Ordinary Lies
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Simon Dale 1St Assistant Director
Simon Dale 1st Assistant Director Phone: 07957 392 701 E-Mail: [email protected] British Full Clean Driving Licence Movie Magic Scheduling Final Draft 1st Assistant Director ‘Bounty’ (Big Talk Productions) C4 Comedy Blaps NovemBer 2018 (Manchester) Dir: George Kane Pro: Lara Singer LP: Helen Blyth ‘Timewasters – Series 2’ (Big Talk Productions) ITV2 July – SeptemBer 2018 (Liverpool) Dir: George Kane Pro: Jim Poyser LP: Katie Kearney ‘God’s Own County’ (Guilty Party Pictures) C4 Comedy Blaps May 2018 (Holmfirth) Dir: Jim Archer Pro: Spencer Millman LP: David Finnigan ‘Biggleton – Series 1’ (CBeebies) CBeebies July 2017 – Sept 2017 (Manchester) Dir: Iwan Watson / Luk Ying Yick ‘Scallywagga – Series 2’ (BBC) BBC3 July 2009 – Sept 2009 (Manchester) Dir: David Sant LP: David Noble ‘Britannia High: Block 4’ (ITV Productions) ITV1 Sept 2008 – Nov 2008 (Manchester) Dir: Brian Grant LP: Howard Ella Recent 1st AD Dailies & Commercials APRIL 2019: ‘Sanditon’ (Red Planet Pictures / ITV) Main Unit (1 Day) / LP Ian Hogan APRIL 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling MARCH/APRIL 2019: ‘Coronation Street’ (ITV) Main Unit (Multiple 5+) JAN – APRIL 2019: ‘Hollyoaks’ (Lime Pictures / C4) Main Unit (Multiple 15+) MARCH 2019: ‘PUMA’ Commercial (Green Room / Revolution) Pro: Jack Suckling / PM: Lee Meredith MARCH 2019: ‘EFC / Davanti Tyres’ Commercial (The Mob Film Company) Dir: Martin McGreal / PM: Michael Evans NOV 2018: FEATURE ‘Military Wives’ (Koliko Films) 2nd Unit (4 Days) / PM Claire Campbell NOV 2018: -
“Dear Shameless Death” Via Magical Realism
FROM SIMILITUDE TO THE BEYOND ALTERNATIVE FEMALE SUBJECTIVITY IN “DEAR SHAMELESS DEATH” VIA MAGICAL REALISM By Deniz Gundogan Submitted to Central European University Department of Gender Studies In partial fulfillment of the requirements for the degree of Gender Studies M.A Supervisor: Dr. Sophie Howlett CEU eTD Collection Budapest, Hungary 2009 ACKNOWLEDGMENTS I would like to express my deep gratitude to Sophie Howlett, my supervisor, who indebted a great deal of labour in this thesis. I would like to thank for her patience and belief in this challenging “magical” project. I would like to extend my warm gratitude to Jasmina Lukic, my second reader, who gave me a friendly support and encouraged me with her brilliant ideas during the whole year. I would also like to thank her for the pleasant literature courses during the semester. I debt thanks to CEU Gender Department for creating such a warm and friendly atmosphere throughout the year. I also debt thanks to my dear “Gender Kids” for being such a dynamic and lovely friends. I would like to thank especially Fatma Oya Aktas, for embarking on this CEU adventure with me far from Istanbul, for being with me in times of laughter, pain and especially during thesis craze. I would also like to thank Seda Saluk and Defne Karakaya for being such a lovely friends during this time. I would also like to thank my dear professor Ozden Sozalan who always with her all kindness encouraged my aspirations, for mu further studying studies. Thanks to my dearest friends Yasemin KuyucaklÕ Ellison and Nurseli Yesim Sunbuloglu, for their endless support, care and for their invaluable friendship during my study at CEU and for the last seven years. -
Michelle Heaney Editor
