Momaexh 0741 Masterchecklist Graphs, As The

Total Page:16

File Type:pdf, Size:1020Kb

Momaexh 0741 Masterchecklist Graphs, As The Q t 56 pages t 7' grl PHOT h)i Th is book is ar graphs look like It is concerned photographic tr hili ties that a work. The inve radically new THl ess based not 0 difference was - constructed schemes and MoMAExh_0741_MasterChecklist graphs, as the. taken. THE PHD photographs In tion that offer tographer's vis landmark in t 72 illustratio extraordinary graph during John Sza 01 The Muse Edward Steic been awarde one in 1954 IDEA OP LOU! graph the Q ern Ontario. many books JACQUES HE RAPI:IER AND and ANDRE TH 11 WEST DISTill PHOTOGRAPHER'S EYE MoMAExh_0741_MasterChecklist BY JOHN SZARKOWSKI THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY DOUBLEDAY & CO .. ING. GARDEN CITY. NEW YORK EXH. 741 THEPHOTOGRAPHml'SEYE SC : Departmental Reference Collection ABBOTT,Berenice (American) Hands of an Aesthete, 1927 .- The 11useumof Hodern Art (II-70) 06.42 ALVA'lEZBRAVO,Hanuel (Mexican) Eating Place, c. 1940 .- The 11useumof Hode rn Art (V-l92A) ANDRlJO;SSE,Emmy(Dutch) 1,!hite Fish and Arm, c1950- The Museumof Modern Art (n-6l) ATGST,Eugene (French) St. Cloud, c. 19OO?(print by B. Abbott) / The Museumof Mode rn Art (rrr-i u ) ATGlIT,Eugene (French) Side Show, c. 1910 / The Museumof Hoder'll Art (II-50) AVEDON,Richard (American) Ezra Pound, 1958 Lent by the photographer (1-12) BARN1\RDandGIBSON(American) Detail of "Fortifications on Heights of ,.- Centreville, Virginia" from Gardner1s Photographic Sketch Book of the "lar, 1861-1865. Vol. 1, No.5. The Museum of nodern Art CIV-124) BASS,Dr. Edward E (American) Group along country road, . c. 1910? Courtesy of The State Historical Society of Wisconsin (III-88) BAmmlN,Horst (German) Quality, 1963 (photo-mechanical print)...- The Museumof Modern Art (II-55A) *BONICELLI,Giovanni (Italian) The World of Ch'ldren, No.2, Undated Lent by the photographer (IV-130A) BRADY,HathewB. or one of his cameramen (American) All prints are "Courtesy of the Brady Collection, The Library of Con<;ress" Major General William T. Sherman, Undated (1-24) ~ Conspirator Payne Seated, 1865 (I-32) /" SC Rowof Stacked Rifles, Petersburg, Va., April 3, 1865 (II-4l) - Soldiers with 24 pdr , sMge gun, Fort Corcoran, Arlington, Va., c. 1863 ~ SC ( II-43) SC Gp,aveof J. E. B. Stuart, Richmond, Va., 1865 (II-46) ~ r SC Dead Confederatessoldier "I-lith gun, Petersburg, Va., April 3, 1865 (II-47) SC 11a,azine in Battery Rogers, Arlington, Va., c. 1863 (II-47A}- MoMAExh_0741_MasterChecklist Castle Pinckney, Charleston, S. C. c. 1863 (III-l2l) / Dead Confederate soldier near cheveaux-de-frise, Petersburg, Va.,"--- April 3, 1865 (V-178) 183.62 BRANDT,Bill (Rapho-Guillumette) (English) No. 47 from Perspective of Nudes, . Gift of the photographer (V-17S) 1957 64.139 BR~lmT,Bill (Rapho-Guillumette) (English) Child Resting, c. 1950 . Lent by the photographer (V-182) l ~C _BRAC~AI(Rapho-nuillumette) (French) Graffiti, Late 1930 s to 1950's The Museumof Hode"!) Art (II-63) BUCKMI,Peter (American) The Bull Attacks, 1951, Bilbao, from Bullfight (Simonand Schuster, 1958). Lent by the photograoher (II-6).) BUCKLEY,Peter (American) Nanoletina Pass, 1957, °ilbao, from Bullfi,,:ht (Simon and Schuster, 1958). Lent by the ph.otographer (IV-145) BUC1(1E,'I,Peter (American) Matador Circling the Ring in Triumph, 1956, Bilbao, from Bullfight (Simon and Schuster, 195B). Lent by the photogra:pher (V-lB1) BTJCKLEY,Peter (American) Bullfight Critic, 19511, Logrono, from Bullfi'}ht {Simon and SChuster, 195B). Lent by the pho\.,,~apher (V-l92) * BELLOC(?) (American) New Orleans, c. 1905. (girl) Lent by Lee Friedlander (I-33A) 2 ·114 BURCHAllTZ,Hax(German) Sye of Lotte, 1930 Lent by Dr. Otto Steinert (II.6lA) h.l44 BURRI, Rene (Magnum) (Swiss) Shadow of a Tree, 1963 Lent by the photographer (V,J;l:90) C -CALLAHAN,Harry(American) Detroit, 1943 ' The Museumof Modern Art (IV-129) .62 CALLAHAN,Harry(American) Heroic Figure, 1961, Chicago ,..-- The l1useumof Modern Art (V-174) i .89 CA!1ERON,Julia Margaret (English) Portrait of Thomas Carlyle, c. 1867 Lent by The Royal Photographic Society, Permanent Collection, London (I-3l) 92 v• CMERON,Julia Margaret (English) Casseopea, 1856 Lent by the Science Huseum, London (I-25A) CAPA, Robert (Hagnum) (American) Normandy, 1944 / The Museumof Modern Art (II-hh) 5 CAPONFlRO,Paul (American) Untitled (Tree stump), 1957 Lent anonymous.Iy (III-1l7) CARTI\H-BRESSON,Henri (Magnum)(French) Callejon of the Valencia Arena, 1933 Lent by the photogr-apher (III-I03) CARTIER-BRESSON,denri (Ha,;num)(French) Children Playing in Ruins, Seville, Spain, 1933. The l'Iuseum of Modem Art. (IV-158) CARTn"-BR~SSON,Henri (Hagnum)(French) ~ladrid, Spain, 1933 The Museum of I"lodern Art (IV-159) CAHTI":'!-BR"BsnN,Henri (Nagnum) (French) Behind Gare St. Lazare, 1932 Lent by the photographer (IV-l00) COBURNAlvin Langdon (American) The Octopus, Ne~1York, 1912 Lent b§- the George Eastman House (v-165) CORSINI, Haro.Ld (American) Erie Canal, NewYork 1946 Courtesy of the Standard 9i:l- Companyof NewJersey (II-65) COSTA,Joe (American) Bruno Hauptmann's casket carried from Trenton State Prison, 1936. Courtesy of the NewYork Daily News (v-169) DECARI,VA,Roy(American) Untitled (Hands and briefcase) 1959 Lent by the ph'Jtographer (II-76) DOISNBAU,Rohert (Rapho-Guillumette) (French) M~nin front of Notre Dame, 1956 LentMoMAExh_0741_MasterChecklist by the photographer (1-5) -- DOISN~U, Robert (Rapho-Oufl Iuroet.t.e) (French) Untitled (Policeman and lovers along the Seine), c. 195h. Lent by the photozraphe r (III-96A.) DOISNV,AU,Robert(Ra,..,ho-Guillumette) (French) Untitled (Photographer shooting group in farmyard), 1957-8. Lent b'J the phvtographez- (IV-139) DOISNEPU,Robert (Rapho-Guillumette) (French) Untitled (Photographer shooting 1"arrnyard), 1957-8. Lent by the phot.crrrapher- (rvo-lho) nu CAl1P,Haxime (French) Temple of Kardassy, Nubia, 1850 (From calotype negative:by Blanquart-Evrard for the album Egypte, Nubie, Palestine et SITie, Paris 1852). Lent by the Georo~eEastman House (I-II) DUNCAN,DavidDouglas (American) Korea, 1950, from This Is ).Jar Gift of the photographer (II-h8) EDGE'1TON,Dr. Harold E., K. J. Germeshausen and H. E. Grier (American) Swirls and Eddies of a Tennis Stroke, 1939~ Gift of the photographers (IV-127) 6h.160 BRlnTT, Elliott (Hagnum) (American) Yale I s Oldest Living Graduate, 1956 Lent by the photographer (III-86) 6h.159 ERHITT..Elliott (Magnum) (American) Swirling Room, Fontainebleau Hotel, Miami Beach, 1962. Lent by the photographer (I-20) E'i'ltlITT, Elliott (1'lagnum) (American) San Francisco, c. 1955. (woman) Lent by the photogra°pher (V-l91B) / 3 292.63 - 8V1'.NS,vlalker (American) Penny Picture Display, Sal3.nnah, 1936 / The Museumof Modern Art (1-3) EVANS,Walker (American) Cotton Tenant Farmer's Wife, Alabama, 1936 The Huseumof Modern Art (1-30) 64.1621'. 