb, Pt 2 Religious program. Cons.Advice: Themes 07:00 LEADING THE WAY WS PG Engaging the Future Generations Dr. Youssef and the Leading The Way team are committed to sharing the Gospel with the lost and equipping believers to grow into a deeper walk with Christ. Cons.Advice: Themes 07:30 IN TOUCH MINISTRIES WS PG Triumphant Joy In Touch Ministries is the outreach ministry of Dr. Charles Stanley, pastor of First Baptist Church of Atlanta, Georgia. The desire of In Touch is to lead people into a growing relationship with Jesus Christ and strengthen the local church. Cons.Advice: Themes 08:00 BEYOND TODAY WS PG Beware the Mark of the Beast Religious program. Cons.Advice: Themes 08:30 THE INCREDIBLE JOURNEY PRESENTS WS PG Blessed are the Persecuted Religious program. Cons.Advice: Themes 09:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 10:00 THE BARON Repeat WS PG Red Horse, Red Rider Mannering agrees to travel to a country racked by civil war to transport a valuable statuette back to London. Starring: Steve Forrest, Sue Lloyd, Paul Ferris PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 2 of 50 Sydney Program Guide PLEASE NOTE: This document is confidential and is the copyright of Nine Network Australia Pty. Ltd. Page 3 of 50 Sydney Program Guide Sun Feb 21, 2021 11:00 MANDY 1953 Captioned Repeat WS PG Mandy Mandy Garland was born deaf and has been mute for all of her life. -
Simon Dale 1St Assistant Director
Simon Dale 1st Assistant Director Phone: 07957 392 701 E-Mail: [email protected] British Full Clean Driving Licence Movie Magic Scheduling Final Draft 1st Assistant Director ‘Bounty’ (Big Talk Productions) C4 Comedy Blaps NovemBer 2018 (Manchester) Dir: George Kane Pro: Lara Singer LP: Helen Blyth ‘Timewasters – Series 2’ (Big Talk Productions) ITV2 July – SeptemBer 2018 (Liverpool) Dir: George Kane Pro: Jim Poyser LP: Katie Kearney ‘God’s Own County’ (Guilty Party Pictures) C4 Comedy Blaps May 2018 (Holmfirth) Dir: Jim Archer Pro: Spencer Millman LP: David Finnigan ‘Biggleton – Series 1’ (CBeebies) CBeebies July 2017 – Sept 2017 (Manchester) Dir: Iwan Watson / Luk Ying Yick ‘Scallywagga – Series 2’ (BBC) BBC3 July 2009 – Sept 2009 (Manchester) Dir: David Sant LP: David Noble ‘Britannia High: Block 4’ (ITV Productions) ITV1 Sept 2008 – Nov 2008 (Manchester) Dir: Brian Grant LP: Howard Ella Recent 1st AD Dailies & Commercials APRIL 2019: ‘Sanditon’ (Red Planet Pictures / ITV) Main Unit (1 Day) / LP Ian Hogan APRIL 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling MARCH/APRIL 2019: ‘Coronation Street’ (ITV) Main Unit (Multiple 5+) JAN – APRIL 2019: ‘Hollyoaks’ (Lime Pictures / C4) Main Unit (Multiple 15+) MARCH 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling / PM: Lee Meredith MARCH 2019: ‘EFC / Davanti Tyres’ Commercial (The Mob Film Company) Dir: Martin McGreal / PM: Michael Evans NOV 2018: FEATURE ‘Military Wives’ (Koliko Films) 2nd Unit (4 Days) / PM Claire Campbell NOV 2018: -
ITV Plc Final Results 2007
ITV plc Final Results 2007 5th March 2008 1 Introduction Michael Grade Executive Chairman 2 Agenda Introduction Financial and operating review Current trading and strategy update 3 Overview 2007 financial results Total revenue £2,082m (2006: £2,181m) Operating EBITA £311m (2006: £375m) Impacted by legacy issues and digital investment 2007 operational and strategic progress ITV viewing increased year-on-year for first time in over a decade ITV NAR stabilised at £1,489m (2006: £1,494m) Strengthened management team appointed Strategic plan and targets announced 2008 current trading ITV outperforming market in revenues and ratings Î Turnaround plan on track 4 Board and management changes Executive Chairman term extended to four years and end of 2010 John Cresswell becomes dedicated COO, with new FD to be appointed Dawn Airey and Rupert Howell join plc Board Peter Fincham to join as ITV Director of Television 5 Financial and operating review John Cresswell Chief Operating Officer 6 Final Results 12 months to 31st Dec - £m 2007 2006 Change Published Published % Revenue 2,082 2,181 (5) Operating EBITA 311 375 (17) Amortisation Normal (56) (56) CSA Impairment (28) (20) Exceptional items inc gains on sales (9) 4 Associates, JVs and investment income 3 11 Profit before interest and tax 221 314 (30) Interest (33) (26) 27 Profit before tax 188 288 (35) 7 Final Results 12 months to 31st Dec - £m 2007 2006 Change Published Published % Profit before tax 188 288 (35) Tax (50) (66) (24) Profit after tax 138 222 (38) Minority interests (1) -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
John Collins Production Designer
John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management -
Title of Thesis Or Dissertation, Worded Exactly As It Appears on Your Abstract
