ENG 351 Lecture 33 1 Let's Finish Discussing Gwendolyn Brooks. I
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
University Interscholastic League Literary Criticism Contest • Invitational a • 2021
University Interscholastic League Literary Criticism Contest • Invitational A • 2021 Part 1: Knowledge of Literary Terms and of Literary History 30 items (1 point each) 1. A line of verse consisting of five feet that char- 6. The repetition of initial consonant sounds or any acterizes serious English language verse since vowel sounds in successive or closely associated Chaucer's time is known as syllables is recognized as A) hexameter. A) alliteration. B) pentameter. B) assonance. C) pentastich. C) consonance. D) tetralogy. D) resonance. E) tetrameter. E) sigmatism. 2. The trope, one of Kenneth Burke's four master 7. In Greek mythology, not among the nine daugh- tropes, in which a part signifies the whole or the ters of Mnemosyne and Zeus, known collectively whole signifies the part is called as the Muses, is A) chiasmus. A) Calliope. B) hyperbole. B) Erato. C) litotes. C) Polyhymnia. D) synecdoche. D) Urania. E) zeugma. E) Zoe. 3. Considered by some to be the most important Irish 8. A chronicle, usually autobiographical, presenting poet since William Butler Yeats, the poet and cele- the life story of a rascal of low degree engaged brated translator of the Old English folk epic Beo- in menial tasks and making his living more wulf who was awarded the 1995 Nobel Prize for through his wit than his industry, and tending to Literature is be episodic and structureless, is known as a (n) A) Samuel Beckett. A) epistolary novel. B) Seamus Heaney. B) novel of character. C) C. S. Lewis. C) novel of manners. D) Spike Milligan. D) novel of the soil. -
Get This Week's Gazette
LIBRARY OF CONGRESS Volume 14, No. 30 A Weekly Newspaper for the Library Staff September 5, 2003 Librarian Names Louise Glück 12th Poet Laureate ouise Glück, an award-winning laureate’s offi ce during the next year.” author of nine books of poetry, is Glück succeeds Poets Laureate Billy Lthe 12th poet to be named to the Collins, Robert Pinsky, Robert Hass, Stan- Library’s offi ce of Poet Laureate Consul- ley Kunitz, Rita Dove, Mona Van Duyn, tant in Poetry. She will open the Library’s Joseph Brodsky, Mark Strand, Howard annual literary series on Tuesday, Oct. Nemerov, Richard Wilbur and Robert 21, with a reading of her work. Penn Warren. On Wednesday, Oct. 22, she will host Her nine books of poetry include a Favorite Poem reading with Frank “The Seven Ages” (Ecco Press, 2001); Bidart and former Poet Laureate Robert “Vita Nova” (1999), which was awarded Pinsky. In addition to programming a The New Yorker magazine’s Book Award new reading series for younger poets, in Poetry; “Meadowlands” (1996); “The Glück will participate in Library events Wild Iris” (1992), which received the in February and again in May. Pulitzer Prize and the Poetry Society Louise Glück In announcing the appointment, of America’s William Carlos Williams Librarian of Congress James H. Bill- Award; “Ararat” (1990), which received ington said, “Louise Glück will bring to series of book-length poetic cycles. Her the Library’s Rebekah Johnson Bobbitt the Library of Congress a strong, vivid, prize-winning poetry and her great inter- National Prize for Poetry; and “The Tri- deep poetic voice, accomplished in a est in young poets will enliven the poet GLÜCK, Continues on page 12 Surgeon General Opens Hispanic Month Events ice Admiral Richard H. -
Program Notes by Michael Moore Rewind//PLAY//Fastforward Performed October 17, 2009
Program Notes by Michael Moore rewind//PLAY//fastforward Performed October 17, 2009 This evening’s concert begins a season-long celebration of American choral music. The concert opens and closes with music of Charles Ives, that most original and enigmatic of American composers, and also includes Frostiana, Randall Thompson’s superb setting of seven Robert Frost poems. We rewind for a reprise concert performance of David Lang’s deeply moving battle hymns, premiered last season, and fast forward to a preview of Roberto Sierra’s Missa Latina, which Mendelssohn Club will present in its Philadelphia premiere in April. Charles Ives The uniquely eclectic musical style of Charles Ives (1874-1954) was greatly influenced by his father. George Ives was a cornet player and military bandleader in the Civil War, and had returned to his native Danbury, Connecticut where he continued as a bandleader, conductor of theater orchestras and choir director. He had a keen interest in acoustical effects, once marching two bands across the town green from opposite directions, playing different tunes in different keys to gauge the effect, building a device for playing music in quarter tones, and teaching his son to sing in one key while accompanying him in another. He encouraged Charles to experiment with different musical effects, but also instilled in him a love of traditional hymns and tunes, all of which influenced his later music. By the time he entered Yale at 20, Ives was a virtuoso organist and an accomplished pianist and composer. He had already written such significant works as his Variations on America and Psalm 67. -
