2012 Program
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Kenya Wildlife Service at Its Best
ihe Kenya wild Life service Iru the 2±st century: "Protective cqlobally significant Areas and Resoutrces The George Wright Forum The GWS Journal of Parks, Protected Areas & Cultural Sites volume 29 number 1 • 2012 Origins Founded in 1980, the George Wright Society is organized for the pur poses of promoting the application of knowledge, fostering communica tion, improving resource management, and providing information to improve public understanding and appreciation of the basic purposes of natural and cultural parks and equivalent reserves. The Society is dedicat ed to the protection, preservation, and management of cultural and natu ral parks and reserves through research and education. Mission The George Wright Society advances the scientific and heritage values of parks and protected areas. The Society promotes professional research and resource stewardship across natural and cultural disciplines, provides avenues of communication, and encourages public policies that embrace these values. Our Goal The Society strives to be the premier organization connecting people, places, knowledge, and ideas to foster excellence in natural and cultural resource management, research, protection, and interpretation in parks and equivalent reserves. Board of Directors BRENT A. MITCHELL, PRESIDENT • Ipswich, Massachusetts MOLLY N. ROSS, VICE PRESIDENT • Arlington, Virginia DAVIDJ. PARSONS, SECRETARY • Florence, Montana GARY E. DAVIS, TREASURER • Thousand Oaks, California BRAD BARR • Woods Hole, Massachusetts NATHALIE GAGNON • Ottawa, Ontario BARRETT KENNEDY • Baton Rouge, Louisiana FRANKJ. PRIZNAR • Gaithersburg, Maryland JANW. VAN WAGTEN'DONK • El Portal, California JOHN WAITHAKA • Ottawa, Ontario LYNN WILSON • Cobble Hill, British Columbia GRADUATE STUDENT LIAISON TO THE BOARD CARENA J. VAN RIPER • College Station, Texas Executive Office DAVID HARMON, EXECUTIVE DIRECTOR EMILY DEKKER-FIALA, CONFERENCE COORDINATOR P. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
1961 Climbers Outing in the Icefield Range of the St
the Mountaineer 1962 Entered as second-class matter, April 8, 1922, at Post Office in Seattle, Wash., under the Act of March 3, 1879. Published monthly and semi-monthly during March and December by THE MOUNTAINEERS, P. 0. Box 122, Seattle 11, Wash. Clubroom is at 523 Pike Street in Seattle. Subscription price is $3.00 per year. The Mountaineers To explore and study the mountains, forests, and watercourses of the Northwest; To gather into permanent form the history and traditions of this region; To preserve by the encouragement of protective legislation or otherwise the natural beauty of Northwest America; To make expeditions into these regions in fulfillment of the above purposes; To encourage a spirit of good fellowship among all lovers of outdoor Zif e. EDITORIAL STAFF Nancy Miller, Editor, Marjorie Wilson, Betty Manning, Winifred Coleman The Mountaineers OFFICERS AND TRUSTEES Robert N. Latz, President Peggy Lawton, Secretary Arthur Bratsberg, Vice-President Edward H. Murray, Treasurer A. L. Crittenden Frank Fickeisen Peggy Lawton John Klos William Marzolf Nancy Miller Morris Moen Roy A. Snider Ira Spring Leon Uziel E. A. Robinson (Ex-Officio) James Geniesse (Everett) J. D. Cockrell (Tacoma) James Pennington (Jr. Representative) OFFICERS AND TRUSTEES : TACOMA BRANCH Nels Bjarke, Chairman Wilma Shannon, Treasurer Harry Connor, Vice Chairman Miles Johnson John Freeman (Ex-Officio) (Jr. Representative) Jack Gallagher James Henriot Edith Goodman George Munday Helen Sohlberg, Secretary OFFICERS: EVERETT BRANCH Jim Geniesse, Chairman Dorothy Philipp, Secretary Ralph Mackey, Treasurer COPYRIGHT 1962 BY THE MOUNTAINEERS The Mountaineer Climbing Code· A climbing party of three is the minimum, unless adequate support is available who have knowledge that the climb is in progress. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Registrants' List • GWS 2011 Conference • New Orleans, LA
