Norton Antkology O F a Merican Iterature
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
ENG 351 Lecture 33 1 Let's Finish Discussing Gwendolyn Brooks. I
ENG 351 Lecture 33 1 Let’s finish discussing Gwendolyn Brooks. I would like your indulgence to make up for last time. I really was blind. It was — and one of you saved my life, with my visual migraine which sent me into something of a panic. Something else I’ve learned is you should never — you should never read a poem in public that you haven’t read for many years. It can sneak up on you and kick you, and that’s what this poem did. I haven’t looked at The Chicago Defender poem for a long, long, long time. And here I am, half blinded, and then I got emotional at the end of it. So I apologize for that and see if I can get through this with a decent reading. That happened to me one time before with a poem called “April Inventory” by W. D. Snodgrass. And sometimes, you know, poetry has a — has a way of getting to you, whether you want it to or not. But let me — it’s a good poem. It’s only a few minutes long. If you can bear with it, I wanted to get that on in the lesson. This was the poem that I asked Gwendolyn Brooks why she didn’t read it while she was here and she said she no longer liked the ending of it. So I particularly want you to pay attention to the ending of it. She asked me why I liked it and I said because I’m from Little Rock, and then she inquired, “How old were you in 1957?” And when I told her I was eleven, it was okay. -
University Interscholastic League Literary Criticism Contest • Invitational a • 2021
University Interscholastic League Literary Criticism Contest • Invitational A • 2021 Part 1: Knowledge of Literary Terms and of Literary History 30 items (1 point each) 1. A line of verse consisting of five feet that char- 6. The repetition of initial consonant sounds or any acterizes serious English language verse since vowel sounds in successive or closely associated Chaucer's time is known as syllables is recognized as A) hexameter. A) alliteration. B) pentameter. B) assonance. C) pentastich. C) consonance. D) tetralogy. D) resonance. E) tetrameter. E) sigmatism. 2. The trope, one of Kenneth Burke's four master 7. In Greek mythology, not among the nine daugh- tropes, in which a part signifies the whole or the ters of Mnemosyne and Zeus, known collectively whole signifies the part is called as the Muses, is A) chiasmus. A) Calliope. B) hyperbole. B) Erato. C) litotes. C) Polyhymnia. D) synecdoche. D) Urania. E) zeugma. E) Zoe. 3. Considered by some to be the most important Irish 8. A chronicle, usually autobiographical, presenting poet since William Butler Yeats, the poet and cele- the life story of a rascal of low degree engaged brated translator of the Old English folk epic Beo- in menial tasks and making his living more wulf who was awarded the 1995 Nobel Prize for through his wit than his industry, and tending to Literature is be episodic and structureless, is known as a (n) A) Samuel Beckett. A) epistolary novel. B) Seamus Heaney. B) novel of character. C) C. S. Lewis. C) novel of manners. D) Spike Milligan. D) novel of the soil. -
Get This Week's Gazette
LIBRARY OF CONGRESS Volume 14, No. 30 A Weekly Newspaper for the Library Staff September 5, 2003 Librarian Names Louise Glück 12th Poet Laureate ouise Glück, an award-winning laureate’s offi ce during the next year.” author of nine books of poetry, is Glück succeeds Poets Laureate Billy Lthe 12th poet to be named to the Collins, Robert Pinsky, Robert Hass, Stan- Library’s offi ce of Poet Laureate Consul- ley Kunitz, Rita Dove, Mona Van Duyn, tant in Poetry. She will open the Library’s Joseph Brodsky, Mark Strand, Howard annual literary series on Tuesday, Oct. Nemerov, Richard Wilbur and Robert 21, with a reading of her work. Penn Warren. On Wednesday, Oct. 22, she will host Her nine books of poetry include a