A Tribute to Robert Penn Warren J
The Kentucky Review Volume 2 | Number 3 Article 3 1981 A Tribute to Robert Penn Warren J. A. Bryant Jr. University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Bryant, J. A. Jr. (1981) "A Tribute to Robert Penn Warren," The Kentucky Review: Vol. 2 : No. 3 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol2/iss3/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. A Tribute to Robert Penn Warren J. A. BRYANT, JR. We are all here tonight for the same purpose, to honor a man who by his achievements and his stature as a human being, can come closer than anyone else I know to making Kentucky, which is after all a hodge-podge geographically, politically, and c111.lturally, if there ever was one, speak with one voice, say yes to something in unison. It's a cause for both sadness and rejoicing that there are some occasions when more than miles separate the Purchase and the mountains, the Tennessee Ridge and the Ohio River. But Red Warren, as his friends have been calling him now for most of his seventy-five years, miraculously unites Bluegrass and Pennyrile, just as he has miraculously encompassed Tennessee, Louisiana, the Midwest, New England, to say nothing of Europe and especially Italy, and made them, transformed, inhabit a body of fiction and verse in which we detect what Donald Davison, an old friend and Tennessean, was wont to call "the Kentucky voice of Warren." It's a distinctive voice that we Kentuckians respond to, acknowledge, and tonight claim as our own. -
Norton Antkology O F a Merican Iterature
Norton Antkology o f A merican iterature FIFTH EDITION VOLUME 2 Nina Baym, General Editor SWANLUND ENDOWED CHAIR AND CENTER FOR ADVANCED STUDY PROFESSOR OF ENGLISH UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN W • W • NORTON & COMPANY • New York • London Editor: Julia Reidhead Developmental Editor/Associate Managing Editor: Marian Johnson Production Manager: Diane O'Connor Manuscript Editors: Candace Levy, Alice Falk, Kurt Wildermuth, Kate Lovelady Instructor's Manual and Website Editor: Anna Karvellas Editorial Assistants: Tara Parmiter, Katharine Nicholson Ings Cover and Text Design: Antonina Krass Art Research: Neil Ryder Hoos Permissions: Virginia Creeden Copyright© 1998, 1994, 1989, 1985, 1979 byW. W. Norton & Company, Inc. All rights reserved. Printed in the United States of America. The text of this book is composed in Fairfield Medium with the display set in Bernhard Modern. Composition by Binghamton Valley Composition. Manufacturing by R. R. Donnelley & Sons. Cover illustration: Detail from City Activities with Dance Hall, from America Today (1930), by Thomas Hart Benton. Collection, The Equitable Life Assurance Society of the United States. Since this page cannot legibly accommodate all the copyright notices, pages 2895- 2903 constitute an extension of the copyright page. ISBN 0-393-95872-8 (pbk.) W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110 http://ww\v. wwnorton.com W. W. Norton & Company Ltd., 10 Coptic Street, London WCIA IPU 12 3 4 5 6 7 8 9 0 Contents PREFACE TO THE FIFTH EDITION xxix ACKNOWLEDGMENTS xxxiii American Literature 1865-1914 I Introduction 1 Timeline 16 SAMUEL L. CLEMENS (Mark Twain) (1835-1910) 18 The Notorious Jumping Frog of Calaveras County 21 Roughing It 25 [The Story of the Old Ram] 25 Adventures of Huckleberry Finn 28 [The Art of Authorship ] 217 How to Tell a Story 218 Fenimore Cooper's Literary Offences 221 BRET HARTE (1836-1902) 230 The Outcasts of Poker Flat 231 W. -
Leonard Bernstein (1918-1990)
NOTES ON THE PROGRAM An Introduction Voltaire and Bernstein’s Candide plunge us from a fool’s world of naiveté to a pain- ful world of war, natural disasters, tragedy, fear of commitment, fear of facts, all cast under a cloud of faux sentimentality—yet with a wink towards truth and love. What an honor it is for The Knights to celebrate Leonard Bernstein in his musical home of Tanglewood with a work that encompasses all of his brilliant contradictions. Bernstein was both a man of his century and ahead of his time—socially, politically, and musically—which makes his centennial feel youthful and timely if not timeless. He lived through some of the world’s darkest times of war, fear, and terror, and his outpouring of joy, love, humor, love, generosity, love, and truth spill from him like it has from only a few geniuses before him. “You’ve been a fool, and so have I.... We’re neither pure, nor wise, nor good” (Voltaire, Candide). Bernstein found a fellow optimis- tic jester in Voltaire. Voltaire wrote “It is love; love, the comfort of the human species, the preserver of the universe, the soul of all sentient beings, love, tender love.” Bernstein’s music embodies this senti- ment. Together, they show us many beautiful and joyous puzzle pieces that connect our imperfect best-of-all-possible-worlds. ERIC JACOBSEN, THE KNIGHTS Leonard Bernstein (1918-1990) “Candide” A Very Brief History Bernstein composed Candide from 1954 through August 1956, with Hershy Kay assisting with the orchestration; the libretto was by Lillian Hellman, based on the novella Candide, ou l’Optimisme, by Voltaire, the pen name of François-Marie Arouet (1694-1778). -
20190607 Theslowdown 20190
20190607_theslowdown_20190607_128 Wed, 9/30 7:24PM 5:00 SUMMARY KEYWORDS poem, wind, speaker, poet, poetry, dh, buried, rapturous, door, gathering storm, lawrence, thawing, draw, writer, infallible, crucifix, nester, learn, invocation, surrounds 00:05 I'm Tracy k Smith, and this is the slow down. 00:22 I think there are a number of misconceptions about poetry in the popular imagination. One is that the poet has buried an encoded message deep within the poem that the reader must wrestle out. Another is that when a reader encounters different perspectives within a single poem, like sorrow and joy, one perspective has to be right and the other wrong. But sometimes a person can be both happy and sad. At the same time, one feeling doesn't always win out over the other, which is why poems quite often arise out of the desire to acknowledge and explore the messy, complex, contradictory nature of life. And while it is sometimes an abundance of feelings and opinions, that draw young poets to the art form, I suspect that more poems arise out of the writers desire to learn, listen and discover, than out of the intention to make grand or infallible pronouncements realizing this when I was a younger writer, set me free, allowing me to engage with all manner of material about which I knew little and sought to learn more dh Lawrence's poem, song of a man who has come through is an example of a poem written out of the wish not to pronounce, but to receive wisdom. The poem opens, Not I, Not I, but the wind that blows through me. -
San José State University Department of English and Comparative Literature ENGLISH 131: Writing Poetry, Sec. 1 Fall 2014
San José State University Department of English and Comparative Literature ENGLISH 131: Writing Poetry, sec. 1 Fall 2014 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Office Hours: M, T, W 1:30 – 3:00 PM, Th PM by appointment Class Days/Time: M W 12:00 – 1:15 PM Classroom: Clark Hall 111 (Incubator Classroom) Prerequisites: ENGL 71: Introduction to Creative Writing (or equivalent); or instructor’s consent. Course Description Workshop in verse forms and poetic craft. Study of traditional and contemporary models. (May be repeated for credit.) Methods and Procedures • Students in this course will write and revise original poems, which class members will critique during the weekly in-class workshops. • Class will be divided into four student writing-groups whose members will post drafts of poems to Canvas for other members to discuss (on the Student Groups setting in Canvas). • Student Writing-Groups (one group per week) will have their members’ poems discussed in the weekly in-class workshop. • The workshop’s principal text will be class members’ original poems posted on our workshop’s Canvas and Blogger sites. • Verse forms and poetic craft will be taught through assigned readings from the required textbooks and from links to poems and commentary on the Internet. comprised of published poems, an online prosody workbook with commentaries and craft exercises, and links to poems and commentaries (sometimes including audio and video files of poets reading. • The class will be divided into 4 student writing-groups (6 or 7 students per group) to discuss first/early drafts of poems. -
Download Master List
Code Title Poem Poet Read by Does Note the CD Contain AIK Conrad Aiken Reading s N The Blues of Ruby Matrix Conrad Aiken Conrad Aiken Time in the Rock (selections) Conrad Aiken Conrad Aiken A Letter from Li Po Conrad Aiken Conrad Aiken BEA(1) The Beat Generation (Vol. 1) Y San Francisco Scene (The Beat Generation) Jack Kerouac Jack Kerouac The Beat Generation (McFadden & Dor) Bob McFadden Bob McFadden Footloose in Greenwich Village Blues Montage Langston Hughes Langston Hughes / Leonard Feather Manhattan Fable Babs Gonzales Babs Gonzales Reaching Into it Ken Nordine Ken Nordine Parker's Mood King Pleasure King Pleasure Route 66 Theme Nelson Riddle Nelson Riddle Diamonds on My Windshield Tom Waits Tom Waits Naked Lunch (Excerpt) William Burroughs William Burroughs Bernie's Tune Lee Konitz Lee Konitz Like Rumpelstiltskin Don Morrow Don Morrow OOP-POP-A-DA Dizzy Gillespie Dizzy Gillespie Basic Hip (01:13) Del Close and John Del Close / John Brent Brent Christopher Columbus Digs the Jive John Drew Barrymore John Drew Barrymore The Clown (with Jean Shepherd) Charles Mingus Charles Mingus The Murder of the Two Men… Kenneth Patchen Kenneth Patchen BEA(2) The Beat Generation (Vol.2) Y The Hip Gahn (06:11) Lord Buckley Lord Buckley Twisted (02:16) Lambert, Hendricks & Lambert, Hendricks & Ross Ross Yip Roc Heresy (02:31) Slim Gaillard & His Slim Gaillard & His Middle Middle Europeans Europeans HA (02:48) Charlie Ventura & His Charlie Ventura & His Orchestra Orchestra Pull My Daisy (04:31) David Amram Quintet David Amram Quintet with with Lynn Sheffield Lynn Sheffield October in the Railroad Earth (07:08) Jack Kerouac Jack Kerouac / Steve Allen The Cool Rebellion (20:15) Howard K. -
Gwendolyn Brooks and Me by Ivy J.P. Yoder Imagine Not Knowing If Your Mom and Dad Would Make It Home Safel
Gwendolyn Brooks and Me By Ivy J.P. Yoder Imagine not knowing if your Mom and Dad would make it home safely from work. Imagine attending a school that was segregated. Imagine living in a culture that laughed at and made fun of your dreams – just because of your skin color. This was the reality for Gwendolyn Brooks, an African‐ American girl born in Kansas who began writing poetry in 1924 at age seven. Ms. Brooks certainly had talent. Her mother saw it right away, telling her daughter, “You’re going to be the lady Paul Laurence Dunbar!” By the time Ms. Brooks was eleven her poetry had been published in a local Chicago newspaper. Two years later one of her poems appeared in a children’s magazine, and by sixteen she had published 75 poems. Despite the challenges of growing up in segregated Chicago, Ms. Brooks found encouragement from her community. In fact, she even received words of encouragement from Langston Hughes, who she met at her family’s church after a poetry recital he gave. Working hard and supported by her parents (a janitor and a school teacher), Ms. Brooks published her first complete book of poetry in 1945 at age twenty‐eight. Five years later her second book won the Pulitzer Prize for poetry. She was the first African American to win a Pulitzer. In 1962, Ms. Brooks was invited by President John F. Kennedy to read her poetry at a Library of Congress poetry festival. After that she was invited to teach at many colleges and universities. -
A New Selected Poetry Galway Kinnell • 811.54 KI Behind My Eyes
Poetry.A selection of poetry titles from the library’s collection, in celebration of National Poetry Month in April. ** indicates that the author is a United States Poet Laureate. A New Selected Poetry ** The Collected Poems of ** The Complete Poems, Galway Kinnell • 811.54 KI Robert Lowell 1927-1979 Robert Lowell; edited by Frank Elizabeth Bishop • 811.54 BI Behind My Eyes Bidart and David Gewanter • Li-Young Lee • 811.54 LE 811.52 LO The Complete Poems William Blake • 821 BL ** The Best Of It: New and ** The Collected Poems of Selected Poems William Carlos Williams The Complete Poems Kay Ryan • 811.54 RY Edited by A. Walton Litz and Walt Whitman • 811 WH Christopher MacGowan • The Best of Ogden Nash 811 WI The Complete Poems of Edited by Linell Nash Smith • Emily Dickinson 811.52 NA The Complete Collected Poems Edited by Thomas H. Johnson • of Maya Angelou 811.54 DI The Collected Poems of Maya Angelou • 811.54 AN Langston Hughes The Complete Poems of Arnold Rampersad, editor; David Complete Poems, 1904-1962 John Keats Roessel, associate editor • E.E. Cummings; edited by John Keats • 821.7 KE 811.52 HU George J. Firmage • 811.52 CU E.E. Cummings Elizabeth Bishop William Blake Emily Dickinson Ocean City Free Public Library 1735 Simpson Avenue • Ocean City, NJ • 08226 609-399-2434 • www.oceancitylibrary.org Natasha Trethewey Pablo Neruda Robert Frost W.B. Yeats Louise Glück The Essential Haiku: Versions of Plath: Poems ** Selected Poems Basho, Buson, and Issa Sylvia Plath, selected by Diane Mark Strand • 811.54 ST Edited and with verse translations Wood by Robert Hass • 895.6 HA Middlebrook • 811.54 PL Selected Poems James Tate • 811.54 TA The Essential Rumi The Poetry of Pablo Neruda Translated by Coleman Barks, Edited and with an introduction Selected Poems with John Moyne, A.A.