Radio 4 Extra Listings for 14 – 20 March 2015
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Ordinary Lies
Ordinary Lies TX: Tuesday 17 March 2015 (TBC) BBC One 6 x 60min For further information: Katy Ardagh: 020 7292 7358 / [email protected] Ruth Bray: 020 7292 8348 / [email protected] Amy Shacklady: 020 7292 7373 / [email protected] 1 Contents Press Release 3 Cast List 4 Cast Interviews Danny Brocklehurst Series creator and writer 5 Jason Manford Plays Marty McLean 7 Jo Joyner Plays Beth Corbin 9 Sally Lindsay Plays Kathy Kavanagh 11 Episode 1 Synopsis 13 2 Ordinary Lies How well do you really know the people who work around you? From RED Production Company, creators of hit series Happy Valley and Last Tango In Halifax, comes highly-anticipated new primetime drama, Ordinary Lies, penned by BAFTA and International Emmy award-winning writer, Danny Brocklehurst (Accused, Shameless). We all tell little white lies everyday be it for self-protection, success or for love. But what happens when a spur-of-the-moment mistruth snowballs and begins to take over? Is it possible get away with it, or will the lie inevitably come undone to devastating effect? Set in a car showroom, Ordinary Lies is a compelling drama about how a simple lie can spiral out of control. With drama, tragedy, warmth and humour, each episode focuses on one of the colleagues and friends of JS Motors. From party-loving receptionists, Tracy (Michelle Keegan) and Viv (Cherelle Skeet) and ambitious company boss, Mike (Max Beesley) to enigmatic salesman, Pete (Mackenzie Crook) and mothering PA, Kathy (Sally Lindsay), each new and individual story questions just how well we know the people we work with. -
Michelle Heaney Editor
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MICHELLE HEANEY EDITOR CREDITS INCLUDE: THE REUNION Director Bill Eagles Thriller Drama Series Producer Sydney Gallonde Episodes 2, 4 & 6 (Remote editing) Production Co. MGM International TV Prods / Make It Happen Studio / France Télévisions STAY CLOSE Director Lindy Heymann 8 x 1hr Contemporary Drama Producer Juliet Charlesworth Episodes 5 & 6 Exec. Producers Nicola Shindler, Harlan Coben, Richard Fee, Danny Brocklehurst Production Co. Red Production Company / Netflix TRACES Director Rebecca Gatward 2 x 1hr Crime Mystery Thriller Drama Producer Juliet Charlesworth (Additional Editor) Exec. Producers Nicola Shindler, Michaela Fereday, Liam Keelan Philippa Collie Cousins, Val McDermid Production Co. Red Production Company / ALIBI BAFTA Nomination Best Drama Series THE WORST WITCH Director Dermot Boyd 4 x ½hr Children’s Drama Series Producer Kim Crowther Exec. Producer Sue Knott Production Co. CBBC / Netflix / ZDF Enterprises THE STRANGER Director Daniel O’Hara 3 x 1hr Mystery Crime Drama Producer Madonna Baptiste (1st Assistant Editor) Exec. Producers Nicola Shindler, Harlan Coben, Danny Brocklehurst, Richard Fee Editor Steve Singleton Production Co. Red Production Company / Netflix BRASSIC Directors Daniel O'Hara, Jon Wright 6 x 1hr Comedy Series Producer Juliet Charlesworth (1st Assistant Editor/ Assembly Editor) Exec. Producers David Livingston, Joe Gilgun, Danny Brocklehurst, Jon Montague Editors Annie Kocur, Rachel Hoult Production Co. SKY / Calamity Films THE ROOK Director Kari Skogland 3 x 1hr Fantasy Thriller Drama Series Producer Steve Clark-Hall (1st Assistant Editor) Exec. Producer Stephen Garrett Editor Oral Ottey Production Co. -
THE STRANGER Dock10 Has Completed Post Production of the Stranger, an 8 X 60 Minute 4K HDR Drama Series for RED Production Company Commissioned by Netflix Originals
DOCK10 COMPLETES POST PRODUCTION OF RED PRODUCTION COMPANY’S 4K NETFLIX THRILLER THE STRANGER dock10 has completed post production of The Stranger, an 8 x 60 minute 4K HDR drama series for RED Production Company commissioned by Netflix Originals. dock10 provided Manchester’s first end-to-end post production for a Netflix Original scripted series for The Stranger being made by Red Production Company. Post Production, from initial planning stages and ingest of dailies to delivery of the final, finished episodes to Netflix, for this 8 x 60-minute 4K HDR drama, based on Harlan Coben’s novel and written by Danny Brocklehurst, and starring Richard Armitage, Siobhan Finneran, Jennifer Saunders, Anthony Head and Hannah John-Kamen, was completed over the course of almost a year at dock10’s facilities in MediaCityUK – the first Netflix Original scripted project to be wholly post produced in Manchester. Alongside the series post production, dock10’s VFX team created over 350 individual VFX shots spanning green screen, digital matte painting, CG set extensions, destruction effects, digital stunt work, digital art direction and digital make up. Several key scenes for this series relied on our VFX team for the recreation and destruction of an existing Liverpool street location. To achieve this, the VFX team used extensive photographic references to accurately recreate the street, with principle photography taking place on the studio back lot using a section of replica housing against a green screen. Working closely with the director, director of photography and production designer, these scenes were previsualised in CG, at full scale, both to help in creating the sequences and also to provide the dimensions and distances of the green screen needed by the construction department. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