Favorite Poem reading with Frank “The Seven Ages” (Ecco Press, 2001); Bidart and former Poet Laureate Robert “Vita Nova” (1999), which was awarded Pinsky. In addition to programming a The New Yorker magazine’s Book Award new reading series for younger poets, in Poetry; “Meadowlands” (1996); “The Glück will participate in Library events Wild Iris” (1992), which received the in February and again in May. Pulitzer Prize and the Poetry Society Louise Glück In announcing the appointment, of America’s William Carlos Williams Librarian of Congress James H. Bill- Award; “Ararat” (1990), which received ington said, “Louise Glück will bring to series of book-length poetic cycles. Her the Library’s Rebekah Johnson Bobbitt the Library of Congress a strong, vivid, prize-winning poetry and her great inter- National Prize for Poetry; and “The Tri- deep poetic voice, accomplished in a est in young poets will enliven the poet GLÜCK, Continues on page 12 Surgeon General Opens Hispanic Month Events ice Admiral Richard H. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Leonard Bernstein (1918-1990)
NOTES ON THE PROGRAM An Introduction Voltaire and Bernstein’s Candide plunge us from a fool’s world of naiveté to a pain- ful world of war, natural disasters, tragedy, fear of commitment, fear of facts, all cast under a cloud of faux sentimentality—yet with a wink towards truth and love. What an honor it is for The Knights to celebrate Leonard Bernstein in his musical home of Tanglewood with a work that encompasses all of his brilliant contradictions. Bernstein was both a man of his century and ahead of his time—socially, politically, and musically—which makes his centennial feel youthful and timely if not timeless. He lived through some of the world’s darkest times of war, fear, and terror, and his outpouring of joy, love, humor, love, generosity, love, and truth spill from him like it has from only a few geniuses before him. “You’ve been a fool, and so have I.... We’re neither pure, nor wise, nor good” (Voltaire, Candide). Bernstein found a fellow optimis- tic jester in Voltaire. Voltaire wrote “It is love; love, the comfort of the human species, the preserver of the universe, the soul of all sentient beings, love, tender love.” Bernstein’s music embodies this senti- ment. Together, they show us many beautiful and joyous puzzle pieces that connect our imperfect best-of-all-possible-worlds. ERIC JACOBSEN, THE KNIGHTS Leonard Bernstein (1918-1990) “Candide” A Very Brief History Bernstein composed Candide from 1954 through August 1956, with Hershy Kay assisting with the orchestration; the libretto was by Lillian Hellman, based on the novella Candide, ou l’Optimisme, by Voltaire, the pen name of François-Marie Arouet (1694-1778). -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
Workshop Descriptions Poet Biographies
WORKSHOP POET DESCRIPTIONS BIOGRAPHIES 2 KEYNOTE SPEAKER David Yezzi: David Yezzi’s latest books of poetry are Birds of the Air and Black Sea. His verse play Schnauzer was recently published by Exot Books. A former director of the Unterberg Poetry Center of the 92nd Street Y in New York, he is chair of the Writing Seminars at Johns Hopkins and editor of the The Hopkins Review. He is currently at work on the biography of Anthony Hecht. 3-DAY CRITICAL SEMINAR ON AMERICAN MASTER ANTHONY HECHT WITH DAVID YEZZI Anthony Hecht (1923-2004) returned from combat in WW II devastated by the horrors he had seen. Soon after, he established a lifelong connection to Italy that began with a move to the island of Ischia (where he met W. H. Auden) and ended at the Bogliasco Foundation, near Genoa, where he wrote his final poems in 2004. A longtime professor of Shakespeare and a United Sates Poet Laureate, Hecht won the Pulitzer Prize for The Hard Hours in 1968. Possible areas of interest for seminar participants include Shakespeare, the Bible, war poetry, Post Traumatic Stress, the Holocaust, Renaissance poetry, twentieth-century poetry, Jewish studies, the New Criticism, dramatic poetry, and W. H. Auden. In addition to experiencing a high level of discourse on one of America’s most important poetic voices, participants will present brief papers on an individual Hecht poem or on an aspect of Hecht’s life and work. Presentations will be followed by group discussion. 