Catalan Studies in the United States
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External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish
東京外国語大学論集 第 100 号(2020) TOKYO UNIVERSITY OF FOREIGN STUDIES, AREA AND CULTURE STUDIES 100 (2020) 43 External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」の対外普及 ̶̶ バスク語とカタルーニャ語 の事例をスペイン語の事例と比較しつつ HAGIO Sho W o r l d L a n g u a g e a n d S o c i e t y E d u c a t i o n C e n t r e , T o k y o U n i v e r s i t y o f F o r e i g n S t u d i e s 萩尾 生 東京外国語大学 世界言語社会教育センター 1. The Historical Background of Language Dissemina on Overseas 2. Theore cal Frameworks 2.1. Implemen ng the Basis of External Diff usion 2.2. Demarca on of “Internal” and “External” 2.3. The Mo ves and Aims of External Projec on of a Language 3. The Case of Spain 3.1. The Overall View of Language Policy in Spain 3.2. The Cervantes Ins tute 3.3. The Ramon Llull Ins tute 3.4. The Etxepare Basque Ins tute 4. Transforma on of Discourse 4.1. The Ra onale for External Projec on and Added Value 4.2. Toward Deterritorializa on and Individualiza on? 5. Hypothe cal Conclusion Keywords: Language spread, language dissemination abroad, minority language, Basque, Catalan, Spanish, linguistic value, linguistic market キーワード:言語普及、言語の対外普及、少数言語、バスク語、カタルーニャ語、スペイン語、言語価値、 言語市場 ᮏ✏䛾ⴭసᶒ䛿ⴭ⪅䛜ᡤᣢ䛧䚸 䜽䝸䜶䜲䝔䜱䝤䞉 䝁䝰䞁䝈⾲♧㻠㻚㻜ᅜ㝿䝷䜲䝉䞁䝇䠄㻯㻯㻙㻮㼅㻕ୗ䛻ᥦ౪䛧䜎䛩䚹 https://creativecommons.org/licenses/by/4.0/deed.ja 萩尾 生 Hagio Sho External Projection of a “Minority Language”: Comparing Basque and Catalan with Spanish 「少数言語」 の対外普及 —— バスク語とカタルーニャ語 の 事 例をスペイン語の事例と比較しつつ 44 Abstract This paper explores the value of the external projection of a minority language overseas, taking into account the cases of Basque and Catalan in comparison with Spanish. -
Spanish Chamber Music of the Eighteenth Century. Richard Xavier Sanchez Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1975 Spanish Chamber Music of the Eighteenth Century. Richard Xavier Sanchez Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Sanchez, Richard Xavier, "Spanish Chamber Music of the Eighteenth Century." (1975). LSU Historical Dissertations and Theses. 2893. https://digitalcommons.lsu.edu/gradschool_disstheses/2893 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and dius cause a blurred image. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Null-Subjects, Expletives, and Locatives in Romance”
Arbeitspapier Nr. 123 Proceedings of the Workshop “Null-subjects, expletives, and locatives in Romance” Georg A. Kaiser & Eva-Maria Remberger (eds.) Fachbereich Sprachwissenschaft der Universität Konstanz Arbeitspapier Nr. 123 PROCEEDINGS OF THE WORKSHOP “NULL-SUBJECTS, EXPLETIVES, AND LOCATIVES IN ROMANCE” Georg A. Kaiser & Eva-Maria Remberger (eds.) Fachbereich Sprachwissenschaft Universität Konstanz Fach 185 D-78457 Konstanz Germany Konstanz März 2009 Schutzgebühr € 3,50 Fachbereich Sprachwissenschaft der Universität Konstanz Sekretariat des Fachbereichs Sprachwissenschaft, Frau Tania Simeoni, Fach 185, D–78457 Konstanz, Tel. 07531/88-2465 Michael Zimmermann Katérina Palasis- Marijo Marc-Olivier Hinzelin Sascha Gaglia Georg A. Kaiser Jourdan Ezeizabarrena Jürgen M. Meisel Francesco M. Ciconte Esther Rinke Eva-Maria Franziska Michèle Oliviéri Julie Barbara Alexandra Gabriela Remberger M. Hack Auger Vance Cornilescu Alboiu Table of contents Preface Marc-Olivier Hinzelin (University of Oxford): Neuter pronouns in Ibero-Romance: Discourse reference, expletives and beyond .................... 1 Michèle Oliviéri (Université de Nice-Sophia Antipolis): Syntactic parameters and reconstruction .................................................................................. 27 Katérina Palasis-Jourdan (Université de Nice-Sophia Antipolis): On the variable morpho-syntactic status of the French subject clitics. Evidence from acquisition ........................................................................................................ 47 -
Teaching Written Language and Literature in Early Childhood Education
