A Walk in Coastal Puglia
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Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods. -
BAU Otranto 2014 2014 Marked the 11Th Year of the BAU Otranto June Residency
the bau institute www.bauinstitute.org BAU Otranto 2014 2014 marked the 11th year of the BAU Otranto June residency. 14 Residents in visual arts, writing and performance enjoyed uninterrupted time for the creation of new work in the historic city of Otranto in Puglia, Italy. Artist Residents were free to make their own schedule of studio practice balanced with group dinners and outings that they enjoyed together. They lived in independent apartments in the heart of the walled town on the Adriatic Sea. This unique setting enabled undisturbed creativity, while still offering interaction with the local community of Otranto and the neighboring towns. Writers generally worked at home in apartments with sea views. Visual artists used the Aragonese Castle of Otranto as their studio. “Otranto gives me a feeling of simplicity and of calm blue space. Time does not so much slow down there as expand. Somehow, without feeling pressure or stress, I am able to get stunning amounts of creative work done while fully immersing myself in the landscape, the amazing food, and the energy of my fellow writers, artists and friends. It’s a bit of a miracle. “ During my first residency, in 2009, I essentially wrote my first published novel. And during my most recent residency, in 2014, I was able to conceive and lay the groundwork for my next book. It was a project that seemed very complicated before I arrived in Otranto. But once I came and fell into the rhythm of the magical place, my work revealed itself to be simple and direct.” “ I could not be more grateful -
Undiscovered Southern Italy: Puglia, Calabria, Lecce & Reggio
12 Days – 10 Nights $4,995 From BOS In DBL occupancy Springfield Museums presents: Undiscovered Southern Italy: Puglia, Calabria, Lecce & Reggio Travel Dates: April 24 to May 5, 2019 12 Days, 10 Nights accommodation, sightseeing, meals and airfare from Boston (BOS) Escape to Southern Italy for a treasure trove of art, ancient and prehistoric sites, cuisine and nature. Enchanting landscapes surround historic towns where Romanesque and Baroque cathedrals and monuments frame beautiful town squares in the shadows of majestic castles and noble palaces. This tour is enhanced by the rich, natural beauty of the rugged mountains and stunning coastline. Museum School at the Springfield Museums 21 Edward Street, Springfield, Ma. 01103 Contact: Jeanne Fontaine [email protected] PH: 413 314 6482 Day 1 - April 24, 2019: Depart US for Italy Depart the US on evening flight to Italy. (Dinner-in flight) (Breakfast-in flight) Day 2 - April 25, 2019: Arrive Reggio Calabria. Welcome to the southern part of the beautiful Italian peninsula. After collecting our bags and clearing customs, we’ll meet our Italian guide who will escort us throughout our trip. We will check-in to our centrally located Hotel in Reggio Calabria. The city owns what it fondly describes as "the most beautiful mile in Italy," a panoramic promenade along the shoreline that affords a marvelous view of the sea and the shoreline of Sicily some four miles across the straits. This coastal region flanked by highlands and rugged mountains, boasts a bounty of local food products thanks to its unique geography. After check in, enjoy free time to relax before our orientation tour of the city. -
The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy
Advances in Historical Studies, 2017, 6, 18-39 http://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy Roberto Mantovani Department of Pure and Applied Sciences (DiSPeA), Physics Laboratory: Urbino Museum of Science and Technology, University of Urbino Carlo Bo, Urbino, Italy How to cite this paper: Mantovani, R. Abstract (2017). The Otranto-Valona Cable and the Origins of Submarine Telegraphy in Italy. This work is born out of the accidental finding, in a repository of the ancient Advances in Historical Studies, 6, 18-39. “Oliveriana Library” in the city of Pesaro (Italy), of a small mahogany box https://doi.org/10.4236/ahs.2017.61002 containing three specimens of a submarine telegraph cable built for the Italian Received: December 22, 2016 government by the Henley Company of London. This cable was used to con- Accepted: March 18, 2017 nect, by means of the telegraph, in 1864, the Ports of Otranto and Avlona (to- Published: March 21, 2017 day Valona, Albania). As a scientific relic, the Oliveriana memento perfectly fits in the scene of that rich chapter of the history of long distance electrical Copyright © 2017 by author and Scientific Research Publishing Inc. communications known as submarine telegraphy. It is known that, thanks to This work is licensed under the Creative the English, the issue of submarine electric communication had an impressive Commons Attribution International development in Europe from the second half of the nineteenth century on. License (CC BY 4.0). Less known is the fact that, in this emerging technology field, Italy before uni- http://creativecommons.org/licenses/by/4.0/ fication was able to carve out a non-negligible role for itself, although primar- Open Access ily political. -
Emblems of Identity Revisited: Gender and the Messapian Trozzella
doi: 10.2143/AWE.19.0.3288566 AWE 19 (2020) 247-255 EMBLEMS OF IDENTITY REVISITED: GENDER AND THE MESSAPIAN TROZZELLA EDWARD HERRING Abstract This paper returns to a topic first discussed by the author in 1995, namely the continued use of an otherwise obsolete pottery style and vase form – the trozzella – in the tombs of the non-Greek popula- tion of the Salento Peninsula. The earlier paper argued that the use of the trozzella was to communi- cate messages of ethnic identity. However, by the late 5th and 4th centuries BC, trozzelle are only found in the graves of adult women. The present paper, therefore, revisits the original argument to address this gender dimension and the implications for indigenous identity at the time. Introduction More than 20 years ago I published a paper entitled ‘Emblems of Identity. An examina- tion of the use of matt-painted pottery in the native tombs of the Salento Peninsula in the 5th and 4th centuries BC’.1 It drew attention to the late survival of matt-painted pottery in indigenous tombs from the Salento Peninsula in south-eastern Italy, long after this type of pottery had ceased to be used in domestic contexts (Fig. 1).2 Across much of the Salento area only one traditional vase form – the trozzella3 – survives in any significant 1 Herring 1995. 2 South-eastern Italy was home to both Greek and indigenous people in the 5th and 4th centuries BC. The Greeks lived mainly at Tarentum and its chora. The rest of the Salento peninsula was occupied by an indigenous population, referred to by the Greeks as the Messapians. -
John Carter's Visualisation of the Castle of Otranto Peter N. Lindfield 10 Old Harbour
Heraldic and Architectural Imagination: John Carter’s Visualisation of The Castle of Otranto Peter N. Lindfield 10 Old Harbour Square Stirling FK8 1RB [email protected] Abstract Horace Walpole (1717–97) is well known for two important Gothic projects realised in mid eighteenth-century Britain: his villa, Strawberry Hill, Twickenham (1750–80); and The Castle of Otranto (1764), a Gothic novel. These two manifestations of Walpole’s ‘Gothic imagination’ are frequently linked in critical literature on the Gothic Revival and medievalism more broadly; the relationship between Strawberry Hill, Otranto and manuscript illustrations visualising Otranto’s narrative has, on the other hand, received far less attention. This article brings together a number of important and hitherto overlooked sources that help address this imbalance. In particular, it examines two large-scale watercolours by John Carter (1748–1817) that narrate some of Otranto’s pivotal scenes, allowing critically overlooked subtleties in their iconographies to emerge. The work establishes how Carter’s pre-existing interests — in particular, in Gothic architectural forms and heraldry — are harnessed to govern his representations of Otranto. These paintings, together with Carter’s other illustrations, demonstrate Walpole’s authorship of Otranto, expressed through codes hidden in plain sight. Unlike the frequently touted link between Strawberry Hill and Otranto in secondary criticism, Carter’s illustrations, the argument reveals, does not explicitly make this connection. John Carter and the Visualisation of The Castle of Otranto Horace Walpole’s novel, The Castle of Otranto: A Story, published on Christmas Eve 1764, is typically presented as the first ‘Gothic novel’.1 It was not until the second edition of Otranto (1765), however, that the work acquired the subtitle A Gothic Story: only then was it explicitly framed as a piece of ‘Gothic’ fiction. -
HTL-Civilization & Writing TG
