Finding Aid for the Ylla Archive, 1937 - 1985 AG 138
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Margaret Wise Brown and Bedtime Parody Sand
Lunar Perturbations – How Did We Get from Goodnight Moon to Go the F**k to Sleep?: Margaret Wise Brown and Bedtime Parody Sandy Hudock Colorado State University-Pueblo From an Audi commercial to celebrating the end of the second Bush presidency to the ghost of Mama Cass presiding over a dead Keith Moon, to the ubiquity of the iPad, Good Night Moon has been and no doubt will continue to be parodied or invoked for generations to come. Songwriters reference it, the television show The Wire gives an urban twist to its constant refrain of “good night-----“ with “good night, po-pos, good night hoppers, good night hustlers…” What makes this story so much a part of the collective consciousness, a veritable cultural meme? How did Margaret Wise Brown’s life and her influence in children's publishing result in the longstanding enchantment of Good Night Moon? Recent political and cultural parodies of the go to bed genre all ultimately hearken back to this one simple story painted in green and orange, and the intrinsic comfort it provides to children as a go to bed ritual. Born in New York in 1910 to a wealthy family, Brown was a middle child whose parents’ many moves within the Long Island area required that she change schools four times while growing up, including a stint at a Swiss boarding school. As a child, she made up stories (in her family, a polite way of saying she told lies) and then challenged her siblings to look up the answers in the multi-volume Book of Knowledge, for which she later penned two entries on writing for small children. -
(ALSC) Caldecott Medal & Honor Books, 1938 to Present
Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2014 Medal Winner: Locomotive, written and illustrated by Brian Floca (Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) 2014 Honor Books: Journey, written and illustrated by Aaron Becker (Candlewick Press) Flora and the Flamingo, written and illustrated by Molly Idle (Chronicle Books) Mr. Wuffles! written and illustrated by David Wiesner (Clarion Books, an imprint of Houghton Mifflin Harcourt Publishing) 2013 Medal Winner: This Is Not My Hat, written and illustrated by Jon Klassen (Candlewick Press) 2013 Honor Books: Creepy Carrots!, illustrated by Peter Brown, written by Aaron Reynolds (Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division) Extra Yarn, illustrated by Jon Klassen, written by Mac Barnett (Balzer + Bray, an imprint of HarperCollins Publishers) Green, illustrated and written by Laura Vaccaro Seeger (Neal Porter Books, an imprint of Roaring Brook Press) One Cool Friend, illustrated by David Small, written by Toni Buzzeo (Dial Books for Young Readers, a division of Penguin Young Readers Group) Sleep Like a Tiger, illustrated by Pamela Zagarenski, written by Mary Logue (Houghton Mifflin Books for Children, an imprint of Houghton Mifflin Harcourt Publishing Company) 2012 Medal Winner: A Ball for Daisy by Chris Raschka (Schwartz & Wade Books, an imprint of Random House Children's Books, a division of Random House, Inc.) 2013 Honor Books: Blackout by John Rocco (Disney · Hyperion Books, an imprint of Disney Book Group) Grandpa Green by Lane Smith (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership) Me...Jane by Patrick McDonnell (Little, Brown and Company, a division of Hachette Book Group, Inc.) 2011 Medal Winner: A Sick Day for Amos McGee, illustrated by Erin E. -
Clement Hurd Drawings 1955, 1958BASC 11
http://oac.cdlib.org/findaid/ark:/13030/c8wm1mgw No online items Finding Aid to the Clement Hurd Drawings 1955, 1958BASC 11 Finding aid prepared by Susanne Mari Sakai Book Arts & Special Collections February 2020 100 Larkin Street San Francisco 94102 [email protected] URL: http://sfpl.org/index.php?pg=0200000201 Finding Aid to the Clement Hurd BASC 11 1 Drawings 1955, 1958BASC 11 Title: Clement Hurd Drawings Date: 1955, 1958 Identifier/Call Number: BASC 11 Creator: Hurd, Clement, 1908-1988 Physical Description: 1 flat file, 1 oversize flat box(2 linear feet) Contributing Institution: Book Arts & Special Collections Abstract: The collection contains original artwork by Clement Hurd for the children's books The Cat from Telegraph Hill and The Faraway Christmas: A Story of the Farallon Islands, both written by his wife Edith Thacher Hurd and published in the 1950's. Collection is stored on site. Language of Materials: Collection materials are in English. Conditions Governing Access Collection is open for research and is available for use during Book Arts & Special Collections hours. Publication Rights Copyright has not been assigned to the San Francisco Public Library. All requests for permission to publish or quote from materials must be submitted in writing to Book Arts & Special Collections. Permission for publication is given on behalf of the San Francisco Public Library as the owner of the physical items. Preferred Citation [Identification of item/Title of folder], Clement Hurd Drawings (BASC 11), Book Arts & Special Collections, San Francisco Public Library. Provenance Transferred from the San Francisco Public Library's Children's Department in or after 1993. -
