Rannual Report 2019
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Doc Brown Actor/Comedian
Doc Brown Actor/Comedian Ben ‘Doc Brown’ Smith originally made a name for himself as a rapper, known as much for his off-the-cuff freestyle rhymes on stage as for his self-deprecating style on record. A chance meeting with DJ/Producer Mark Ronson in 2004 struck up a relationship that led to Doc touring with Ronson’s band as their MC on a string of festival shows from 2006 – 2007. Agents Duncan Hayes Associate Agent Olivia Jones [email protected] +44 (0)203 214 0770 Assistant Zoe Rudin [email protected] +44 (0)203 214 0770 Roles Other Production Character Director Company Nokia/Prince's trust Urban Music Festival Sole support for Busta Rhymes UK Tour '02 Signed to Sony/BMG Feb 2001 - April 2002 Sole support for De La Soul on UK tour '05 Signed to Janomi Records June 2004 - Nov 2006 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Radio Production Character Director Company Radio 1 Pilot Doc Brown BBC Radio 7 Day Sunday BBC Radio The Now Show BBC Radio Arthur Smith's Balham BBC Radio Westwood Various Sketches BBC 1Xtra 4 Stands Up Live Stand-up Producer: Tilusha Radio 4 Ghelani Danny Robins' One Click Writer/Performer BBC Radio 1 Comedy Do You Know What I'm Contributor - Melvyn Bragg BBC Radio 4 Saying? Documentary Series Fight the Power Presenter BBC 1Xtra from J.A to U.K - Dancehall Presenter BBC 1Xtra Influence in British Rap Music Therapy Contributor BBC Radio 4 Pioneers - The Biggest Presenter BBC 1Xtra Black Music Labels in the World -
Simon Dale 1St Assistant Director
Simon Dale 1st Assistant Director Phone: 07957 392 701 E-Mail: [email protected] British Full Clean Driving Licence Movie Magic Scheduling Final Draft 1st Assistant Director ‘Bounty’ (Big Talk Productions) C4 Comedy Blaps NovemBer 2018 (Manchester) Dir: George Kane Pro: Lara Singer LP: Helen Blyth ‘Timewasters – Series 2’ (Big Talk Productions) ITV2 July – SeptemBer 2018 (Liverpool) Dir: George Kane Pro: Jim Poyser LP: Katie Kearney ‘God’s Own County’ (Guilty Party Pictures) C4 Comedy Blaps May 2018 (Holmfirth) Dir: Jim Archer Pro: Spencer Millman LP: David Finnigan ‘Biggleton – Series 1’ (CBeebies) CBeebies July 2017 – Sept 2017 (Manchester) Dir: Iwan Watson / Luk Ying Yick ‘Scallywagga – Series 2’ (BBC) BBC3 July 2009 – Sept 2009 (Manchester) Dir: David Sant LP: David Noble ‘Britannia High: Block 4’ (ITV Productions) ITV1 Sept 2008 – Nov 2008 (Manchester) Dir: Brian Grant LP: Howard Ella Recent 1st AD Dailies & Commercials APRIL 2019: ‘Sanditon’ (Red Planet Pictures / ITV) Main Unit (1 Day) / LP Ian Hogan APRIL 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling MARCH/APRIL 2019: ‘Coronation Street’ (ITV) Main Unit (Multiple 5+) JAN – APRIL 2019: ‘Hollyoaks’ (Lime Pictures / C4) Main Unit (Multiple 15+) MARCH 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling / PM: Lee Meredith MARCH 2019: ‘EFC / Davanti Tyres’ Commercial (The Mob Film Company) Dir: Martin McGreal / PM: Michael Evans NOV 2018: FEATURE ‘Military Wives’ (Koliko Films) 2nd Unit (4 Days) / PM Claire Campbell NOV 2018: -
This Is England Brochure
oiengland_brochure 5/6/05 9:42 AM Page 2 OI THIS IS ENGLAND THE NEW FILM FROM SHANE MEADOWS PRODUCED BY - WARP FILMS EXECUTED PRODUCED / UK DISTRIBUTION- OPTIMUM RELEASING FINANCE - FILM FOUR oiengland_brochure 5/6/05 9:42 AM Page 3 KNIGHT NICK BY SKINHEAD FROM SOURCED PHOTOS DIRECTED BY SHANE MEADOWS (Dead Man’s Shoes, Once Upon A Time In The Midlands, A Room For Romeo Brass, 24/7) Credits not contractual oiengland_brochure 5/6/05 9:42 AM Page 4 SYNOPSIS 1983 WAS A TIME BEFORE MTV, BEFORE GAMEBOY, AND BEFORE 2.4 CHILDREN. UNLIKE OUR CURRENT COUCH POTATO CULTURE, IN THE EARLY EIGHTIES THERE WAS VERY LITTLE TO KEEP THE DISENCHANTED YOUTH ANESTHETISED INDOORS, SO AS UNEMPLOYMENT FIGURES ROSE AND THE YTS SCHEMES FELL, THE KIDS REFUSED TO TOE THE FACTORY LINE AND SPILLED OUT ONTO THE STREETS. THE STAGE WAS SET FOR A REVOLUTION. Rockers, New Romantics, Mods, Punks, Casuals, Smoothies, Ska kids and Skinheads stood shoulder to shoulder, hissing and spitting in the discos, precincts and subways of the working class towns across the nation. Oi! This is England tells the story of SHAUN, an 11-year-old kid growing up without a father in the north of England. Set during the summer holidays of 1983, we chart his rites of passage from a shaggy haired ruffian grieving the loss of his father into a shaven headed thug whose anger and pain are embraced by the local skinhead fraternity and ultimately the National Front. With a shell of a mother and no father to guide him, Shaun seems set for certain destruction. -
Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
Conference Reports – October 2010
Scope: An Online Journal of Film and Television Studies Issue 18 October 2010 Conference Reports – October 2010 Table of Contents Bloodlines: British Horror Past and Present Michael Ahmed. .................................................................................... 3 IMAGEing Reality Stefano Odorico. ................................................................................. 8 The Moving Image: Reconfiguring Spaces of Loss and Mourning in the 21st Century Jenny Chamarette. ............................................................................. 11 NECS 2009 3rd Annual Conference: Locating Media Andrea Virginás. ................................................................................ 17 New Waves: XII International Film and Media Conference Hajnal Kiraly ...................................................................................... 21 Open Graves, Open Minds: Vampires and the Undead in Modern Culture Darren Elliott-Smith. .......................................................................... 25 Re-Living Disaster Ozlem Koksal. ................................................................................... 29 SCMS @ 50/LA (Society for Cinema and Media Studies): Archiving the Future, Mobilizing the Past Jason Kelly Roberts,. .......................................................................... 32 SCMS @ 50/LA (Society for Cinema and Media Studies) Martin L. Johnson. ............................................................................. 35 1 Conference Reports Straight Outta Uttoxeter: -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
ME Is Not a Functional Disorder
ME Association Recipient: Sir Andrew Dillon Letter: Greetings, M.E. is not a functional disorder Comments Name Location Date Comment Carol Bryant Mottram, 2017-09-27 My daughter has ME and clearly this illness is NOT in her England, UK mind it is a physical illness Clare Crofts Rochdale, 2017-09-27 My daughter had Very Severe ME for the last 6years, was England, UK diagnosed as terminal 18 months ago and died in May this year. This disease is horrendous and needs the medical community to take it seriously Sheena young Prestatyn, 2017-09-27 M.E is not a functional disorder and should not be treated as Wales, UK such. Julie Holliday Shrewsbury, 2017-09-27 I have ME and have been treated appallingly by the NHS. England, UK Paul Winter Hailsham, 2017-09-27 I have ME. Some hospitals, such as the National England, UK Neurological Hospital in Queen Square, London, are already routinely ignoring the NICE guidelines and diagnosing people with ME as having FND. This is unacceptable given the mounting evidence that ME is a neuro-imune disease. Jane Iles Cheddar, 2017-09-27 This is too important. NICE need to look at the facts and England, UK listen to ME specialists and more importantly, the sufferers Kathie Cortese UK 2017-09-27 I have got M.E and I know it's not a " functional disorder" NICE need to use more recent up-to-date world studies, and consult with ME patients, and experts on ME Jayne Glover Warminster, 2017-09-27 I don't want other people to suffer the indignity and England, UK humiliation that I have endured for the last 15 years. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Shane Meadows' Country: This Is England (2006)
