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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
The Parthenon, August 9, 1990
Marshall University Marshall Digital Scholar The Parthenon University Archives Summer 8-9-1990 The Parthenon, August 9, 1990 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, August 9, 1990" (1990). The Parthenon. 2817. https://mds.marshall.edu/parthenon/2817 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. · Ma r s ha I I •University Thursday . August 9, 1990 Cloudy, chance of rain, PARTHENON highs in upper 70s ·I.___ vo_l_. 90_, N_o_._1_1 s_ ___, Bush deploys U.S. forces to Middle East By The Associated Press and the restoration of the Kuwaiti govern tary leadership was settling in for what ment to power. could be a lengthy operation. \ U.S. forces at a glance President Bush announcedWednesday The president conceded that the Saudi "This whole thing isn't easy. You don't that U.S. troops were taking up "defensive defense mission "may take time and be deploy forces and they suddenly show up in The Pentagon reports the follow positions" in oil-rich Saudi Arabia to guard costly" and said he would consider tapping another part of the world. There are a hell Ing U.S. Navy forces have been de against a possible attack by Iraq. the nation's stra~c petroleum reserves of a lot of logistical problems that go into ployed to the · Mediterranean and "They will not initiate hostilities but they to assure a ready supply ofoil . -
Spring 2020 CONTENTS
Chestnut Review V OLUME 1 N UMBER 4 S PRING 2 0 2 0 F OR S TUBBORN A RTI S T S Chestnut Review Volume 1 Number 4 Spring 2020 CONTENTS From the Editor Introduction ..................................................................................1 Michael Steffen Before Smartphones ......................................................................2 Leland Seese What Is Swept Away .....................................................................4 Katherine Hoerth Resurrection, Easter Morning ......................................................6 Michael Thomson Skate Papers ..................................................................................8 Laura Perkins Howl .............................................................................................10 Copyright © 2020 by Chestnut Review. Alan Feldman April Snowfall ..............................................................................26 All rights reserved. No part of this publication may be reproduced, distributed or transmitted in any form or by any means, including photocopying, record- Fabrice Poussin ing, or other electronic or mechanical methods, without the prior written Learning ......................................................................................27 permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copy- Brittany Mishra right law. For permission requests, write to the publisher at the email address Portrait in Gray ...........................................................................28 -
Lop40* with Shadot Sleven~
'41~11~tla1~1 *lOP40* WITH SHADOt SlEVEN~ ***COMPACT DISC #1, TRACK 10, HAS 1KHZ REFERENCE TONE*** TOPICAL PROMO TOPICAL PROMO FOR SHOW #29 IS LOCATED ON CD DISC 4. TRACK 6 TOPICAL ON VINYL LOCATED AT THE END OF SIDE 4A DO NOT USE AFTER SHOW #29 1. WORTH THE STEP TO TAKE HOLD :28 Hi, Shadoe Stevens, AT40. Last week The New Kids On The Block spent a third week at #1 on the official Billboard chart with "Step By Step". But they've got to watch their step. Climbing up to #2 was Glenn Medeiros with Bobby Brown and "She Ain't Worth It". And moving up to #3 was the four-woman vocal group En Vogue with "Hold un==. Wlll rhe New Khi ... t.vp tlua chc.rt block? Will Glenn and Bobby find it's worth their while to be #1? Or will En Vogue take hold? Ah, D'Shadoe knows -- on American Top 40. 2. POISON DARTS, TIME JERKS. JANET COMES BACK :29 Hey, Shadoe Stevens on AT40. Last week saw debuts by tune titans in music. Those glam slam rockers, Poison, returned with a new song, "Unskinny Bop". coming in with the fifth hit from her mega-platinum album "Rhythm Nation" was Janet Jackf;on with a ballad called "Come Back To Me". And returning after five years was the reunited band that includes .ranet' s producers, Jimmy Jam and Terry Lewis. The Time clocked into the countdown with "Jerk 11 Out • We've got the hottest hits, the hottest acts, and all the chart facts --· on American Top 40. -