8VANS,Walker (American) Torn Movie Poster, 1930 Lent by the photographer (II-59) 64.161 EVANS,Halker (American) Interior of W. Va. Coal Miner I s House, 1935 Lent by the photographer (II-nO) 396.56 '"VANS, Halker (American) Kitchen Wall in B. F.'s House, Alabama, 1936 The uuseumof IJJodern Art (II-60A) 64.93 - FRNTON,Roger(English) The Valley of The Shadowof Death, 1855, Crimea Lent by the Science Museum,Landon (11-45) 64.163 - FlUNK, Robert (Swiss) Covered Car, Long Beach, California, 1955-7, from The Americans. Lent by the ph0 tClR;rapher (I-L3) 64.164 FRA!.lK,Robert (Swiss) Luncheonette, Butte, 11ontana, 1955-7, from The Americans. Lent by the photographer (III-84) FRA'JK,Robert (Swiss) US90, Texas, 1955, from The Americans. The Museumof Nod.ern Art (III-I05) 411.59 FRANK,Robert (&wiss) Parade, Hoboken, N. J., 1955, from The Americans The Museumof i"1odern Art (V_lOt,) 64.165 FRA"K,Robert (Swiss) Political Rally, Chical;o, 1955-7, from The Americans Lent by the photographer ('1-193) 64.162B FRANK,Robert (SWiss) Barber shop seen through screen door, McClellanville, S. Carolina,1955-7, from TheAmericans. Lent by the photograp her (v-lab) 64.166 - FRIEDLAND\R,Lee(American) (TV in bedr-oom}, 19113 Lent by the photographer (1-2) 64.167 F1USDLANDSR,Lee(American) (Dog in ..ri.ndotc}, 1963 Lent by the photographer (II-67) 64.168 F'RmDLA~mS",Lee(American) ('ged in store Hindow), 1963 Lent bv the photographer (V-18S) 64.298 GARN'ITT,irJillil!llll(American) Untitled (Aerial vieH), 1951, Lent by the photographer ('1-1901'.) 64.173 GIPCOMBLLI,Hario (Italian) Scanno, 1963 MoMAExh_0741_MasterChecklist Lent by tho photographer (1'1-11)2) --- 64.178 '}ROSBLI,Rene (German) NudeDressing, undated Lent by the photographer (I'l-lSS) 64.176 HAl-lAYA,Hiroshi (l1agnum) (Japanese) A Paddy Planting Homan, Toyama, Japan 1955; Lent by the photographer (II-62) 64.177 HANAYA, Hiroshi (Magnum) (Japanese) The Child of the F=er's Family, Aomori Japan, 1957. Lent by the photographer ('1-188) 64.190 HAUN,Declan (American) Justice, 1963 Lent by the photoq,rapher (II-57) SC BAMM, Clarence (1unerican) Cavemen Initiate Dewey, 1948 Courtesy of The Associated Press (IV-133) 190.63 HBYMAN,Ken(American) Untitled (Laught.nz girl), 1962, for Alliance for Pro- gress. The l1useum of l10dernArt (IV-148) _ SC H08rY;:RSTlffi10(Anerican) AnonymousPortrait Courtesy of the Minnesota Historical Society (1-11) 64.179 HU'3llANN,Franz(German) (Waiter in coffee hause), Undated Lent by the photographer (1'1-153) 64.180 JOS"1)HS~N,Ken(American) Season IS I}reetings, 1963 Lent by the photographer ('1-189) 4 64.85 - KEITH, Dr. Thomas(1827-95) (Scottish) (Ivy wall), 1852-6, calotype Lent by Andre Jammes (II-49) 64.18]; K'<;RTESZ,Andre(American) Tudor City, 1962 Lent by the photogr-apher- ( III-83) 64.182- KERTESZ;Andre (American) (Billboard), 1962 Lent by -the photographer (III-97) 64.183 KERTESZ,Andre (ltmerican) ThomasJefferson, Munson-1;hlliams-Proctor Huseum,1961> Lent by the photographer (III-99) 64.184-KERTESZ,Andre {American (Railroad station), 1937 Lent by the photographer (III-IO?) 64.185 Kl\RTESZ,Andre (American) (Brick walls), 1961 Lent by the phot.ogr-aohe'r (III-122) 64.186-KERTESZ,Andre ("'merican) (Chagall family, 1933) Lent by the photographer (V.164) 64.18} KERTESZ,Andre' (American) St.
