The Monosyllabicization of Old Chinese and the Birth of Chinese Writing: a Hypothesis on the Co-Evolution of the Chinese Language and Its Writing System1
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Orthography of Early Chinese Writing: Evidence from Newly Excavated Manuscripts
IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS DEPARTMENT OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2006 The present volume was published with the support of the Chiang Ching-kuo Foundation. © Imre Galambos, 2006 ISBN 963 463 811 2 ISSN 1787-7482 Responsible for the edition: Imre Hamar Megjelent a Balassi Kiadó gondozásában (???) A nyomdai munkálatokat (???)a Dabas-Jegyzet Kft. végezte Felelős vezető Marosi Györgyné ügyvezető igazgató CONTENTS Acknowledgements ................................................................................................. vii Introduction ............................................................................................................ 1 CHAPTER ONE FORMER UNDERSTANDINGS ..................................................................................... 11 1.1 Traditional views ........................................................................................... 12 1.1.1 Ganlu Zishu ........................................................................................ 13 1.1.2 Hanjian .............................................................................................. 15 1.2 Modern views ................................................................................................ 20 1.2.1 Noel Barnard ..................................................................................... -
A Comparative Analysis of the Simplification of Chinese Characters in Japan and China
CONTRASTING APPROACHES TO CHINESE CHARACTER REFORM: A COMPARATIVE ANALYSIS OF THE SIMPLIFICATION OF CHINESE CHARACTERS IN JAPAN AND CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2012 By Kei Imafuku Thesis Committee: Alexander Vovin, Chairperson Robert Huey Dina Rudolph Yoshimi ACKNOWLEDGEMENTS I would like to express deep gratitude to Alexander Vovin, Robert Huey, and Dina R. Yoshimi for their Japanese and Chinese expertise and kind encouragement throughout the writing of this thesis. Their guidance, as well as the support of the Center for Japanese Studies, School of Pacific and Asian Studies, and the East-West Center, has been invaluable. i ABSTRACT Due to the complexity and number of Chinese characters used in Chinese and Japanese, some characters were the target of simplification reforms. However, Japanese and Chinese simplifications frequently differed, resulting in the existence of multiple forms of the same character being used in different places. This study investigates the differences between the Japanese and Chinese simplifications and the effects of the simplification techniques implemented by each side. The more conservative Japanese simplifications were achieved by instating simpler historical character variants while the more radical Chinese simplifications were achieved primarily through the use of whole cursive script forms and phonetic simplification techniques. These techniques, however, have been criticized for their detrimental effects on character recognition, semantic and phonetic clarity, and consistency – issues less present with the Japanese approach. By comparing the Japanese and Chinese simplification techniques, this study seeks to determine the characteristics of more effective, less controversial Chinese character simplifications. -
Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese
Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese Grainger Lanneau A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Zev Handel William Boltz Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2020 Grainger Lanneau University of Washington Abstract Glottal Stop Initials and Nasalization in Sino-Vietnamese and Southern Chinese Grainger Lanneau Chair of Supervisory Committee: Professor Zev Handel Asian Languages and Literature Middle Chinese glottal stop Ying [ʔ-] initials usually develop into zero initials with rare occasions of nasalization in modern day Sinitic1 languages and Sino-Vietnamese. Scholars such as Edwin Pullyblank (1984) and Jiang Jialu (2011) have briefly mentioned this development but have not yet thoroughly investigated it. There are approximately 26 Sino-Vietnamese words2 with Ying- initials that nasalize. Scholars such as John Phan (2013: 2016) and Hilario deSousa (2016) argue that Sino-Vietnamese in part comes from a spoken interaction between Việt-Mường and Chinese speakers in Annam speaking a variety of Chinese called Annamese Middle Chinese AMC, part of a larger dialect continuum called Southwestern Middle Chinese SMC. Phan and deSousa also claim that SMC developed into dialects spoken 1 I will use the terms “Sinitic” and “Chinese” interchangeably to refer to languages and speakers of the Sinitic branch of the Sino-Tibetan language family. 2 For the sake of simplicity, I shall refer to free and bound morphemes alike as “words.” 1 in Southwestern China today (Phan, Desousa: 2016). Using data of dialects mentioned by Phan and deSousa in their hypothesis, this study investigates initial nasalization in Ying-initial words in Southwestern Chinese Languages and in the 26 Sino-Vietnamese words. -
Reports/Opinions
REPORTS/OPINIONS REPORTS/OPINIONS Marián GÁLIK REPORT ON THE FIRST EU-CHINA HIGH LEVEL CULTURAL FORUM IN BRUSSELS: REFLECTIONS OF A PARTICIPANT On the occasion of the 13th EU-China Summit on October 6 – 7, 2010, probably upon the initiative of the Transcultura International Institute and its Chinese counterpart in the agreement with the President of the European Commission Jose Manual Barroso and Premier of the People’s Republic of China Wen Jiabao, a cultural forum was held in the Berlaymont building of the European Commission as an attempt to promote cultural understanding and future cooperation between the countries of the European Union and Mainland China. A letter distributed to the participants on their arrival stated that it “aims to bring together key researchers and theorists – both European and Chinese – to engage in cross-cultural reflection as to what might provide the foundation for an alliance between the European and Chinese civilizations.” The organizers even had an idea to conceive it as a “Cultural Davos”. In some respect it could be similar to Davos, since the organizers and their sponsors intend to make it durable, to proceed in the future in the form of annual meetings held alternatively in China and in Europe. It is true that this was an unprecedented opportunity for European scholars, artists and sociologists both from China and Europe to meet with the financial help of the highest representatives of both political bodies, but the short hint concerning the exchange of ideas about their respective political systems, was probably a compromise from the European side. The topic and themes of the forum may have been prepared at the beginning by the International Transcultura Institute and its Chinese counterpart, but from the correspondence the future participants received, and from the changes in the lists of the names, it was clear, that in the last stage of preparations, the Chinese Ministry of Culture exerted pressure, and the outcome was that preference was given to the political scientists. -
LOT Dissertation Series
Cover Page The handle http://hdl.handle.net/1887/19983 holds various files of this Leiden University dissertation. Author: Scholz, Franziska Title: Tone sandhi, prosodic phrasing, and focus marking in Wenzhou Chinese Issue Date: 2012-10-18 References Alexiadou, Artemis. 1997. Adverb Placement: A Case Study in Antisymmetric Syntax . Amsterdam: John Benjamins. Arvaniti, Amalia. 2003. Peak scaling in Greek and the role of declination. Proceedings of the 15th International Congress of Phonetic Sciences , Barcelona. 2269-2272. Avesani, Cinzia. 1987. Declination and sentence intonation in Italian. Quaderni del Laboratorio di Linguistica della Scuola Normale Superiore di Pisa 1(1). 8- 23. Baltazani, Mary. 2006. Focus, prosodic phrasing, and hiatus resolution in Greek. Laboratory Phonology 8 , ed. by Louis Goldstein, D.H. Whalen and Catherine T. Best, 473-494. Berlin/New York: Mouton de Gruyter. Baumann, Stefan, Johannes Becker, Martine Grice, and Doris Mücke. 2007. Tonal and articulatory marking of focus in German. Proceedings of the 16th International Congress of Phonetic Sciences , Saarbrücken. 1029-1032. Baumann, Stefan, Martine Grice, and Susanne Steindamm. 2006. Prosodic Marking of Focus Domains - Categorical or Gradient? Proceedings of the 3rd International Conference on Speech Prosody , Dresden. 301-304. Bishop, Jason. 2010. Information Structural Expectations in the Perception of Prosodic Prominence. UCLA Working Papers in Phonetics 108(1). 203-225. Boersma, Paul, and David Weenink. 2001. Praat, a system for doing phonetics by computer. Glot International 5(9/10). 341-345. Breen, Mara, Evelina Fedorenko, Michael Wagner, and Edward Gibson. 2010. Acoustic correlates of information structure. Language and Cognitive Processes 25(7). 1044-1098. 194 REFERENCES Breen, Mara, Duane G. -
Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, the University of Kansas