3 Robert Archambeau is a poet and critic whose books include the critical studies Laureates and Heretics: Six Careers in American Poetry, The Poet Resigns: Poetry in a Difficult World, and Inventions of a Barbarous Age: Poetry from Conceptualism to Rhyme. -
Fall 2004 the Wallace Stevens Journal
The Wallace Stevens Journal The Wallace The Wallace Stevens Journal Special Conference Issue, Part 1 Special Conference Vol. 28 No. 2Fall 2004 Vol. Special Conference Issue, Part 1 A Publication of The Wallace Stevens Society, Inc. Volume 28 Number 2 Fall 2004 The Wallace Stevens Journal Volume 28 Number 2 Fall 2004 Contents Special Conference Issue, Part I Celebrating Wallace Stevens: The Poet of Poets in Connecticut Edited by Glen MacLeod and Charles Mahoney Introduction —Glen MacLeod and Charles Mahoney 125 POETS ON STEVENS: INQUIRY AND INFLUENCE A Postcard Concerning the Nature of the Imagination —Mark Doty 129 Furious Calm —Susan Howe 133 Line-Endings in Wallace Stevens —James Longenbach 138 On Wallace Stevens —J. D. McClatchy 141 A Lifetime of Permissions —Ellen Bryant Voigt 146 NEW PERSPECTIVES ON STEVENS Planets on Tables: Stevens, Still Life, and the World —Bonnie Costello 150 Wallace Stevens and the Curious Case of British Resistance —George Lensing 158 Cross-Dressing as Stevens Cross-Dressing —Lisa M. Steinman 166 STEVENSIAN LANGUAGE “A Book Too Mad to Read”: Verbal and Erotic Excess in Harmonium —Charles Berger 175 Place-Names in Wallace Stevens —Eleanor Cook 182 Verbs of Mere Being: A Defense of Stevens’ Style —Roger Gilbert 191 WALLACE STEVENS AND HISTORICISM: PRO AND CON Stevens’ Soldier Poems and Historical Possibility —Milton J. Bates 203 What’s Historical About Historicism? —Alan Filreis 210 Wallace Stevens and Figurative Language: Pro and Con —James Longenbach 219 THE COLLECTED POEMS: THE NEXT FIFTY YEARS Prologues to Stevens Criticism in Fifty Years —John N. Serio 226 The Collected Poems: The Next Fifty Years —Susan Howe 231 Wallace Stevens and Two Types of Vanity —Massimo Bacigalupo 235 Position Paper: Wallace Stevens —Christian Wiman 240 Stevens’ Collected Poems in 2054 —Marjorie Perloff 242 KEYNOTE ADDRESS Wallace Stevens: Memory, Dead and Alive —Helen Vendler 247 THE WADSWORTH ATHENEUM Poets of Life and the Imagination: Wallace Stevens and Chick Austin —Eugene R. -
The Barons of Middletown and the Decline of the North- Eastern Anglo-Protestant Elite*
THE BARONS OF MIDDLETOWN AND THE DECLINE OF THE NORTH- EASTERN ANGLO-PROTESTANT ELITE* Dean Acheson, the urbane secretary of state who personified Downloaded from America’s white Anglo-Saxon Protestant elite, was a native of Middletown, Connecticut, a small manufacturing and commer- cial city in the centre of the state. Son of an English father and Canadian mother, he was born in Middletown in 1893, just as Sicilian and Polish immigrants were beginning to find jobs in the http://past.oxfordjournals.org/ town. Acheson grew up in the rectory of the Church of the Holy Trinity, where his father, the Episcopal bishop of Connecticut, served as pastor. When the future diplomat was a boy, elderly neighbours told stories about the ‘clipper ships [that] dropped anchor there, home round the Horn from China’. Middletown’s days as a small international seaport ended in the mid nineteenth century. Yet‘the boom left imposing houses on High Street at the top of the hill with its four rows of great elms’, Acheson recalled in at Wesleyan University on March 20, 2013 1965. ‘Now Wesleyan University owns them all; but in the golden age the last of the barons still lived there — the Russells, the Hubbards, the Alsops, Governor Weeks’.1 Secretary Acheson’s recollection was accurate in every respect but one. Although Joseph Alsop IV did leave Middletown at the turn of the century and ultimately settled in Avon, Connecticut, where he and his wife Corinne, a niece of Theodore Roosevelt, raised their sons, the renowned foreign affairs journalists Joseph and Stewart, Middletown’s other ‘barons’ did not depart then. -