Recommended publications
  • Annual Report 2018
    Annual Report 2018 IST Austria scientists by The Scientists country of previous institution Austria 15.6% Germany 13.8% USA 11.1% of IST Austria UK 7.2% Spain 4.5% France 4.5% Italy 4.2% Scientists come from all over the world to conduct Switzerland 3.6% research at IST Austria. This map provides an overview Czech Republic 3.3% China 3.0% of the nationalities on campus. Russia 2.7% India 2.4% Other 24.1% North America Europe Asia Canada Austria Afghanistan Mexico Belgium China USA Bosnia and India Herzegovina Iran Bulgaria Israel Croatia Japan Cyprus Jordan Czech Republic Nepal Denmark Palestine Estonia Russia Finland Turkey France Vietnam Germany Greece Hungary Italy Lithuania Netherlands Poland Portugal Romania Serbia IST Austria scientists by nationality Slovakia Austria 15.6% Slovenia Germany 11.1% Spain Italy 5.7% South America Sweden Russia 5.1% Argentina Switzerland China 4.8% Bolivia Slovakia 4.5% UK Brazil Hungary 4.2% Ukraine India 4.2% Chile Poland 3.3% Colombia Czech Republic 3.3% France 3.0% Spain 2.7% UK 2.4% Oceania United States 2.4% Australia Other 27.7% Content Introduction Outreach & Events 4 Foreword by the President 70 Outreach and 6 Board Member Statements Science Education 72 Scientific Discourse Institute Development 8 10 Years IST Austria IST Austria's Future 18 A Decade of Growth 76 Technology Transfer 20 A Decade of Science 78 Donors 26 IST Austria at a Glance 28 Campus Life 81 Facts & Figures Education & Career 30 Career Options at IST Austria 32 PhD Students at IST Austria 38 Interns at IST Austria 40 Postdocs at IST Austria 42 IST Austria Alumni 44 New Professors Research & Work 48 Biology 50 Computer Science 52 Mathematics 54 Neuroscience 56 Physics 60 Scientific Service Units 62 Staff Scientists 66 Administration 2 3 Foreword Thomas A.
    [Show full text]
  • Non-Target Effects of Insect Biocontrol Agents and Trends in Host Specificity Since 1985
    CAB Reviews 2016 11, No. 044 Non-target effects of insect biocontrol agents and trends in host specificity since 1985 Roy Van Driesche*1 and Mark Hoddle2 Address: 1 Department of Environmental Conservation, University of Massachusetts, Amherst, MA 01003-9285, USA. 2 Department of Entomology, University of California, Riverside, CA 92521, USA. *Correspondence: Roy Van Driesche, Email: [email protected] Received: 6 October 2016 Accepted: 7 November 2016 doi: 10.1079/PAVSNNR201611044 The electronic version of this article is the definitive one. It is located here: http://www.cabi.org/cabreviews © CAB International 2016 (Online ISSN 1749-8848) Abstract Non-target impacts of parasitoids and predaceous arthropods used for classical biological control of invasive insects include five types of impact: (1) direct attacks on native insects; (2) negative foodweb effects, such as competition for prey, apparent competition, or displacement of native species; (3) positive foodweb effects that benefited non-target species; (4) hybridization of native species with introduced natural enemies; and (5) attacks on introduced weed biocontrol agents. Examples are presented and the commonness of effects discussed. For the most recent three decades (1985–2015), analysis of literature on the host range information for 158 species of parasitoids introduced in this period showed a shift in the third decade (2005–2015) towards a preponderance of agents with an index of genus-level (60%) or species-level (8%) specificity (with only 12% being assigned a family-level or above index of specificity) compared with the first and second decades, when 50 and 40% of introductions had family level or above categorizations of specificity and only 21–27 (1985–1994 and 1995–2004, respectively) with genus or 1–11% (1985–1994 and 1995–2004, respectively) with species-level specificity.