Registrants’ List • GWS 2011 Conference • New Orleans, LA • March 14–18, 2011 page 1 Jayne Aaron James Akerson Dick Anderson Andrea Atkinson Arch. Historian/Planner Supervisory Ecologist Environmental Protection Specialist Quantitative Ecologist AARCHER Inc. NPS Mid-Atlantic Exotic Plant Mgt. Team Alaska Regional Office, NPS National Park Service - SFCN [email protected] [email protected] [email protected] [email protected] Andrew Ackerman Marc Albert Laura Anderson Doug Austen Social Scientist Stewardship Program Manager Postdoctoral Associate National Coordinator, Landscape Conservation Cooperative Denali NPP NPS - Boston Harbor Islands The University of Vermont U.S. Fish and Wildlife Service [email protected] [email protected] [email protected] [email protected] Craig Ackerman Jeff Albright Mark Anderson Dave Avrin Superintendent Hydrologist Aquatic Ecologist Chief - Resources Management Crater Lake National Park Natural Resource Program Center Glen Canyon National Recreation Area Gateway NRA [email protected] [email protected] [email protected] [email protected] Lisa Acree Judy Alderson Roger Anderson Maria Ayub Botany Program Manager Wilderness and NNL coordinator Training Manager - Cultural Resources Design Advocate for Veve of Afa Project Yosemite National Park Alaska Region-NPS National Park Service ASLA [email protected] [email protected] [email protected] [email protected] Marty Acree Katie Algeo Sean Anderson Timothy Babalis Ecological Restorationist Associate Professor -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Annual Report 2010-2011
ANNUAL REPORT 2010-2011 HEAD OFFICE P.O. BOX 2398 UNIT 111-EIGHT STOREY 8 ASTRO HILL IQALUIT, NUNAVUT, CANADA The Nunavut Film Development Corporation (NFDC) is a non-governmental organization, established by the Government of Nunavut to provide training and funding though various programs for the production and marketing of film, television and digital media. In meeting its mandate, NFDC's vision is to position Nunavut as a competitive, circumpolar production centre, where Nunavummiut and guests can create quality production that is marketed and distributed to both the domestic and global market. Our policies and programs reflect the six guiding principles of Inuit Quajimajatuqangit. OUR MANDATE The mandate of the Nunavut Film Development Corporation is to increase economic and artistic opportunities for Nunavummiut in the film television and digital media industries and to promote Nunavut as a world-class circumpolar production centre. CORE RESPONSIBILITIES The Nunavut Film Development Corporation embraces and accepts that it is responsible to: Ensure that all activities undertaken by to organization will be carried out under the principals of Inuit Quajimajatuqangit (IQ) Work with the community to sustain and grow a competitive Nunavut owned and controlled film, television and digital media industry. Enable Nunavut production companies to foster existing relationships and to equip same with the tools and resources necessary to establish new relationships with national and international co-financing partners. Assist and enhance the ability of the Nunavut film, television and digital media industry to secure development, production, distribution and marketing financing. To utilize best management practices to administer territorial funding programs in an open, equitable and effective manner. -
To the Top of Parks Canada
To the top of Parks Canada As Parks Canada’s centennial celebrations were getting underway, the agency’s chief executive officer, Alan Latourelle (pictured in Torngat Mountains National Park in Labrador), sat down for a conversation with the editors of Canadian Geographic. The complete interview appears here: CG Give us a sense of what the centennial of Parks Canada means for the agency. A.L. For Parks Canada, and for Canada, it is really celebrating the first national park organization in the world. This is a country that had the foresight and leadership to be the first to build an exceptional system of natural and heritage places. J. B. Harkin [first commissioner of the Dominion Parks Branch in 1911] and others before us set the way for a system plan that is representative of our country. So, for me, it is a celebration of who we are as Canadians and of the foresight and leadership of past heads of Parks Canada and past prime ministers. CG How do you go about celebrating that? Tell us about some of the events planned for 2011 that will bring that to life? A.L. It started this weekend with Winterlude here in Ottawa, where the opening ceremony included a project called the National Parks Project. Fifty musicians and filmmakers from Canada went through our national parks last summer and each produced a one‐hour documentary. Some of the best were being showcased at Winterlude. We want to connect Canadians to their stories, to our national parks, to our national historic sites, and invite them to celebrate with us. -
