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The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Animac 2014 Se Presenta El Próximo Viernes En Barcelona Con El Animador Chris Landreth
ANIMAC 2014 Mostra Internacional de Cine de Animación de Cataluña Del 20 al 23 de febrero Viernes 7 de febrero · 19h Auditorio del CCCB Animac 2014 se presenta el próximo viernes en Barcelona con el animador Chris Landreth Animación híbrida y psicorrealista con la proyección de su galardonado cortometraje Ryan Animac, la Mostra Internacional de Cine de Animación de Cataluña organizada por el Ayuntamiento de Lleida, dedica su 18ª edición a la animación híbrida y su capacidad de integración en todo tipo de formatos. En su presentación en el CCCB de Barcelona, contaremos con un invitado excepcional: Chris Landreth, animador norteamericano aficando en Canadà i especialista en animación CGI –generada por ordenador– de tipo híbrido, experimental y psicorrealista, como el mismo autor afirma. Antes de la presentación, la directora de la Mostra, Carolina López, presentará oficialmente el programa de Animac 2014 y, acto seguido, se proyectará Ryan, escrito y dirigido por Chris Landreth, y galardonado el año 2004 con el Oscar a Mejor Cortometraje Animado. Además, su último cortometraje, Subconscious Password –premiado en Annecy 2013 con el Grand Crystal– formará parte de la sesión inaugural de Animac 2014, del 20 al 23 de febrero en la ciudad de Lleida. Ryan Escrito y dirigido por Chris Landreth, Canadá, 2004, 14’ El mismo Chris Landreth narra la historia de Ryan Larkin, animador canadiense responsable de algunos de los cortometrajes animados más influyentes de los años 60 y 70. Reinterpretando una serie de entrevistas al propio Larkin y a sus amigos y familiares, este documental animado reconstruye la caída en desgracia de Larkin en el alcoholismo y la drogadicción, que incluso acabó mendigando por las calles para poder llegar a fin de mes. -
MIAF13 88Pp V4:Layout 1
13TH MELBOURNE INTERNATIONAL ANIMATION FESTIVAL 1 DIRECTOR’S MESSAGE Malcolm TURNER DIRECTOR: Melbourne International Animation Festival I have a beautiful god-daughter, Alex. I’m lucky to know her. That her My embrace of the ‘new’ – the DCP – couldn’t have started more Mum and Dad would nominate me to play this kind of role in her life fittingly than with the conversion of the legendary Alex Stitt film, GRENDEL is both a privilege for me and, considering my more or less comprehen- GRENDEL GRENDEL. Through a Pozible crowdfunding campaign that sively spectacular lack of preparedness for the gig, something approaching was supported by many true lovers of Australian film we were able to a reckless dereliction of duty on their part. finance the transfer of an unused 35mm print to this digital format. When I am in Australia I am bogged down with the festival and, Meeting and getting to know Alex and Paddy Stitt has been one of the when I’m overseas, I’m getting ready to get bogged down with the festival great delights of this festival cycle. Being able to utilise MIAF as a vehicle – once off the plane, I quite literally hit the tarmac running. It’s a lifestyle to preserve a digital copy of Alex’s first animated feature is about as I love and it makes MIAF possible but skipping out on taking the good as it gets for a festival like MIAF. The openness, generosity and opportunity to be just a liiiiiittle bit more involved in her life is one of the forbearance they have shown throughout this little adventure is here small number of regrets I suspect will settle on me when life’s fog begins acknowledged and gratefully tributed. -
A Brief Education on Indigenous History
Phillipe & Jorge’s Cool, Cool World: Stuff of Legends: A brief education on Indigenous history Me Tarzan A local athlete you might not have heard of (outside his community) is Ellison Brown, born on the Narragansett Reservation in 1914. A mind-boggling distance runner, Brown was known publicly as “Tarzan,” although members of the tribe called him “Deerfoot.” Tarzan won the 1936 and 1939 Boston Marathons, and was on the historic 1936 US Olympic team that competed in Berlin, but was unable to race due to an injury. But to his credit, reports were that injury didn’t keep him from getting into a fight with some of Adolf Hitler’s Nazis at a local beer garden. A stonemason and