    [Show full text]
  • Des Bêtes... ” Jacques Prévert Et Ylla
    “ Des bêtes... ” Jacques Prévert et Ylla Maison Catalogue Jacques Prévert d’exposition Omonville-la-Petite Des bêtes… Jacques Prévert et Ylla Exposition du 9 avril 2011 au 12 mars 2012 Maison Jacques Prévert Omonville-la-Petite (Manche) Conseil général de la Manche - Direction des Sites et musées Ylla et un zèbre au zoo de Vincennes Jacques Prévert, Alexandre Trauner en arrière plan Ergy Landau, vers 1947, Vincennes Ylla, été 1948, Saint Paul de Vence Collection Pryor Dodge Collection Pryor Dodge © Ergy Landau / RAPHO © Ylla / RAPHO Sommaire Retour sur la rencontre entre le poète et la photographe animalière… 2 Jacques Prévert et Ylla : l’affi nité singulière des mots et du regard Une amitié transatlantique Le petit lion 6 Ode à l’imagination Des bêtes… 8 « Simplement la déchirante beauté de la vie » Prévert et les bêtes 10 Défenseur de la condition animale Ylla 12 Femme aventurière, photographe pionnière Du studio aux grands espaces 14 L’animal sous toutes ses coutures Les livres d’images d’Ylla 16 Des histoires à voir Pour la Maison Jacques Prévert, la réédition de Des bêtes… par Le cherche-midi éditeur est l’occasion de se pencher une nouvelle fois sur une création de Jacques Prévert en collaboration avec un autre artiste. Dans ce site patrimonial consacré aujourd’hui à la mise en valeur de l’univers de Jacques Prévert, une exposition propose chaque année d’explorer une facette de son travail, en particulier ses innombrables créations avec ses amis. Ces expositions s’élaborent en étroite concertation avec Fatras/Succession Jacques Prévert. Après le décorateur Alexandre Trauner, les surréalistes Georges Ribemont-Dessaignes et Max Ernst, l’imagière Jacqueline Duhême, puis André François en 2009 et la passion de Jacques Prévert pour la photographie en 2010, c’est au tour de la photographe animalière Ylla d’être à l’honneur à Omonville-la-Petite.
    [Show full text]
  • Elist 37: Signed & Inscribed ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
    ANDREW ElistPHOTOGRAPHY 37 1 Elist 37: Signed & Inscribed ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1.
    [Show full text]
  • Picture Collection Subject Index
    Picture Collection Subject Index Updated 06/05/15 1 Abacus Advertising • 1900 -1919 • 1920 -1929 • 1930 -1939 • 1940 -1949 • 1950 -1959 • 1960 -1964 • 1965 -1969 • 1970 -1979 • 1980 -1984 • 1985 - 1989 • 1990 - 1999 • 2000 – • Benetton • Cigarettes (misc.) • Camel • Chesterfield • Lucky Strike • Charles Jourdan • Coca-Cola • Engravings • Foreign • General Dynamics (IBM) • Historic • Liquor (misc.) • Absolut • Budweiser • Medical • Orange crates • Packaging • Posters I, II (misc.) • Concert • Foreign (misc.) • Japan • Poland • Russia • Historic (misc.) • Belgium • France • Misc. • U.S. • London Transport • Theater • War • Seed Catalogues, packets • Trademarks I,II • Travel • World War II 2 • Afghanistan (See also: Costume-Afghanistan, Terrorism, Religion-Islam) Africa (See also: Costume-Africa) • Algeria • Niger • Botswana • Nigeria • Central • Rwanda & Burundi • Congo (Belgian Congo/Zaire) • Somalia • Eritria & Djibouti • South • Ethiopia • Sudan • Ghana • Tanzania (Serengeti, Savannah) • Kenya (Serengeti, Savannah) • Tunisia • Liberia • Uganda • Libya • West • Madagascar • Zanzibar • Mali • Zimbabwe (formerly Rhodesia) • Morocco • Mozambique • Air Traffic Control Aircraft (See also: Airplanes; U.S. Armed Forces) • Assembly, parts • Aviators, crews (See also: Persons Earhart, Persons- Lindbergh) • Dirigibles • Disasters & rescues • Drones • Experimental • Formation & stunt flying • Gliders • Helicopters • Interiors & Meals • Interiors - Cockpits • Misc. • Ultralight • Airfreight Airplanes • Foreign • 1930-39 • 1940-49 • 1950-59 • 1960-69
    [Show full text]