MANCHESTER LITERATURE FESTIVAL 2015 12—25 October
MANCHESTER LITERATURE FESTIVAL 2015 12—25 OctoBer Principal Sponsor Welcome Manchester Literature Festival is ten years young this year and like most ten year olds we are super excited about our birthday celebrations. We’ve put together an extra special bumper edition, inviting back many of our favourite writers from the past decade and hand-picking some of the most gifted emerging storytellers, destined to make big literary waves in the coming decade. Melvyn Bragg and Robert Harris explore power, politics and humanity through the lens of history, whilst Margaret Atwood and Sarah Hall present disturbing visions of the future in their new novels. Paul Mason discusses what a post-capitalist world might look like and, in our new literature and landscape strand of events, writers reflect on our relationship with nature and the earth. Elif Shafak delivers this year’s Gaeia Manchester Sermon and Joanne Harris presents a specially commissioned Writer’s Manifesto. We bring words and music together through some unique collaborations with manchester jazz festival and Manchester Camerata, and singer songwriter Kathryn Williams performs songs from her new album Hypoxia inspired by Syliva Plath. In much anticipated literary re-imaginings, Anthony Horowitz introduces us to his new James Bond novel Trigger Mortis and Jeanette Winterson launches her retelling of Shakespeare’s A Winters’ Tale. We explore the legacy of literary icons Saul Bellow, John le Carré, George Eliot, Elizabeth Gaskell and WB Yeats; and champion pioneering women Eleanor Marx, Sophia Duleep Singh and Virginia Woolf. Our ever popular literary tours explore the haunts of Manchester’s literati, and allow you to enter the pages of much loved novels Love on the Dole and Wuthering Heights. -
Last-Christmas-Movie-Production
UNIVERSAL PICTURES Presents In Association with PERFECT WORLD PICTURES A CALAMITY FILMS Production A FEIGCO ENTERTAINMENT Production A PAUL FEIG Film EMILIA CLARKE HENRY GOLDING MICHELLE YEOH and EMMA THOMPSON Executive Producer SARAH BRADSHAW Producers DAVID LIVINGSTONE, p.g.a. EMMA THOMPSON, p.g.a. PAUL FEIG, p.g.a. JESSIE HENDERSON, p.g.a. Story by EMMA THOMPSON & GREG WISE Screenplay by EMMA THOMPSON and BRYONY KIMMINGS Directed by PAUL FEIG Last Christmas_Production Information 2 PRODUCTION INFORMATION EMILIA CLARKE (HBO’s Game of Thrones, Me Before You), HENRY GOLDING (A Simple Favor, Crazy Rich Asians), MICHELLE YEOH (Crazy Rich Asians; Crouching Tiger, Hidden Dragon) and two-time Oscar® winner EMMA THOMPSON (Sense and Sensibility, Saving Mr. Banks) star for director PAUL FEIG (A Simple Favor, Spy, Bridesmaids) in Last Christmas, a romantic comedy inspired by a GEORGE MICHAEL beat, from a screenplay by Academy Award® winner Thompson (Sense and Sensibility, Nanny McPhee) and writer/performer BRYONY KIMMINGS. Kate (Clarke) harrumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate’s barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart … and you gotta have faith. Set in London during the 2017 holiday, Last Christmas features the music of George Michael and Wham!, including the bittersweet holiday classic of the film’s title. -
Dossier-De-Presse-Series-Mania-2018
SERIES MANIA LILLE / HAUTS-DE-FRANCE DOSSIERG___ O_ T______ DE PRESSES__ AND T__ C___ T___ P____ T__ S_______ B____ M_____ S_______ T_____ B_______ B__ T__ W______ D___ ET VOUS, QUELLE EST VOTRE SÉRIE PRÉFÉRÉE ? VENEZ DÉCOUVRIR Hartland Villa : LES SÉRIES DE DEMAIN Graphisme 27 AVRIL - 5 MAI L__ P_____ M_______ M_____ SERIESMANIA.COM D’A_____ C_______ Présentation du festival ....................................................... p3 Compétitions et prix ............................................................. p4 Le trophée ............................................................................ p5 Le jury international ............................................................. p6 Les invités d’honneur ........................................................... p7 Soirées d’ouverture et de clôture ...................................... p8 Compétition Officielle ........................................................... p9-10 Compétition Française ......................................................... p11 Panorama International ....................................................... p12-13 Best of USA ............................................................................ p14 Nouvelles saisons inédites ................................................... p15 Marathon Comédies .............................................................. p16 Formats Courts - Compétition ............................................ p17 Formats Courts - Panorama ............................................... p18 SERIES MANIA Culte .......................................................... -
Greg Dyke: Essential Reading for the Under-40S Blackmagic URSA Mini with the URSA Studio Viewfi Nder Is the Ultimate Live Production Studio Camera!
