Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.
If you would like to see this work in its entirety, please order online or call us at 800-647-2117. Instrumentation of Version for Reduced Orchestra Flute Oboe (optional) Clarinet (in B and A) Bassoon (optional) Horn Harp Piano (substitute for Harp) Violin I Violin II Viola Violoncello Contrabass only Strings (minimum 1-1-1-1-1) illegal
Notes on the isInstrumentation This chamber orchestration was carefully written for a flexible instrumentation, allowing for different performance situations. Strings may be performed one on a part, or with more players as maycopy be appropriate to the venue. The arrangement may be performed using a piano if a harp is not available, and the oboe and bassoon parts are both optional. When performing without either or both of the double reeds, the players must be directed to play all cues for any absent instruments. These obligatory cues are shown in the conductor score for reference. There are also some ossia staves that need to be played in absence of an instrument. Standard cues to bring Copyingplayers in after long rests should not be played; according to convention these types of cues do not appear in the conductor score. All string parts should be played non- divisi.Review —Bruce Rockwell
Duration: 25 minutes Catalog No. 8161 3 Frostiana 1. The Road Not Taken Robert Frost Randall Thompson arr. Bruce Rockwell
pp Soprano
Two roads di verg’d in a yel low wood And sor ry I could not
pp Alto
Two roads di verg’d in a yel low wood And sor ry I could not
pp Tenor
Two roads di verg’d in a yel low wood And sor ry I could not
pp only Bass illegal Two roads di verg’d in a yel low wood And sor ry I could not is
Violin I ppcopy
Violin II p pp Copying
Viola
p Review pp
Violoncello p pp
Contrabass p pp Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt andText Company., from You Inc., Come Copyright Too by 1942, Robert 1944, Frost. 1951 Copyright by Robert 1916,Frost, 1927,and used © 1950, with their permission. ©by Copyright Henry Holt 1959 and and Company,1960 by E. Inc.,C. Schirmer Copyright Music 1942, Company 1944, 1951 Inc., bya division Robert of Frost, ECS andPublishing, used with Boston, their Massachusetts. permission. © Copyright 1959All and rights 1960 reserved. by E. C. MadeSchirmer in U.S.A. Music Company, Inc., a division of ECS Publishing Group. www.ecspublishing.com All rights reserved. 4 8
S
tra vel both And be one trav’l er, long I stood And look’d down one as far as I could To where it bent in the
A
tra vel both And be one trav’l er, long I stood And look’d down one as far as I could To where it bent in the
T
tra vel both And be one trav’l er, long I stood And look’d down one as far as I could To where it bent in the
B
tra vel both And be one trav’l er, long I stood And look’d down one as far as I could To where it bent in the
Vn. I
Vn. II
Va .
Vc. only Cb. illegal is 14 p S
un der growth. Then took the oth er as just as fair, And copyp A
un der growth. Then took the oth er as just as fair, And p T
un der growth. Then took the oth er as just as fair, And p B Copying un der growth. Then took the oth er as just as fair, And Review Vn. I p (pp)
Vn. II
(pp) p
Va .
(pp) p
Vc. p (pp)
Cb. (pp) p 5
21
S
hav ing per haps the bet ter claim, Be cause it was gras sy andwant ed wear; Though as for that the pass ing there Had
A
hav ing per haps the bet ter claim, Be cause it was gras sy andwant ed wear; Though as for that the pass ing there Had
T
hav ing per haps the bet ter claim, Be cause it was gras sy andwant ed wear; Though as for that the pass ing there Had
B
hav ing per haps the bet ter claim, Be cause it was gras sy andwant ed wear; Though as for that the pass ing there Had illegalonly is Vn. I copy
Vn. II Copying
Va . Review
Vc.
Cb. 14 2. The Pasture
Robert Frost Randall Thompson, arr. Bruce Rockwell Lento pastorale Solo Clarinet 6 in Bb 8 pp
Tenor 6 8
Bass 1 6 8
Bass 2 6 8 illegalonly
senza sord. is Violin I 6 8 copy
senza sord.