  • Dispersal Timing and Drought History Influence the Response of Bacterioplankton to Drying– Rewetting Stress
    The ISME Journal (2017) 11, 1764–1776 © 2017 International Society for Microbial Ecology All rights reserved 1751-7362/17 www.nature.com/ismej ORIGINAL ARTICLE Dispersal timing and drought history influence the response of bacterioplankton to drying– rewetting stress Anna J Székely and Silke Langenheder Department of Ecology and Genetics/Limnology, Uppsala University, Uppsala, Sweden The extent and frequency of drought episodes is expected to increase in the following decades making it a crucial stress factor for smaller water bodies. However, very little is known about how bacterioplankton is affected by increased evaporation and how these communities reassemble after rewetting. Here, we present results from a microcosm experiment that assessed the effect of drying– rewetting stress on bacterioplankton in the light of the stress history and the rate and timing of dispersal after the rewetting. We found that the drying phase resulted mainly in a change of function, whereas the complete desiccation and rewetting processes strongly affected both composition and function, which were, however, influenced by the initial conditions and stress history of the communities. Effects of dispersal were generally stronger when it occurred at an early stage after the rewetting. At this stage, selective establishment of dispersed bacteria coupled with enhanced compositional and functional recovery was found, whereas effects of dispersal were neutral, that is, predictable by dispersal rates, at later stages. Our studies therefore show that both the stress history and the timing of dispersal are important factors that influence the response of bacterial communities to environmental change and stress events. The ISME Journal (2017) 11, 1764–1776; doi:10.1038/ismej.2017.55; published online 25 April 2017 Introduction completely dry and (3) the rewetting or rehydration process.
    [Show full text]
  • 114 Depressaria Pyrenaella Sp. N
    Ent Rec 125(3):Layout 1 11/06/2013 16:40 Page 114 114 Entomologist’s Rec. J. Var. 125 (2013) Depressaria pyrenaella sp. n. – A confused species from south-western europe (Lep. : depressAriidAe) Jan Šumpich Česká Bělá 212, CZ-582 61 Česká Bělá, Czech Republic (E-mail: [email protected]) Abstract Depressaria pyrenaella Šumpich, sp.n. is described from Spain and France, where it was found at higher elevations of the pyrenees. The new species is illustrated in colour and compared with similar and related species and its male genitalia are pictured. The first record of Depressaria cervicella herrich-Schäffer, 1854 from the European part of Russia is given. Keywords : Lepidoptera, Depressariidae, Depressaria pyrenaella, new taxon. introduction The family Depressariidae contains a number of conspicuous and attractive species but, to date, has not been critically overhauled taxonomically, for the palaearctic or even in Europe. many groups of familiar species require a thorough revision or, in contrast, many conspicuous species remain unnamed as a consequence of avoiding the description of a species already defined. During my visit to The natural history museum in London in 2008, i had an opportunity to study microlepidoptera collections there. among others, i noticed a Spanish specimen included, tentatively, with Depressaria zelleri Staudinger, 1879, but being remarkably different from the typical form. Several years later i found the same species while studying collections of the naturhistorisches museum in Vienna. There it was classed as Depressaria cervicella herrich-Schäffer, 1854 from which it was hard to distinguish. after a comparative study of genitalia in relative and similar species and a revision of available literature it was apparent that this was a new, undescribed species.
