British Museum Map May 2021

Total Page:16

File Type:pdf, Size:1020Kb

British Museum Map May 2021 Ground foor Toilets Accessible toilet Level 2 95 67 North Level 2 Baby changing stairs Level 1 33a 33 33 Shop North Level 1 stairs Café Exit Montague Place A Admissions Desk Level -1 33b North Level stairs -1 & 0 M Membership Desk Level 0 30 Ticket Desk West Down 24 to Room 26 27 stairs 25 (37 Up only steps) Stairs Up from East Room 25 Level 0 (37 steps) stairs 20 Accessible Down only entry to Lift Upper floor 21 and Members’ Court Room Café 18 19 Great Court Level access lift 9 4 Level 0 Shop Level 0 1 Decision point Accessible Accessible entry to exit from 22 Rooms Rooms 25, Upstairs for 25, 35 and 35 and Permanent collection one-way direction Upper floor Upper floor Egypt: mummies, 18b Prints and drawings, 18 17 23 8 1 Japan and Middle East Collections Book Special exhibition ticket holders (one-way) 4 Shop Shop 18a Turn right for Africa and Americas (one-way) M 10 7 4 1 18 15 Great Court A 14 South Grenville 13 6 stairs Room 2 12 6 3 2a Pizzeria 55 Level 0 Forecourt Entrance only Café Great Russell Street Americas Ancient Greece Middle East Themes North America and Rome Assyrian sculpture and Enlightenment Room 26 Early Greece Balawat Gates Room 1 Room 6 Mexico Room 6 Collecting the world Room 27 Greek and Roman sculpture Assyria: Nimrud Room 2 Rooms 7–8 Room 23 The Waddesdon Bequest Ancient Egypt Assyria: Lion hunts, Siege Funded by The Rothschild of Lachish and Khorsabad Foundation Egyptian sculpture Asia Room 10 Room 2a Room 4 Korea The Korea Foundation Gallery Living and Dying Room 67 Exhibitions The Wellcome Trust Gallery Room 24 Chinese ceramics – Special exhibitions Sir Percival David Collection The Sainsbury Exhibitions Gallery The Sir Joseph Hotung Centre for Room 30 Ceramic Studies Members Room 95 Members’ Room This room is exclusively available to Members, providing the perfect setting in which to relax in front of spectacular views of the Great Court. Facilities include free WiFi and a café serving hot and cold food. Access is via the West stairs and lift (Level 0). UnionPay, a global payment network, is honoured to support this map of the British Museum. We wish you an enjoyable visit. Sponsored by © 2021 The Trustees of the British Museum 05/2021 Upper foors Accessible toilet Stairs Level 5 94 93 92 North stairs Lift Level 5 Permanent collection one-way direction Special exhibition ticket holders Up to 94 Level 4 91a 91 90 90a North Levels stairs 3 & 4 Level 3 66 6161 62 63 64 65 West 57 56 5455 East stairs 59 58 53 stairs Up only Down only Level 3 Level 3 73 Accessible Accessible 52 entry to exit from Upper floor Upper floor 35 Level 1 Level 1 Accessible Accessible 72 entry to exit from 51 Room 35 Room 35 71 50 70 49 Coffee Lounge Level 3 Decision point 43a South 40 41 Turn left for 69a 69 stairs 36 42 Egypt: mummies, 43 Prints and 68 37 3938 drawings, Asia 47 46 Turn right for Greece and Rome, Europe and Middle East Level 3 48 Ancient Egypt Asia Middle East Exhibitions Egyptian life and death Painting and calligraphy The Islamic world Special exhibitions The Michael Cohen Gallery Room 91a The Albukhary Foundation Gallery The Joseph Hotung Great Court Room 61 Rooms 42–43 Gallery Japan Room 35 Egyptian death and afterlife: The Mitsubishi Corporation Ancient Iran mummies Galleries The Rahim Irvani Gallery Prints and drawings The Roxie Walker Galleries Rooms 92–94 Room 52 Rooms 90 and 90a Rooms 62–63 Ancient South Arabia Free displays Early Egypt Europe The Raymond and Beverly Sackler Rooms 43a The Raymond and Gallery Medieval Europe 1050–1500 Beverly Sackler Gallery Room 53 The Sir Paul and Room 64 Themes Lady Ruddock Gallery Anatolia and Urartu 7000–300 Clocks and watches Sudan, Egypt and Nubia Room 40 BC The Sir Harry and Lady Djanogly The Raymond and The Raymond and Beverly Sackler Sutton Hoo and Europe Gallery Beverly Sackler Gallery Gallery AD 300–1100 Rooms 38–39 Room 65 Room 54 The Sir Paul and Money Ethiopia and Coptic Egypt Lady Ruddock Gallery Mesopotamia 1500–539 BC Room 68 Room 66 Room 41 The Raymond and Beverly Sackler Gallery Europe 1400–1800 Room 55 Ancient Greece Room 46 Members Mesopotamia Europe 1800–1900 Members’ Room and Rome 6000–1500 BC Greek and Roman life Room 47 This room is exclusively available The Raymond and Beverly Sackler to Members, providing the perfect Room 69 Roman Britain Gallery setting in which to relax in front UnionPay, a global payment Roman Empire The Weston Gallery Room 56 of spectacular views of the Great network, is honoured to support Room 49 The Wolfson Gallery Ancient Levant Court. Facilities include free WiFi this map of the British Museum. Room 70 Britain and Europe The Raymond and Beverly Sackler and a café serving hot and cold We wish you an enjoyable visit. food. Access is via Rooms 4 or 29a Etruscan world 800 BC–AD 43 Galleries and the West stairs and lift. Sponsored by Room 71 Room 50 Rooms 57–59 Ancient Cyprus Europe and Middle East The A. G. Leventis Gallery 10,000–800 BC Room 72 The Sheikh Zayed Bin Sultan Al Nahyan Gallery Greeks in Italy Room 51 Room 73 © 2021 The Trustees of the British Museum 05/2021 Lower foor Stairs Lift Permanent collection one-way direction Level -1 Level -2 Down from Up to Room 24 Room 24 (37 steps) (37 steps) 78 West 25 Levelstairs -2 77 25 25 80 79 Level -1 Level -2 Level -2 Accessible Accessible entry from exit to Great Court Great Court The Clore Centre for Education Up to Level Up to Great Court -1 & -2 Great Court Level -1 Level -1 Level -1 Ford Centre for Young Visitors Africa Africa The Sainsbury Galleries Room 25 UnionPay, a global payment network, is honoured to support this map of the British Museum. We wish you an enjoyable visit. Sponsored by © 2021 The Trustees of the British Museum 05/2021.
Recommended publications
  • Virtual Museum Scavenger Hunt
    Virtual Museum Scavenger Hunt Musee d’Orsay, Paris, France The French Art of the Musee d’Orsay Welcome to the Musee d’Orsay Scavenger Hunt! This museum is located in Paris, France. In its past life, it was a railway station until 1939. During World War II, the French used it as a mailing station. Today, it holds French art from 1848 to 1914. The French wanted to create a museum that had pieces that other museums did not have room for. Quick Fun Facts about the museum! This museum has the largest 35,000 Square Meters of the It is one of the largest art collection of impressionist building is made of glass museums in Europe. masterpieces It took 6 months to place all of It has more metal than the Eiffel It was the first museum in the paintings and art into the Tower France to have a photography museum exhibition Start by going to this link: https://artsandculture.google.com/partner/musee-dorsay-paris?hl=en Part One: 1. You will need to select Canvas. Find the painting titled “Self Portrait”. a. Can you tell me when the piece was painted? b. Can you tell me who painted it? 2. Return to the home page through the link above. Then select Modern Art. Find the painting called “Magpie”. a. What season is portrayed in the painting? b. Who painted it? 3. Return to the homepage through the link above. Then select France. Search for the painting called “The circle of the Rue Royale”. a. Can you count how many people are in the painting? 4.