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank (IN)FAMOUS ANGEL: THE CHERUB COMPANY AND THE PROBLEM OF DEFINITION by BRIAN EDWARD GEORGE COOK A DISSERTATION Presented to the Department of Theater Arts and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Brian Edward George Cook Title: (In)famous Angel: The Cherub Company and the Problem of Definition This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Theater Arts by: Dr. Sara Freeman Chairperson Dr. Theresa J. May Member Dr. John Schmor Member Dr. Julie Hessler Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Brian Edward George Cook iii DISSERTATION ABSTRACT Brian Edward George Cook Doctor of Philosophy Department of Theater Arts June 2012 Title: (In)famous Angel: The Cherub Company and the Problem of Definition This dissertation examines the effects of conventionally categorizing working artists and looks specifically at the Cherub Company, London, as a case study. Cherub was an alternative British theatre company whose work in the 1980s defied most of the categories which inscribed theatre practice in Britain. Because they did not fit canonical definitions, Cherub was said to be producing “bad” theatre. -
Dayparting in Online Media: the Case of Greece
INTERNATIONAL JOURNAL OF COMPUTERS AND COMMUNICATIONS Volume 8, 2014 Dayparting in Online Media: The case of Greece Andreas Veglis was reasonable to hypothesize that dayparts on the Internet do Abstract— The concept of dayparting has been employed not exist since people can access the Internet from virtually for quite some time in the broadcasting industry. A daypart can anywhere at any time. For example web sites’ content, social be defined as a consecutive block of time on similar days networking posting, blog comments are available 24 hours a during which the size of the audience is homogeneous as is the day, seven days a week [2]. A portal includes news every hour characterization of the group using the medium. Until recently of the day. The headlines may change with time but the genre Internet media planning has been characterized by overall site of the web site remains constant [3]. reach, demographics and content affinity without particular Nevertheless this perspective changed when two surveys regard for how audience dynamics change by time of day. The conducted in 2002 and a third one conducted in 2007 found existence of Internet dayparts can have major implications on that dayparts are also applicable to the Internet use and more media organization that continuously update their content particularly to online media [2]-[4]. offered by internet tools and services. This paper investigates The existence of Internet dayparts can have major the existence of dayparts in the usage of various publishing implications on news web sites that continuously update their channels employed by Greek media web sites. -
Sky 1 Announces New Comedy Drama Living the Dream 23Rd May | Big Talk, Productions, TV
7/18/2017 Big Talk | Sky 1 announces new comedy drama Livingn The Dreamews Sky 1 announces new comedy drama Living The Dream 23rd May | Big Talk, Productions, TV Philip Glenister and Lesley Sharp star alongside Kim Fields, Kevin Nash, Leslie Jordan, Paula Wilcox and Jimmy Akingbola. Living the Dream, a brand new comedy drama from the makers of Cold Feet, is coming to Sky 1 later this year. Starring Philip Glenister (Outcast, Mad Dogs) and Lesley Sharp (Scott & Bailey, Paranoid), the series has been created and written by Mick Ford (Single Father, The Five), produced by Big Talk Productions (Cold Feet, Mum, Rev.) and will be directed by Saul Metzstein (Doctor Who, You, Me and the Apocalypse) and Philippa Langdale (Dickensian, Skins). The six-part series follows a British family, the Pembertons – husband Mal (Glenister), wife Jen (Sharp) and their two teenage kids, Tina (Rosie Day) and https://www.bigtalkproductions.com/sky-1-announces-new-comedy-drama-living-the-dream/ 1/3 7/18/2017 Big Talk | Sky 1 announces new comedy drama Living The Dream Freddie (Brenock O’Connor) – who decide it’s time to leave rainy England and move to the sunshine state of Florida. Mal’s bought an RV park with plans for a booming family-run business, but it soon turns out that they are not going to be living the dream they hoped. Before they’ve even settled in, Mal discovers that the park is home to a group of eccentric residents who are not exactly thrilled to meet their new owners. Jen has to learn how to survive American suburbia and the kids have to navigate a US high school. -
Brochure (5.45