“The Times They Are A-Changin'”: Flexible Meter and Text Expression in 1960S and 70S Singer-Songwriter Music by Nancy Eliz
“The Times They Are A-Changin’”: Flexible Meter and Text Expression in 1960s and 70s Singer-Songwriter Music by Nancy Elizabeth Murphy B.Mus., The University of Western Ontario, 2003 M.A., The University of Western Ontario, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Nancy Elizabeth Murphy, 2015 Abstract The 1960s and 70s saw the flowering of the singer-songwriter style, which featured acoustic performances by artists who were the composers and lyricists of their own music. Reflecting their culture, their songs carried messages of personal and political significance. But their music is of technical as well as of social interest. Like classical art song, it often highlights lyrical meaning with various sorts of metric irregularities. In this dissertation, I closely analyze twenty-seven songs by Bob Dylan, Paul Simon, Buffy Sainte-Marie, Joni Mitchell, and Cat Stevens, in order to characterize the metric style of their songwriting and demonstrate their use of meter as an expressive device. To describe meter in this music requires theories more flexible than those usually applied to groove-based music. The analyses in this dissertation draw not only from theories of meter as a hierarchy of beat streams, but also upon theories of metrical process and prosody, in order to create transcriptions, to describe precisely listeners' sensations of meter, and to propose expressive rationales for metric settings. As an introduction to the style and the theoretical issues, Chapter 1 considers the problems of conceiving of meter in the expressively timed context of Mitchell’s “The Fiddle and the Drum.” Chapter 2 examines the existing methods for analyzing meter in music and poetry, in order to find some productive ways to analyze this metrically fluctuant repertoire. -
Life of John H.W. Hawkins
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES I LIFE JOHN H. W. HAWKINS COMPILED BY HIS SON, REV. WILLIAM GEOEGE HAWKINS, A.M. "The noble self the conqueror, earnest, generous friend of the inebriate, the con- devsted advocate of the sistent, temperance reform in all its stages of development, and the kind, to aid sympathising brother, ready by voice and act every form of suffering humanity." SIXTH THOUSAND. BOSTON: PUBLISHED BY. BRIGGS AND RICHAEDS, 456 WAsnujdTn.N (-'TKI:I:T, Con. ESSEX. NEW YORK I SHELDON, HLAKKMAN & C 0. 1862. Entered according to Act of Congress, in the year 1859, by WILLIAM GEORGE HAWKINS, In the Clerk's Office of the District Court for the District of Massachusetts. LITHOTYPED BT COWLES AND COMPANY, 17 WASHINGTON ST., BOSTON. Printed by Geo. C. Rand and Ayery. MY GRANDMOTHER, WHOSE PRAYERS, UNINTERMITTED FOR MORE THAN FORTY" YEARS, HAVE, UNDER GOD, SAVED A SON, AND GIVEN TO HER NATIVE COUNTRY A PHILANTHROPIST, WHOSE MULTIPLIED DEEDS OF LOVE ARE EVERYWHERE TO BE SEEN, AND WHICH ARE HERE BUT IMPERFECTLY RECORDED, is $0lunu IS AFFECTIONATELY DEDICATED 550333 PREFACE. THE compiler of this volume has endeavored to " obey the command taught him in his youth, Honor thy father," etc., etc. He has, therefore, turned aside for a brief period from his professional duties, to gather up some memorials of him whose life is here but imperfectly delineated. It has indeed been a la- bor of love how and ; faithfully judiciously performed must be left for others to say. The writer has sought to avoid multiplying his own words, preferring that the subject of this memoir and his friends should tell their own story. -
Where the Salmon Run: the Life and Legacy of Billy Frank Jr
LEGACY PROJECT A century-old feud over tribal fishing ignited brawls along Northwest rivers in the 1960s. Roughed up, belittled, and handcuffed on the banks of the Nisqually River, Billy Frank Jr. emerged as one of the most influential Indians in modern history. Inspired by his father and his heritage, the elder united rivals and survived personal trials in his long career to protect salmon and restore the environment. Courtesy Northwest Indian Fisheries Commission salmon run salmon salmon run salmon where the where the “I hope this book finds a place in every classroom and library in Washington State. The conflicts over Indian treaty rights produced a true warrior/states- man in the person