    [Show full text]
  • Urban Megaprojects-Based Approach in Urban Planning: from Isolated Objects to Shaping the City the Case of Dubai
    Université de Liège Faculty of Applied Sciences Urban Megaprojects-based Approach in Urban Planning: From Isolated Objects to Shaping the City The Case of Dubai PHD Thesis Dissertation Presented by Oula AOUN Submission Date: March 2016 Thesis Director: Jacques TELLER, Professor, Université de Liège Jury: Mario COOLS, Professor, Université de Liège Bernard DECLEVE, Professor, Université Catholique de Louvain Robert SALIBA, Professor, American University of Beirut Eric VERDEIL, Researcher, Université Paris-Est CNRS Kevin WARD, Professor, University of Manchester ii To Henry iii iv ACKNOWLEDGMENTS My acknowledgments go first to Professor Jacques Teller, for his support and guidance. I was very lucky during these years to have you as a thesis director. Your assistance was very enlightening and is greatly appreciated. Thank you for your daily comments and help, and most of all thank you for your friendship, and your support to my little family. I would like also to thank the members of my thesis committee, Dr Eric Verdeil and Professor Bernard Declève, for guiding me during these last four years. Thank you for taking so much interest in my research work, for your encouragement and valuable comments, and thank you as well for all the travel you undertook for those committee meetings. This research owes a lot to Université de Liège, and the Non-Fria grant that I was very lucky to have. Without this funding, this research work, and my trips to UAE, would not have been possible. My acknowledgments go also to Université de Liège for funding several travels giving me the chance to participate in many international seminars and conferences.
    [Show full text]
  • Friends of the National Libraries: a Short History
    Friends of the National Libraries: A Short History Saving the nation’s written and By Max Egremont printed heritage This history first appeared in a special edition of The Book Collector in Summer 2011, FNL’s eightieth year. The Trustees of Friends of the National Libraries are grateful to the publisher of The Book Collector for permission to reissue the article in its present, slightly amended, form. A Short History 1 HRH The Prince of Wales. © Hugo Burnand. 2 Friends of the National Libraries Friends of the National he Friends of the National Libraries began as a response to an emergency. From the start, the Friends were fortunate in their leadership. Sir Frederic Libraries has helped save TOn March 21 1931, the Times published a letter signed by a group of the great Kenyon was one of British Museum’s great directors and principal librarians, the nation’s written and and the good, headed by the name of Lord D’Abernon, the chairman of the Royal a classical and biblical scholar who made his name as a papyrologist and widened the printed history since Commission on National Museums and Galleries. The message was that there was appeal of the museum by introducing guide lecturers and picture postcards; he also had a need for an organisation similar to the National Art Collections Fund (now called literary credentials as the editor of the works of Robert and Elizabeth Barrett Browning. 1931. FNL awards grants the Art Fund) but devoted to rare books and manuscripts. The reason for this The Honorary Treasurer Lord Riddell, a former associate of Lloyd George, came to national, regional was that sales of rare books and manuscripts from Britain to institutions and to from the world of politics and the press.
    [Show full text]
  • Annual Review 2016/17
    Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history.
    [Show full text]
  • LONDON the DORCHESTER Two Day Itinerary: Old Favourites When It Comes to History, Culture and Architecture, Few Cities Can Compete with London
    LONDON THE DORCHESTER Two day itinerary: Old Favourites When it comes to history, culture and architecture, few cities can compete with London. To look out across the Thames is to witness first-hand how effortlessly the city accommodates the modern while holding onto its past. Indeed, with an abundance of history to enjoy within its palaces and museums and stunning architecture to see across the city as a whole, exploring London with this one-day itinerary is an irresistible prospect for visitors and residents alike. Day One Start your day in London with a visit to Buckingham Palace, just 20 minutes’ walk from the hotel or 10 minutes by taxi. BUCKINGHAM PALACE T: 0303 123 7300 | London, SW1A 1AA Buckingham Palace is the 775-room official residence of the Royal Family. During the summer, visitors can take a tour of the State Rooms, the Royal Mews and the Queen’s Gallery, which displays the Royal Collection’s priceless artworks. Changing the Guard takes place every day at 11am in summer (every other day in winter) for those keen to witness some traditional British pageantry. Next, walk to Westminster Abbey, just 15 minutes away from the Palace. WESTMINSTER ABBEY T: 020 7222 5152 | 20 Dean’s Yard, London, SW1P 3PA With over 1,000 years of history, Westminster Abbey is another London icon. Inside its ancient stone walls, 17 monarchs have been laid to rest over the course of the centuries. Beyond its architectural and historical significance, the Abbey continues to be the site in which new monarchs are crowned, making it an integral part of London’s colourful biography.