Language and Linguistics Compass 4/12 (2010): 1137–1153, 10.1111/j.1749-818x.2010.00259.x Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, The University of Kansas Abstract Chinese tone has played an important role in the development of phonological theory from dis- tinctive features and autosegmental phonology to Optimality Theory and its various adaptations. This article reviews some past and current issues in the analysis of Chinese tone and points out how the development of theoretical phonology has shaped the highs and lows of this research enterprise. To fruitfully proceed into the future, I plead to phonologists working in this area to cultivate a new respect for empirical data based on well-designed phonetic and psycholinguistic studies. This is necessitated by the observations that speakers’ knowledge of tone and tone sandhi may not be identical to their patterns in the lexicon, and impressionistic transcriptions, no matter how careful, can be inaccurate. Moreover, patterns of tone in Chinese are rich in variation, gradi- ence, and exceptions due to dialectal contact and the influence from the dominant Standard Chi- nese, and existing research has shown that the productivity of Chinese tone sandhi patterns is influenced by both categorical factors such as phonological opacity and gradient factors such as the phonetic nature and the frequency of usage of the sandhi. An empirical basis built around these issues will allow the study of Chinese tone to make continued contributions to the development of phonological theory and our understanding of speakers’ phonological knowledge. 1. Introduction It is well known that Chinese languages are tonal, in that the pitch with which a syllable is uttered can cue meaning differences. -
The Origin and Evolvement of Chinese Characters
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal Czasopism Naukowych (E-Journals) BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. -
Pitch and Phonation Type Perception in Wenzhou Dialect Tone
TAL 2012 ̶ Third International ISCA Archive Symposium on Tonal Aspects of http://www.isca-speech.org/archive Languages Nanjing, China, May 26-29, 2012 Pitch and Phonation Type Perception in Wenzhou Dialect Tone Xu Xiaoying1, Liu Xuefei2, Tao Jianhua3, Che Hao4 1, 2PSC Center/School of Chinese Language & Literature, Beijing Normal University, China 1, 2, 3, 4 NLPR, Institute of Automation, Chinese Academy of Sciences, Beijing, China [email protected], [email protected], {jhtao, hche}@nlpr.ia.ac.cn Some stimuli, especially tone 4, could carry a wide range of Abstract F0 contours and still be identified as belonging to the original Wenzhou dialect is characterized by alarge tonal inventory tonal category; many other tones, however, were perceived as and tones which combine pitch contour and phonation type belonging to other categories with only slight modifications to cues. In this paper, a perception experiment was conducted to F0. IV) Phonation type impacts the identification of some tone investigate identification cues of the eight tones in Wenzhou. categories. Below, based on the results, the phonological The results of the experiment show that: I) Not all native organization of Wenzhou tone system is examined and the speakers can identify tones using pitch contour alone. II) It implications for reconstructing the Middle Chinese tonal was difficult for participants to recognize tone 1. III) Some system are discussed. stimuli, especially tone 4, could carry a wide range of F0 The rest of the paper is organized as follows. Section 2 contours and still be identified as belonging to the original reviews the relevant literature. -
Toponyms of the Nanzhao Periphery/ John C
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2003 Toponyms of the Nanzhao periphery/ John C. Lloyd University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Lloyd, John C., "Toponyms of the Nanzhao periphery/" (2003). Masters Theses 1911 - February 2014. 1727. Retrieved from https://scholarworks.umass.edu/theses/1727 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. TOPONYMS OF THE NANZHAO PERIPHERY A Thesis Presented by John C. Lloyd Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2003 Chinese TOPONYMS OF THE NANZHAO PERIPHERY A Thesis Presented by John C. Lloyd Approved as to style and content by Zhongwei/Shen, Chair Alvin P. Cohen, Memb Piper Rae-Ciaubatz, Member Donald Gjertson, Department Head Asian Languages and Literatures TABLE OF CONTENTS Page LIST OF MAPS iv CHAPTER L THE NON-CHINESE TRIBES OF ANCIENT YUNNAN PROVINCE l 1.1 Introduction ^ 1 .2 Background of the Tai-Nanzhao Debate 9 II. TOPONYMS OF THE NANZHAO PERIPHERY 22 2.1 Explanation of Method 22 2.2 Historical Phonology of the Toponymic Elements 25 The Northwest 2.3 Border of Zhenla Eli, 7'^8'^enturies: Shaiiguo"f^i'and Can Ban #^ 27 2.4 The mang-/ head ^- element toponyms of the Nanzhao border areas 37 III. -
Three Debates on the Historicity of the Xia Dynasty
