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Orthography of Early Chinese Writing: Evidence from Newly Excavated Manuscripts
IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS DEPARTMENT OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2006 The present volume was published with the support of the Chiang Ching-kuo Foundation. © Imre Galambos, 2006 ISBN 963 463 811 2 ISSN 1787-7482 Responsible for the edition: Imre Hamar Megjelent a Balassi Kiadó gondozásában (???) A nyomdai munkálatokat (???)a Dabas-Jegyzet Kft. végezte Felelős vezető Marosi Györgyné ügyvezető igazgató CONTENTS Acknowledgements ................................................................................................. vii Introduction ............................................................................................................ 1 CHAPTER ONE FORMER UNDERSTANDINGS ..................................................................................... 11 1.1 Traditional views ........................................................................................... 12 1.1.1 Ganlu Zishu ........................................................................................ 13 1.1.2 Hanjian .............................................................................................. 15 1.2 Modern views ................................................................................................ 20 1.2.1 Noel Barnard ..................................................................................... -
A Comparative Analysis of the Simplification of Chinese Characters in Japan and China
CONTRASTING APPROACHES TO CHINESE CHARACTER REFORM: A COMPARATIVE ANALYSIS OF THE SIMPLIFICATION OF CHINESE CHARACTERS IN JAPAN AND CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2012 By Kei Imafuku Thesis Committee: Alexander Vovin, Chairperson Robert Huey Dina Rudolph Yoshimi ACKNOWLEDGEMENTS I would like to express deep gratitude to Alexander Vovin, Robert Huey, and Dina R. Yoshimi for their Japanese and Chinese expertise and kind encouragement throughout the writing of this thesis. Their guidance, as well as the support of the Center for Japanese Studies, School of Pacific and Asian Studies, and the East-West Center, has been invaluable. i ABSTRACT Due to the complexity and number of Chinese characters used in Chinese and Japanese, some characters were the target of simplification reforms. However, Japanese and Chinese simplifications frequently differed, resulting in the existence of multiple forms of the same character being used in different places. This study investigates the differences between the Japanese and Chinese simplifications and the effects of the simplification techniques implemented by each side. The more conservative Japanese simplifications were achieved by instating simpler historical character variants while the more radical Chinese simplifications were achieved primarily through the use of whole cursive script forms and phonetic simplification techniques. These techniques, however, have been criticized for their detrimental effects on character recognition, semantic and phonetic clarity, and consistency – issues less present with the Japanese approach. By comparing the Japanese and Chinese simplification techniques, this study seeks to determine the characteristics of more effective, less controversial Chinese character simplifications. -
The Origin and Evolvement of Chinese Characters
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal Czasopism Naukowych (E-Journals) BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. -
Three Debates on the Historicity of the Xia Dynasty
Journal of chinese humanities 5 (2019) 78-104 brill.com/joch Faithful History or Unreliable History: Three Debates on the Historicity of the Xia Dynasty Chen Minzhen 陳民鎮 Assistant Researcher, Beijing Language and Culture University, China [email protected] Translated by Carl Gene Fordham Abstract Three debates on the historicity of the Xia dynasty [ca. 2100-1600 BCE] have occurred, spanning the 1920s and 1930s, the late 1900s and early 2000s, and recent years. In the first debate, Gu Jiegang 顧頡剛 [1893-1980], Wang Guowei 王國維 [1877-1927], and Xu Xusheng 徐旭生 [1888-1976] pioneered three avenues for exploring the history of the Xia period. The second debate unfolded in the context of the Doubting Antiquity School [Yigupai 疑古派] and the Believing Antiquity School [Zouchu yigu 走出疑古] and can be considered a continuation of the first debate. The third debate, which is steadily increasing in influence, features the introduction of new materials, methods, and perspectives and is informed by research into the origins of Chinese civilization, a field that is now in a phase of integration. Keywords doubting antiquity – faithful history – unreliable history – Xia dynasty The question of the historicity of the Xia dynasty [ca. 2100-1600 BCE] may be considered from two perspectives. First, did the Xia dynasty exist? Second, on the whole, are the accounts relating to the Xia dynasty as recorded in ancient texts reliable? This perspective tends to center upon the veracity of the his- torical events involving Yu the Great 大禹. Different people at different -
Religion and Nationalism in Chinese Societies