    [Show full text]
  • The Bourse De Commerce — Pinault Collection, a Museum Accessible to Everyone
    The Bourse de Commerce — Pinault Collection, a museum accessible to everyone In the heart of Paris, the Bourse de Commerce — Pinault Collection presents part of the contemporary art collection amassed by François Pinault over the past forty years. In the historic building of the former Bourse de Commerce (com- modities exchange), restored and transformed by Japanese architect Tadao Ando, a dialogue emerges between heritage and contemporary creation. Through the prism of a collector’s gaze on the art of today and in an effort to increase public awareness and understanding, the Bourse de Commerce — Pinault Collection offers regular exhibitions and hangings of contemporary art, with artist com- missions, cartes blanches and a rich programme of cultural events: lectures, screenings, concerts and performances. Open to everyone, the Bourse de Commerce — Pinault Collection strives to offer an accessible and inclusive pro- gramme of events in line with its exhibitions. Finally, the Bourse de Commerce – Pinault Collection is equip- ped with all the necessary facilities to ensure that everyone’s visit is a pleasant and stress-free experience. Certain areas of this listed building with historic monument status are subject to preservation constraints and therefore, do not feature standard accessibility norms. This booklet explains the visiting conditions and resources put at your disposal in order to facilitate your access and visit to the museum. A museum accessible to everyone / Bourse de Commerce — Pinault Collection 1 Summary Practical information
    [Show full text]
  • Libeskind's Jewish Museum Berlin
    Encountering empty architecture: Libeskind’s Jewish Museum Berlin Henrik Reeh Preamble In Art Is Not What You Think It Is, Claire Farago and Donald Preziosi observe how the architecture of contemporary museums inspires active relationships between exhibitions and visitors.1 Referring to the 2006 Denver Art Museum by Daniel Libeskind, they show the potentials germinating in a particular building. When artists and curators are invited to dialog with the spaces of this museum, situations of art-in-architecture may occur which go beyond the ordinary confrontation of exhibitions and spectatorship, works and visitors. Libeskind’s museum is no neutral frame in the modernist tradition of the white cube, but a heterogeneous spatiality. These considerations by Farago and Preziosi recall the encounter with earlier museums by Libeskind. Decisive experiences particularly date back to the year 1999 when his Jewish Museum Berlin was complete as a building, long before being inaugurated as an exhibition hall in 2001. Open to the public for guided tours in the meantime, the empty museum was visited by several hundred thousand people who turned a peripheral frame of future exhibitions into the center of their sensory and mental attention. Yet, the Libeskind building was less an object of contemplation than the occasion for an intense exploration of and in space. Confirming modernity’s close connection between exhibition and architecture, Libeskind’s Jewish Museum Berlin unfolds as a strangely dynamic and fragmented process, the moments of which call for elaboration and reflection. I. Architecture/exhibition Throughout modernity, exhibitions and architecture develop in a remarkably close relationship to one another.
    [Show full text]
  • The British Museum Annual Reports and Accounts 2019
    The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 432 The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to Section 9(8) of the Museums and Galleries Act 1992 Ordered by The House of Commons to be printed on 19 November 2020 HC 432 The British Museum Report and Accounts 2019-20 © The British Museum copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Museum copyright and the document title specifed. Where third party material has been identifed, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at www.gov.uk/ofcial-documents. ISBN 978-1-5286-2095-6 CCS0320321972 11/20 Printed on paper containing 75% recycled fbre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Ofce The British Museum Report and Accounts 2019-20 Contents Trustees’ and Accounting Ofcer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 4 Constitution and operating environment 4 Subsidiaries 4 Friends’ organisations 4 Strategic direction and performance against objectives 4 Collections and research 4 Audiences and Engagement 5 Investing
    [Show full text]
  • A4 Web Map 26-1-12:Layout 1
