<<

The British : an imperial museum in a post-imperial world Journals

Public History Review

HOME ABOUT LOGIN REGISTER SEARCH CURRENT

The : An Imperial Museum in a Post-Imperial World

Emily Duthie

ABSTRACT

This article examines the British Museum’s imperialist attitudes towards classical heritage. Despite considerable pressure from foreign governments, the museum has consistently refused to return and that it acquired under the aegis of empire. It is the contention of this article that the British Museum remains an imperialist institution. The current debates over the British Museum’s collections raise profound questions about the relationship between and modern nation states and their nationalist claims to ancient heritage. The museum’s inflexible response to repatriation claims also encapsulates the challenges inherent in presenting empire and its legacy to contemporary, post-imperial audiences.

FULL TEXT: PDF

REFERENCES Available: http://www.arm.arc.co.uk/art/stolen/stolenIndex1.html [Accessed 11 April 2010].

British Objections Answered [Online]. Available: http://www.greece.org/Parthenon/marbles/answers.htm [Accessed 11 April 2010].

New [Online]. Available: http://www.newacropolismuseum.gr/eng/ [Accessed 11 April 2010].

What Does it Mean to be a ? Celebrating the 250th Anniversary of the Public Opening of the British Museum: A Lecture by Neil McGregor [Online]. Available: http://www.britishmuseum.org/the_museum/museum_in_london/event_archive/250_lecture.aspx [Accessed 11 April 2010].

Ruling Tightens Grip on . , 25 May.

Briton of the Year. The Times, 27 December.

Acropolis Museum Opens Amid Renewed Debate over . Archaeology.

Neil MacGregor Lifts British Museum’s Ambition to New Heights. The Times, 18 July.

April 2004-March 2006. Museum of the World for the World: , United Kingdom and Beyond. British Museum Review.

ALDRICH, R. 2009. Colonial Museums in a Postcolonial Europe. African and Black Diaspora: An International Journal, 2, 137-156. doi: https://doi.org/10.1080/17528630902981118

APPLEYARD, B. 2007. Behind the Scenes at the British Museum: From Imperial War Chest to Global Resource. The Sunday Times, 6 May.

APPLEYARD, B. 2007. Behind the Scenes at the British Museum: From Imperial War Chest to Global Resource - the British Museum’s latest plan, suggests its director, Neil MacGregor, is to let everyone write their own history. The Sunday Times, 6 May.

BARRINGER, T. & FLYNN, T. (eds.) 1998. Colonialism and the Object: Empire, Material and the Museum, London: Routledge.

BRITISH MUSEUM. The British Museum [Online]. Available: http://www.britishmuseum.org/learning/families_and_children.aspx [Accessed 11 April 2010].

BRITISH MUSEUM. British Museum - History of the Collection [Online]. Available: http://www.britishmuseum.org/the_museum/history_and_the_building/history_of_the_collection.aspx [Accessed 11 April 2010].

BRITISH MUSEUM 1982. The British Museum and its Collections, London, British Museum Publications.

BROOKS, C. & FAULKNER, P. 1996. The White Man’s Burden: An Anthology of British Poetry of the Empire, Exeter, Exeter University Press.

CAMPBELL-JOHNSTON, R. 2008. Briton of the Year: Neil MacGregor. The Times, 27 December.

CAYGILL, M. 1981. The Story of the British Museum, London, British Museum Press.

CAYGILL, M. 1985. Treasures of the British Museum, New York, H.N. Abrams. CLAIR, W. S. 1967. Lord Elgin and the Marbles, London, .

CONWAY, M. D. 1882. Travels in , London, Harper and Brothers.

COOK, B. F. 1984. The Elgin Marbles, Cambridge and Massachusetts, Harvard University Press.

CUNO, J. 2008. Who Owns Antiquity? Museums and the Battle over our Ancient Heritage, Princeton, Princeton University Press.

DALTON, O. & READ, C. 1899. Antiquities from the City of Benin and from other Parts of Africa in the British Museum, London, British Museum Press.

DARK, P. & WERNER, F. 1960. Benin Art, London, Hamlyn.

EYO, E. 1994. Repatriation of Cultural Heritage: The African Experience. In: KAPLAN, F. (ed.) Museums and the Making of ‘Ourselves’: The Role of Objects in National Identity. London: Leicester University Press.

FFORDE, C., HUBERT, J. & TURNBULL, P. (eds.) 2004. The Dead and their Possessions: Repatriation in Principle, Policy and Practice, London: Routledge.

GIBBON, K. F. 2005. Who Owns the Past? Cultural Policy, Cultural Property and the , Brunswick, Rutgers University Press.

GIRLING, R. 2005. King Tut Tut Tut. The Sunday Times, 22 May.

GREENFIELD, J. 1989. The Return of Cultural Treasures, Cambridge and New York, Cambridge University Press.

GREENFIELD, J. 2007. The Return of Cultural Treasures. In: RHODES, R. F. (ed.) The Acquisition and of Classical Antiquities: Professional, Legal and Ethical Perspectives. Notre Dame: Notre Dame University Press.

GUNTHER, A. E. 1979. The Royal Society and the Foundation of the British Museum, 1753-1781. Notes and Records of the Royal Society of London, 33, 209. doi: https://doi.org/10.1098/rsnr.1979.0012

HAMILAKIS, Y. 2007. The Nation and Its Ruins: Antiquity, Archaeology and National Imagination in , Oxford, Oxford University Press.

HIGGINS, C. 2006. Into Africa: British Museum’s Reply to Ownership Debate. The Guardian, 13 April.

HIGGINS, C. 2006. Into Africa: British Museum’s Reply to Ownership Debate. The Guardian, 13 April.

HITCHENS, C. 1988. Imperial Spoils: The Curious Case of the Elgin Marbles, New York, Hill and Wang.

HITCHENS, C. 1998. The Elgin Marbles: Should They Be Returned to Greece?, New York, Verso.

JURY, L. 2003. Hidden Treasures Shown in Restored British Museum. The Independent, 11 December.

KING, D. 2006. The Elgin Marbles, London, Hutchinson.

KOHL, P. L. 1998. Nationalism and Archaeology: On the Constructions of Nations and the Reconstructions of the Remote Past. Annual Review of , 27, 235. doi: https://doi.org/10.1146/annurev.anthro.27.1.223

MACGREGOR, A. 1994. Sir : Collector, , Antiquary, Founding Father of the British Museum, London, British Museum Press.

MERRYMAN, J. H. 2006. Imperialism, Art and Restitution, New York, Cambridge University Press.

MILLER, E. 1974. That Noble Cabinet: A History of the British Museum, Ohio, Ohio University Press.

MUSEUM, B. Policy on Acquisitions [Online]. Available: http://www.britishmuseum.org/pdf/Acquisitions.pdf [Accessed 11 April 2010].

PAOLUCCI, A. 2002. Great Museums of Europe: The Dream of the Universal Museum, Milan, Skira.

RENFREW, C. 2000. Loot, legitimacy, and ownership: the ethical crisis in archaeology, Duckworth.

RIDING, A. 2003. British Museum, at 250, Heads to Calmer Waters. , 24 June.

ROTHEBERG, J. 1997. ‘Descensus ad Terram’: The Acquisition and Reception of the Elgin Marbles, New York, Arcade.

SIMPSON, M. G. 2001. Making Representations: Museums in the Post-colonial Era, London, Routledge.

TRUSTEES OF THE BRITISH MUSEUM. The British Museum [Online]. Available: http://www.britishmuseum.org/the_museum.aspx [Accessed 11 April 2010].

WINCHESTER, S. 2008. The Man who Loved : The Fantastic Story of the Eccentric Scientist who Unlocked the Mysteries of the Middle Kingdom, New York, Harper Collins. PDF

DOI: https://doi.org/10.5130/phrj.v18i0.1523

Share this article:

ISSN: 1833-4989

Privacy Policy

This work is licensed under a Creative Commons Attribution 4.0 International License.

Browse

BY ISSUE BY AUTHOR

Information

FOR READERS

FOR AUTHORS FOR LIBRARIANS

Notifications

SUBSCRIBE

User

Username

Password

Remember me

Login

Make a Submission

UTS: Contact Duxford is a branch of the Imperial War Museum near Duxford in Cambridgeshire, . Britain's largest aviation mu seum, Duxford houses the museum's large exhibits, including nearly 200 aircraft, military vehicles, artillery and minor naval vessels in seven main exhibition buildings. The site also provides storage space for the museum's other collections of material such as film, photographs, documents, and artefacts.