RELIGION AND SOCIETY IN ASIA Kuo (ed.) Kuo Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Religion and Nationalism in Chinese Societies Religion and Nationalism in Chinese Societies Religion and Society in Asia The Religion and Society in Asia series presents state-of-the-art cross-disciplinary academic research on colonial, postcolonial and contemporary entanglements between the socio-political and the religious, including the politics of religion, throughout Asian societies. It thus explores how tenets of faith, ritual practices and religious authorities directly and indirectly impact on local moral geographies, identity politics, political parties, civil society organizations, economic interests, and the law. It brings into view how tenets of faith, ritual practices and religious authorities are in turn configured according to socio-political, economic as well as security interests. The series provides brand new comparative material on how notions of self and other as well as justice and the commonweal have been predicated upon ‘the religious’ in Asia since the colonial/imperialist period until today. Series Editors Martin Ramstedt, Max Planck Institute for Social Anthropology, Halle Stefania Travagnin, University of Groningen Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Amsterdam University Press This book is sponsored by the 2017 Chiang Ching-kuo Foundation for International Scholarly Exchange (Taiwan; SP002-D-16) and co-sponsored by the International Institute of Asian Studies (the Netherlands). Cover illustration: Chairman Mao Memorial Hall in Beijing © Cheng-tian Kuo Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. -
Journal of Song-Yuan Studies
JOURNAL OF SONG-YUAN STUDIES JOURNAL OF SONG-YUAN STUDIES 38 70 JSYS (ISSN 1059-3152) is an annual publication devoted to promoting scholar ship in all disciplines related to the Song, Liao, Jin, Xia, and Yuan dynasties in China. Thirty-eight issues have been published since 1970, many of which are available form the journal's website (http://www.humanities.uci.edu/ eastasian/SungYuan/JSYS/index.htm); the website also offers subscription information. Beginning with no. 39 (2009) ]SYS will also be available via Project Muse. Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.14, on 02 Oct 2021 at 01:44:25, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0362502800001784 , Institute o/ ±J ) East Asian Studies / University of California, Berkeley China Research Monographs Exorcism and Money The Ancestral Landscape The Symbolic World of the Five-Fury Spirits in Late Imperial China Time, Space, and Community in Late Shang China (ca. 1200-1045 B.C.) David N. Keightley Qitao Guo CHINA RESEARCH MONOGRAPH 53 CHINA RESEARCH MONOCRAPH 55 David N. Keightley Qitao Guo The Ancestral Landscape: Time, Exorcism and Money: The Space, and Community in Late Symbolic World of the Five-Fury Shang China (ca. 1200-1045 B.C) Spirits in Late Imperial China $15.00 $18.00 To receive an announcement when a new monograph is published, subscribe to our mailing list by sending a message with "Subscribe" in the subject line to [email protected]. To order books and journals, and for general information, please see http://ieas.berkeley.edu/publications/orcall 510.643.6325. -
Seen in the Recipes for Fifty-Two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript †
755 의사학 제28권 제3호(통권 제63호) 2019년 12월 Korean J Med Hist 28ː755-786 December 2019 ⓒ대한의사학회 http://dx.doi.org/10.13081/kjmh.2019.28.755 pISSN 1225-505X, eISSN 2093-5609 A Research on the Shamanistic Medical Activities as Seen in the Recipes for Fifty-two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript † CHO Yongjun* 1. Introduction 2. A Brief Introduction of the Recipes for Fifty-two Ailments 3. ‘Zhuyou (祝由)’ Activities 4. ‘Zhuyichuxiong (逐疫除凶)’ Activities 5. Curing Maggots Activities 6. Conclusion 1. Introduction As early as the primitive period, in order to survive and reproduce, human beings have made unremitting efforts to prevent and treat diseases that endanger and affect human life and health. Therefore, the ancients had knowledge about the treatment of common traumatic symptoms. Many archaeological results reveal that up until and before the Shang (商) era and Zhou (周) dynasties, the identification of symptoms and causes had reached a fairly high level. On one hand, through the † I would like to express my heartfelt thanks to my two friends, Mr. Guillaume Maisonneuve and Mr. Benjamin Giaimo, for their great English translation of this article. * Assistant Professor, School of History in Renmin University of China, China / E-mail: [email protected]. 755│ 醫史學 제28권 제3호(통권 제63호) 755-786, 2019년 12월 │755 CHO Yongjun : A Research on the Shamanistic Medical Activities as Seen in the Recipes for Fifty- two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript accumulation of numerous successful or unsuccessful experiences, the methods of medical treatment and the social customs of health care marked, to a certain extent, the civilized development of social life at that time, and at the same time, marked the establishment and improvement of the medical system of later generations in China, laying its foundation (CHO, 2011: 322-325). -
A Study of the Standardization of Chinese Writing/ Ying Wang University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2008 A study of the standardization of Chinese writing/ Ying Wang University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Wang, Ying, "A study of the standardization of Chinese writing/" (2008). Masters Theses 1911 - February 2014. 2060. Retrieved from https://scholarworks.umass.edu/theses/2060 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A STUDY OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Asian Languages and Literatures © Copyright by Ying Wang All Rights Reserved STUDIES OF THE STANDARDIZATION OF CHINESE WRITING A Thesis Presented by YING WANG Approved as to style and content by: hongwei Shen, Chair Donald E. GjertsoH, Member Enhua Zhang, Member hongwei Shen, Director Asian Languages and Literatures Program Department of Languages, Literatures and Cultures Julie Caii s, Chair Departira hguages, Literatures and Cultures ACKNOWLEDGEMENTS I would like to earnestly thank my advisor, Professor Zhongwei Shen, for his helpful, patient guidance and support in all the stages of my thesis writing. Thanks are also due to my committee members Professor Donald Gjertson and Professor Enhua Zhang, for their generous help. My friends, Mathew Flannery and Charlotte Mason, have also edited thesis my in various stages, and to them I am truly grateful. -