of Billy Frank Jr., who endured personal tragedies and setbacks that would have destroyed most of us.” TOM KEEFE, former legislative director for Senator Warren Magnuson Courtesy Hank Adams collection “This is the fascinating story of the life of my dear friend, Billy Frank, who is one of the first people I met from Indian Country. He is recognized nationally as an outstanding Indian leader. Billy is a warrior—and continues to fight for the preservation of the salmon.” w here the Senator DANIEL K. INOUYE s almon r un heffernan the life and legacy of billy frank jr. Trova Heffernan University of Washington Press Seattle and London ISBN 978-0-295-99178-8 909 0 000 0 0 9 7 8 0 2 9 5 9 9 1 7 8 8 Courtesy Michael Harris 9 780295 991788 LEGACY PROJECT Where the Salmon Run The Life and Legacy of Billy Frank Jr. -
Nota De Prensa
Cuadrante de actividades y proyecciones para el público -XVII SICF (8-16 de noviembre de 2007)- Teatro Cervantes Salón Actos Rectorado Invitados/homenajes/galas Actividades paralelas ▲ Cine Alameda Paraninfo Presentación películas Proyecciones ► Jueves 8 Viernes 9 Sábado 10 Domingo 11 Lunes 12 Martes 13 Miércoles 14 Jueves 15 Viernes 16 + ►21:00 ▲20:30 Gala inaugural + Homenaje Concierto de BSO a cargo de la Tippi Hedren + cortos The Quiet OCUMA y la Orquesta Sinfónica y Fairy Tale y largo Mr. Brooks. Provincial de Málaga. ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 The Quiet + Fairy Tale La muerte en directo (fantástico The entrance (Informativa). Cortometrajes andaluces a The last winter (Informativa). Black night (Informaiva). Película sorpresa (Premieres (cortometrajes) + Mr. Brooks €). ►18:15 Concurso*. + ►18:30 ►18:30 2007). (largometraje). ►18:45 Cecilie (Concurso). ►18:45 Cello (Concurso). Presenta Lee I’m a cyborg, but that’s OK + ►21:00 + ►18:45 Storm warning (Concurso). ►20:15 Cold prey (Concurso). Woo Chul (director). (Concurso). Gala de clausura + entrega de The 4th dimension (Concurso). ►20:30 Kilómetro 31 (Premieres 2007). ►20:30 + ►20:15 ►20:30 premios + proyección de Exiled. Presentan Tom Mattera y David La habitación de Fermat ►22:15 Rec (Premieres 2007). Kaena. The Prophecy The mad (Concurso). Mazzoni (directores). (Concurso). La antena (Concurso). ►22:30 (Homenaje a Lauren Films). ►22:15 ►20:30 + ►22:15 Wicked flowers (Concurso). Presenta Antonio Llorens The ferryman (Informativa). Rogue (Concurso). (distribuidor). Sala 1 Los pájaros (Homenaje a Tippi ►00:00 + ►22:30 Hedren). Presenta Tippi Hedren ►22:15 1408 (Premieres 2007). -
Pennywise Dreadful the Journal of Stephen King Studies
1 Pennywise Dreadful The Journal of Stephen King Studies ————————————————————————————————— Issue 1/1 November 2017 2 Editors Alan Gregory Dawn Stobbart Digital Production Editor Rachel Fox Advisory Board Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Murphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread Facebook: https://www.facebook.com/pennywisedread/ 3 Contents Foreword …………………………………………………………………………………………………… p. 2 “Stephen King and the Illusion of Childhood,” Lauren Christie …………………………………………………………………………………………………… p. 3 “‘Go then, there are other worlds than these’: A Text-World-Theory Exploration of Intertextuality in Stephen King’s Dark Tower Series,” Lizzie Stewart-Shaw …………………………………………………………………………………………………… p. 16 “Claustrophobic Hotel Rooms and Intermedial Horror in 1408,” Michail Markodimitrakis …………………………………………………………………………………………………… p. 31 “Adapting Stephen King: Text, Context and the Case of Cell (2016),” Simon Brown …………………………………………………………………………………………………… p. 42 Review: “Laura Mee. Devil’s Advocates: The Shining. Leighton Buzzard: Auteur, 2017,” Jill Goad …………………………………………………………………………………………………… p. 58 Review: “Maura Grady & Tony Magistrale. The Shawshank Experience: Tracking the History of the World's Favourite Movie. New York, NY: Palgrave Macmillan, 2016,” Dawn Stobbart …………………………………………………………………………………………………… p. 59 Review: “The Dark Tower, Dir. Nikolaj Arcel. Columbia Pictures, -
Reclaiming Critical Analysis: the Social Harms of “Bitch”