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MICHELLE HEANEY EDITOR CREDITS INCLUDE: THE REUNION Director Bill Eagles Thriller Drama Series Producer Sydney Gallonde Episodes 2, 4 & 6 (Remote editing) Production Co. MGM International TV Prods / Make It Happen Studio / France Télévisions STAY CLOSE Director Lindy Heymann 8 x 1hr Contemporary Drama Producer Juliet Charlesworth Episodes 5 & 6 Exec. Producers Nicola Shindler, Harlan Coben, Richard Fee, Danny Brocklehurst Production Co. Red Production Company / Netflix TRACES Director Rebecca Gatward 2 x 1hr Crime Mystery Thriller Drama Producer Juliet Charlesworth (Additional Editor) Exec. Producers Nicola Shindler, Michaela Fereday, Liam Keelan Philippa Collie Cousins, Val McDermid Production Co. Red Production Company / ALIBI BAFTA Nomination Best Drama Series THE WORST WITCH Director Dermot Boyd 4 x ½hr Children’s Drama Series Producer Kim Crowther Exec. Producer Sue Knott Production Co. CBBC / Netflix / ZDF Enterprises THE STRANGER Director Daniel O’Hara 3 x 1hr Mystery Crime Drama Producer Madonna Baptiste (1st Assistant Editor) Exec. Producers Nicola Shindler, Harlan Coben, Danny Brocklehurst, Richard Fee Editor Steve Singleton Production Co. Red Production Company / Netflix BRASSIC Directors Daniel O'Hara, Jon Wright 6 x 1hr Comedy Series Producer Juliet Charlesworth (1st Assistant Editor/ Assembly Editor) Exec. Producers David Livingston, Joe Gilgun, Danny Brocklehurst, Jon Montague Editors Annie Kocur, Rachel Hoult Production Co. SKY / Calamity Films THE ROOK Director Kari Skogland 3 x 1hr Fantasy Thriller Drama Series Producer Steve Clark-Hall (1st Assistant Editor) Exec. Producer Stephen Garrett Editor Oral Ottey Production Co. -
Brexit and Columns the Rhetorical Figures That Are Used in the Guardian and the Daily Mail
Arissen, s4341791/1 Brexit and Columns The Rhetorical Figures that are used in The Guardian and The Daily Mail Inge Arissen, s4341791 BA Thesis, English Literature August 2018 Supervisor: Chris Louttit Second Supervisor: Usha Wilbers Arissen, s4341791/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: C. Louttit Title of document:Resubmission Thesis Name of course: Bachelor Thesis Date of submission: 5 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Inge Arissen Student number: s4341791 Arissen, s4341791/3 Abstract This research will deal with newspapers and their columns on Brexit from January 2015 up till December 2016. The newspapers that will be discussed are The Guardian and The Daily Mail and their columnists John Crace and Stephen Glover. The rhetorical figures of each column are collected and the percentages of use is calculated. From these data, the most common rhetorical figures can be deduced and most their function will be described. To understand the theoretical frame of the research, background information on columns and interpreting rhetorical figures is given as well. The claim of this study is that each author uses different rhetorical devices in their columns, since their both on a different side in the Brexit discussion. Key Words: Brexit; Columns; Rhetorical Figures; The Guardian; The Daily Mail; Politics Arissen, s4341791/4 Table of Content Introduction …………………………………………………………………………….p5 -
The Well and the Shallows- G.K.Chesterton
The Well and the Shallows By G.K. Chesterton The Well and the Shallows By G.K. Chesterton (1935) CONTENTS INTRODUCTION AN APOLOGY FOR BUFFOONS MY SIX CONVERSIONS I. THE RELIGION OF FOSSILS II. WHEN THE WORLD TURNED BACK III. THE SURRENDER UPON SEX IV. THE PRAYER-BOOK PROBLEM V. THE COLLAPSE OF MATERIALISM VI. THE CASE OF SPAIN VII. THE WELL AND THE SHALLOWS THE RETURN TO RELIGION THE REACTION OF THE INTELLECTUALS LEVITY--OR LEVITATION THE CASE FOR HERMITS KILLING THE NERVE THE CASE OF CLAUDEL THE HIGHER NlHILISM THE ASCETIC AT LARGE THE BACKWARD BOLSHIE THE LAST TURN THE NEW LUTHER BABIES AND DlSTRIBUTISM THREE FOES OF THE FAMILY THE DON AND THE CAVALIER THE CHURCH AND AGORAPHOBIA BACK IN THE FOG THE HISTORIC MOMENT MARY AND THE CONVERT A CENTURY OF EMANCIPATION TRADE TERMS FROZEN FREE THOUGHT SHOCKING THE MODERNISTS A GRAMMAR OF KNIGHTHOOD REFLECTIONS ON A ROTTEN APPLE SEX AND PROPERTY ST. THOMAS MORE THE RETURN OF CAESAR AUSTRIA THE SCRIPTURE READER AN EXPLANATION WHY PROTESTANTS PROHIBIT WHERE IS THE PARADOX? -/- INTRODUCTORY NOTE I WAS monstrously attracted by a suggestion that these essays should bear the general title of "Joking Apart." It seemed to me a simple and sensible way of saying that the reader of these pages must not look for many jokes, certainly not merely for jokes, because these are controversial essays, covering all subjects on which a controversialist is challenged, and not particular subjects chosen as they are chosen by an essayist. It is an awful revelation of the world of unreason into which we have wandered, that people more practical than I are convinced that if I say that this is apart from joking, everyone will think it is a joke. -