2020/2021 Teaching Written Language and Literature in Early Childhood Education Code: 103680 ECTS Credits: 7 Degree Type Year Semester 2500797 Early Childhood Education OB 3 1 The proposed teaching and assessment methodology that appear in the guide may be subject to changes as a result of the restrictions to face-to-face class attendance imposed by the health authorities. Contact Use of Languages Name: Maria Neus Real Mercadal Principal working language: catalan (cat) Email: [email protected] Some groups entirely in English: No Some groups entirely in Catalan: Yes Some groups entirely in Spanish: No Teachers Lara Reyes Lopez Martina Fittipaldi Mariona Pascual Peñas Prerequisites Students are advised to have taken and passed the course entitled Teaching Oral Language in Early Childhood Education, offered during the second year of this study programme, before enrolling in this course. Objectives and Contextualisation The course focuses mainly on the following areas: a) the features of written language discourse and the nature of reading and writing tasks; b) children learning processes, especially those concerned with the development of reading and writing skills; c) teaching and learning how to write and how to organise written tasks in the classroom; d) the different purposes of literary education at early ages, especially in the context of language immersion schools; e) the characteristics of children books and literature: types and formats of printed and digital books. f) the value of children books as educational tools to promote adult-children interaction: selection criteria to meet diverse educational goals. At the end of the course, students must: 1 - Possess (linguistic, psycholinguistic, sociolinguistic and didactic) knowledge related to the processes of teaching and learning how to write. -
Dolors Bramon
No. 1 (Spring 2013), 1-12 ISSN 2014-7023 HOMOPHONIC TRANSFORMATION OF TOPONYMS: SOME EXAMPLES FROM ANDALUSI ARABIC AND A NEW INSTANCE FROM PLA DE L’ESTANY Dolors Bramon Institut d’Estudis Catalans Institut de Recerca en Cultures Medievals (IRCVM) Universitat de Barcelona e-mail: [email protected] Received: 27 December 2012 / Revised: 21 January 2013 / Accepted: 14 May 2013 / Available Online: 17 June 2013 Resum És sabut que amb el pas de l’àrab a les llengües romàniques, diversos topònims d’origen àrab varen sofrir un procés de transformació d’acord amb algun nou significat que pogués ésser entès pels usuaris de la llengua receptora. Aquest treball analitza alguns casos de transformació popular per homofonia, amb especial atenció als noms de lloc que deriven de l’existència d’aigua (al-cuyún) i que sovint vas ser confosos amb “lleons” i en proposa un de nou –Lió– al Pla de l’Estany. Paraules clau: romandalusismes, toponímia, homofonia Abstract It is a well-known fact that with the substitution of Romance languages for Arabic many Andalusi place names were given a new interpretation and, accordingly, a new shape through folk etymology, relative homophony being one of the most salient factors governing the process. The present paper gathers and analyses some instances of such homophonic reinterpretations and also suggests a similar origin for the Catalan place name Lió (Pla de l’Estany, Banyoles), which, just like some other -lleó and -lió toponyms, might derive from the Arabic al-cuyūn ‘the springs’. Key Words: Andalusi Arabic, place names, homophony * Unless otherwise specified, the English translation of texts and quotations is by PangurBàn Ltd. -
021505.Pdf (146.5Kb)
ABOUT THE CONCEPT OF ONOMASTIC IDENTITY: THE PRIVILEGES' PARCHMENTS OF THE CITY OF BALAGUER (1211-1352) MOISÉS SELFA UNIVERSITAT DE LLEIDA SpaIN Date of receipt: 10th of March, 2010 Final date of acceptance: 4th of February, 2014 ABSTRACT This paper is an analysis of the name that appears in the Pergamins de Privilegis of the city of Balaguer. The historical period that we take for this study includes the years 1211-1352. The structural study of the systems of designation allows us to say that these spread and claim an identity to a concrete geographical space, the city of Balaguer of the 13th and 14th centuries; that the first name of the inhabitants of Balaguer in the Late Middle Ages are faithful to the trends set by the fashion onomastic predominantly in the Catalonia at that time and that the anthroponomy of Balaguer of the historic time covered offers as majority the surnames that come from place names. All these features allow us to talk of onomastic trends that confer identity to a population in constant geographical movement. KEY WORDS Onomastic, Identity, Privilegis, Anthroponymy, Toponymy. CAPITALIA VERBA Onomastica, Identitas, Privilegia, Anthroponimia, Toponimia. IMAGO TEMPORIS. MEDIUM AEVUM, VIII (2014) 135-149. ISSN 1888-3931 135 136 MOISÉS SELFA 1. The concept of onomastic identity Since ancient times, people have used a name to differentiate themselves from their peers. This name was given to a person in accordance with one of his or her physical or moral characteristics, since they were not given at birth, but as a person matured in life and began to stand out for one of these qualities. -