FFF 2004 Program.Qxd 2/20/13 11:18 AM Page 1 2013 FFF8.5X11 Fff2004program.Qxd2/20/1311:18Ampage2 1
2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 2 DAN FRANCIS PHOTOGRAPHY 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 3 ONCE UPON A TIME, MOTION PICTURES WERE ENORMOUS THINGS. Massive amounts of 35mm film were packed neatly in unwieldy padlocked metal cans and sent to a world’s worth of neighborhood cinemas. During my tenure at a local multiplex, a particularly long movie about a boy wizard resulted in a particularly massive film print. I managed to get this print halfway up a particularly steep staircase before tumbling bow-tie first down to what I feared was my doom but was, in fact, a conveniently placed pile of industrial sized bags of Orville Redenbacher. After that, I left it to our fearless projectionists to struggle them up the stairs to dimly lit projection booths. There, hunched over miles of celluloid, they would work into the wee hours of the morning – steady hands and bleary eyes assembling a new adventure. Such was the weight of storytelling. And the enormity of it made sense to me. Should one be able to lose the life and times of Charles Foster Kane if it slides down into that little space between the entertainment center and the wall? Emily Beck FARGO THEATRE Should the battle against an evil galactic empire be shipped in a standard packing envelope lined with those delicious little bubbles? Executive Director Isn’t it only fitting that the epic journey to return The One Ring (back to the fiery chasm from whence it came) be so enormous it could topple a teenager in an usher’s tuxedo made entirely of polyester? But the world turned. -
2010 Program
FESTIVAL PASS $40 (DCAS members/seniors and students), $50 (general public) Note: A festival pass does not guarantee entry into a screening. Please arrive 15 minutes prior to a screening to ensure entry. PASSES & TICKETS SINGLE SCREENING ADMISSION The Dawson City International Short Film Festival is presented by the $6 (DCAS members/seniors & students), $7 (general public) KLONDIKE INSTITUTE OF ART AND CULTURE. We gratefully acknowledge the support of KIAC’s funding agencies and partners for making this possible. DCAS (Dawson City Arts Society) membership: $15 For further information on KIAC and its programs, All events take place at The Odd Fellows Hall, please visit our website at www.kiac.ca 2nd & Princess unless otherwise noted. www.dawsonfilmfest.com Festival Producer: Dan Sokolowski Programming: Dan Sokolowski, Kerry Barber, Tara Rudnickas Projectionists: Florian Boulais, Megan Graham, Aaron Burnie Executive Director: Karen DuBois Front of House Manager: Karen MacKay Programs Manager: Tara Rudnickas Concession Manager: Georgia Fraser Programs Coordinator: Jenna Roebuck Cover and Poster Artworks: Veronica Verkley Administrative Assistant: Kerry Barber Program Design: Dan Sokolowski Gallery Director: Lance Blomgren Festival Committee Klondike Institute of Art and Culture Lulu Keating: Chair, Florian Boulais, Gail Calder, Suzanne Crocker, Box 8000, Dawson City, Yukon Y0B 1G0 Canada Stephanie Davidson, Kit Hepburn, Bill Kendrick, Gord MacRae, tel: 867 993 5005 Daisyanne Maguire, John Overell, Evelyn Pollock, Meg Walker fax: 867 993 5838 [email protected] www.kiac.ca 2010 DAWSON CITY INTERNATIONAL SHORT FILM FESTIVAL 1 ALL SCREENINGS and EVENTS in the ODD FELLOWS HALL BALLROOM unless otherwise noted. Thursday, 7 pm — Thursday, 9:30 pm Feature film by artists in residence Stefan Popescu and Katherine Berger. -
Michael Farnan NCN Thesis Text Body Final
The New Canadian Naturalist A thesis submitted to the College of Graduate Studies and Research in partial fulfillment of the requirements for the Degree of Master of Fine Arts in the Department of Art and Art History, University of Saskatchewan, Saskatoon. By Michael Farnan © Copyright Michael Farnan, October 2011. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a graduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of Art and Art History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A4 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ACKNOWLEDGEMENTS I would like to thank my Supervisor Jennifer Crane for all her support and guidance, as well a big thanks to my committee members, Mary Longman and Keith Bell, and my external advisor Nancy Van Styvendale.