Human Intelligence First Evolved When Our Ancestors Began Co-Operating to Hunt for Food and Shelter | Daily Mail Online 30/05/2018, 13:24
Human intelligence first evolved when our ancestors began co-operating to hunt for food and shelter | Daily Mail Online 30/05/2018, 13:24 Privacy Policy Feedback Wednesday, May 30th 2018 1PM 18°C 4PM 19°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines Science Pictures Discounts Login Human intelligence first evolved to Site Web Enter your search help us work together: Ape-like ADVERTISEMENT ancestors boosted their brain size by co-operating to hunt for food and shelter Scientists found that our capacity to cooperate and our intelligence co-evolved Higher intelligence allowed larger groups to survive as they hunted bigger prey Co-operative behaviours also allowed more intelligent groups to flourish Experts at the University of Oxford came to their finding using computer models By HARRY PETTIT FOR MAILONLINE PUBLISHED: 00:01, 30 May 2018 | UPDATED: 10:00, 30 May 2018 2 View comments Human intelligence may have first evolved to help us work together, according to a new study. Research suggests that our ape-like ancestors boosted their brain size when they began to co-operate to hunt for food and shelter. Scientists said that the expanding intelligence of our ancestors in turn helped them better co-operate and take down larger prey, such as mammoths, that they could share with a bigger group. Scroll down for video Like +1 Daily Mail Daily Mail Follow Follow @DailyMail Daily Mail Follow Follow @dailymailtech Daily Mail Download our Download our iPhone app Android app Today's headlines Most Read Half way to space: Virgin Galactic's Unity spaceship blasts off on record 114,500ft test flight - 213,500ft.. -
ME Is Not a Functional Disorder
ME Association Recipient: Sir Andrew Dillon Letter: Greetings, M.E. is not a functional disorder Comments Name Location Date Comment Carol Bryant Mottram, 2017-09-27 My daughter has ME and clearly this illness is NOT in her England, UK mind it is a physical illness Clare Crofts Rochdale, 2017-09-27 My daughter had Very Severe ME for the last 6years, was England, UK diagnosed as terminal 18 months ago and died in May this year. This disease is horrendous and needs the medical community to take it seriously Sheena young Prestatyn, 2017-09-27 M.E is not a functional disorder and should not be treated as Wales, UK such. Julie Holliday Shrewsbury, 2017-09-27 I have ME and have been treated appallingly by the NHS. England, UK Paul Winter Hailsham, 2017-09-27 I have ME. Some hospitals, such as the National England, UK Neurological Hospital in Queen Square, London, are already routinely ignoring the NICE guidelines and diagnosing people with ME as having FND. This is unacceptable given the mounting evidence that ME is a neuro-imune disease. Jane Iles Cheddar, 2017-09-27 This is too important. NICE need to look at the facts and England, UK listen to ME specialists and more importantly, the sufferers Kathie Cortese UK 2017-09-27 I have got M.E and I know it's not a " functional disorder" NICE need to use more recent up-to-date world studies, and consult with ME patients, and experts on ME Jayne Glover Warminster, 2017-09-27 I don't want other people to suffer the indignity and England, UK humiliation that I have endured for the last 15 years. -
Shameless Sociology