    [Show full text]
  • Molecular Characterization of Genetic Diversity in Apricot Cultivars: Current Situation and Future Perspectives
    agronomy Article Molecular Characterization of Genetic Diversity in Apricot Cultivars: Current Situation and Future Perspectives Sara Herrera 1,2,*, José I. Hormaza 3 , Jorge Lora 3 , Guillem Ylla 4 and Javier Rodrigo 1,2 1 Unidad de Hortofruticultura, Centro de Investigación y Tecnología Agroalimentaria de Aragón (CITA), Avda. Montañana 930, 50059 Zaragoza, Spain; [email protected] 2 Instituto Agroalimentario de Aragón-IA2 (CITA-Universidad de Zaragoza), 50013 Zaragoza, Spain 3 Subtropical Fruit Crops Department, Instituto de Hortofruticultura Subtropical y Mediterránea La Mayora (IHSM La Mayora-CSIC-UMA), 29750 Algarrobo-Costa, Spain; [email protected] (J.I.H.); [email protected] (J.L.) 4 Department of Organismic and Evolutionary Biology, Harvard University, Cambridge, MA 02138, USA; [email protected] * Correspondence: [email protected]; Tel.: +34-976-716-307 Abstract: In the recent years, an important renewal of apricot cultivars is taking place worldwide with the introduction of a large number of new releases, which are replacing traditional and local cultivars in many situations. To study the current genetic diversity, a group of 202 apricot accessions, including landraces and releases from breeding programs in several countries, has been characterized using 13 microsatellite markers. The diversity parameters showed higher diversity in modern releases than in landraces, but also suggested a loss of diversity associated with recent breeding. Two main clusters according to the pedigree origin of the accessions were clearly differentiated in the phylogenetic analysis based on Nei’s genetic distance. The first group comprised mostly European and North American traditional cultivars, and the second group included the majority of recent and commercial Citation: Herrera, S.; Hormaza, J.I.; releases from breeding programs.
    [Show full text]
  • La Photographie Dans Les Livres Pour Enfants
    Le Petit lion, Ylla, Gallimard, © Photo Ylla/Rapho 48 /LA REVUE DES LIVRES POUR ENFANTS GRAND ANGLE OÙ IL S'AGIT D'UNE PRISE DE VUE SUR LA CRITIQUE FRANÇAISE DE L'ALBUM PHOTOGRAPHIQUE - D'UN INVENTAIRE DES RÉFLEXIONS ET HYPOTHÈSES QUE SUSCITE L'IMAGE PHOTOGRAPHIQUE DANS LES LIVRES POUR ENFANTS - D'UN PANORAMA EN FRICHE ET EN FICHES SUR L'HISTOIRE DU LIVRE DE PHOTO POUR ENFANTS DANS LE MONDE. par Michel Defourny' eu de travaux en langue française « classiques » étrangers de haut niveau n'ont P approchent le livre-album photogra- jamais été révélés dans les pays francophones ? phique pour enfants : à peine quelques articles dispersés au hasard des revues, à Clichés : l'album photographique peine quelques pages dans des essais ou des pour enfants et la critique française catalogues qui traitent de façon générale du statut de l'image. Si les historiens de la littéra- Tout se passe comme si chacun, éditeurs, ture de jeunesse semblent l'ignorer systémati- parents, bibliothécaires, enseignants, libraires, quement, les spécialistes de la photographie critiques avaient intériorisé le « cliché » selon font de même. Reconnaissons d'emblée que les lequel entre enfant et photographie, entre albums photographiques constituent une album et photo, ça ne marche pas vraiment. minorité au sein de la production jeunesse par « Tous les éducateurs - écrivait Marion Durand, ailleurs très abondante et qu'ils n'ont jamais en 1975 - s'accordent à reconnaître que le tout rencontré un réel succès, en dépit de remar- jeune enfant éprouve des difficultés réelles quables
    [Show full text]
  • Paris Match – S´Wiat: East/West Image Transfer in the Weekly Magazine S´Wiat (1951–1969) and the Impact of the Magnum Style on Photo-Reportage in Poland
    INTERNATIONAL JOURNAL FOR HISTORY, CULTURE AND MODERNITY www.history-culture-modernity.org Published by: Uopen Journals Copyright: © The Author(s). Content is licensed under a Creative Commons Attribution 4.0 International Licence eISSN: 2213-0624 Life – Paris Match – S´wiat: East/West Image Transfer in the Weekly Magazine S´wiat (1951–1969) and the Impact of the Magnum Style on Photo-Reportage in Poland Margarete Wach HCM 5 (1): 101–129 DOI: 10.18352/hcm.525 Abstract Polish photo-reportage of the 1950s and 1960s was crucially shaped by the illustrated weekly newspaper S´wiat (The World, 1951–1969). The magazine was conceived in the heyday of Stalinism and the social- ist realist doctrine to keep pace with its Western counterparts Life, Paris Match or Picture Post during the Cold War. In the new political system, the social role of photography was to agitate, but the photo- editor-in-chief, Władysław Sławny (1907–1991), designed S´wiat in the style of Henry Cartier-Bresson’s ‘decisive moment’ aesthetics. He published the works of Magnum photographers and other Western colleagues. This article analyzes the massive transfer of knowledge, human resources and photography between Poland and France which flowered in the 1950s. The transcultural exchange was implemented with the aid of personal contacts and editorial practice that promoted photo transfer from the West and corresponded with the atmosphere of the ‘thaw’ after Stalin’s death. It shows that photographers trav- elled eastwards as well as westwards, and that the Iron Curtain was visually more permeable in both directions than has previously been suggested.