Bayard Taylor and His Transatlantic Representations of Germany: a Nineteenth- Century American Encounter John Kemp
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 7-12-2014 Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth- Century American Encounter John Kemp Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Kemp, John. "Bayard Taylor and his Transatlantic Representations of Germany: A Nineteenth-Century American Encounter." (2014). https://digitalrepository.unm.edu/hist_etds/38 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. John Stephan Kemp Candidate History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Melissa Bokovoy , Chairperson Dr. Eliza Ferguson Dr. Margaret Connell-Szasz Dr. Peter White I BAYARD TAYLOR AND HIS TRANSATLANTIC REPRESENTATIONS OF GERMANY: A NINETEENTH-CENTURY AMERICAN ENCOUNTER BY JOHN STEPHAN KEMP B.A., History, University of New Mexico, 1987 M.A., Western World to 1500, University of New Mexico, 1992 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy History The University of New Mexico Albuquerque, New Mexico May, 2014 II DEDICATION In memory of Chuck Preston, my UNM English 102 instructor, who passed away in 1985 - his confidence in my ability kept me in college when I considered dropping out To My parents, John and Hilde Kemp, without whose unwavering support and encouragement I would have faltered long ago To My daughters, Josefa, Amy, and Emily, who are the lights of my life. -
Contemporary U S American Literature: 1965 to the Present Reading List (Student Should Contact Graders for the 3-5 Required Crit
Contemporary U S American Literature: 1965 to the Present Reading List (Student should contact graders for the 3-5 required critical texts at least eight weeks before the exam.) Prose Joseph Heller, Catch-22 (1961) Thomas Pynchon, Crying Lot 49 (1966) John Barth, Lost in The Funhouse (1968) “The Literature of Exhaustion” (1967) N. Scott Momaday, House Made of Dawn (1968) John Cheever, Bullet Park (1969) Tomas Rivera, And the Earth Did Not Devour Him (1971) John Updike, Rabbit At Rest (1990) Ishmael Reed, Mumbo Jumbo (1972) Toni Morrison, Jazz (1992) Kurt Vonnegut, Slaughterhouse-Five (1969) Donald Barthelme, City Life (1970) Mary Gordon, Final Payments (1978) Marge Piercy, Small Changes (1973) Maxine Hong Kingston, The Woman Warrior (1976) Leslie Marmon Silko, Storyteller (1981) Paul Auster, New York Trilogy (1985) Louise Erdrich, Love Medicine (1984) Don DeLillo, White Noise (1985) Alice Walker, The Color Purple (1982) 2 Russell Banks, Continental Drift (1985) Tim O’Brien, Going After Cacciato (1978) William Gibson, Neuromancer (1984) Annie Proulx, Close Range: Wyoming Stories (1999) Gerald Vizenor, The Heirs of Columbus (1991) Philip Roth, American Pastoral (1997) Gloria Anzaldua, Borderland/La Frontera (1987) Kathy Acker, Blood and Guts in High School (1978) Rikki Ducornet, The Jade Cabinet (1993) Carole Maso, AVA (1993) David Foster Wallace, Brief Interviews with Hideous Men (1999) “E Unibus Pluram: Television and U.S. Fiction” in A Supposedly Fun Thing I’ll Never Do Again Andrew X Pham, Catfish and Mandala (1999) Sandra Cisneros, Vintage Cisneros (2004) Cormac McCarthy, The Road (2006) George Saunders, In Persuasion Nation (2006) Poetry Gwendolyn Brooks, Selected Poems (1963) John Berryman, 77 Dream Songs (1964) Robert Lowell, For the Union Dead (1964) W.