Losing Charlotte / Heather Clay.—1St Ed
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2013 Full Line Catalog 2013
Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2013 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com 1726 Winchester Road, Bensalem, PA 19020 · U.S.A. · ©2012 Printed in Japan NOV12928 (U) For Authorized Dealers Only - All finishes shown are as close as four-color printing allows. CATALOG - All specifications and prices are subject to change without notice. 2013 FULL LINE Table of Contents Solid Body Electric Guitars Signature Models 6-10 Iron Label RG/S 11-13 RG/GRG/GRX/MIKRO 13-26 RGA 26 RGD 27 S 28-31 X 32-33 FR 33 ARZ 34 AR 34-35 ART 35-36 Jumpstart 37 Hollow Body Electric Guitars Signature Models 40-41 Artstar 41 Artcore Expressionist 42-44 Artcore 44-47 Electric Basses Signature Models 50-51 SR 51-61 Grooveline 62-63 BTB 64-65 ATK 66-67 Artcore 67-68 GSR/MIKRO 68-73 Jumpstart 73 Acoustic Guitars Signature Models 76 Artwood 77-81 PF 82-85 SAGE 85 AEG 86 AEL 87 AEF 88-89 EW 90-91 Talman 91-92 AEB 92 SAGE Bass 93 Classical 93-95 Ukulele 95-96 Banjo 96 Resonator 96 Mandolin 97 Jampack 98 Amplifiers/Effects/Accessories Tube Screamer Amplifier 100-101 Wholetone 101 Promethean 102-103 Sound Wave 103 Troubadour 104-105 IBZ 105 Tube Screamer 106 9 Series 107 Echo Shifter 108 Signature Effect Pedal 109 Wah Pedals 109 Tuners 110 Cables & Adapter 110 Stand 111 Tremolo Arm 111 Picks 111 Cases/Straps 112 Bags/Microphone Stand 113 02 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 03 04 for more information visit www.Ibanez.com -
The Parthenon, August 9, 1990
Marshall University Marshall Digital Scholar The Parthenon University Archives Summer 8-9-1990 The Parthenon, August 9, 1990 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, August 9, 1990" (1990). The Parthenon. 2817. https://mds.marshall.edu/parthenon/2817 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. · Ma r s ha I I •University Thursday . August 9, 1990 Cloudy, chance of rain, PARTHENON highs in upper 70s ·I.___ vo_l_. 90_, N_o_._1_1 s_ ___, Bush deploys U.S. forces to Middle East By The Associated Press and the restoration of the Kuwaiti govern tary leadership was settling in for what ment to power. could be a lengthy operation. \ U.S. forces at a glance President Bush announcedWednesday The president conceded that the Saudi "This whole thing isn't easy. You don't that U.S. troops were taking up "defensive defense mission "may take time and be deploy forces and they suddenly show up in The Pentagon reports the follow positions" in oil-rich Saudi Arabia to guard costly" and said he would consider tapping another part of the world. There are a hell Ing U.S. Navy forces have been de against a possible attack by Iraq. the nation's stra~c petroleum reserves of a lot of logistical problems that go into ployed to the · Mediterranean and "They will not initiate hostilities but they to assure a ready supply ofoil . -
Spring 2020 CONTENTS
Chestnut Review V OLUME 1 N UMBER 4 S PRING 2 0 2 0 F OR S TUBBORN A RTI S T S Chestnut Review Volume 1 Number 4 Spring 2020 CONTENTS From the Editor Introduction ..................................................................................1 Michael Steffen Before Smartphones ......................................................................2 Leland Seese What Is Swept Away .....................................................................4 Katherine Hoerth Resurrection, Easter Morning ......................................................6 Michael Thomson Skate Papers ..................................................................................8 Laura Perkins Howl .............................................................................................10 Copyright © 2020 by Chestnut Review. Alan Feldman April Snowfall ..............................................................................26 All rights reserved. No part of this publication may be reproduced, distributed or transmitted in any form or by any means, including photocopying, record- Fabrice Poussin ing, or other electronic or mechanical methods, without the prior written Learning ......................................................................................27 permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copy- Brittany Mishra right law. For permission requests, write to the publisher at the email address Portrait in Gray ...........................................................................28 -