SHANE MEADOWS’ COUNTRY: THIS IS ENGLAND (2006) Carla Ferreira de Castro Universidade de Évora Portugal [email protected] This Is England is social realist film portraying racism and poverty in 1980s Britain through the eyes of Shaun, a 12 year old boy, who has lost his father in the Falklands war and as to come to terms with his own identity, the difficult transition from childhood to adolescence and the need to fit in a determined group/tribe/gang. The following article aims at analysing relevant aspects depicted from the film emphasizing the so much debated reality of life during 80s. In This is England Shane Meadows manages to rediscover his own self geography, by revisiting his adolescent years. It is a biographical film about the importance of peer pressure and the results of an excess of nationalism, at the same time it typifies some issues related to the 80s youth culture. This is England é um filme social e realista que descreve o racismo e a pobreza na Grã-Bretanha dos anos 80 através do olhar de Shaun, um rapaz de 12 anos, que perdeu o pai a Guerra das Maldivas e tem de gerir a busca pela sua identidade, a transição da infância para adolescência e a necessidade de pertencer a um determinado grupo/tribo/gang. O presente artigo visa analisar aspectos relevantes extraídos do filme enfatizando a tão debatida realidade da vida nos anos 80. Em This is England Shane Meadows reencontra a geografia do ser, através do revisitar dos seus anos enquanto adolescente. É um filme biográfico acerca da importância da pressão exercida pelos pares e o resultado de um nacionalismo excessivo, ao mesmo tempo que tipifica alguns aspectos relacionados com a cultura dos anos 80. -
Coventry & Warwickshire Cover
Worcestershire Cover November 2017 .qxp_Worcestershire Cover 20/10/2017 15:23 Page 1 DANNYNNY MACMAC Your FREE essential entertainment guide for the Midlands IN THE MIDLANDSMIDLANDS WORCESTERSHIRE WHAT’S ON NOVEMBER 2017 ON NOVEMBER WHAT’S WORCESTERSHIRE Worcestershire ISSUE 383 NOVEMBER 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uko.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide TamLEAF Tam Theatre bring show and play to Bromsgrove TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: JuliaSTICK Donaldson’s MAN children’s classic visits Malvern FACEBOOK: @WHATSONWORCESTERSHIRE ANTIQUES FOR EVERYONE WORCESTERSHIREWHATSON.CO.UK returns to the NEC (IFC) Worcestershire.qxp_Layout 1 20/10/2017 11:34 Page 1 Contents November Warwicks_Worcs.qxp_Layout 1 23/10/2017 17:29 Page 2 November 2017 Contents The Hairy Bikers - cook up a treat at the BBC Good Food Show - page 49 Alison Moyet Patrick Monahan The Stick Man the list stops off at Warwick Arts Centre headlines the Desi Central children’s favourite visits Your 16-page to promote new album Other Comedy Show at the Belgrade Malvern Theatres week-by-week listings guide page 15 page 23 page 30 page 51 inside: 4. First Word 11. Food 15. Music 22. Comedy 24. Theatre 40. Film 44. Visual Arts 47. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s On Magazine Warwickshire What’s On Magazine -
INSPECTOR GEORGE GENTLY Vlii PRESS PACK Created by Peter
INSPECTOR GEORGE GENTLY VlII PRESS PACK Created by Peter Flannery Produced by Company Pictures For BBC ONE Broadcast Series starts BBC WEEK 17 TBC by the BBC on BBC ONE ALL interviews strictly embargoed until lead up to TX ALL guest star interviews strictly embargoed until week of their corresponding episode For further information please contact Deborah Goodman Publicity on 020 8959 9980 or [email protected] For photography please contact BBC Pictures www.bbcpictures.com or [email protected] To view please contact BBC Preview Tapes Department or www.bbcpreviews.co.uk 1 INSPECTOR GEORGE GENTLY VIII Contents Page No INTRODUCTION 3-4 PRODUCTION CREDITS 5 FILM 1 SYNOPSIS – 6 CAST LIST – Gently With The Women FILM 2 7 SYNOPSIS – Breathe In The Air CAST LIST FILM 3 8 SYNOPSIS – Gently Among Friends CAST LIST FILM 4 9 SYNOPSIS – Son Of A Gun CAST LIST CAST INTERVIEWS REGULARS Martin Shaw 10-11 Lee Ingleby 12-13 Lisa McGrillis 14 Annabel Scholey 15 GUEST STAR EPISODIC INTERVIEWS FILM 1 - Gently With The Women: Denise Welch 16 FILM 2 - Breathe In The Air: Lesley Nicol 17 FILM 3 - Gently Among Friends: Jim Moir 18 Louise Brearley 19 FILM 4 – Son Of A Gun: Jody Latham 20 2 Inspector George Gently VIII 1969: and Gently (MARTIN SHAW) and Bacchus (LEE INGLEBY) return to BBC ONE for the eighth series of the classic INSPECTOR GEORGE GENTLY, with four new feature- length films. This season PETER FLANNERY writes the first two episodes – with stories that tap into the period with all its vivid and colourful changes in perfect detail.