Manuel De Pedrolo's "Mecanoscrit"
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía Volume 4 Issue 2 Manuel de Pedrolo's "Typescript Article 3 of the Second Origin" Political Wishful Thinking versus the Shape of Things to Come: Manuel de Pedrolo’s "Mecanoscrit" and “Los últimos días” by Àlex and David Pastor Pere Gallardo Torrano Universitat Rovira i Virgili, Tarragona, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/alambique Part of the Comparative Literature Commons, European Languages and Societies Commons, Other Languages, Societies, and Cultures Commons, and the Other Spanish and Portuguese Language and Literature Commons Recommended Citation Gallardo Torrano, Pere (2017) "Political Wishful Thinking versus the Shape of Things to Come: Manuel de Pedrolo’s "Mecanoscrit" and “Los últimos días” by Àlex and David Pastor," Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía: Vol. 4 : Iss. 2 , Article 3. https://www.doi.org/http://dx.doi.org/10.5038/2167-6577.4.2.3 Available at: https://scholarcommons.usf.edu/alambique/vol4/iss2/3 Authors retain copyright of their material under a Creative Commons Attribution-Noncommercial 4.0 License. Gallardo Torrano: Catalan Apocalypse: Pedrolo versus the Pastor Brothers The present Catalan cultural and linguistic revival is not a new phenomenon. Catalan language and culture is as old as the better-known Spanish/Castilian is, with which it has shared a part of the Iberian Peninsula for centuries. The 19th century brought about a nationalist revival in many European states, and many stateless nations came into the limelight. -
Article Journal of Catalan Intellectual History, Volume I, Issue 2, 2011 | Print ISSN 2014-1572 / Online ISSN 2014-1564 DOI 10.2436/20.3001.02.9 | Pp
article Journal of Catalan IntelleCtual HIstory, Volume I, Issue 2, 2011 | Print ISSN 2014-1572 / online ISSN 2014-1564 DoI 10.2436/20.3001.02.9 | Pp. 123-130 http://revistes.iec.cat/index.php/JoCIH On the Philosophers’ Exile and Pere Coromines’ Desterro1 Jordi Sales-Coderch universitat de Barcelona. facultat de filosofia Departament de filosofia teorètica i Pràctica. Barcelona [email protected] abstract This article suggests a reconsideration of the term “exile” as it is referred to the Cata- lan thinkers since the armed conflict of 1936-1939. “Inner exile” is a label whose use frequently obeys to ideological and personal considerations rather than to an objective characterisation. Thus, what serves to discredit some authors is neglected for others who enjoy a positive characterisation . This is also the case of “exile”. Pere Coromines [1870-1939] stands here as an initial example. key words exile, inner exile, Pere Coromines. 1 1. By Way of Introduction: An Uncomfortable Question In order to contextualise what I will say about some key figures in Catalan culture and, above all, to indicate the direction of my current work on essays in Catalan and their possible and difficult standardised acceptance, I will begin with a question expressed by Marta Pessarrodona. In the introduction to França 1939. La cultura catalana exiliada (France 1939. Catalan Culture Exiled), her coherent, useful and ambitious book on a very complicated issue and which has the particular merit of having been produced at all, she writes: “I have also repeatedly asked myself why important figures at a political, intellectual and artistic level, such as Lluís Nicolau d’Olwer or Pere Coromines, are so unfa- 1 Pere Coromines, as the author explains in the text, opts for the use of this word, desterro (ban- ishment), instead of the word exili because of its connotations. -
Navigating Iberian Landscapes in the Travel Writing Of