Barrington Bunny: Case of the Curious Clouds a Narrative Picture Book for Symbolic Play and STEM Curriculum
Bank Street College of Education Educate Graduate Student Independent Studies Spring 4-23-2020 Barrington Bunny: case of the curious clouds a narrative picture book for symbolic play and STEM curriculum Claudia Chung Bank Street College of Education, [email protected] Follow this and additional works at: https://educate.bankstreet.edu/independent-studies Part of the Curriculum and Instruction Commons, Early Childhood Education Commons, and the Educational Methods Commons Recommended Citation Chung, C. (2020). Barrington Bunny: case of the curious clouds a narrative picture book for symbolic play and STEM curriculum. New York : Bank Street College of Education. Retrieved from https://educate.bankstreet.edu/independent-studies/253 This Thesis is brought to you for free and open access by Educate. It has been accepted for inclusion in Graduate Student Independent Studies by an authorized administrator of Educate. For more information, please contact [email protected]. 1 Barrington Bunny: Case of the Curious Clouds A Narrative Picture Book for Symbolic Play And STEM Curriculum By Claudia Chung Early Childhood and Childhood General Education Faculty Mentor: Stan Chu Submitted in partial fulfillment of the requirements of the degree of Masters of Science in Education Bank Street Graduate School of Education 2020 2 “I believe that at five we reach a point not to be achieved again and from whichever, after we at best keep and most often go down from. And so at 2 and 13, at 20 & 30 & 21 & 18 — each year has the newness of its own awareness to one alive. Alive- and life. “ — Margaret Wise Brown 3 Abstract Adults constantly use their imagination to help them visualize, problem-solve, enjoy a book, empathize, and think creatively. -
APPENDIX ALCOTT, Louisa May
APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story. -
Book XVIII Prizes and Organizations Editor: Ramon F
8 88 8 88 Organizations 8888on.com 8888 Basic Photography in 180 Days Book XVIII Prizes and Organizations Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Group f/64 ............................................... 1 1.1.1 Background .......................................... 2 1.1.2 Formation and participants .................................. 2 1.1.3 Name and purpose ...................................... 4 1.1.4 Manifesto ........................................... 4 1.1.5 Aesthetics ........................................... 5 1.1.6 History ............................................ 5 1.1.7 Notes ............................................. 5 1.1.8 Sources ............................................ 6 1.2 Magnum Photos ............................................ 6 1.2.1 Founding of agency ...................................... 6 1.2.2 Elections of new members .................................. 6 1.2.3 Photographic collection .................................... 8 1.2.4 Graduate Photographers Award ................................ 8 1.2.5 Member list .......................................... 8 1.2.6 Books ............................................. 8 1.2.7 See also ............................................ 9 1.2.8 References .......................................... 9 1.2.9 External links ......................................... 12 1.3 International Center of Photography ................................. 12 1.3.1 History ............................................ 12 1.3.2 School at ICP ........................................ -
(ALSC) Caldecott Medal & Honor