Violin II 6 8 pp
Copyingsenza sord. Viola 6 8 pp Review
senza sord. Solo Violoncello 6 8 pp p
Contrabass 6 8 pp Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt and Company., Inc., Copyright 1942, 1944, 1951 by Robert Frost, and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 15 8 10 (q. = q del precedente)
Cl. 4 4 pp molto legato T 4 4 I’m go ing out to clean the pas ture spring; I’ll on ly stop to rake the leaves a pp molto legato
B 1 4 4 I’m go ing out to clean the pas ture spring; I’ll on ly stop to rake the leaves a pp molto legato B 2 4 4 I’m go ing out to clean the pas ture spring; I’ll on ly stop to rake the leaves a
Vn. I 4 4 pp
Vn. II 4 4
Va . 4 4 pp
Vc. 4 4 illegalpp only Cb. 4 4 is
13 poco cresc. mp mf p T copy way (And wait to watch the wa ter clear, I may): I sha’n’t be gone long, I sha’n’t be gone long.
poco cresc. mp mf p
B 1
way (And wait to watch the wa ter clear, I may): I sha’n’t be gone long, I sha’n’t be gone long.
poco cresc. mp mf p B 2 Copying way (And watch the wa ter clear, I may): I sha’n’t be gone long, I sha’n’t be gone long. Review Vn. I pp mp mf mp p
Vn. II mp p
Va . pp mp mf mp p
Vc. pp mp mf mp p 16
18
Cl. 6 8 pp div. pp dolce
T 6 8 You come too. pp dolce B 1 6 8 You come too. pp dolce B 2 6 8 You come too.
Vn. I 6 8 pp
Vn. II 6 8 pp
Va . 6 8 pp
Vc. 6 8 pp illegalonly pp Cb. 6 8 pp is 26 28
Cl. 4 4 copy poco pp molto legato cresc. T 4 4 I’m go ing out to fetch the lit tle calf That’s stand ing by the moth er. It’s so poco pp molto legato cresc. B 1 4 4 I’m go ing out to fetch the lit tle calf That’s stand ing by the moth er. It’s so poco Copyingpp molto legato cresc. B 2 4 4 ReviewI’m go ing out to fetch the lit tle calf That’s stand ing by the moth er. It’s so Vn. I 4 4 pp pp
Vn. II 4 4 pp pp
Va . 4 4 pp pp
Vc. 4 4 pp pp
Cb. 4 4 3. Come In 19 Robert Frost Randall Thompson Lento (q = 66) arr. Bruce Rockwell Solo
Flute 4 4 pp 3 p pp leggero
Soprano 4 4
Alto 1 4 4
Alto 2 4 4 Lento (q = 66)
Violin I 4 4
Violin II 4 4
Viola 4 4
Violoncello 4 4
Contrabass 4 4 only 6 illegal
Fl.
pp ismp p dolcissimo mf dim. S
As I came to the edge of the woods, Thrush mu sic hark! Now if it was dusk out pp mp copyp dolcissimo mf dim. A 1
As I came to the edge of the woods, Thrush mu sic hark! Now if it was dusk out
pp mp p dolcissimo mf dim. A 2
As I came to the edge of the woods, Thrush mu sic hark! Now if it was dusk out Copying flautando Vn. I pp mp mf Review flautando Vn. II pp mp mf flautando Va . pp mp mf flautando
Vc. pp mp p mf pizz. Cb. pp mp p Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt and Company., Inc., Copyright 1942, 1944, 1951 by Robert Frost, and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 20 Solo 12
Fl. 3 3 p staccato, dolce pp mp p
S
side, In side it was dark. mp p
A 1
side, In side it was dark. mp p
A 2
side, In side it was dark.
Vn. I mp p
Vn. II mp p
Va . mp p pp only Vc. illegal mp pp (pizz.) Cb. is mp pp
18 21 Fl. copy p mp 6 pp mp S
Too dark for a bird By sleight of mp A 1
Too dark for a bird By sleight of mp espress. A 2 Copying
Too dark in the wood for a bird By sleight of Review 21
Vn. I pp mp
Vn. II pp mp
Va . pp mp
Vc. pp
Cb. pp 21 23
Fl. p staccato
3 cresc. f p f p subito S
wing To bet ter its perch for the night, Though it still could sing.
3 cresc. f p f p subito A 1
wing To bet ter its perch for the night, Though it still could sing.
3 cresc. f p f p subito A 2
wing To bet ter its perch for the night, Though it still could sing.
Vn. I
cresc. fp cresc. f p subito
Vn. II cresc. fp cresc. f p subito
Va . cresc. f p subito f p illegalcresc. only Vc.
cresc. fp cresc. f p subito p is arco Cb. mf p cresc. mf f pp p
30 copy
Fl. p 6 pp pp 3 3 3 3 p 3 3 p S
The p A 1 Copying The p A 2 Review The
Vn. I p
Vn. II
Va .
Vc.
Cb. 26 4. The Telephone
Robert Frost Randall Thompson arr. Bruce Rockwell Allegretto scherzoso (q = 116)
(Oboe 8vb*) Flute 4 4 p f *Play as written if no oboe
Oboe 4 4 p f
Clarinet 4 in A 4 p f dim.
Bassoon 4 4 p
Allegretto scherzoso (q = 116) 4 4 only f Harp illegal 4 4 is
4 4 copy f Piano 4 4
Allegretto scherzoso (q = 116)
Violin II 4 4 mpCopying p
pizz. arco Viola 4 Review 4 p
pizz. arco
Violoncello 4 4 mp p f
pizz. (pizz.)
Contrabass 4 4 mp f Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt and Company., Inc., Copyright 1942, 1944, 1951 by Robert Frost, and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 27 5 rall. a tempo poco rall. a tempo
Cl.
Bn. p f dim.
Hn. p
rall. a tempo poco rall. a tempo p T 1
‘When I was just as far as I could walk From here to day, There was an hour
p T 2
‘When I was just as far as I could walk From here to day, There was an hour
p B 1 ‘When I was just as far as Iillegal could walk From hereonly to day, There was an hour p B 2 ‘When I was just as faris as I could walk From here to day, There was an hour non-arp. copy Hp. dim. p E#
Copying Pno. dim. Reviewp
rall. a tempo poco rall. a tempo
Va . f p mf p p
pizz. Vc. f p mf p p
arco pizz. Cb. f p mf p p 28 9 poco rall. a tempo
Cl. 3 4 4 4
mf p mf
Bn. 3 4 p 4 4 mf p mf
Hn. 3 4 4 4 pp poco rall. a tempo pp p cresc. mf mf T 1 3 4 4 4 All still When lean ing with my head a gainst a flow’r I heard you talk. Don’t say I did n’t, for I
pp p cresc. mf mf T 2 3 4 4 4 All still When lean ing with my head a gainst a flow’r I heard you talk. Don’t say I did n’t, for I
pp p cresc. mf mf B 1 3 4 4 4 All still When lean ing with my head a gainst illegala flow’r I heard youonly talk. Don’t say I did n’t, for I pp p cresc. mf mf B 2 3 4 4 4 All still When lean ing with my headis a gainst a flow’r I heard you talk. Don’t say I did n’t, for I
(non-arp.) 3 4 copy4 4 E§ D# Hp. pp p mf mf D§
3 4 4 4 Copying 3 4 4 4 Pno. pp pReview mf mf 3 4 4 4
poco rall. a tempo
Va . 3 4 4 4 p mf p
arco pizz. Vc. 3 4 4 4 pp p mf p mf
arco pizz. Cb. 3 4 4 4 pp p mf p mf 40 5. A Girl’s Garden Robert Frost Randall Thompson arr. Bruce Rockwell Allegro con brio q. = 126 Clarinet 4 in Bb 4 pp sim. f pp f f
Bassoon 4 4 f pp sfz
Horn in F 4 4 pp sim. f pp f f
Allegro con brio q. = 126 unis. f Soprano 4 Alto 4 A
4 4 Harp f pp illegalonly sfz 4 4 is pp f pp f 4 4 Piano copy 4 4 sfz fp
Allegro con brio q. = 126
Violin I 4 4 sim. ppCopying f pp f f
Violin II 4 4 Reviewsim. pp f pp f f
Viola 4 4 sim. pp f pp f f
Violoncello 4 4 f pp sfz
Contrabass 4 4 f pp sfz Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt and Company., Inc., Copyright 1942, 1944, 1951 by Robert Frost, and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 41 5
Cl.