Civilization and Writing CL949-1CV CLEARVUE/eav THE MOST COMPLETE SOURCE FOR CURRICULUM-ORIENTED A-V MATERIALS History through Literature Civilization and Writing Program #CL949-1CV Running Time—???? Table of Contents Summary . .3 Intended Audience . 4 Presenting the Program . 4 Learning Objectives . 4 History in the Program . 5 Literature in the Program . 5 Key Words and Concepts . 6 Pre-Viewing Suggestions . 7 Discussion: Linking Parts of the Series . 7 Discussion: Introducing the Program and Its Key Words and Concepts . 7 Post-Viewing Suggestions . 8 Content Questions: History . 8 H.O.T. Topics: History . 8 Content Questions: Literature . 9 H.O.T. Topics: Literature . 9 Discussion: Linking Parts of the Series . 11 In-Depth Research . 12 Extra History Study . 12 Extra Literature Study . 12 Chronologies: Class Discussion and Extra Study . 13 Chronology of History Chart: Ancient Civilizations . 14 Chronology of Literature Chart: Ancient Civilizations . 15 Cross-Curricular Explorations . 16 Transcript . 16 Consultants for the Series . 23 Credits . .23 Intended for students in junior high school and above. This program is closed captioned. © CLEARVUE/eav (1-800-253-2788) TEACHER’S GUIDE Summary Civilization and Writing is part of a 12-video History ken traditions, including sacred epics such as the through Literature series that examines the Vedas and philosophical traditions such as the Book connections between historical events and the literary of Changes. The program also briefly describes the figures and works of each era. Other titles in the series Olmecs and other early civilizations of the Americas. are listed on the back of this Teacher’s Guide. Then the program examines several “crossroads civi- The opening scene of Civilization and Writing is a lizations” that arose because of long-distance trade tale from oral tradition that was first written down between other highly organized societies. -
The Ancient People of Italy Before the Rise of Rome, Italy Was a Patchwork
The Ancient People of Italy Before the rise of Rome, Italy was a patchwork of different cultures. Eventually they were all subsumed into Roman culture, but the cultural uniformity of Roman Italy erased what had once been a vast array of different peoples, cultures, languages, and civilizations. All these cultures existed before the Roman conquest of the Italian Peninsula, and unfortunately we know little about any of them before they caught the attention of Greek and Roman historians. Aside from a few inscriptions, most of what we know about the native people of Italy comes from Greek and Roman sources. Still, this information, combined with archaeological and linguistic information, gives us some idea about the peoples that once populated the Italian Peninsula. Italy was not isolated from the outside world, and neighboring people had much impact on its population. There were several foreign invasions of Italy during the period leading up to the Roman conquest that had important effects on the people of Italy. First there was the invasion of Alexander I of Epirus in 334 BC, which was followed by that of Pyrrhus of Epirus in 280 BC. Hannibal of Carthage invaded Italy during the Second Punic War (218–203 BC) with the express purpose of convincing Rome’s allies to abandon her. After the war, Rome rearranged its relations with many of the native people of Italy, much influenced by which peoples had remained loyal and which had supported their Carthaginian enemies. The sides different peoples took in these wars had major impacts on their destinies. In 91 BC, many of the peoples of Italy rebelled against Rome in the Social War. -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
Athenian Vases in Messapia
Reusser, C (2009). Athenian vases in Messapia. The Classical Review, 59(1):237-239. Postprint available at: http://www.zora.uzh.ch Posted at the Zurich Open Repository and Archive, University of Zurich. University of Zurich http://www.zora.uzh.ch Zurich Open Repository and Archive Originally published at: The Classical Review 2009, 59(1):237-239. Winterthurerstr. 