November 2016 Hackers stalk TV Greg Dyke: Essential reading for the under-40s Blackmagic URSA Mini with the URSA Studio Viewfi nder is the ultimate live production studio camera! When you combine URSA Mini with the URSA Studio Viewfi nder, you Professional Studio Viewfi nder get a complete solution that delivers amazing Ultra HD images and The URSA Studio Viewfi nder has a bright 7” screen with handles and has all of the professional broadcast studio camera features you’ll a large tally light with camera numbers. You also get high quality need! You get talkback, tally, remote color correction and camera dedicated buttons and dials, along with customizable function buttons control from an ATEM switcher and more. It’s a true high end live that are perfectly positioned so you can quickly adjust brightness, production solution that delivers commercial quality results for both zebra displays, focus peaking, change settings and more! There’s HD and Ultra HD productions, all for less than the cost of a traditional even an articulated arm so you can move the camera and never take HD studio camera! your eyes o the action! Perfect in the Studio or in the Field! Beyond Broadcast Quality Operating a camera at long duration events such as sports can be URSA Mini is a true digital fi lm camera that produces amazing HD back breaking if you have to look through a tiny viewfi nder for hours and Ultra HD images that are far superior to standard broadcast on end! The URSA Studio Viewfi nder has a large display with sun cameras! The Super 35 sensor has very wide -
Bafta Rocliffe New Writing Forum the Village and War of the Roses
The BAFTA Rocli!e partnership holds four developmental Bafta Rocliffe patrons include: writing events annually in the UK and in the US; this is the first Jenni Konner, Christine langan, Julian fellowes, John madden, mike newell, Bafta RoCliffe event to focus on TV Drama. A huge thank you to our script Richard eyre, David parfitt, alan plater, selection panel for taking the time to read every script and select Cameron mcCracken, peter Kosminsky, new wRiting foRum the three featured extracts. They included Huw Kennair-Jones, David yates, finola Dwyer, michael Kuhn, nik powell, Duncan Kenworthy, Rebecca Commissioning Editor, Drama, Sky; Bryan Elsley, creator of o'Brien, Simon Relph, Dave Spikey and with BBC Controller of Drama Commissioning Ben StephenSon Skins (and new Channel % series Dates); Danny Brocklehurst, Shirley Rubinstein. Writer (Exile, Accused, The Street, Shameless); Hilary Perkins, monDay 13 may 2o13 Multiplatform Commissioning Editor, Drama & Film, Channel %; presenter and Rocliffe producer Bafta, 195 piCCaDilly, lonDon w1J 9ln Jane Featherstone, Chief Executive of Kudos, (Utopia, Broadchurch, faRah aBuShweSha The Hour); John Alexander, Director (White Heat, Exile, Small [email protected] Island); John Yorke, MD, Company Pictures (Secret State, event producer Shameless, The Shadow Line); Kevin Cecil, Writer (Black Books, aleX CooK The BAFTA Rocli!e New Writing Forum, now in its Little Britain); Emily Feller, Development Editor, Red Productions [email protected] (Last Tango In Halifax, Hit & Miss, Scott & Bailey); Polly Hill, Head event producer fourteenth year, is a platform for new writing and a networking Kam KanDola of Independent Drama, BBC; Renay Richardson, Executive [email protected] event. Three script extracts of between eight and ten minutes are Assistant, Drama Republic; Sue Vertue, Producer, Hartswood Casting selected by an industry panel from an open call out. -
The Dead Room: Reflexivity, Recursion and Memory in the Act of Autobiographical Scriptwriting