Synopsis When her married lover and fellow police officer Sean Hardacre goes missing under mysterious circumstances, Detective Hannah Laing launches an urgent manhunt. She manages to contact one of Sean’s confidential sources: ‘Issy’, and with her partner starts investigating the Mimica family. They discover that the close-knit Croatian clan plans to smuggle a massive quantity of cocaine into the country, but when Hannah finds out the informant is her son Christian, she becomes conflicted about the investigation. Christian’s carefully prepared cover story is put to the test, but far more drastic action is needed to preserve his cover and protect himself. Based on the eponymous noir Swedish series Before We Die is breathtaking crime thriller, full of heart-stopping jeopardy and unpredictable twists. 2 Walter IUZZOLINO Chief Executive Officer | Eagle Eye Drama „Before We Die is a fantastic concept and a stand out piece of storytelling – I fell in love with the idea when I first read the scripts for the Swedish original a few years back, and always thought there was something universal at its core which would translate very powerfully into a must-see piece of English speaking drama. The series uses the architecture and grammar of a high octane serialised thriller to tell the story of a fractured relationship between a mother and her son. As such it is ultimately a compelling piece of character driven psychological drama. The original series was really strong but it was often steeped into archetypal Swedish and Nordic crime tropes (a violent war between rival biker gangs as the backdrop for the main plotline) which do not have a similar resonance in the UK and US, so I always felt it was a perfect candidate for adaptation. -
DOCUMENT RESUME Proceedings of the Annual Meeting of The
DOCUMENT RESUME ED 415 540 CS 509 665 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (80th, Chicago, Illinois, July 30-August 2, 1997): Media Management and Economics. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1997-07-00 NOTE 315p.; For other sections of these Proceedings, see CS 509 657-676. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Case Studies; Childrens Literature; *Economic Factors; Journalism; *Mass Media Role; Media Research; News Media; *Newspapers; *Publishing Industry; *Television; World War II IDENTIFIERS High Definition Television; Indiana; Journalists; Kentucky; Market Research; *Media Management; Stock Market ABSTRACT The Media Management and Economics section of the Proceedings contains the following 14 papers: "The Case Method and Telecommunication Management Education: A Classroom Trial" (Anne Hoag, Ron Rizzuto, and Rex Martin); "It's a Small Publishing World after All: Media Monopolization of the Children's Book Market" (James L. McQuivey and Megan K. McQuivey); "The National Program Service: A New Beginning?" (Matt Jackson); "State Influence on Public Television: A Case Study of Indiana and Kentucky" (Matt Jackson); "Do Employee Ethical Beliefs Affect Advertising Clearance Decisions at Commercial Television Stations?" (Jan LeBlanc Wicks and Avery Abernethy); "Job Satisfaction among Journalists at Daily Newspapers: Does Size of Organization Make -
Working Paper
Working Paper Optimal Prime-Time Television Network Scheduling Srinivas K. Reddy Jay E. Aronson Antonie Stam WP-95-084 August 1995 IVIIASA International Institute for Applied Systems Analysis A-2361 Laxenburg Austria kd: Telephone: +43 2236 807 Fax: +43 2236 71313 E-Mail: [email protected] Optimal Prime-Time Television Network Scheduling Srinivas K. Reddy Jay E. Aronson Antonie Stam WP-95-084 August 1995 Working Papers are interim reports on work of the International Institute for Applied Systems Analysis and have received only limited review. Views or opinions expressed herein do not necessarily represent those of the Institute, its National Member Organizations, or other organizations supporting the work. International Institute for Applied Systems Analysis A-2361 Laxenburg Austria VllASA.L A. ..MI. Telephone: +43 2236 807 Fax: +43 2236 71313 E-Mail: infoQiiasa.ac.at Foreword Many practical decision problems have more than one aspect with a high complexity. Current decision support methodologies do not provide standard tools for handling such combined complexities. The present paper shows that it is really possible to find good approaches for such problems by treating the case of scheduling programs for a television network. In this scheduling problem one finds a combination of types of complexities which is quite common, namely, the basic process to be scheduled is complex, but also the preference structure is complex and the data related to the preference have to esti- mated. The paper demonstrates a balanced and practical approach for this combination of complexities. It is very likely that a similiar approach would work for several other problems.