190 CH-8057 Zurich http://www.zora.uzh.ch Year: 2009 Athenian vases in Messapia Reusser, C Reusser, C (2009). Athenian vases in Messapia. The Classical Review, 59(1):237-239. Postprint available at: http://www.zora.uzh.ch Posted at the Zurich Open Repository and Archive, University of Zurich. http://www.zora.uzh.ch Originally published at: The Classical Review 2009, 59(1):237-239. the classical review 237 which even with the obvious limitations of the data are detailed, clear and informative, and contextualise as much as possible the Vathyrkakas material in the wider Middle Chalcolithic archaeological record of Cyprus. There are good illustrations which clearly relate to the text. It is unfortunate that results from the excavations at Laona, the most obvious site for comparative data, were not available when the Vathyrkakas volume was compiled. Nevertheless, the volume makes a useful contribution to our understanding of the late fourth and early third millennia B.C. on Cyprus. University of East Anglia JOANNE CLARKE [email protected] ATHENIAN VASES IN MESSAPIA Mannino (K.) Vasi attici nei contesti della Messapia (480–350 a.C.). (Beni Archeologici – Conoscenza e Tecnologie, Quaderno 5.) Pp. 327, b/w & colour μgs, b/w & colour ills, b/w & colour maps. -
Iver Nestos. According to Greek Mythology, the Foundation of the City
(Avdira). A city in Thrace (northern Greece); situated on Cape ra (a corruption of the medieval Polystylon), eleven miles northeast of iver Nestos.According to Greek mythology, the foundation of the city went to Heracles,whose eighth labor was the capture of the man-eatinghorses iomedes,king of the neighboringBistonians. However, the first attempt to Abdera, accordingto Herodotus,was made in the seventhcentury nc by ists from Clazomenae(Klazumen) in Ionia led by Tynisias,but they were n backby the Thracians.In 545nc the peopleof anotherIonian city, Teos rk), frnding Persiandomination intolerable,placed settlers on the site (in- ing the poet Anacreon)and reconstructedthe town. It controlled an exten- 2pgs-6s6veredwith vineyards and fertile,' accordingto Pindar. An ear of in is shownon its fine coins.However, the Abderanswere constantly at pains protect their territory from Thracian incursions.Nevertheless, their city was a centerfor trading with the Thracian (Odrysian)rulers of the hinterland, d provided a harbor for the commerce of upper Thrace in general. \\'hen the Persians came to Thrace in 5131512they took control of Abdera, did so once againtn 492.In 480 it was one of the halting placesselected Xerxesas he marchedthe Persianarmy along the northern shoresof the Ae- n toward Greece. As a member of the first Athenian Alliance (Delian ue) establishedafter the end of the PersianWars, it contributed (from 454 a sum of betweenten and fifteen talents,indicating its position as the third- hestcity in the League.ln 431,at the beginningof the PeloponnesianWar inst Sparta, tltook the lead in an endeavor to enroll Thrace (under the Odry- ruler Sitalces)and Macedoniain the Athenian cause.Although'Abderite' becamea synonym for stupidity, Abdera producedtwo fifth-century think- of outstandingdistinction, Democritusand Protagoras. -
Romanisation in the Brindisino, Southern Italy: a Preliminary Report Douwe Yntema
BaBesch 70 (1995) Romanisation in the Brindisino, southern Italy: a preliminary report Douwe Yntema I. INTRODUCTION Romanisation is a highly complicated matter in southern Italy. Here, there was no culture dialogue Romanisation is a widely and often indiscrimi- involving two parties only. In the period preceding nately used term. The process expressed by the the Roman incorporation (4th century B.C.) this word involves at least two parties: one of these is area was inhabited by several different groups: rel- the Roman world and the other party or parties is ative latecomers were the Greek-speaking people or are one or more non-Roman societies. These who had emigrated from present-day Greece and are the basic ingredients which are present in each the west coast of Asia Minor to Italy in the 8th, 7th definition, be it explicit or implicit, of that term. and 6th centuries; they lived mainly in the coastal Many scholars have given their views on what strip on the Gulf of Taranto. Other (‘native') they think it should mean. Perhaps the most satis- groups had lived in southern Italy since the Bronze factory definition was formulated by Martin Age. Some groups in present-day Calabria and Milett. In his view, Romanisation is not just Campania displayed initially close links with the another word to indicate Roman influence: ‘it is urnfield cultures of Central Italy. Comparable a process of dialectical change rather than the groups, living mainly in present-day Apulia and influence of one … culture upon others' (Millett Basilicata and having closely similar material cul- 1990).