A Study of the Guodian Confucian Texts
Early Confucianism: A Study of the Guodian Confucian Texts Item Type text; Electronic Dissertation Authors Wong, Kwan Leung Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 06:38:27 Link to Item http://hdl.handle.net/10150/195186 EARLY CONFUCIANISM: A STUDY OF THE GUODIAN CONFUCIAN TEXTS by Kwan Leung Wong _______________________________ Copyright © Kwan Leung Wong 2006 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2006 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kwan Leung Wong entitled EARLY CONFUCIANISM: A STUDY OF THE GUODIAN CONFUCIAN TEXTS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ______________________________________________________________________ Date: March 24, 2006 Jiang Wu Dissertation Chair _______________________________________________ Date: March 24, 2006 Donald Harper Dissetation Co-chair ________________________________________________ Date: March 24, 2006 Anna M. Shields Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
Big Ding 鼎 and China Power: Divine Authority and Legitimacy
Big Ding 鼎 and China Power: Divine Authority and Legitimacy ELIZABETH CHILDS-JOHNSON By the eastern zhou and imperial eras of Chinese history, a legend had grown cel- ebrating the ding 鼎 bronze vessel as the preeminent symbol of state authority and divine power. The mythic theme of “The First Emperor’s [Qin Shi Huangdi’s] Search for the Zhou Ding” or “The First Qin Emperor’s Failure to Discover the Ding” deco- rate the main gables of more than several Eastern Han funerary shrines, including Xiaotangshan and Wuliang in Shandong province (Wu 1989 : 138, 348). Pre-Han records in the Zuozhuan: 7th year of Duke Zhao (左传: 昭公七年) as well as the “Geng- zhu” chapter in the Mozi (墨子: 耕柱篇) record the significance of this mythic representation. The Mozi passage states: In ancient times, King Qi of the Xia [Xia Qi Wang] commissioned Feilian to dig minerals in mountains and rivers and to use clay molds, casting the ding at Kunwu. He ordered Wengnanyi to divine with the help of the tortoise from Bairuo, saying: “Let the ding, when completed, have a square body and four legs. Let them be able to boil without kindling, to hide themselves without being lifted, and to move themselves without being carried so that they will be used for sacrifice at Kunwu.” Yi interpreted the oracle as saying: “The offering has been accepted. When the nine ding have been completed, they will be ‘transferred’ down to three kingdoms. When Xia loses them, people of the Yin will possess them, and when people of the Yin lose them, people of the Zhou will pos- sess them.”1 [italics added] As maintained in this article, the inspiration for this popular legend of mythic power most likely originated during dynastic Shang times with the first casting in bronze of the monumental, four-legged ding. -
12.B Excavated Texts
Tsang Wing Ma 12.B Excavated Texts I Introduction At the time of cultivating the fields, I do not wish to levy the black-headed ones. 田時殹(也),不欲興黔首。1 This passage is seen on the front side of three published wooden documents found from the well no. 1 at the Liye里耶 site in Hunan Province, which was the office of Qianling County遷陵縣 in the Qin秦 State and Empire. The passage is part of an instruction given by a governor (shou守) of Dongting Commandery洞庭郡, 2 named Li禮, on mobilizing laborers for the transportation of armaments from Dongting Commandery to the Capital Area and other commanderies in 220 . During the reform of official terminologies held after the Qin unification in 221 , the term min民(‘commoner’) was changed to qianshou黔首(‘black-headed one’). 3 In his instruction, Governor Li refers to an ordinance (ling令) that stipulates that when levying laborers for delivery and transportation, officials must first mobilize the forced laborers and people who were paying off fines, redemption-fees, or debts by their labor; only when there was an urgent matter that could not be delayed, the officials could levy the black-headed ones for government service.4 Governor Li adds the above-quoted passage in order to explain his intention behind the instruc- tion, which was passed from Dongting Commandery to Qianling County on March 30, right in the middle of a peak season in agricultural production. Governor Li’s instruction shows us two basic principles of the state economy during the Qin. First, the Qin placed agricultural production, also known as‘the fundamental occupation’(benye本業), as a higher priority than other types of pro- duction, which appears to be in line with the records in transmitted texts such as Hunan sheng wenwu kaogu yanjiusuo 2007, 192–194, board nos. -
The Origin and Evolvement of Chinese Characters
BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. 2 Worshiping the Three Sage Kings and Five Virtuous Emperors – The Imperial Temple of Emperors of Successive Dynasties in Beijing, Beijing 2007.