    [Show full text]
  • Zemlinsky (1871-1942) Qu’Il Soit Monté
    Alexander von Zemlinsky (1871-1942) qu’il soit monté. Parmi ses opéras ultérieurs figurent dernier mouvement, marqué Sehr innig und breit, DDD Symphonie n° 1 en ré mineur • Symphonie n° 2 en si bémol majeur deux ouvrages inspirés d’Oscar Wilde, Eine débute avec des airs d’introspection lyrique et présente Florentinische Tragödie, et Der Zwerg, adaptation de des passages d’une beauté remarquable avant 8.557008 Le compositeur et chef d’orchestre autrichien pour exemple Socrate, dont la relative laideur était L’anniversaire de l’infante. d’atteindre sa songeuse conclusion. Alexander von Alexander von Zemlinsky naquit à Vienne en 1871. Ses manifestement transcendée par la beauté de son âme. En plus de ces ouvrages et d’autres pièces pour la En 1897, année où fut créé son opéra Sarema, œuvres ont été quelque peu éclipsées par les Pour lui répondre, Alma cita Zemlinsky comme un scène, Zemlinsky écrivit des mélodies, de la musique de Zemlinsky acheva sa Symphonie n° 2, œuvre qui fut très compositions controversées et influentes de son beau- homme dont l’intellect le rendait beau en dépit de sa chambre et quatre symphonies. La dernière d’entre bien accueillie par le public. Elle débute par un ZEMLINSKY frère Arnold Schoenberg, avec Alban Berg et Anton laideur physique. On se mit à débattre d’un nouveau elles, la Lyrische Sinfonie de 1923, utilisant un texte de mouvement plein d’une grandeur affirmée évoquant Webern d’une part, et par celles de son contemporain et ballet de Zemlinsky, Der Triumph der Zeit, dont Mahler Rabindranath Tagore, fut citée par Berg dans sa Suite Wagner.
    [Show full text]
  • Finding Aid for the Ylla Archive, 1937 - 1985 AG 138
    Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the Ylla archive, 1937 - 1985 AG 138 Finding aid created by Paloma Phelps, 2017 AG 138: Ylla archive - page 2 Ylla archive, 1937 - 1985 AG 138 Creator Ylla, 1910-1955 Abstract Papers, photographic materials, and publications, 1937-1985, of the photographer Ylla (born Camilla Koffler, 1911-1955). Includes correspondence, writings, biographical information, clippings, photographs, transparencies, and publications. The bulk of the collection documents Ylla’s career as an animal photographer. Quantity/ Extent 8 linear feet Language of Materials English, French Biographical/ Historical Note 1911 Born Camilla Koffler in Vienna, Austria, to Rumanian and Hungarian parents. 1925 Rejoined her mother in Belgrade, Yugoslavia. 1927 Studied art in Belgrade. 1931 Studied art in Paris for six months. 1933 Began study of sculpture in Paris. 1933 Began work as an assistant to the photographer Ergy Landau in her Paris portrait studio. 1937 Published first books, Yllas Dog Fancies, Chats par Ylla, and Chiens par Ylla. 1940 Left France for the United States, after obtaining a visa with the help of the Museum of Modern Art. 1953 Made a 6,000-mile trip through Africa. 1953 With her mother, Ylla was a passenger in a small plane which crashed into the sea off Cape Cod, Massachusetts, July 8. Her mother and a second passenger died in the accident; Ylla and the pilot were rescued. AG 138: Ylla archive - page 3 1954 Arrived in India, September 7.
    [Show full text]