NAVIGATING IBERIAN LANDSCAPES IN THE TRAVEL WRITING OF JOSEP PLA AND AGUSTÍ CALVET. BY ANDREA JOAN LAWRENCE A thesis submitted to the University of Birmingham for the degree of Masters by Research. School of Languages, Cultures, Art History and Music Department of Modern Languages University of Birmingham November 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines representations of the Iberian periphery, notably Portugal and Catalonia, as depicted in Josep Pla’s Direcció Lisboa and Gaziel’s Trilogia ibèrica. Engaging with the genre of travel writing, this thesis exposes the contradictions in their work which appropriately propel these figures into the depths of intellectual, literary and political marginalisation in the twentieth century. In order to override concerns relating to the different national realities facing Portugal and Catalonia, a careful methodological framework is applied which appropriately considers the construction of these national identities, in terms of their relationship with the domineering centre, Castile. In light of Benedict Anderson’s notion of “imagined communities”, the establishment of a literary Lusocatalan discourse is considered, drawing on the representations of the Iberian landscapes in Pla and Gaziel’s work as the rationale. -
The Activities of the Institut Ramon Llull in the Con- Text of Multicultural Collaboration Between Spain and Russia
THE ACTIVITIES OF THE INSTITUT RAMON LLULL IN THE CON- TEXT OF MULTICULTURAL COLLABORATION BETWEEN SPAIN AND RUSSIA M. Moseykina, Y. Moseykin, E. Kargovskaia, V. Kuznetsova Peoples' Friendship University of Russia (RUDN University) (RUSSIAN FEDERATION) Abstract Language is the main means of communication between people. It allows us to express thoughts and emotions, helps us learn and teach. Language is a basic way of culture and traditions transmitting, as well as solving many other vital tasks. The official motto of the European Union is "United in diversity". This means that the multitude of cul- tures, traditions and languages in Europe is a positive capital for the continent. Undoubtedly European countries are a prime example of linguistic and cultural diversity. In Spain along with Spanish (Castilian) there are four co-official languages: Catalan, Galician, Basque and Aranese. It has not been an easy task to conserve multilingualism in Spain. This is the result of a complex process of deliberate saving of cultural and linguistic identity both between different regions and peoples of Spain and in the international scene. In the European Union, Catalan is the 14th language by the number of speakers, in the other words, it is spoken much more often than languages such as Slovakian, Lithuanian or Danish. Catalan is co- official language in the Spanish autonomous regions of Catalonia, Valencia and the Balearic Islands. Also, it is the only official language of the independent state of Andorra. Moreover, Catalan is spoken in the French department of Pyrénées Orientales and in the Italian city of Alghero in Sardinia. Today, the main instrument for popularizing Catalan culture and conducting activities to the spread of Catalan language abroad is the Institut Ramon Llull. -
The Poetry of Joan Maragall
THE ANNUAL JOAN GILI MEMORIAL LECTURE ARTHUR TERRY The Poetry of Joan Maragall THE ANGLO-CATALAN SOCIETY 2001 © The text and English translations: Arthur Terry This edition: The Anglo-Catalan Society Produced and typeset by The Hallamshire Press Limited, Sheffield This text is Arthur Terry's own translation of the third Annual Joan Gili Memorial Lecture, La poesia de Joan Maragall, delivered at the Palau de la Generalitat during the Anglo-Catalan Society's XLVI Annual Conference, Barcelona, 14-17 December, 2000. Grateful acknowledgement is made of regular sponsorship of The Annual Joan Gili Memorial Lectures provided by the Institució de Les Lletres Catalanes, and of the grant towards publication costs received from the Fundació Congrés de Cultura Catalana. The author Arthur Terry was born in York on February 17th, 1927. After studying French and Spanish at Cambridge, he spent a year in Barcelona and then took up an Assistant Lectureship in Spanish at the Queen's University of Belfast in 1950. He remained there until 1972, ascending by slow degrees to the Chair of Spanish, which he held from 1963. In his last ten years there, he was a member of a writing group which included Philip Hobsbaum, Seamus Heaney and Michael Longley, for which he produced his first serious translations of Spanish and Catalan poetry. In 1973, he went to the University of Essex as Professor of Literature, a post he held until his retirement in 1993. Since then, he has been Visiting Professor at the Universities of Nottingham and London (Queen Mary and Westfield College), and is now an Emeritus Professor.