Reclaiming Critical Analysis: The Social Harms of “Bitch” BY SHERRYL KLEINMAN, MATTHEW B. EZZELL, AND A. COREY FROST Abstract The increasing use of “bitch” among women makes it harder to see links between the word and patriarchy. In pop culture and in everyday life, men and women use “bitch” as an epithet against women (and non-conventional men) as well as a means of expressing dominance over a person or object. Women who “reclaim” the term—by declaring themselves “bitches,” calling other women “bitches” in a friendly way, or using the term as a female-based generic—unwittingly reinforce sexism. Unlike the term “feminist,” which is tied to a movement for social change, “bitch” provides women only with false power, challenging neither men nor patriarchy. E USED TO BELIEVE that feminists found the term “bitch” unacceptable. Years ago, when one of us analyzed terms that make women invisible and men the norm—“freshman,” “chairman,” and “you guys”—she wrote, perhaps naively: “I’m not referring [in the case of sexist language] to such words as ‘bitch,’ ‘whore,’ and ‘slut.’ What I focus on instead are words that students Wconsider just fine: male (so-called) generics” (Kleinman 2000: 6). Unlike “you guys,” “bitch” is a slur; and there’s no doubt that the word has a female referent, and a non- human one at that.1 Feminists knew that women could act in mean-spirited ways, but we also knew that using “bitch” to describe them reinforced sexism. If women liked the feel of 1 We will focus on “bitch” in this paper, and make only passing references to “sluts” and “hos.” Some of our analysis could be applied to these terms as well. -
Three Battleships in Ahaina Roadstead from L
II" . S far 11 01 1 aSs s. WEATHER BUREAU, 19. 24 Q6 tj. Jnly Last Honrs' Rainfall, trace. SUGAR. Degree Test Centrifugals, 4.36c Per Ton, $87.20. Temperature, Max 80; Min. 70. Weather, cloudy. 83 Analysis Beets, lis. 7ud. Per Ton, $89.20. HjsTAttJMSHKD JULY 2, 1854. TERRITORY, MONDAY, JULY 20, 1908. VOL-- XLVHI, NO. 8095 HONOLULUL, HAWAII PRICE FIVE CENTS. BRITISH WARSHIPS WILL MEET ATLANTIC r v FLEET AT FIJI PORT Official of the Yachts Gwendolyn II., Lady Maud and Hawaii Come in Time The following are the complete statements of the time of the several yachts: Within a Few Hours of Each Other LURTJNE. y & Admiral Poore Will Accompany Admiral Local Craft Last. Finish Honolulu .... Juiy i Hours nun. 4dy2 see. Sperry Start San Pedro t. Juiy 4 IZ hours U'J nun. 00 sec. to Auckland Former Commander ' 13 days 21 hours 31 min. 43 V. sec. GWENDOLYN of the Georgia Is Dead. The second transpacific yacht race brought to the Nuuanu street wharf IL yesterday afternoon when the whistle u1y Ob sec. f from San Pedro to Honolulu was finish- Finish Honolulu hours 3s min. sounded for the sighting of the Hawaii. Start San Pedro July 4 12 hours 00 min. 00 sec. 1 ed at 3 o'clock, 23 minutes, and 30 sec- The launch which had just brought the i ! Lady Maud in, started out again with (Associated Press Cablegrams.) onds, yesterday afternoon, when the .the Yacht Committee aboard, augment- Elapsed time J aays zx nours ds mm. Ub sec. '- -f AUCKLAND, New Zealand, July 20. -
For Immediate Release: March 16, 2017 MORRIS DAY and THE
For more information contact: Adrenna Alkhas Marketing and Communication Director (209) 668-1333 ext. 340 – Office For Immediate Release: March 16, 2017 MORRIS DAY AND THE TIME BRING THE FUNK TO STANISLAUS COUNTY FAIR Turlock, CA (March 16, 2017) — Funk legends Morris Day and the Time bring their enduring swagger to Turlock for the 2017 Stanislaus County Fair. Morris Day and the Time will be performing Tuesday, July 18, 2017 at the Stanislaus County Fair on the Bud Light Variety Free Stage. The concert will be hosted by KWIN and will begin at 8:30 p.m. The concert is free with the price of Fair admission. “This funk group will get our Fair guests dancing in no time,” said Adrenna Alkhas, spokesperson for the Stanislaus County Fair. “It will be a great way to celebrate the legacy of longtime collaborator Prince.” Morris Day played an essential role in the development of the iconic pop-funk sound of the 1980’s. His exuberant stage presence and colorful showmanship mirror that of longtime friend Prince. Day’s involvement with Prince traces back to 1980 when his composition “Party up,” originally recorded when he was a member of the Enterprise, was covered on Prince’s album “Dirty Mind.” As a founding member of Prince’s band the Time, Day remains a true funk trailblazer. He worked with the group until 1984 when he launched his solo career, before returning in the 1990’s. The Timegained popularity with feel-good tracks such as “Jerk Out” and “Jungle Love.” In fact, “Jungle Love” was featured in Prince’s 1984 film Purple Rain.