Association for Library Service to Children (ALSC) Caldecott Medal & Honor Books, 1938 to present 2021 Medal Winner We Are Water Protectors, illustrated by Michaela Goade, written by Carole Lindstrom (Roaring Brook Press, a division of Holtzbrinck Publishing Holdings) Honor Books: A Place Inside of Me: A Poem to Heal the Heart, illustrated by Noa Denmon, written by Zetta Elliott, and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group. The Cat Man of Aleppo, illustrated by Yuko Shimizu, written by Irene Latham & Karim Shamsi-Basha (G.P. Putnam’s Sons, an imprint of Penguin Random House) Me & Mama, illustrated and written by Cozbi A. Cabrera (Denene Millner Books/Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing) Outside In, illustrated by Cindy Derby, written by Deborah Underwood (Houghton Mifflin Harcourt) 2020 Medal Winner The Undefeated, illustrated by Kadir Nelson, written by Kwame Alexander (Versify, Houghton Mifflin Harcourt) Honor Books: Bear Came Along, illustrated by LeUyen Pham, written by Richard T. Morris (Little, Brown Books for Young Readers/Hachette) Double Bass Blues, illustrated by Rudy Gutierrez, written by Andrea J. Loney (Knopf/Random House Children’s Books) Going Down Home with Daddy, illustrated by Daniel Minter, written by Kelly Starling Lyons (Peachtree) 2019 Medal Winner Hello Lighthouse, illustrated and written by Sophie Blackall (Little, Brown Books for Young Readers/Hachette) Honor Books: Alma and How She Got Her Name, -
ESD CAT Nov 2018 1-61 M2
YANN LE MOUEL SOCIÉTÉ DE VENTES VOLONTAIRES - DROUOT - PARIS Viviane Esders EXPERT EN PHOTOGRAPHIE PARIS - DROUOT - VENDREDI 23 NOVEMBRE 2018 VENDREDI 23 NOVEMBRE 2018 - 14H PARIS – DROUOT 9, rue Drouot 75009 PARIS Salle 2 photographie Commissaire-Priseur Yann Le Mouël SAS Société de Ventes Volontaires – Paris – Drouot 7, rue de Provence 75009 Paris Tél : 33 (0)1 47 70 86 36 - [email protected] SAS au capital de 15 000 euros / Agrément n°2002 –265 du 20/06/02 / Expert Viviane Esders SAS Expert agréé par le Conseil des Ventes volontaires n°2002-272 40, rue Pascal 75013 Paris Tél : 33 (0)1 43 31 10 10 - [email protected] Assisté d’Anatole Desachy pour les livres de photographie Expositions publiques - Drouot Jeudi 22 novembre 11h - 21h Nocturne Vendredi 23 novembre 11h - 12h Téléphone pendant l’exposition - Drouot 33 (0)1 48 00 20 02 Catalogue visible sur internet Enchérissez en direct sur internet www.yannlemouel.com www.viviane-esders.com « Femmes photographes du XXe siècle » « Corps révélés, lignes dévoilées » Sélection de photographies de la vente exposée à Sélection de photographies de la vente exposée à Carrousel du Louvre - 99 rue de Rivoli 75001 Paris 16 rue des Coutures Saint-Gervais 75003 Paris Vendredi 9 et samedi 10 novembre 11h-20h Jeudi 15, vendredi 16 et samedi 17 novembre 10h-19h Dimanche 11 novembre 11h-18h Vernissage jeudi 15 novembre à 18h fotofever.com 1 2 1 MAURICE TABARD 1897-1984 Sans titre, Mains, solarisation, ca. 1936. 1 Tirage argentique postérieur par Pierre Gassman, tampon au dos. 29 x 21,7 cm Bibliographie : Xavier Canonne "Maurice Tabard, le géomètre", Ed. -
Annual Report 2018
Annual Report 2018 IST Austria scientists by The Scientists country of previous institution Austria 15.6% Germany 13.8% USA 11.1% of IST Austria UK 7.2% Spain 4.5% France 4.5% Italy 4.2% Scientists come from all over the world to conduct Switzerland 3.6% research at IST Austria. This map provides an overview Czech Republic 3.3% China 3.0% of the nationalities on campus. Russia 2.7% India 2.4% Other 24.1% North America Europe Asia Canada Austria Afghanistan Mexico Belgium China USA Bosnia and India Herzegovina Iran Bulgaria Israel Croatia Japan Cyprus Jordan Czech Republic Nepal Denmark Palestine Estonia Russia Finland Turkey France Vietnam Germany Greece Hungary Italy Lithuania Netherlands Poland Portugal Romania Serbia IST Austria scientists by nationality Slovakia Austria 15.6% Slovenia Germany 11.1% Spain Italy 5.7% South America Sweden Russia 5.1% Argentina Switzerland China 4.8% Bolivia Slovakia 4.5% UK Brazil Hungary 4.2% Ukraine India 4.2% Chile Poland 3.3% Colombia Czech Republic 3.3% France 3.0% Spain 2.7% UK 2.4% Oceania United States 2.4% Australia Other 27.7% Content Introduction Outreach & Events 4 Foreword by the President 70 Outreach and 6 Board Member Statements Science Education 72 Scientific Discourse Institute Development 8 10 Years IST Austria IST Austria's Future 18 A Decade of Growth 76 Technology Transfer 20 A Decade of Science 78 Donors 26 IST Austria at a Glance 28 Campus Life 81 Facts & Figures Education & Career 30 Career Options at IST Austria 32 PhD Students at IST Austria 38 Interns at IST Austria 40 Postdocs at IST Austria 42 IST Austria Alumni 44 New Professors Research & Work 48 Biology 50 Computer Science 52 Mathematics 54 Neuroscience 56 Physics 60 Scientific Service Units 62 Staff Scientists 66 Administration 2 3 Foreword Thomas A. -
Une Exposition De Photographie Française À New-York En 1... 1988