shellfisherman, Brown ran distance races barefoot, and if you’re an avowed masochist, try that on for size. He would also disappear into the South County woods for days at a time, getting back to nature in his own way. He overcame a great deal of racism, and according to reports, once said he had to get his hair cut in New London because the barber in Westerly wouldn’t do it. Tarzan Brown has long been a legend in South County and deservedly so. And his duel with the Boston running star John Kelley in the 1936 Marathon, which Tarzan won, led to the christening of “Heartbreak Hill” toward the end of the 26+ miles. (see Fest at motifri.com/TarzanBrown) Mayflower P & J live in The Biggest Little by choice, which we hope is true of all residents. -
![Mon Sept 27 | 8:30 Pm Jack H. Skirball Series $9 [Students $7, Calarts $5]](https://docslib.b-cdn.net/cover/6010/mon-sept-27-8-30-pm-jack-h-skirball-series-9-students-7-calarts-5-1046010.webp)
Mon Sept 27 | 8:30 Pm Jack H. Skirball Series $9 [Students $7, Calarts $5]
FILM AT REDCAT PRESENTS Mon Sept 27 | 8:30 pm Jack H. Skirball Series $9 [students $7, CalArts $5] THE BEST OF OTTAWA 2009 This selection of 12 outstanding films from the Ottawa International Animation Festival 2009, most of which are Los Angeles premieres, reflects the vitality of experimental animation today and includes work from Canada, England, Estonia, France, Germany, Poland, and the United States. Each filmmaker demonstrates a passion for telling stories, whether abstract or figurative, and the works showcase the rich possibilities of animation as personal art. Films include Eric Dyer’s mesmerizing The Bellow’s March, Diego Maclean’s haunting The Art of Drowning, and David OReilly’s sci-fi drama Please Say Something, as well as works by Jake Armstrong, Bastien Dubois, Julian Grey, Rao Heidmets, Stephen Irwin, Gary Leib, Ian Miller, Marv Newland, and Michal Socha. Two new films by American animators who continue to delight, disturb, and enlighten— Myth Labs by Martha Colburn and Presentation Theme by Jim Trainor—will also be screened. In person: Suzan Pitt, Ottawa International Animation Festival jury member “Martha Colburn’s animations charge the frame with such ferocity that it almost hurts to watch… Tacitly these unconscious imaginings give rise to strikingly clear associations, which is why the work is so illuminating—not just for its ideational and aesthetic lushness but for its approach.” – Dena Beard, Berkeley Art museum/Pacific Film Archive Program (TRT 81 min.) Julian Grey: OIAF 2009 Signal Film Head Gear Animation | Canada | 2009 | 0:45 The bouncing ball leads the audience to the 2009 edition of the Ottawa International Animation Festival. -
2012–2013 NFB Annual Report
Annual Report T R L REPO A NNU 20 1 2 A 201 3 TABLE 03 Governance OF CONTENTS 04 Management 01 Message from 05 Summary of the NFB Activities 02 Awards Received 06 Financial Statements Annex I NFB Across Canada Annex II Productions Annex III Independent Film Projects Supported by ACIC and FAP Photos from French Program productions are featured in the French-language version of this annual report at http://onf-nfb.gc.ca/rapports-annuels. © 2013 National Film Board of Canada ©Published 2013 National by: Film Board of Canada Corporate Communications PublishedP.O. Box 6100,by: Station Centre-ville CorporateMontreal, CommunicationsQuebec H3C 3H5 P.O. Box 6100, Station Centre-ville Montreal,Phone:© 2012 514-283-2469 NationalQuebec H3CFilm Board3H5 of Canada Fax: 514-496-4372 Phone:Internet:Published 514-283-2469 onf-nfb.gc.ca by: Fax:Corporate 514-496-4372 Communications Internet:ISBN:P.O. Box 0-7722-1272-4 onf-nfb.gc.ca 6100, Station Centre-ville Montreal, Quebec H3C 3H5 4th quarter 2013 ISBN: 0-7722-1272-4 4thPhone: quarter 514-283-2469 2013 GraphicFax: 514-496-4372 design: Oblik Communication-design GraphicInternet: design: ONF-NFB.gc.ca Oblik Communication-design ISBN: 0-7722-1271-6 4th quarter 2012 Cover: Stories We Tell, Sarah Polley Graphic design: Folio et Garetti Cover: Stories We Tell, Sarah Polley Cover: Soldier Brother Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper 2012–2013 NFB Annual Report 2012–2013 93 Independent film projects IN NUMBERS supported by the NFB (FAP and ACIC) 76 Original NFB films and 135 co-productions Awards 8 491 New productions on Interactive websites NFB.ca/ONF.ca 83 33,721 Digital documents supporting DVD units (and other products) interactive works sold in Canada * 7,957 2 Public installations Public and private screenings at the NFB mediatheques (Montreal and Toronto) and other community screenings 3 Applications for tablets 6,126 Television broadcasts in Canada * The NFB mediatheques were closed on September 1, 2012, and the public screening program was expanded. -