    King’s Cross Start St Pancras MAP KEY Eurostar Main Starting Point Euston Original Tour 1 St Pancras T1 English commentary/live guides Interchange Point City Sightseeing Tour (colour denotes route) Start T2 W o Language commentaries plus Kids Club REGENT’S PARK Euston Rd b 3 u Underground Station r n P Madame Tussauds l Museum Tour Russell Sq TM T4 Main Line Station Gower St Language commentaries plus Kids Club q l S “A TOUR DE FORCE!” The Times, London To t el ★ River Cruise Piers ss Gt Portland St tenham Ct Rd Ru Baker St T3 Loop Line Gt Portland St B S s e o Liverpool St Location of Attraction Marylebone Rd P re M d u ark C o fo t Telecom n r h Stansted Station Connector t d a T5 Portla a m Museum Tower g P Express u l p of London e to S Aldgate East Original London t n e nd Pl t Capital Connector R London Wall ga T6 t o Holborn s Visitor Centre S w p i o Aldgate Marylebone High St British h Ho t l is und S Museum el Bank of sdi igh s B tch H Gloucester Pl s England te Baker St u ga Marylebone Broadcasting House R St Holborn ld d t ford A R a Ox e re New K n i Royal Courts St Paul’s Cathedral n o G g of Justice b Mansion House Swiss RE Tower s e w l Tottenham (The Gherkin) y a Court Rd M r y a Lud gat i St St e H n M d t ill r e o xfo Fle Fenchurch St Monument r ld O i C e O C an n s Jam h on St Tower Hill t h Blackfriars S a r d es St i e Oxford Circus n Aldwyc Temple l a s Edgware Rd Tower Hil g r n Reg Paddington P d ve s St The Monument me G A ha per T y Covent Garden Start x St ent Up r e d t r Hamleys u C en s fo N km Norfolk
    [Show full text]
  • British Museum Map December 2020
    Ground foor Toilets Accessible toilet Level 2 95 67 Baby changing North Level 2 stairs Shop Level 1 33a 33 33 Café North Level 1 stairs Exit Montague Place Admissions Desk Level -1 33b M Membership Desk North Level stairs -1 & 0 Level 0 Ticket Desk 30 Down 24 to Room 26 27 Stairs West 25 (37 stairs steps) Up from East Room 25 Level 0 (37 steps) stairs Lift 20 Accessible entry to Upper floor 21 and Members’ Court Room Level access lift 18 19 Great Court Café 9 4 Level 0 Shop Level 0 1 Decision point Accessible Accessible entry to exit from Permanent collection one-way direction 22 Rooms Rooms 25, Upstairs for Egypt: 25 & 35 35 and Upper floor mummies and 18b Middle East (one-way) Special exhibition ticket holders 18 17 23 8 Collections Book 1 Turn right for Africa and 4 Shop Shop Americas (one-way) 18a M 10 7 4 1 18 15 Great Court A 14 South Grenville 13 6 stairs Room 2 12 6 3 2a Pizzeria 55 Level 0 Forecourt Entrance only Café Great Russell Street Americas Ancient Greece Middle East Themes North America and Rome Assyrian sculpture and Enlightenment Room 26 Early Greece Balawat Gates Room 1 Room 6 Mexico Room 6 Collecting the world Room 27 Greece: Minoans and Assyria: Nimrud Room 2 Room 8 Mycenaeans Living and Dying The Arthur I Fleischman Gallery Ancient Egypt The Wellcome Trust Gallery Room 12 Room 24 Egyptian sculpture Exhibitions Room 4 Greece 1050–520 BC Special exhibitions Room 13 The Sainsbury Exhibitions Gallery Greek vases Room 30 Members Members’ Room Room 14 This room is exclusively available Athens and Lycia to Members, providing the perfect Room 15 setting in which to relax in front of spectacular views of the Great Nereid Monument Court.
    [Show full text]
  • Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
    Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen).
    [Show full text]
  • Aldwych-House-Brochure.Pdf
    Executive summary • An iconic flagship in the heart of Midtown • This imposing building invested with period grandeur, has been brought to life in an exciting and modern manner • A powerful and dramatic entrance hall with 9 storey atrium creates a backdrop to this efficient and modern office • A total of 142,696 sq ft of new lettings have taken place leaving just 31,164 sq ft available • A space to dwell… 4,209 – 31,164 SQ FT 4 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 5 Aldwych House • MoreySmith designed reception • Full height (9 storey) central atrium fusing a modern which provides a light, modern, interior with imposing spacious circulation area 1920s architecture • Floors are served by a newly refurbished lightwell on the west side and a dramatically lit internal Aldwych House totals 174,000 atrium to the east from lower sq ft over lower ground to 8th ground to 3rd floor floors with a 65m frontage • An extensive timber roof terrace onto historic Aldwych around a glazed roof area • Showers, cycle storage and a drying room are located in the basement with easy access from the rear of the building • The ROKA restaurant is on the ground floor 6 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 7 8 | ALDWYCHHOUSE.COM Floorplate Typical upper floor c. 18,000 sq ft Typical upper floor CGI with sample fit-out 10 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 11 Floorplate Typical upper floor with suite fit-out 12 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 13 SOHO TOTTENHAM COURT ROAD MIDTOWN | LONDON Aldwych House, now transformed as part of the dynamic re-generation of this vibrant eclectic midtown destination, stands tall and COVENT GARDEN commanding on the north of the double crescent of Aldwych.
    [Show full text]