Shameless Sociology Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Jennifer Beggs Weber, Pamela M. Hunt and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5744-8 ISBN (13): 978-1-5275-5744-4 For Nathan, my partner in crime. – Jennifer For Perry and Grace. – Pam TABLE OF CONTENTS Acknowledgments ..................................................................................... ix Introduction ................................................................................................ 1 Pamela M. Hunt and Jennifer Beggs Weber Part 1: Social Class Dominant Hasslin’ and Subordinate Hustlin’: A Content Analysis Using the Generic Processes that Reproduce Inequality ............................ 8 Alexis P. Hilling, Erin Andro, and Kayla Cagwin Shamefully Shameless: Critical Theory and Contemporary Television ... 29 Robert J. Leonard and Kyra -
Radio 4 Extra Listings for 14 – 20 March 2015
Radio 4 Extra Listings for 14 – 20 March 2015 Page 1 of 9 SATURDAY 14 MARCH 2015 Marie Antoinette, Alexandrine Zola, Adolf Hitler and Charles Although it's the Poldarks that brought Winston Graham the de Gaulle who lighten and darken the city's streets most fame, he also wrote more than 30 other novels, six of SAT 00:00 The Seventh Test by Vikas Swarup (b044jh6l) in five episodes for BOOK OF THE WEEK. The series which have been filmed including the thriller, Marnie directed The Noose narrator is Stephen Boxer. by Alfred Hitchcock in 1964. Sapna Sinha works as a sales assistant in a TV showroom in In this final episode, we witness gunshots at Notre Dame, which This selection celebrates the range of his work and offers a New Delhi. Being the only bread-winner in the family she heralds decades of danger for glimpse into the enduring appeal of his most famous characters, works long hours to provide for her widowed mother and a new French leader... Reader Stephen Boxer. Ross and Demelza who are set to return to BBC screens in a younger sister. But then a man walks into her life with an SAT 01:00 The Museum of Curiosity (b0167zkv) new adaptation. extraordinary proposition: pass seven "life" tests of his choosing Series 4 Made for BBC Radio 4 Extra by The Waters Partnership. and she will have wealth and power. At first the tests seem easy, Haynes, McCandless, Crystal SAT 04:15 Neil Brand - Joanna (b00r9xm6) but things are not quite as they seem. -
Rannual Report 2019
ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
John Simm ~ 47 Screen Credits and More
John Simm ~ 47 Screen Credits and more The eldest of three children, actor and musician John Ronald Simm was born on 10 July 1970 in Leeds, West Yorkshire and grew up in Nelson, Lancashire. He attended Edge End High School, Nelson followed by Blackpool Drama College at 16 and The Drama Centre, London at 19. He lives in North London with his wife, actress Kate Magowan and their children Ryan, born on 13 August 2001 and Molly, born on 9 February 2007. Simm won the Best Actor award at the Valencia Film Festival for his film debut in Boston Kickout (1995) and has been twice BAFTA nominated (to date) for Life On Mars (2006) and Exile (2011). He supports Man U, is "a Beatles nut" and owns seven guitars. John Simm quotes I think I can be closed in. I can close this outer shell, cut myself off and be quite cold. I can cut other people off if I need to. I don't think I'm angry, though. Maybe my wife would disagree. I love Manchester. I always have, ever since I was a kid, and I go back as much as I can. Manchester's my spiritual home. I've been in London for 22 years now but Manchester's the only other place ... in the country that I could live. You never undertake a project because you think other people will like it - because that way lies madness - but rather because you believe in it. Twitter has restored my faith in humanity. I thought I'd hate it, but while there are lots of knobheads, there are even more lovely people.