Journal of chinese humanities 5 (2019) 78-104 brill.com/joch Faithful History or Unreliable History: Three Debates on the Historicity of the Xia Dynasty Chen Minzhen 陳民鎮 Assistant Researcher, Beijing Language and Culture University, China [email protected] Translated by Carl Gene Fordham Abstract Three debates on the historicity of the Xia dynasty [ca. 2100-1600 BCE] have occurred, spanning the 1920s and 1930s, the late 1900s and early 2000s, and recent years. In the first debate, Gu Jiegang 顧頡剛 [1893-1980], Wang Guowei 王國維 [1877-1927], and Xu Xusheng 徐旭生 [1888-1976] pioneered three avenues for exploring the history of the Xia period. The second debate unfolded in the context of the Doubting Antiquity School [Yigupai 疑古派] and the Believing Antiquity School [Zouchu yigu 走出疑古] and can be considered a continuation of the first debate. The third debate, which is steadily increasing in influence, features the introduction of new materials, methods, and perspectives and is informed by research into the origins of Chinese civilization, a field that is now in a phase of integration. Keywords doubting antiquity – faithful history – unreliable history – Xia dynasty The question of the historicity of the Xia dynasty [ca. 2100-1600 BCE] may be considered from two perspectives. First, did the Xia dynasty exist? Second, on the whole, are the accounts relating to the Xia dynasty as recorded in ancient texts reliable? This perspective tends to center upon the veracity of the his- torical events involving Yu the Great 大禹. Different people at different -
Religion and Nationalism in Chinese Societies
RELIGION AND SOCIETY IN ASIA Kuo (ed.) Kuo Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Religion and Nationalism in Chinese Societies Religion and Nationalism in Chinese Societies Religion and Society in Asia The Religion and Society in Asia series presents state-of-the-art cross-disciplinary academic research on colonial, postcolonial and contemporary entanglements between the socio-political and the religious, including the politics of religion, throughout Asian societies. It thus explores how tenets of faith, ritual practices and religious authorities directly and indirectly impact on local moral geographies, identity politics, political parties, civil society organizations, economic interests, and the law. It brings into view how tenets of faith, ritual practices and religious authorities are in turn configured according to socio-political, economic as well as security interests. The series provides brand new comparative material on how notions of self and other as well as justice and the commonweal have been predicated upon ‘the religious’ in Asia since the colonial/imperialist period until today. Series Editors Martin Ramstedt, Max Planck Institute for Social Anthropology, Halle Stefania Travagnin, University of Groningen Religion and Nationalism in Chinese Societies Edited by Cheng-tian Kuo Amsterdam University Press This book is sponsored by the 2017 Chiang Ching-kuo Foundation for International Scholarly Exchange (Taiwan; SP002-D-16) and co-sponsored by the International Institute of Asian Studies (the Netherlands). Cover illustration: Chairman Mao Memorial Hall in Beijing © Cheng-tian Kuo Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. -
Journal of Song-Yuan Studies
JOURNAL OF SONG-YUAN STUDIES JOURNAL OF SONG-YUAN STUDIES 38 70 JSYS (ISSN 1059-3152) is an annual publication devoted to promoting scholar ship in all disciplines related to the Song, Liao, Jin, Xia, and Yuan dynasties in China. Thirty-eight issues have been published since 1970, many of which are available form the journal's website (http://www.humanities.uci.edu/ eastasian/SungYuan/JSYS/index.htm); the website also offers subscription information. Beginning with no. 39 (2009) ]SYS will also be available via Project Muse. Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.14, on 02 Oct 2021 at 01:44:25, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0362502800001784 , Institute o/ ±J ) East Asian Studies / University of California, Berkeley China Research Monographs Exorcism and Money The Ancestral Landscape The Symbolic World of the Five-Fury Spirits in Late Imperial China Time, Space, and Community in Late Shang China (ca. 1200-1045 B.C.) David N. Keightley Qitao Guo CHINA RESEARCH MONOGRAPH 53 CHINA RESEARCH MONOCRAPH 55 David N. Keightley Qitao Guo The Ancestral Landscape: Time, Exorcism and Money: The Space, and Community in Late Symbolic World of the Five-Fury Shang China (ca. 1200-1045 B.C) Spirits in Late Imperial China $15.00 $18.00 To receive an announcement when a new monograph is published, subscribe to our mailing list by sending a message with "Subscribe" in the subject line to [email protected]. To order books and journals, and for general information, please see http://ieas.berkeley.edu/publications/orcall 510.643.6325.