Lop40* with Shadot Sleven~
'41~11~tla1~1 *lOP40* WITH SHADOt SlEVEN~ ***COMPACT DISC #1, TRACK 10, HAS 1KHZ REFERENCE TONE*** TOPICAL PROMO TOPICAL PROMO FOR SHOW #29 IS LOCATED ON CD DISC 4. TRACK 6 TOPICAL ON VINYL LOCATED AT THE END OF SIDE 4A DO NOT USE AFTER SHOW #29 1. WORTH THE STEP TO TAKE HOLD :28 Hi, Shadoe Stevens, AT40. Last week The New Kids On The Block spent a third week at #1 on the official Billboard chart with "Step By Step". But they've got to watch their step. Climbing up to #2 was Glenn Medeiros with Bobby Brown and "She Ain't Worth It". And moving up to #3 was the four-woman vocal group En Vogue with "Hold un==. Wlll rhe New Khi ... t.vp tlua chc.rt block? Will Glenn and Bobby find it's worth their while to be #1? Or will En Vogue take hold? Ah, D'Shadoe knows -- on American Top 40. 2. POISON DARTS, TIME JERKS. JANET COMES BACK :29 Hey, Shadoe Stevens on AT40. Last week saw debuts by tune titans in music. Those glam slam rockers, Poison, returned with a new song, "Unskinny Bop". coming in with the fifth hit from her mega-platinum album "Rhythm Nation" was Janet Jackf;on with a ballad called "Come Back To Me". And returning after five years was the reunited band that includes .ranet' s producers, Jimmy Jam and Terry Lewis. The Time clocked into the countdown with "Jerk 11 Out • We've got the hottest hits, the hottest acts, and all the chart facts --· on American Top 40. -
Asking Alexandria New Album Pre Order with Download Asking Alexandria New Album Pre Order with Download
asking alexandria new album pre order with download Asking alexandria new album pre order with download. Artist: Asking Alexandria Album: LP5 DLX Country: USA Genre: Post-Hardcore, Metalcore Quality: Mp3, CBR 320 kbps. Tracklist: 01. Alone In a Room (4:05) 02. Into the Fire (3:57) 03. Hopelessly Hopeful (3:13) 04. Where Did It Go? (3:13) 05. Rise Up (3:07) 06. When the Lights Come On (3:23) 07. Under Denver (4:05) 08. Vultures (3:28) 09. Eve (3:58) 10. I Am One (3:32) 11. Empire (feat. Bingx) (4:16) 12. Room 138 (3:44) 13. Into the Fire (Radio Edit) (3:30) 14. Vultures (Rock Version) (3:26) 15. Where Did It Go? (Hyro Mash Up) (feat. Hyro the Hero) (2:17) 16. Perfect (Live from SiriusXM) (4:31) 17. Rise Up (Demo) (3:19) 18. Alone In a Room (Acoustic Version) (4:25) 19. Alone In a Room (Dex Luthor Remix) (3:17) Asking Alexandria. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. © 2017 Sumerian Records ℗ 2017 Sumerian Records. Danny Worsnop, Composer - Asking Alexandria, Composer, MainArtist - Ben Bruce, Composer - James Cassels, Composer. -
“The Times They Are A-Changin'”: Flexible Meter and Text Expression in 1960S and 70S Singer-Songwriter Music by Nancy Eliz
“The Times They Are A-Changin’”: Flexible Meter and Text Expression in 1960s and 70s Singer-Songwriter Music by Nancy Elizabeth Murphy B.Mus., The University of Western Ontario, 2003 M.A., The University of Western Ontario, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Nancy Elizabeth Murphy, 2015 Abstract The 1960s and 70s saw the flowering of the singer-songwriter style, which featured acoustic performances by artists who were the composers and lyricists of their own music. Reflecting their culture, their songs carried messages of personal and political significance. But their music is of technical as well as of social interest. Like classical art song, it often highlights lyrical meaning with various sorts of metric irregularities. In this dissertation, I closely analyze twenty-seven songs by Bob Dylan, Paul Simon, Buffy Sainte-Marie, Joni Mitchell, and Cat Stevens, in order to characterize the metric style of their songwriting and demonstrate their use of meter as an expressive device. To describe meter in this music requires theories more flexible than those usually applied to groove-based music. The analyses in this dissertation draw not only from theories of meter as a hierarchy of beat streams, but also upon theories of metrical process and prosody, in order to create transcriptions, to describe precisely listeners' sensations of meter, and to propose expressive rationales for metric settings. As an introduction to the style and the theoretical issues, Chapter 1 considers the problems of conceiving of meter in the expressively timed context of Mitchell’s “The Fiddle and the Drum.” Chapter 2 examines the existing methods for analyzing meter in music and poetry, in order to find some productive ways to analyze this metrically fluctuant repertoire. -