THE DEAD ROOM: REFLEXIVITY, RECURSION AND MEMORY IN THE ACT OF AUTOBIOGRAPHICAL SCRIPTWRITING Richard Monks, BA(Hons), MA (RCA) Submitted in fuLfiLment of the requirements for the degree of Doctor of PhiLosophy September 2017 This thesis is my own work and has not been submitted in substantialLy the same form for the awards of a higher degree eLsewhere. THE DEAD ROOM by Richard Monks Acknowledgements I owe a huge debt of thanks to my supervisor, Professor Paul FarLey, for his guidance, encouragement and support throughout the writing of this thesis. Through our many fascinating conversations I was encouraged to expLore aspects of screenwriting, and poetry, which I might never have otherwise considered. In so doing I discovered much that was new to me and rediscovered much that I’d forgotten. I would also like to thank James Cook, Radio 4’s Editor for Poetry, Arts & Natural History, for his gracious permission to reproduce a part of our emaiL exchange. FinalLy, I wouLd Like to thank Alan Bennett, whose work I have Long admired, for generously agreeing to be interviewed for this project. 2 THE DEAD ROOM by Richard Monks This work is dedicated to Annie with love. 3 THE DEAD ROOM by Richard Monks Abstract During the course of this practice-based PhD I intend to eXpLore the themes of famiLy, memory and time by researching and writing a feature-Length screenpLay that wiLL draw on research into autobiographical scriptwriting, estabLishing a direct and substantive dialogue between my own practice and the work of other recent writers for screen and radio who have eXpLored simiLar themes. -
DEARBHLA WALSH Director
DEARBHLA WALSH Director Film & Television 2021 EMERALD Director Merman TV series (In prep) Showrunner: Sharon Hogan SHINIING VALE Pilot Director For Starz Showrunner: Sharon Hogan Starring: Courtney Cox 2020 FARGO - Series 4 Director: Episodes 3 & 4 For FX 2019 TALES FROM THE LOOP Director: ‘Stasis’ For Amazon Based on the art of Simon Stålenhag THE HANDMAID’S TALE Director: ‘Household’ For Hulu 2018 TRAITORS Lead Director of 6-part dramatic thriller for 42/Twenty Twenty/C4/Netfllix Writer: Bash Doran Starring: Emma Appleton, Keely Hawes, Luke Treadaway and Michael Stuhlbarg 2017 FARGO – Series 3 Episode 5 ‘The House of Special Purpose’ and Episode 6 ‘The Lord of No Mercy’ FX/MGM/26 Keys IFTA award 2018- Best Director THE PUNISHER – Series 1 Episode 5 ‘Gunner’ for Marvel/Netflix Writer/Showrunner: Steve Lightfoot 2016 THE COLLECTION Lead Director & EP on series set in 1940’s Paris Amazon France TV and BBC WW Showrunner: Oliver Goldstick Producer: Artis Productions/Lookout Point Starring: Tom Riley, Richard Coyle, Jenna Thiam and Mamie Gummer CHERRY WINE Film for Hozier Starring: Saoirse Ronan and Moe Dunford http://www.nme.com/news/hozier/91582 2015 ESIO TROT Richard Curtis’ adaptation of Roald Dahl’s novella Producer: Hilary Bevan Jones/Endor Productions for BBC Starring: Judi Dench and Dustin Hoffman 2013-14 PENNY DREADFUL Neal Street Productions and Showtime/Sky Atlantic Writer: John Logan Starring: Josh Hartnet, Eva Green and Timothy Dalton 2012 BORGIA: FAITH AND FEAR – Series 2 Episodes 1 and 2 of the Tom Fontana/Oliver Hirschbiegel -
Delegate-Guidebook-Compressed
WELCOME To the London Screenwriters’ Festival 2017 My name is Chris Jones, get the most from your LSF founder and creative director of experience. the festival. And, just like you, I love storytelling and writing My hope and belief is that the screenplays. festival will change the way you look at your writing, your career and The LSF has fast become the most hopefully your life too. exciting, prestigious and largest event of its kind. So - open your mind and heart and get ready for one hell of an Over the three days of the festival adventure. It’s going to be you can expect to gain a massive awesome! Promise. amount of screenwriting knowledge, make powerful new industry contacts and connect with a whole new group of like-minded creatives. Chris Jones This pack will help you get the most Creative Director from the festival. I urge you to read www.LondonSWF.com it as soon as you can if you want to Follow me on Twitter @LivingSpiritPix We have an official Twitter hashtag for the festival which is #LondonSWF. You can follow us on Twitter @londonswf Join us on Facebook at https://www.facebook.com/londonswf - do drop by and like the page, we use it for many announcements of upcoming stuff. We have a blog too – check it out at www.londonscreenwritersfestival.com/blog 3 SHAPE OF THE FESTIVAL The festival runs for three days from late for our parties (on Thursday, September 15th to 17th (Friday to Friday and Saturday nights). Sunday). We recommend planning for both.