Interview with Gary Leib # VRK-A-L-2010-044 Interview # 1: October 5, 2010 Interviewer: Mark Depue
Interview with Gary Leib # VRK-A-L-2010-044 Interview # 1: October 5, 2010 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Tuesday, October 5, 2010. My name is Mark DePue, Director of Oral History with the Abraham Lincoln Presidential Library, and today I have the honor to be with Gary Leib. Good afternoon, Gary. Leib: Good afternoon, sir. DePue: We are in Gary’s home in Winchester, Illinois, and we’re going to be talking about your experiences, Gary, during the Korean War. But fortunately for me, it’s not an Army perspective; it’s the Navy perspective, and I haven’t had the opportunity to do too many of those. -
GRANADA TELEVISION Film Funding to Match with Private Investment for the Pro Duction of Overnight from a Screenplay H E Wrote Himself
• elM E MA~ • chopper and Beaver aircraft in ities for 16mm, 35mm, inter lating film library. the series. locking systems, slide shows, With the intention of be VANCOUVER VISTAS Vancouver crews predo professional Super 8 and Dolby coming a focal point of access by Rona Gilbertson minate, but the d irectorship sound, a production studio, a for local filmmakers and the • • will be split b e tween east and film studies library and a eircu- The National Film Board is in screen test." Written by Ka west talent. So far, only half have been selected. John M. - pre-production on a series of threen Neilson, the first 20 six one-hour programs to air minutes were shot in February Eckert of Toronto w ill act as nationally which explores the of this year. From h e re, the the new line producer and Harold Tichenor of Vancouver, historical upheaval in the edited version w ill serve to global economy since the In petition for Telefilm and private as the production manager. dustrial Revolution. funding. The WI'iter's Department will again rely on the consulting The Political Economy Series Th e first draft of the feature length screenplay will be fi and contributing expertise of challenges Canadians with an John Dugan, who will coordi nished by May 31, and Sandy unlaundered look at the issues nate from Los Angeles. Hopes Flanagan of the Reel West that mark the new world order are to make the series more Digest will team with Schmidt and options for making Canada action and adventure oriented. -
FFF 2012 Program.Qxp
Opening Events! • Tuesday, March 6th Wednesday Morning • March 7th 12:00 p.m. Opening Press Conference at the Fargo Theatre 9:00 a.m. Registration / Box Office Opens Best in Show Announcements 10:00 a.m. My Hometown • Animation (7 min) Directed by Jerry Levitan and Terry Tompkins, PRE-PARTY • 5:00 - 7:45 p.m. Toronto, ON, Canada – In 2009, Yoko Ono wrote a 220 Broadway • Downtown Fargo timeless message of home, hope, faith and love. Weaving a storyline that encompasses children and places from all over the world, this animation plays out 8:00 p.m. LIVE! AND IN PERSON – Jay and Silent Bob Get Old My Hometown Yoko’s instructional positivism, using a backdrop of her voice, recorded especially for this film. By way of a New Jersey Quick Stop, Kevin Smith and Jason Mewes 10:10 a.m. Falling • Experimental (7 min) Directed by Karim Azimi, Aradbil, Iran have become bona fide pop culture icons. Their on-screen alter egos Jay and A human being is exiled to roam and endure loneliness. Silent Bob are far more than small-town, small-time pot dealers. Armed with Smith’s trademark 10:20 a.m. Serial Killer • Student Film (3 min) Directed by Adam Jacobs, Brooklyn Park, MN dialogue (peppered with carnal references, cultural observations, and pop-culture diatribes) they Two chaps have an argument about the mysterious man skipping towards them. Falling are pranksters, lovers, action heroes and prophets. 10:25 a.m. Heliotropes • Animation (4 min) Directed by Michael Langan – The parallel goals of man and nature are explored through the most primitive “One speaks..