The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting. -
Reclaiming Critical Analysis: the Social Harms of “Bitch”
Reclaiming Critical Analysis: The Social Harms of “Bitch” BY SHERRYL KLEINMAN, MATTHEW B. EZZELL, AND A. COREY FROST Abstract The increasing use of “bitch” among women makes it harder to see links between the word and patriarchy. In pop culture and in everyday life, men and women use “bitch” as an epithet against women (and non-conventional men) as well as a means of expressing dominance over a person or object. Women who “reclaim” the term—by declaring themselves “bitches,” calling other women “bitches” in a friendly way, or using the term as a female-based generic—unwittingly reinforce sexism. Unlike the term “feminist,” which is tied to a movement for social change, “bitch” provides women only with false power, challenging neither men nor patriarchy. E USED TO BELIEVE that feminists found the term “bitch” unacceptable. Years ago, when one of us analyzed terms that make women invisible and men the norm—“freshman,” “chairman,” and “you guys”—she wrote, perhaps naively: “I’m not referring [in the case of sexist language] to such words as ‘bitch,’ ‘whore,’ and ‘slut.’ What I focus on instead are words that students Wconsider just fine: male (so-called) generics” (Kleinman 2000: 6). Unlike “you guys,” “bitch” is a slur; and there’s no doubt that the word has a female referent, and a non- human one at that.1 Feminists knew that women could act in mean-spirited ways, but we also knew that using “bitch” to describe them reinforced sexism. If women liked the feel of 1 We will focus on “bitch” in this paper, and make only passing references to “sluts” and “hos.” Some of our analysis could be applied to these terms as well. -
Three Battleships in Ahaina Roadstead from L
II" . S far 11 01 1 aSs s. WEATHER BUREAU, 19. 24 Q6 tj. Jnly Last Honrs' Rainfall, trace. SUGAR. Degree Test Centrifugals, 4.36c Per Ton, $87.20. Temperature, Max 80; Min. 70. Weather, cloudy. 83 Analysis Beets, lis. 7ud. Per Ton, $89.20. HjsTAttJMSHKD JULY 2, 1854. TERRITORY, MONDAY, JULY 20, 1908. VOL-- XLVHI, NO. 8095 HONOLULUL, HAWAII PRICE FIVE CENTS. BRITISH WARSHIPS WILL MEET ATLANTIC r v FLEET AT FIJI PORT Official of the Yachts Gwendolyn II., Lady Maud and Hawaii Come in Time The following are the complete statements of the time of the several yachts: Within a Few Hours of Each Other LURTJNE. y & Admiral Poore Will Accompany Admiral Local Craft Last. Finish Honolulu .... Juiy i Hours nun. 4dy2 see. Sperry Start San Pedro t. Juiy 4 IZ hours U'J nun. 00 sec. to Auckland Former Commander ' 13 days 21 hours 31 min. 43 V. sec. GWENDOLYN of the Georgia Is Dead. The second transpacific yacht race brought to the Nuuanu street wharf IL yesterday afternoon when the whistle u1y Ob sec. f from San Pedro to Honolulu was finish- Finish Honolulu hours 3s min. sounded for the sighting of the Hawaii. Start San Pedro July 4 12 hours 00 min. 00 sec. 1 ed at 3 o'clock, 23 minutes, and 30 sec- The launch which had just brought the i ! Lady Maud in, started out again with (Associated Press Cablegrams.) onds, yesterday afternoon, when the .the Yacht Committee aboard, augment- Elapsed time J aays zx nours ds mm. Ub sec. '- -f AUCKLAND, New Zealand, July 20. -
For Immediate Release: March 16, 2017 MORRIS DAY and THE