p
Bn. p
Hn. p
S A neigh bor of mine in the vil lage Like to tell how one spring When she was a girl on a farm, She
Hp. p
Pno. p illegalonly
Vn. I p is Vn. II p copy Va . p
Vc. p
Cb. p Copying 8 S 2 A Review 4 did a child like thing. One day she ask’d her fa ther To give her a gar den plot To plant and tend and reap her self, And
Vn. I 2 4
Vn. II 2 4
Va . 2 4
Vc. 2 4
Cb. 2 4 42 12
Cl. 2 4 4 4 p sim. f pp f f
Bn. 2 4 4 4 fp sfz
Hn. 2 4 4 4 p sim. f pp f f
f S 2 4 A 4 4 he said, ‘Why not?’ In
2 4 4 4 Hp. fp sfz 2 4 only 4 4 illegal is pff 2 4 4 4 Pno. 2 4 copy 4 4 sfz fp pp
Vn. I 2 4 4 4 Copying(p) f pp f f
Vn. II 2 4 4 4 Review (p) f pp f f
Va . 2 4 4 4 (p) f pp f f
Vc. 2 4 4 4 fp sfz
Cb. 2 4 4 4 fp sfz 59 6. Stopping by Woods on a Snowy Evening Robert Frost Randall Thompson, arr. Bruce Rockwell
Lento assai (e = 84) e = e (in 2)
Flute 4 6 4pp 8 Clarinet 4 6 in Bb 4 8 pp
Bassoon 4 6 4 pp 8
(Bn.) Horn in F 4 6 4 8 pp mp Tenor 4 6 4 8 Whose woods these are I mp Bass 1 4 6 4 8 Whose woods these are I mp Bass 2 4 6 4 illegalonly 8 Whose woods these are I
4 6 4 is 8 Harp pp 4 6 4 copy 8
4 6 4 8 Piano pp 4 6 4 8 sempre una corda con sord. Copying Violin I 4 6 4 pp 8 con sord. Review
Violin II 4 6 4 pp 8 con sord. mp
Viola 4 6 4 8 pp mp con sord. Violoncello 4 6 4 8 mp
Contrabass 4 6 4 8 pp Note setting by the arranger. Text from You Come Too by Robert Frost. Copyright 1916, 1927, © 1950, by Henry Holt and Company., Inc., Copyright 1942, 1944, 1951 by Robert Frost, and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 60 6 dolce T
think I know. His house is in the vil lage though; He will not see me
B 1
think I know. His house is in the vil lage though; He will not see me
B 2
think I know. His house is in the vil lage though; He will not see me
Vn. II
Va .
Vc. only Cb. illegal is
10 copy T 4 4 stop ping here To watch his woods fill up with
B 1 4 4 stop ping here To watch his woods fill up with
B 2 Copying 4 4 stop ping Reviewhere To watch his woods fill up with
Vn. II 4 4
Va . 4 4
Vc. 4 4
Cb. 4 4 61 13
Fl. 4 6 4 pp 8
Cl. 4 6 4 8 pp
Bn. 4 6 4 8 pp
(Bn.) Hn. 4 6 4 8 pp
più p T 4 6 4 8 snow. My
più p B 1 4 6 4 8 snow. My
only più p B 2 4 illegal 6 4 8 snow. My is 4 6 4 8 Hp. pp copy 4 6 4 8
4 6 4 8 Pno. pp 4 6 4 Copying 8 Review Vln. I 4 6 4 pp 8
Vn. II 4 6 4 pp 8
Va . 4 6 4 pp 8
Vc. 4 6 4 pp 8
Cb. 4 6 4 8 ppp 71 7. Choose Something Like a Star
Robert Frost Randall Thompson arr. Bruce Rockwell Larghetto (q = 60)
Flute 4 4 pp ppp pp Clarinet 4 in Bb 4 pp
Bassoon 4 4 pp con sord. Horn in F 4 4 pp Larghetto (q = 60) pp pp Soprano 4 4 O Star, O Star, pp Alto 4 4 (the fair est one in sight), We pp Tenor 4 4 (the fair estonlyone in sight), We illegalpp Bass 4 4 is (the fair est one in sight), We 4 4 Harp mp chiaro 4 4 copy
4 4 Piano mp 4 4 sempre una corda Larghetto (q = 60) (senzaCopying sord.) Violin I 4 4 p dim. pp (senza sord.) Review Violin II 4 4 pp (senza sord.) Viola 4 4 pp (senza sord.) Violoncello 4 4 pp
Contrabass 4 4 pp Note setting by the arranger.
Text from Steeple Bush by Robert Frost. Copyright 1947, by Henry Holt and Company., Inc., and used with their permission. © Copyright 1959 and 1960 by E. C. Schirmer Music Company Inc., a division of ECS Publishing, Boston, Massachusetts. All rights reserved. Made in U.S.A. 72 9
Fl. ppp pp ppp pp
Cl.
Bn.
Hn.
pp pp S
O Star, O Star,
A
grant your loft i ness the right To some ob scur i ty of cloud— It illegalonly T grant your loft i ness the right isTo some ob scur i ty of cloud— It B grant your loft i ness the right Tocopy some ob scur i ty of cloud— It
Hp.
Pno. Copying Review
Vn. I
Vla.
Vc.
Cb. 73 17
Fl. ppp pp ppp
Cl. pp p
Bn. p
Hn. p
pp S
O Star,
dim. A will not do to say of night, Since dark is what bringsonly out your illegalp dim. T will not do to say of night, isSince dark is what brings out your p dim.
B will not do to say of night, Since copydark is what brings out your
Hp. mp
Copying Pno. mp Review
Vn. I
Vla.
p
Vc. p
Cb. p