UNE EXPOSITION DE PHOTOGRAPHIE FRANCAISE A NEW YORK EN 1948 du 21 septembre au 21 novembre 1988 En 1948, Louis Stettner secondé par Willy Ronis, rendit visite" "aux meilleurs photographes français du moment" pour faire avec eux une sélection de leurs travaux en vue d'une présentation dans, les nouveaux locaux de la "Photo League" New Yorkaise. Cette exposition retrouvée intacte et présentée ici comprend 106 photographies de douze auteurs. Elle avait été préfacée par Beaumont Newhall, le célèbre historien américain de la photographie, sous le titre de "Chasseurs d'Images". Ce texte, qui exprime certaines réticences doit être cité intégralement : "Les photographes qui traquent leurs sujets dans les rues, sur les boulevards, dans les cafés, les studios, les parcs ou les squares, dans les villages, les cours de ferme ou les champs, partout, en un mot, où l'on peut regarder vivre les hommes dans leurs diverses variétés, sont appelés en français "chasseurs d'images". C'est un terme bien adapté, et que l'anglais devrait adopter; il souligne ce que ces images ont de particulier et il marque la différence existant entre ces photographes et ceux qui demeurent confiné dans leur studio. La centaine de photographies réunies par Louis Stettner à Paris pour la "Ligue des Photographes" et présentées dans ses nouvelles galeries provient de ces "chasseurs d'images", elles ont une fraîcheur et une spontanéité qui raviront les spectateurs. On ne peut s'attendre qu'à des soupirs de nostalgie car rien n'y manque: les vieux toits en tuile et les forêts de cheminées, la Seine et ses quais, les rues pavées, les cafés, les boutiques et leurs habitués. -
Creating Children's Books Symposium Friday, October 17
Creating Children’s Books Symposium Friday, October 17, 2014 Keynote Address, by Leonard S. Marcus An Art in the Making: The American Picture Book Comes of Age It’s an honor and pleasure to be here at Penn--and here in the city of Philadelphia, with its long and illustrious history as a proving ground and home for children’s book authors and artists and their creations. Howard Pyle, who is so often called the “father of American illustration,” taught his craft from 1894 at the Drexel Institute, where his students included Frank Schoonover, Jessie Willcox Smith, Elizabeth Shippen Green, and Violet Oakley. A generation later, during the Great Depression, Bernard Waber grew up here, and while training to be a graphic designer at the Philadelphia School of Industrial Art went on sketching expeditions to the Philadelphia Zoo, where he learned to love--and draw— crocodiles like the one who became his best-known picture-book hero, Lyle. Norton Juster studied architecture at Penn in the late 1940s on his way to writing The Phantom Tollbooth, an uncategorizable classic that for more than half a century has served young people as a kind of blueprint for thinking freely and keeping faith with their own ideas. Jerry Pinkney was born, raised, and educated in this city, and has returned here often--last summer as the subject of Witness, a major retrospective of his work at the Philadelphia Museum of Art. Three-time Caldecott Medal winner David Wiesner lives here now. As for collections, the Free Library of Philadelphia is home to picture book art by Beatrix Potter and Robert Lawson, illustrator of The Story of Ferdinand. -
Non-Target Effects of Insect Biocontrol Agents and Trends in Host Specificity Since 1985
CAB Reviews 2016 11, No. 044 Non-target effects of insect biocontrol agents and trends in host specificity since 1985 Roy Van Driesche*1 and Mark Hoddle2 Address: 1 Department of Environmental Conservation, University of Massachusetts, Amherst, MA 01003-9285, USA. 2 Department of Entomology, University of California, Riverside, CA 92521, USA. *Correspondence: Roy Van Driesche, Email: [email protected] Received: 6 October 2016 Accepted: 7 November 2016 doi: 10.1079/PAVSNNR201611044 The electronic version of this article is the definitive one. It is located here: http://www.cabi.org/cabreviews © CAB International 2016 (Online ISSN 1749-8848) Abstract Non-target impacts of parasitoids and predaceous arthropods used for classical biological control of invasive insects include five types of impact: (1) direct attacks on native insects; (2) negative foodweb effects, such as competition for prey, apparent competition, or displacement of native species; (3) positive foodweb effects that benefited non-target species; (4) hybridization of native species with introduced natural enemies; and (5) attacks on introduced weed biocontrol agents. Examples are presented and the commonness of effects discussed. For the most recent three decades (1985–2015), analysis of literature on the host range information for 158 species of parasitoids introduced in this period showed a shift in the third decade (2005–2015) towards a preponderance of agents with an index of genus-level (60%) or species-level (8%) specificity (with only 12% being assigned a family-level or above index of specificity) compared with the first and second decades, when 50 and 40% of introductions had family level or above categorizations of specificity and only 21–27 (1985–1994 and 1995–2004, respectively) with genus or 1–11% (1985–1994 and 1995–2004, respectively) with species-level specificity.