For more information contact: Adrenna Alkhas Marketing and Communication Director (209) 668-1333 ext. 340 – Office For Immediate Release: March 16, 2017 MORRIS DAY AND THE TIME BRING THE FUNK TO STANISLAUS COUNTY FAIR Turlock, CA (March 16, 2017) — Funk legends Morris Day and the Time bring their enduring swagger to Turlock for the 2017 Stanislaus County Fair. Morris Day and the Time will be performing Tuesday, July 18, 2017 at the Stanislaus County Fair on the Bud Light Variety Free Stage. The concert will be hosted by KWIN and will begin at 8:30 p.m. The concert is free with the price of Fair admission. “This funk group will get our Fair guests dancing in no time,” said Adrenna Alkhas, spokesperson for the Stanislaus County Fair. “It will be a great way to celebrate the legacy of longtime collaborator Prince.” Morris Day played an essential role in the development of the iconic pop-funk sound of the 1980’s. His exuberant stage presence and colorful showmanship mirror that of longtime friend Prince. Day’s involvement with Prince traces back to 1980 when his composition “Party up,” originally recorded when he was a member of the Enterprise, was covered on Prince’s album “Dirty Mind.” As a founding member of Prince’s band the Time, Day remains a true funk trailblazer. He worked with the group until 1984 when he launched his solo career, before returning in the 1990’s. The Timegained popularity with feel-good tracks such as “Jerk Out” and “Jungle Love.” In fact, “Jungle Love” was featured in Prince’s 1984 film Purple Rain. -
Preposisi Dalam Album Stand up and Scream Karya Asking Alexandria
PREPOSISI DALAM ALBUM STAND UP AND SCREAM KARYA ASKING ALEXANDRIA J U R N A L Diajukan Sebagai Salah Satu Persyaratan Untuk Mencapai Gelar Sarjana Sastra OLEH : BILLY B. LEMPAS 100912035 SASTRA INGGRIS UNIVERSITAS SAM RATULANGI FAKULTAS ILMU BUDAYA MANADO 2016 ABSTRACT This study is an attempt to find out the forms and analyze the meaning of prepositions in the Album Stand Up and Scream by Asking Alexandria. The data were analyzed based on the theories of Quirk Randolph (1985) and Curme (1986). The method used in this research was descriptive method. The data of prepositions were taken from the lyrics in the Album Stand Up and Scream by Asking Alexandria. The result of this study shows that there are 5 forms of prepositions found in the 13 songs in the album based on the theory of Quirk (1985) simple preposition, compound preposition, complex preposition, marginal preposition, inflectional preposition. Based on the theory of Curme (1986), there are 13 meanings of preposition found in the Album Stand Up and Scream by Asking Alexandria. The meaning of preposition refer to place, time, purpose or target, source or origin, cause or reason, way, tool, inclusion, nature, ownership or possession, amount, size, conquest. Keywords: Prepositions, Form & Meaning, Asking Alexandria. PENDAHULUAN Bahasa merupakan sistem simbol bunyi yang bermakna dan berartikulasi, yang dipakai oleh sekelompok manusia untuk melahirkan perasaan dan pikiran. Menurut 2¶Grady dan Dobrovolsky (1992:1), bahasa adalah sebuah kesatuan sistem komunikasi, sebuah gagasan, ekspresi kesusastraan, institusi sosial, bahan untuk pertentangan politik, dan katalis pembangunan bangsa. Bahasa dapat dipelajari melalui linguistik, dan linguistik sendiri membawa peranan penting dalam suatu bahasa dari sudut pandang ilmiah. -
A Charts, So Could Have Been Released in the May Push Singles Back up the Chart Or Keep Them Around for Longer, Nevertheless the Chart Is a UK, Or Imported Here
Real Chart Page 1 such as the 78! Since the emergence of downloads the AA single has become a problem, since CHART LOG - A each track can sometimes be released as a separate download. However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or Symbol Explanations as soon as known. s j Top Ten Hit Number One hit. For the above reasons many remixed songs are listed as re-entries, however if the title is altered ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to reflect the remix it will be listed as would a new song by the act. This does not apply to Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not have records still in the chart and the sales of the mix would be added to the track in the chart. This made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been released in the may push singles back up the chart or keep them around for longer, nevertheless the chart is a UK, or imported here. sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause.